The Quiet Storm Enters a New Era as Lenny Green Partners with Compass Media Networks

One of radio's most enduring and beloved brands is entering an exciting new chapter. Beginning June 1, 2026, The Quiet Storm with Lenny Green will be nationally syndicated through Compass Media Networks, which will oversee the program's marketing, distribution, and advertising sales while WBLS 107.5 FM in New York City continues as the show's flagship station.

For generations of listeners, The Quiet Storm has been more than a radio program—it has been a nightly ritual. Blending smooth R&B, soulful ballads, and intimate conversation, the show has provided the soundtrack for quiet evenings, romantic moments, late-night reflection, and countless memories.

The Quiet Storm format has deep roots in radio history. The concept originated in 1976 at Washington, D.C.'s WHUR-FM, inspired by Smokey Robinson's album A Quiet Storm. The original host, the legendary Melvin Lindsey, created a sophisticated late-night format that paired mellow soul music with an understated, conversational presentation. The format quickly became a national phenomenon, influencing radio stations across the country.

In New York, The Quiet Storm became synonymous with WBLS and legendary broadcaster Vaughn Harper, whose rich, velvet voice made him one of the most recognizable personalities in urban radio. Harper's signature sign-on—"Hello, sweetheart"—and his smooth delivery helped define the program for decades, creating an intimate connection with listeners that made The Quiet Storm a cultural institution.

Today, Lenny Green proudly carries that legacy forward.

Broadcast nationally from 7 p.m. to midnight Monday through Thursday and 7 p.m. to 10 p.m. on Sundays, The Quiet Storm with Lenny Green reaches audiences across the country through affiliates including WBLS in New York, WJMR in Milwaukee, KRMP in Oklahoma City, WTUG in Tuscaloosa, KJMH in Lafayette, WAKB in Augusta, and many more.

Known for his warm personality and authentic connection with listeners, Green has become one of radio's most respected voices. His thoughtful storytelling and carefully curated mix of classic and contemporary R&B continue the tradition that made The Quiet Storm one of the most successful nighttime radio formats ever created.

Reflecting on the new partnership, Green said, "I'm blessed to be in the position I'm in, and my ultimate goal is to continue to touch lives and spread love to more cities. The Quiet Storm has always been about connection, passion, and bringing people together through music and conversation. I'm excited to begin this new chapter with Compass Media Networks as we continue growing the brand and reaching even more listeners nationwide."

Nancy Abramson, Senior Vice President of Affiliate Sales and Content for Compass Media Networks, expressed similar enthusiasm, noting that she has long admired both Lenny Green and The Quiet Storm, describing him as a personality who is deeply respected by affiliates and listeners alike.

Beyond his work behind the microphone, Green has earned numerous honors throughout his career, including Billboard's Air Personality of the Year. He is also recognized for his philanthropic efforts, mentoring emerging artists, hosting charitable events, and establishing the Juanita Green Women of Dignity Award, created in honor of his late mother.

Nearly five decades after The Quiet Storm first changed the sound of late-night radio, the format continues to evolve while remaining true to its original mission: creating a space where great music, meaningful conversation, and genuine human connection come together. With this new syndication partnership, Lenny Green is poised to introduce that timeless experience to even more listeners across America.

Stefon Harris Celebrates 20 Years of Blackout with Legacy Dances, a Powerful Tribute to Casey Benjamin

Four-time GRAMMY®-nominated vibraphonist, composer, educator, and arts leader Stefon Harris marks the 20th anniversary of his groundbreaking ensemble Blackout with Legacy Dances, an inspiring new album that celebrates community, ancestry, innovation, and the transformative power of jazz.

Set for release on August 28, Legacy Dances is both a milestone and a deeply personal tribute. The album honors the extraordinary legacy of electro-jazz pioneer Casey Benjamin, a founding member of Blackout whose sudden passing in 2024 profoundly impacted the band and the jazz community. Rather than ending the group's anniversary celebration, the recording transforms loss into a celebration of creativity, friendship, and enduring artistic influence.

The album will be introduced through a series of singles, beginning with "I Know Love" on May 8 and "What a Wonderful World" on June 5, both showcasing Benjamin's signature vocoder artistry. Harris then follows with two original instrumental compositions, "Echoes of the Lion" on July 3 and "A Radical's Love" on July 31, before unveiling the complete 11-track album.

Since its debut with Evolution in 2004, Blackout has consistently redefined the possibilities of modern jazz by blending virtuosic musicianship with hip-hop, funk, fusion, R&B, and global rhythmic traditions. Harris's breathtaking command of the vibraphone and marimba, combined with the adventurous performances of pianist Marc Cary, drummer Terreon Gully, and especially Casey Benjamin's revolutionary use of electronically processed saxophone, vocoder, and aerophone, established Blackout as one of the most forward-thinking ensembles of its generation.

Reflecting on his longtime friend, Harris says:

"Every once in a while, a truly original being shares this limited space and time with us. Casey occupied a rarefied space brimming with genius, audacity, kindness, and humility. We were all incredibly lucky to have been blessed with the opportunity to create beauty with a true musical master."

Throughout Legacy Dances, Harris explores his philosophy of jazz as "Empathy in Action," viewing the music as a living tradition built upon listening, communication, and collective expression. As he writes in the album's liner notes, jazz carries within its DNA "a blueprint for the transformative power of empathy," providing generations of musicians with tools to amplify the voices and experiences of their communities.

That philosophy resonates across every composition. The title track bursts with energy as Harris's shimmering vibraphone intertwines with Benjamin's soaring saxophone over an irresistible groove, while Christian Sands makes his first appearance with Blackout on piano. Supported by Terreon Gully's masterful drumming and Dezron Douglass's commanding bass lines, the ensemble seamlessly balances intricate composition with fearless improvisation.

