At the time, bossa nova was all the rage from Rio to New York, adding a peppery touch to jazz like an exotic local spice. Just three years later, however, this talented young woman with a bright future tried to distance herself from music by studying law. Her fingers continued to yearn for the piano, however, and she finally gave in to its insistent call, committing herself to music with more fervour than ever. After shuttling between gigs in Rio and Sao Paulo, she recorded her first album at the age of 20, for Warner.
As early as 1969, her first musical performances clearly showed her potential and her predilections: an astounding mix of Brazilian rhythms and jazz harmonies, underpinning a remarkable natural gift for spinning sophisticated melodies.
Tania’s first album, Olha Quem Chega, was released in Brazil in 1971, but it was a move to France in the late 1970’s that enabled her to explode onto the international jazz scene. At a concert in Australia, her formidable musical precision and freewheeling spirit caught the attention of guitarist Charlie Byrd, who recommended her to Carl Jefferson, founder of Concord Records.
A move to New York followed, and in 1983, she released the album Come With Me on Concord Records. The title track became a huge international smash hit, and is still played on the radio and in clubs all over Europe, Japan, and America.
She has also done a lot of traveling in her time, from the Paris nightlife of the 1970s, where she met Claude Nougaro, to the New York fusion years in the 1980s; she has lived in both cities, and both continue to live in her. She's also taken part in virtually every major jazz festival in the world, from Montreux to New Orleans, Tokyo and Nice. Tania Maria is an accomplished musician who, though always attracted to swing and jazz, has never forgotten the fundamental beats of her native choro and samba
After 36 years and over 25 albums, and by way of such runaway hit songs such as "Piquant", "Come With Me" and "Made In New York", Tania Maria stands out as one of the truly great talents on the Brazilian music scene, where she is known for her unmistakable voice, whose sultry low tones can lay down a serious groove, and for her percussive touch at the piano, where things can suddenly take a more classical turn.
On her latest release entitled Tempo, she’s paired with bassist Eddie Gomez. Tempo feels like a terrific late set at a small jazz club in Rio, Paris, or New York. Tania and Eddie have recorded together before, and their intuitive interplay makes Tempo a special session. Tempo is being released on the French label Naïve,and it’s the work of a mature, talented artist who's been around long enough to know how to make everything she does sound near perfect.
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