The origins of this recording go back forty years to Princeton, NJ with two precocious kids tuning into MTV and discovering a whole world of music. The opening notes and images of The Police’s “Every Breath You Take” captivated their young minds, and they were entranced by the videos for “Synchronicity II” and “Wrapped Around Your Finger.”
“There were a ton of videos that we saw on MTV, but those had such major influence. That shapes your brain when you’re a kid. That record is in our blood,” said Geoff. George added, “Synchronicity I is punk as f*ck! It's so exciting when you hear that riff in the intro. Also, that is the bit of music that Geoff used to test VLCs in the first years of Hazelrigg Industries.” On that note, outside of playing music, the brothers’ “day job” is Hazelrigg Industries www.HazelriggIndustries.com, as designers and manufacturers of high-end studio recording gear used by top producers, engineers and artists around the world.
The Hazelrigg Brothers did an arrangement of “Synchronicity II” for a recording they made in the nineties, so the idea for this album had been marinating for a while. George elaborates, “We've been on this kick with The Police for a long time. We worked on the arrangement for “Miss Gradenko” for years. It went through dozens of iterations before we wound up with what we have on this record.”
This album was born out of love for Synchronicity, arguably The Police’s crowning achievement, and a desire to commemorate and celebrate the album’s fortieth anniversary. “I remember being in high school and having that record on nonstop; I had it in my Walkman forever,” said Geoff. Getting right to point, George added, “I think so many of the songs on the record really resonate, I mean, they’re all so good,” a sentiment most of us can wholeheartedly agree with.