The album also pays homage to jazz history with inspired interpretations of Louis Armstrong classics "What a Wonderful World" and "West End Blues." Harris further honors pioneering stride pianist Willie "The Lion" Smith through "Echoes of the Lion," a contemporary reimagining inspired by Smith's legendary "Echoes of Spring."

Several original works draw inspiration from Harris's family, mentors, and the cultural legacy of Newark, New Jersey, particularly poet, playwright, and activist Amiri Baraka, whose vision continues to influence Harris's artistic mission. As Harris explains, legacy is preserved not only through artistic achievements but through the communities and cultural environments that nurture creativity.

Beyond the recording studio and concert stage, Harris continues to shape the future of jazz through education and innovation. He serves as a tenured professor at Rutgers University, co-directs the groundbreaking arts initiative Express Newark, and has spent more than a decade developing Harmony Cloud™, an innovative platform for ear training and improvisation that officially launched at the 2026 Jazz Education Network Conference. Already embraced by thousands of users, Harmony Cloud has been featured at leading institutions including Harvard University, Peabody Conservatory, Temple University, the University of Miami, the University of Oregon, and the University of Southern California, with additional workshops planned around the world.

While Legacy Dances celebrates Harris's remarkable evolution as an artist, educator, and cultural leader, it also serves as a heartfelt farewell to one of jazz's most visionary voices. Harris invites listeners to experience the album as an act of shared listening, learning, dancing, and human connection.

Casey Benjamin's influence, however, continues to grow. Widely recognized for his groundbreaking work with Blackout, the Robert Glasper Experiment, and collaborations with artists including Kendrick Lamar, Beyoncé, Lady Gaga, Nas, Common, Anderson .Paak, Drake, Solange, Maxwell, Q-Tip, and many others, Benjamin helped redefine the relationship between jazz, technology, hip-hop, and contemporary music.

As noted by WBGO's Angelika Beener, Benjamin was "a wizard of sound and texture" whose artistry permanently expanded the possibilities of modern music.

His legacy will continue through two forthcoming posthumous albums currently being completed by his brother Kevin Benjamin alongside longtime collaborator Blair Wells, ensuring that one of the most innovative musical voices of his generation will continue to inspire audiences for years to come.

Following the release of Legacy Dances, Stefon Harris and Blackout will bring the music to audiences across the country, including performances at Stanford University, New York's Blue Note Jazz Club, Seattle's Jazz Alley, the Exit Zero Jazz Festival, and additional festival appearances this fall.

Providence: Charles Lloyd’s Musical Confluence Honoring Zakir Hussain

Some musical collaborations feel inevitable, as though they were destined long before the artists ever met. Providence tells the story of one such journey—a profound meeting of traditions, cultures, and lifelong friendships centered around saxophonist Charles Lloyd, tabla master Zakir Hussain, and drummer Eric Harland.

When the trio searched for a name, Zakir Hussain suggested Sangam, the Sanskrit word for the confluence of three rivers. Charles Lloyd immediately expanded the image: "Of course—the Ganges, the Rio Grande, and the mighty Mississippi."

That vision became more than a name. It became a philosophy.

Like rivers flowing toward the sea, the music moves unpredictably—sometimes gentle and reflective, sometimes turbulent and exhilarating, always carrying listeners toward something greater than the individual musicians themselves. It is a meeting of blues, jazz, Indian classical music, and spiritual exploration.

For Charles Lloyd, that current began decades earlier while studying at the University of Southern California. Hearing Ravi Shankar and Alla Rakha perform in 1957 opened an entirely new musical universe. Throughout the 1960s, he immersed himself in the sounds of Ali Akbar Khan, the Ali Brothers, and other Indian masters while discovering the writings of Hazrat Inayat Khan and the poetry of Rabindranath Tagore. Those influences gradually found their way into his own music, from his work with Chico Hamilton to his groundbreaking album Geeta, which featured Ali Akbar Khan's sons, Aasheesh and Pranesh Khan.

The next chapter unfolded in November 2000 when guitarist John McLaughlin invited Lloyd to attend a Remember Shakti performance at UCLA's Royce Hall. There, Lloyd experienced another artistic awakening as he heard Zakir Hussain perform live. Meeting backstage afterward, Zakir smiled and remarked, "I wanted to be on your album Geeta!" It was a remarkable full-circle moment, connecting Lloyd directly with the son of the legendary Alla Rakha, whose music had first inspired him more than four decades earlier.

Threaded throughout this journey was the enduring presence of drummer Billy Higgins, Lloyd's friend and musical companion for over fifty years. From their teenage years in Los Angeles to decades of collaborations, Higgins remained a constant source of inspiration. Shortly before his passing in 2001, he told Lloyd, "I won't always be there, but I'll always be with you."

Only months later, in the aftermath of September 11, Lloyd found himself performing at New York's Blue Note. There he first heard a young drummer named Eric Harland during an after-hours set. Lloyd immediately recognized something extraordinary, later describing the experience as though Billy Higgins had sent him a message.

That same year, SFJAZZ founder Randall Kline invited Lloyd and Zakir Hussain to perform a duo concert at San Francisco's Grace Cathedral, only weeks after 9/11. The atmosphere was heavy with uncertainty, and there had even been threats against the Golden Gate Bridge that day. During the performance, Zakir offered words that have become timeless:

"Music is about building bridges, not destroying them."

Those words perfectly captured the spirit of what would become Sangam.

In 2004, Lloyd reunited Zakir Hussain and Eric Harland for a tribute honoring Billy Higgins. The chemistry was immediate and undeniable, leading to the acclaimed ECM recording Sangam.

The journey continued in 2009 when Zakir invited Lloyd to India to perform at the annual Abbaji Concert honoring his father, Alla Rakha. Experiencing Mumbai for the first time immersed Lloyd in an overwhelming tapestry of humanity, color, rhythm, and sound. During the concert, Sangam was joined by an extraordinary collection of Indian musicians whose instruments—including bansuri, sarangi, sitar, and voice—expanded the trio's musical language even further.

In the days that followed, the musicians gathered at Nirvana Studio, where much of Providence was recorded. Featuring remarkable performances by Rakesh Chaurasia on bansuri, vocalist Vijay Prakash, Sabir Khan on sarangi, Ranjit Barot on keyboards, and Niladri Kumar on sitar and electric sitar, the sessions produced inspired recordings including Clear the Dust, The Blessing, Eternal Dreamer, and Sam on the Ganges. Other selections, including Jai Ganga, Tagore, and Bharati's Dance, emerged from the Sangam archives, completing a project whose journey extended across many years.

Life, however, had its own timeline. Although the musicians intended to reunite and finish the album together, fate intervened.

On December 15, 2024, Zakir Hussain passed away, leaving behind one of the most extraordinary musical legacies of our time.

Providence now stands as both a celebration and a remembrance—a testament to artistic friendship, spiritual searching, and the universal language of music. It tells the story of rivers that began worlds apart yet ultimately flowed together into a single current of creativity, compassion, and love.

As Charles Lloyd reflects, this is their homage to Zakir Hussain. The most meaningful way to understand its beauty is simply to listen.

Sonny Clark’s The Art Of The Trio Returns in a Stunning Tone Poet 2-LP Vinyl Edition

Blue Note Records is set to release Sonny Clark: The Art Of The Trio on September 25 as a premium 2-LP Tone Poet Vinyl Edition, offering jazz collectors and audiophiles a definitive presentation of these remarkable trio recordings.

Produced by Joe Harley and mastered in all-analog (AAA) by Kevin Gray directly from the original analog master tapes, the set is pressed on 180-gram vinyl at RTI and housed in a deluxe tip-on gatefold jacket complete with an accompanying booklet. This beautifully crafted edition celebrates one of hard bop's most lyrical and sophisticated pianists in exceptional sound quality.

Often regarded as the quintessential hard bop pianist, Sonny Clark possessed an effortlessly swinging style defined by elegance, warmth, and remarkable musical sensitivity. While he is best known for his landmark Blue Note albums—including Dial "S" For Sonny, Sonny's Crib, and Cool Struttin'—Clark's trio recordings reveal another side of his artistry. Centered on timeless standards from the Great American Songbook and compositions by leading jazz writers of the era, these intimate performances showcase his extraordinary interpretive gifts.

The journey began in October 1957 when Clark entered Rudy Van Gelder's legendary Hackensack studio alongside bassist Paul Chambers and drummer Philly Joe Jones to record Sonny Clark Trio, originally released in the spring of 1958 as BLP 1569. Later that year, Clark returned to the trio format twice more—first in November with bassist Jymie Merritt and drummer Wes Landers, and again in December with Chambers and Landers.

Those later sessions, together with alternate takes from the original Sonny Clark Trio recording, were eventually released only in Japan as Blues In The Night and The Art Of The Trio. For the first time, all of this extraordinary music has been brought together in a single vinyl collection.

The deluxe package also includes newly commissioned liner notes by Syd Schwartz, the original notes by Ben Sidran and Bob Porter, and a collection of never-before-seen photographs by legendary Blue Note photographer Francis Wolff, making this release as visually compelling as it is musically significant.

Producer Joe Harley has long championed these overlooked recordings.

"Many people are completely unaware of these recordings by Sonny Clark. I picked them up on Japanese-only editions back in the '70s and found myself returning to them repeatedly over the years. Sonny transforms these beloved standards into intimate conversations that tell their stories with uncommon honesty, lyricism, and swing."

For longtime Blue Note enthusiasts and newcomers alike, The Art Of The Trio is an essential release that highlights Sonny Clark's brilliance in one of jazz's most intimate settings while giving these treasured recordings the deluxe presentation they have long deserved.

OPEN: Isabelle Olivier and Raphaël Olivier’s Musical Journey of Connection, Curiosity, and Innovation

 

OPEN: Isabelle Olivier and Raphaël Olivier’s Musical Journey of Connection, Curiosity, and Innovation.

Recognized by audiences and music professionals alike as both accomplished performers and composers, Isabelle Olivier and Raphaël Olivier are a remarkable mother-and-son duo whose artistic partnership has flourished for more than 13 years. Together, they create a distinctive musical landscape where the harp and guitar intertwine, blending jazz, folk, contemporary influences, and inspired improvisation into an unforgettable listening experience.

Their latest album, OPEN, was born from years of shared travels, meaningful encounters, and creative collaboration. More than a collection of songs, it is an invitation to embrace openness—to reconnect with ourselves, each other, and the moments that matter most.

From jazz standards and modern improvisations to subtle touches of British pop, OPEN explores a rich emotional spectrum. Isabelle Olivier’s expressive harp and Raphaël Olivier’s inventive guitar engage in a captivating musical dialogue that is by turns introspective, playful, adventurous, and deeply moving. Raphaël also lends his intimate vocals to two standout tracks, adding another layer of warmth and emotion to the album.

The journey begins with Bird in the Forest, where the gentle glow of sunrise and birdsong welcome listeners into a peaceful sonic world. Throughout the album, the conversation between harp and electric guitar evolves in fascinating ways—from the intricate exchanges of Shapes to the playful pursuit of Looking for Dad. Tracks such as How Many Miles and On the Edge reveal moments of quiet reflection, while Yarrow builds into majestic, storm-like intensity.

As the album unfolds, listeners move effortlessly through jazz, folk, and swing with pieces like Woman Farmer and Bread Blues, before being captivated by Raphaël’s heartfelt interpretations of No Surprises and Moon River, as well as his cello performance on Yarrow. Isabelle’s extraordinary harp artistry provides a constant thread, guiding the listener through a musical experience that feels both intimate and expansive. By the album’s conclusion, OPEN leaves the impression of having traveled somewhere transformative, emerging changed from where the journey began.

A celebrated jazz harpist and composer, Isabelle Olivier has established herself as one of the most distinctive voices in contemporary music. Her unmistakable style has earned international recognition, with 13 albums, performances in 25 countries, and a career spanning jazz, Celtic traditions, contemporary music, film, and live performance. She has composed scores for 11 films, including four directed by Agnès Varda, and is the recipient of the prestigious Villa Albertine award. Her collaborations include acclaimed artists such as Peter Erskine, Didier Lockwood, Ernie Adams, Mitch Haupers, and Paul Wertico.

Raphaël Olivier is a composer, producer, guitarist, songwriter, and author whose catalog of more than 300 compositions has generated over 2 billion views and 15 million streams worldwide. A musical prodigy, he began playing the cello at age three and was performing professionally by the age of eight. After studying in Europe and the United States, he continued his musical education at the Conservatoire National Supérieur de Paris, performing across Europe with renowned artists including Étienne Daho, Yael Naim, and the Orchestre National de Jazz. Based between Paris and Los Angeles, he works across music and literature. His debut novel, La Mélodie d’Oklahoma, winner of the Paris FoRTE Prize, will be published in 2026 and adapted into a one-man performance blending storytelling and live music. Inspired by a residency at the Rinzai-Ji Zen temple in the footsteps of Leonard Cohen, his creative work explores the intersection of introspection, spirituality, and musical storytelling.

OPEN is more than an album—it is an invitation to slow down, listen deeply, and experience music as a journey of discovery, connection, and shared humanity.

Pete Roth Trio Featuring Bill Bruford Release New Single "Full Circle" Ahead of Live Album Group Chat

The Pete Roth Trio has released its new single, "Full Circle," the first preview of the upcoming live CD/DVD album Group Chat. Available now, the track captures the chemistry between guitarist Pete Roth, bassist Mike Pratt, and legendary drummer Bill Bruford, offering listeners a taste of the trio's dynamic musical interplay.

"Full Circle" holds a special place in the band's repertoire, as it was one of the first compositions the trio developed together several years ago. Opening the new album, the song showcases the group's conversational approach to improvisation and groove. In a twist longtime fans will appreciate, it also features Bill Bruford performing in a straightforward 4/4 rhythm—a rarity throughout his celebrated career. The performance is also featured on the accompanying live DVD.

Group Chat marks Pete Roth's third major album and a milestone release for Bill Bruford, whose return to headline performance follows a 13-year hiatus. It also represents Bruford's first appearance on newly recorded material in 19 years, making the project a significant moment for fans of progressive music and contemporary jazz alike.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat blends jazz, funk, contemporary classical influences, and spontaneous improvisation into a collection that celebrates musical conversation and creative risk-taking. Alongside original compositions including "Full Circle," "Dancing With Grace," and "Original Sin," the album features collaborative works such as "Part Of The Charm" and "Looking Forward To Looking Back," as well as an imaginative improvisation on the Largo from Dvořák's Symphony No. 9. The result is a recording that feels spontaneous, adventurous, and deeply connected.

The release arrives as a deluxe two-disc CD/DVD digipak featuring a nine-track live album and a bonus 35-minute DVD that includes live performances, an introduction to the project, and a special spoken segment from Pete Roth.

Early critical response has been overwhelmingly positive. Biff Bam Pop! called the trio "a band of equals, clearly loving the opportunity to improvise and have musical conversations," while Innerviews praised the group's "rich nuance, invention, and telepathic rapport." Dr. Jazz Talks described the album as "a feast of rhythm and melody," and Make Weird Music summed up its appeal simply: "I wish more jazz was this much fun."

Drawing from backgrounds in blues, rock, jazz, jazz fusion, and progressive music, Pete Roth, Mike Pratt, and Bill Bruford have created a trio that reimagines the traditional guitar trio format. Their shared musical curiosity and instinctive communication allow melody, groove, texture, and improvisation to coexist naturally throughout the performance.

Group Chat stands as a compelling live document of three accomplished musicians in open musical dialogue. "Full Circle" is available to stream now, with the full CD/DVD release arriving soon from Winterfold Records.

NicoleYvette Shares New Single "Such Is the Love" Featuring Kurt Elling Ahead of Debut Album Say Yes

Vocalist, composer, and storyteller NicoleYvette has released her new single, "Such Is the Love," featuring acclaimed jazz vocalist Kurt Elling. The song offers another glimpse into her debut album, Say Yes, arriving August 14, 2026.

Produced by three-time GRAMMY® winner Sara Gazarek, Say Yes is a deeply personal collection that traces NicoleYvette's journey from the dark night of the soul to self-discovery. The album blends original compositions with modern interpretations of classics while exploring themes of faith, love, grief, resilience, and transformation.

"I was thrilled to learn Kurt Elling agreed to record 'Such Is the Love' with me," NicoleYvette says. "That alone felt like an endorsement, a blessing. I love the song, and his voice and interpretation make me love it all the more. With three-time GRAMMY® winner Sara Gazarek's production skills, the process was easy and collaborative. Kurt and I recorded our parts separately, but I later had the chance to meet him in New York City, and it was a joy to learn he's as lovely a human being as his voice suggests."

The album features an impressive lineup of collaborators, including Kurt Elling, Terri Lyne Carrington, Joel Ross, Keyon Harrold, J. Ivy, Paul Cornish, Larry Goldings, Lenard Simpson, Geoffrey Keezer, and Amanda Taylor. The core band includes pianist and arranger Dawn Clement, guitarist Andrew Renfroe, bassist Jermaine Paul, and drummer Christian Euman.

Gazarek describes NicoleYvette as "fully formed and luminous, with no excess and no apology," praising her ability to channel the rich traditions of jazz and soul into an unmistakably personal artistic voice.

The project's title track, "Say Yes," featuring vibraphonist Joel Ross, was written during a pivotal moment in NicoleYvette's musical journey. Raised in a conservative Christian household, she found jazz became a new spiritual language after stepping away from gospel music, making the song a declaration of artistic freedom and self-expression.

Two transformative trips to India inspired several of the album's opening tracks, including "Such Is the Love," "Let It Be," and "Crossing Over," each reflecting on love, suffering, healing, and personal growth. Throughout the album, NicoleYvette draws from deeply personal experiences, including the illness and passing of her father, whose memory informs songs like "If I Could" and "Inuka Uangaze."

n addition to 10 original compositions, Say Yes includes fresh interpretations of Cole Porter's "Night and Day" and the beloved standard "What a Wonderful World."

NicoleYvette will celebrate the album with performances across California, Washington, and Oregon, culminating in her official album release show at The Royal Room in Seattle on August 30.

Say Yes arrives August 14, 2026. "Such Is the Love" featuring Kurt Elling is available to stream now.

Matt Wilson's Love Is the Whole Thing, We Are Only Pieces Finds Hope, Community and Quiet Resistance Through Jazz

More than 750 years after the Sufi poet Rumi wrote, "Love is the whole thing. We are only pieces," drummer and composer Matt Wilson has found a powerful way to bring those words to life. On Love Is the Whole Thing, We Are Only Pieces, arriving September 18, 2026 via Palmetto Records, Wilson reunites his acclaimed Good Trouble ensemble for a deeply human collection that celebrates love, community and compassion as acts of gentle protest.

Following the band's 2024 debut, which drew inspiration from civil rights icon John Lewis and his call to create "good trouble," Wilson expands that vision with music that embraces connection over division. Rather than responding to uncertainty with anger, the album offers warmth, generosity and shared experience, inviting listeners into a space where jazz becomes both sanctuary and statement.

"I wanted to make a love record," Wilson says. "I'm blessed to have this community. I'm blessed to have the career that I've had. I'm blessed to have a beautiful family. So I want to use the music to help celebrate what's possible, especially in the world we're in right now. It's nice to know that we can take people away from their troubles for a little bit, sonically and spiritually."

Love Is the Whole Thing, We Are Only Pieces reunites Wilson with Good Trouble members Tia Fuller, Dawn Clement, Jeff Lederer and Ben Allison while welcoming alto saxophonist Anisha Rush, whose performances with the group over the past several years have made her a natural addition. Their chemistry reflects relationships built over decades, giving the music an effortless sense of trust and shared purpose.

Wilson's extended musical family is reflected throughout the project. The album cover features a quilt created by his wife, Kim Taylor Wilson, whose artistry echoes the record's themes of connection and care. The release also marks 30 years since Wilson's Palmetto Records debut, As Wave Follows Wave, celebrating a remarkable three-decade collaboration between the drummer, the label and producer/engineer Matt Balitsaris.

The album's repertoire mirrors Wilson's expansive musical outlook. His own compositions sit comfortably alongside works by jazz visionaries and beloved songwriters, creating a program that feels both adventurous and deeply inviting. The opening "Wind Spirit" unfolds with remarkable patience as Dawn Clement sings the Biblical verse from John 3:8 before the ensemble gradually gathers around her. Bobby Watson's "Fuller Love (aka In Case You Missed It)" serves as both a tribute to trombone legend Curtis Fuller and a showcase for Tia Fuller, while Andrew Hill's "Black Fire" ignites with fearless improvisation.

Perhaps the album's most unexpected moment comes with Tom Petty's "I Won't Back Down." Reimagined as an understated anthem of resilience, the familiar rock classic becomes a meditation on quiet perseverance. As Wilson explains, "I'm not going to back down. I'm just going to keep trying this stuff and keep forging ahead. Besides, it's kind of cool to have Andrew Hill and Tom Petty on the same record."

Original compositions such as "Joonam" and "Welcome Table" deepen the album's message of inclusion and belonging. Inspired by a Farsi term of endearment, "Joonam" carries a timeless sense of familial affection, while "Welcome Table," borrowing its title from James Baldwin, celebrates dialogue, fellowship and the transformative power of gathering together. Ben Allison contributes "Green Al," given a dreamlike new dimension through Dawn Clement's lyrics and electric bass textures, while Wilson honors the late Jack DeJohnette with a joyful interpretation of "Festival."

The title track brings the journey to a moving conclusion as friends and family join together to chant Rumi's enduring words, transforming ancient poetry into a communal expression of hope for the future.

Few artists embody the spirit of modern jazz quite like Matt Wilson. Across more than 400 recordings as a leader, co-leader and sideman, he has built a reputation for joyful swing, boundless curiosity and an unwavering commitment to bringing people together through music. Love Is the Whole Thing, We Are Only Pieces may be his clearest expression yet of that lifelong mission, reminding us that even in difficult times, love remains the force that binds us together.

Love Is the Whole Thing, We Are Only Pieces will be released September 18, 2026 via Palmetto Records. Wilson celebrates the album with release concerts at Birdland in New York City from September 25-27, featuring Tia Fuller, Anisha Rush, Dawn Clement, Jeff Lederer and Ben Allison.

Jazz Chill Presents: Smooth Jazz & Chill Grooves — The Spotify Playlist for Relaxation, Focus, and Soulful Vibes

Music has the unique ability to shape the atmosphere around us. A single melody can bring back memories, create a sense of calm, inspire creativity, or transform an ordinary moment into something meaningful. For those who appreciate the warmth of jazz, the beauty of soulful instrumentation, and the effortless flow of chill grooves, Jazz Chill brings you a carefully curated Spotify playlist designed to help you relax, recharge, and enjoy the timeless sounds of smooth jazz.

Welcome to a laid-back soundscape where silky saxophone lines, mellow piano melodies, and deep soulful rhythms come together in perfect harmony. This playlist is more than a collection of songs—it is an experience created for anyone looking to escape the noise of everyday life and immerse themselves in a smooth, atmospheric world of jazz-inspired sounds.

Discover the Smooth Jazz Experience

Smooth jazz has always been about creating a feeling. Unlike music that demands attention, smooth jazz invites you to settle in and enjoy the moment. Its gentle melodies, sophisticated arrangements, and relaxed grooves create the perfect balance between elegance and comfort.

The Jazz Chill Smooth Jazz & Chill Grooves Spotify Playlist captures that feeling with a selection of tracks that blend classic jazz influences with modern chill aesthetics. The result is a listening experience that feels warm, sophisticated, and effortless.

Whether you're starting your morning with a cup of coffee, working through a busy afternoon, enjoying an evening at home, or simply looking for music that helps you unwind, this playlist provides the perfect soundtrack.

A Playlist Designed for Relaxation and Atmosphere

The best playlists create an environment, not just a sequence of songs. Every track in this Jazz Chill collection contributes to a smooth musical journey filled with rich textures and calming energy.

Imagine the sound of a mellow saxophone drifting through the room, soft keyboard melodies creating a peaceful backdrop, and steady rhythms adding just enough movement to keep the music flowing. This is the atmosphere that defines the Jazz Chill experience.

This playlist is perfect for:

Relaxing after a long day

Creating a peaceful home atmosphere

Background music while reading or writing

Working, studying, or focusing

Dinner gatherings and intimate moments

Coffee shop-inspired listening sessions

Quiet evenings of reflection

Smooth jazz has a special ability to complement your surroundings without overwhelming them. It creates a mood while leaving room for conversation, creativity, and personal reflection.

Why Smooth Jazz Continues to Inspire Listeners

Jazz has always been a genre built on emotion, creativity, and expression. From legendary improvisations to modern interpretations, jazz continues to evolve while maintaining its timeless appeal.

Smooth jazz takes many of the genre’s most recognizable qualities—expressive melodies, sophisticated harmonies, and skilled musicianship—and presents them in an accessible, relaxing format. It welcomes longtime jazz fans while also providing an easy entry point for listeners discovering jazz for the first time.

The appeal of smooth jazz lies in its versatility. It can feel luxurious and elegant, peaceful and calming, or soulful and energetic depending on the moment. That flexibility makes it one of the best genres for creating a personal soundtrack for everyday life.

The Perfect Soundtrack for Focus and Creativity

Many listeners turn to instrumental music when they need to concentrate, and smooth jazz is especially effective for creating a productive atmosphere. The flowing melodies and balanced rhythms can provide background inspiration without distracting from the task at hand.

Whether you are working from home, studying, creating art, writing, or simply organizing your day, a well-crafted jazz playlist can help create a more enjoyable environment.

The Jazz Chill playlist delivers a refined listening experience that encourages focus while maintaining a relaxed mood. It is music that works quietly in the background while adding personality and warmth to your space.

Bringing the Jazz Lounge Feeling Anywhere You Go

One of the greatest things about streaming music is the ability to bring your favorite atmosphere with you wherever you are. A relaxing jazz lounge, a late-night café, or a peaceful evening setting can all be created with the right playlist.

With Jazz Chill, you can enjoy that feeling anytime. Whether listening through headphones, playing music at home, or sharing the playlist with friends, these smooth jazz grooves help create a memorable atmosphere.

The playlist is ideal for listeners who appreciate:

Smooth saxophone performances

Relaxing piano arrangements

Soulful jazz influences

Chill instrumental grooves

Sophisticated background music

Timeless musical moods

Follow Jazz Chill for More Smooth Sounds

At Jazz Chill, the goal is to celebrate the beauty of jazz and share music that creates meaningful moments. Through carefully selected playlists and jazz-focused content, Jazz Chill helps listeners discover relaxing sounds that fit every occasion.

Stay connected for more jazz discoveries, relaxing playlists, artist features, and musical inspiration.

Listen to the Jazz Chill Spotify Playlist

Ready to experience the sound of smooth jazz and chill grooves?

Press play and step into a world of silky saxophone melodies, mellow keys, and soulful rhythms designed for relaxation, focus, and enjoyment.

Listen on Spotify:

https://open.spotify.com/playlist/0rElr0A5yfpoXpzfWfz9Rh

Whether you are a longtime jazz enthusiast or simply searching for the perfect relaxing playlist, Jazz Chill invites you to slow down, enjoy the moment, and discover the timeless appeal of smooth jazz.

Kiefer Announces Blue Note Debut Album Memory Bomb, A Dreamscape of Jazz, Hip-Hop, and Innovation

Kiefer has announced the release of Memory Bomb, his first solo album for Blue Note Records, arriving September 25. Produced alongside his longtime collaborators Shibo and CARRTOONS, the album marks a significant new chapter for the Los Angeles pianist and producer, whose singular approach has reshaped the relationship between jazz improvisation and hip-hop beat-making.

The announcement arrives with the release of the album’s lead single, “NewLevels NewDevils,” featuring Tony Stone, Erick The Architect, and CARRTOONS. The track offers the first glimpse into the expansive world of Memory Bomb, which also features appearances from Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Amber Navran of Moonchild, Planet Giza, and more. The album is available for pre-order on Blue Note Store exclusive color vinyl, black vinyl, CD, and digital download.

Frequently described as a musician who plays keys not only with his fingers but with his soul, Kiefer has become one of the most innovative voices in contemporary instrumental music. His distinctive style, which he describes as “Over The Breaks,” exists at the intersection of jazz harmony, improvisation, and the rhythmic foundation of hip-hop production. On Memory Bomb, that creative vision reaches a new level.

For Kiefer, collaboration has always been a source of inspiration. The journey toward his Blue Note debut began with inviting two of his closest creative partners, Shibo and CARRTOONS, to co-produce the project. Both understood the musical language he had developed over the years and brought their own expertise in drum programming and production, helping shape a record that feels fresh while remaining unmistakably Kiefer.

That collaborative approach expanded throughout the album, bringing together an array of vocalists, rappers, and musicians to create unexpected combinations and new musical conversations. Each contribution adds another dimension to Memory Bomb, while Kiefer’s melodic instincts and improvisational style remain at the center.

The album title reflects Kiefer’s personal interpretation of a dream. A “Memory Bomb” represents the different ways dreams exist in our lives—the images we experience while sleeping, the hopes we carry for the future, and the ambitions that motivate us to create. Those ideas influence the emotional direction of the album, which moves through themes of reflection, imagination, and possibility.

With its fluid arrangements and spontaneous moments, Memory Bomb is an album that continues to evolve with each listen. Its poetic melodies, deep grooves, and improvisational passages create a dreamlike atmosphere that feels both intimate and expansive, inviting listeners into a world built entirely through Kiefer’s musical perspective.

Following the album announcement, Kiefer will embark on a Fall North American tour beginning October 1. The tour follows the debut of Over The Breaks, a new festival curated by Kiefer that will take place September 18-19 at the Lodge Room in Los Angeles. The event will feature performances from GENA (Karriem Riggins + Liv.e), CARRTOONS, Luke Titus, Shibo, and more.

Kiefer’s musical journey began in San Diego, where he grew up in a household shaped by both science and music. His parents, both aerospace engineers, were also passionate pianists who influenced his early development. His mother taught him to read music and introduced him to classical piano, while his father’s love for jazz—especially the legendary recordings of Blue Note Records—helped shape his artistic direction.

After discovering jazz icons like Miles Davis as a teenager, Kiefer committed himself to becoming a jazz musician. He studied jazz piano throughout high school before attending UCLA, where he studied under legendary guitarist Kenny Burrell, who led the university’s jazz program.

After college, Kiefer signed with Stones Throw Records and began establishing his musical identity through acclaimed projects including Happysad, Between Days, and It’s Ok, B U. His growing list of collaborations includes work with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Kaytranada, Terrace Martin, and many others. He is also a member of FATHERS alongside CARRTOONS, Nate Smith, and producer Kenneth Blume, whose self-titled debut album was recently released on Blue Note.

With Memory Bomb, Kiefer brings together the experiences, collaborations, and influences that have shaped his career while continuing to push his unique “Over The Breaks” sound into new territory.

Calloway Return to Their Jazz Roots with New Single “BWAO”

For more than four decades, Reggie and Vincent Calloway have been synonymous with infectious R&B, funk, and electronic dance grooves. As the creative force behind classics like "Freak-A-Zoid" and "I Wanna Be Rich," the duo helped define the sound of the 1980s and beyond. Now, they're taking listeners in an unexpected direction with the release of "BWAO," their first jazz recording in 34 years.

Released through Spiral Galaxy Entertainment, "BWAO" marks a return to the music that first inspired the brothers long before their chart-topping success.

"People know us for the dance floor," says GRAMMY-nominated Reggie Calloway. "But before the hits, our father was playing Miles Davis and Charlie Parker in the basement. Our first group, Sun Child, released a jazz album in 1974, and later we recorded the jazz track 'Sound of One Hand Clapping' for our Let's Get Smooth album in 1992. 'BWAO' is us returning to the feeling that started it all."

Written, produced, and performed by Reggie and Vincent, "BWAO" is built around a smooth, sensual jazz groove complemented by a dreamy falsetto chorus. Vincent showcases his remarkable versatility by layering trumpet, trombone, flugelhorn, mellophone, and soprano saxophone, effectively creating his own horn section. Reggie contributes flute and vocals over a drum track programmed by six-time GRAMMY winner Rob Chiarelli, whose credits include Kirk Franklin, Tori Kelly, and Erica Campbell. The recording also features keyboardist Wes Boatman, bassist C.C. Thomas Jr., and background vocalists Marla, Tammy, Salina, and Henry Benefield.

The brothers say their appreciation for jazz was shaped early in their careers.

"Opening for bebop saxophonist Sonny Stitt when we were teenagers taught us that jazz isn't just about the notes—it's about the feeling you create," Reggie explains. "We've waited a long time to show people this side of Calloway."

The title "BWAO" carries a special meaning for Vincent Calloway.

"Everyone asks what it means," he says with a smile. "It's a greeting, a farewell, and a philosophy. It's a celebration of family, friendship, coworkers—a reminder to live a full and fruitful life. The ambiance of the music puts you in a reflective place, especially if you're apart from the people you love."

The single will begin collecting radio playlist adds on July 27, continuing an impressive creative streak for the Los Angeles-based duo. Over the past 18 months, Calloway have released the romantic ballad "Til Valentines," the EDM-inspired "Freak-A-Fied," the wellness anthem "6 Pack," and fresh versions of their signature hits "Freak-A-Zoid" and "I Wanna Be Rich."

Reggie and Vincent Calloway first made their mark as members of Midnight Star before achieving success as Calloway and as producers and songwriters for artists including Teddy Pendergrass, Gladys Knight, Natalie Cole, Levert, Klymaxx, and The Deele. With "BWAO," they remind listeners that while their legacy was built on irresistible grooves, jazz has always been at the heart of their musical journey.

Kris Davis Trio Reaches New Heights on Lost in Geneva

Following the critical success of their 2024 debut Run the Gauntlet, Grammy Award-winning pianist and composer Kris Davis returns with Lost in Geneva, the highly anticipated second recording by her acclaimed trio featuring bassist Robert Hurst and drummer Johnathan Blake. Scheduled for release on September 25, 2026, the album also marks the launch of 4166 Records, a new imprint dedicated to Davis' music.

Years of touring together have transformed the trio into one of the most compelling ensembles in contemporary jazz. Their shared experiences on stage have fostered an extraordinary musical chemistry, allowing the three musicians to communicate with remarkable intuition while uncovering fresh discoveries during every performance.

"We've been touring steadily for a few years now, and I feel a real clarity about who we are as a trio," Davis explains. "I wanted to write music that highlights our strengths—grounded in groove and open enough to explore and engage with my compositional language."

That chemistry has not gone unnoticed. The trio recently received the 2026 Deutscher Jazz Preis (German Jazz Prize) as International Live Act of the Year, while critics continue to praise the group's fearless improvisation and deep musical connection.

Unlike Run the Gauntlet, which paid tribute to six influential women pianists, Lost in Geneva draws inspiration from the trio's own experiences together. The album features eight Davis compositions, one original composition each from Hurst and Blake, and an inventive interpretation of avant-garde composer Morton Feldman's Nature Piece 5.

The album's title comes from one of the many travel stories accumulated while touring internationally. "Lost in Geneva" captures the disorienting feeling of jet lag, unfamiliar surroundings, and the strange moments that often become the memories musicians treasure most. The composition may already be familiar to some listeners, having appeared during the trio's acclaimed NPR Tiny Desk Concert.

The album opens with "The Subtext," whose overlapping piano lines create an atmosphere of mystery and hidden meaning. "Congestion Pricing" begins with a lyrical bass introduction from Robert Hurst before evolving into a bustling musical portrait inspired by New York City's recently implemented toll system for Lower Manhattan.

Several compositions revisit earlier material through the lens of the trio's evolved identity. "Where Does That Tunnel Go," originally recorded by Davis in 2010, and "The Ballerina," previously performed in several collaborative settings, both emerge transformed by the trio's collective voice.

Nature also plays an important role throughout the recording. Hurst's "The Bluesy Bird in Bob's Backyard" celebrates an unusually soulful feathered visitor, while the group improvisation "Mourning Dove" serves as its atmospheric prelude. Davis contributes "The Deer Fly," an energetic portrait of the persistent insect familiar to New England hikers, while "Northern Flicker" closes the album with another spontaneous group improvisation.

Johnathan Blake contributes "Clues," originally featured on his 2012 debut album, now reimagined with the trio's unmistakable groove and interplay. The collection also ventures into modern classical territory with Davis' fascinating arrangement of Morton Feldman's "Nature Piece 5," revealing rhythmic possibilities hidden within the composer's abstract musical language.

Track Listing

1. The Subtext
2. Congestion Pricing
3. Where Does That Tunnel Go
4. The Ballerina
5. Mourning Dove
6. The Bluesy Bird in Bob's Backyard (Robert Hurst)
7. The Deer Fly
8. Clues (Johnathan Blake)
9. Nature Piece 5 (Morton Feldman)
10. Lost in Geneva
11. Northern Flicker

Personnel

• Kris Davis – piano
• Robert Hurst – bass
• Johnathan Blake – drums

Over the past two decades, Kris Davis has established herself as one of the most adventurous voices in modern jazz. A Grammy Award winner, multiple-time DownBeat Pianist of the Year, and recipient of the 2021 Doris Duke Artist Award, she has collaborated with an extraordinary list of artists including Terri Lyne Carrington, Dave Holland, John Zorn, Tyshawn Sorey, Ingrid Laubrock, Craig Taborn, and esperanza spalding. She is also the founder of Pyroclastic Records, Associate Program Director of Creative Development at the Berklee Institute of Jazz and Gender Justice, and a Steinway Artist.

Following the album's release, the trio will perform at the Hyde Park Jazz Festival in Chicago and the Monterey Jazz Festival before embarking on an Australian release tour and later a European tour. In January 2027, the trio returns to New York City's legendary Village Vanguard, continuing what has become one of the most exciting musical partnerships in contemporary jazz.

With Lost in Geneva, Kris Davis, Robert Hurst, and Johnathan Blake demonstrate that the deepest artistic discoveries often come not from unfamiliar collaborators, but from musicians who have learned to listen to one another on an extraordinary level. The result is a vibrant, adventurous recording that continues to push the boundaries of the modern piano trio while remaining grounded in groove, communication, and shared exploration.