Kiefer Announces Blue Note Debut Album Memory Bomb, A Dreamscape of Jazz, Hip-Hop, and Innovation

Kiefer has announced the release of Memory Bomb, his first solo album for Blue Note Records, arriving September 25. Produced alongside his longtime collaborators Shibo and CARRTOONS, the album marks a significant new chapter for the Los Angeles pianist and producer, whose singular approach has reshaped the relationship between jazz improvisation and hip-hop beat-making.

The announcement arrives with the release of the album’s lead single, “NewLevels NewDevils,” featuring Tony Stone, Erick The Architect, and CARRTOONS. The track offers the first glimpse into the expansive world of Memory Bomb, which also features appearances from Nate Smith, Walter Smith III, Cisco Swank, Relyae, Rae Khalil, Amber Navran of Moonchild, Planet Giza, and more. The album is available for pre-order on Blue Note Store exclusive color vinyl, black vinyl, CD, and digital download.

Frequently described as a musician who plays keys not only with his fingers but with his soul, Kiefer has become one of the most innovative voices in contemporary instrumental music. His distinctive style, which he describes as “Over The Breaks,” exists at the intersection of jazz harmony, improvisation, and the rhythmic foundation of hip-hop production. On Memory Bomb, that creative vision reaches a new level.

For Kiefer, collaboration has always been a source of inspiration. The journey toward his Blue Note debut began with inviting two of his closest creative partners, Shibo and CARRTOONS, to co-produce the project. Both understood the musical language he had developed over the years and brought their own expertise in drum programming and production, helping shape a record that feels fresh while remaining unmistakably Kiefer.

That collaborative approach expanded throughout the album, bringing together an array of vocalists, rappers, and musicians to create unexpected combinations and new musical conversations. Each contribution adds another dimension to Memory Bomb, while Kiefer’s melodic instincts and improvisational style remain at the center.

The album title reflects Kiefer’s personal interpretation of a dream. A “Memory Bomb” represents the different ways dreams exist in our lives—the images we experience while sleeping, the hopes we carry for the future, and the ambitions that motivate us to create. Those ideas influence the emotional direction of the album, which moves through themes of reflection, imagination, and possibility.

With its fluid arrangements and spontaneous moments, Memory Bomb is an album that continues to evolve with each listen. Its poetic melodies, deep grooves, and improvisational passages create a dreamlike atmosphere that feels both intimate and expansive, inviting listeners into a world built entirely through Kiefer’s musical perspective.

Following the album announcement, Kiefer will embark on a Fall North American tour beginning October 1. The tour follows the debut of Over The Breaks, a new festival curated by Kiefer that will take place September 18-19 at the Lodge Room in Los Angeles. The event will feature performances from GENA (Karriem Riggins + Liv.e), CARRTOONS, Luke Titus, Shibo, and more.

Kiefer’s musical journey began in San Diego, where he grew up in a household shaped by both science and music. His parents, both aerospace engineers, were also passionate pianists who influenced his early development. His mother taught him to read music and introduced him to classical piano, while his father’s love for jazz—especially the legendary recordings of Blue Note Records—helped shape his artistic direction.

After discovering jazz icons like Miles Davis as a teenager, Kiefer committed himself to becoming a jazz musician. He studied jazz piano throughout high school before attending UCLA, where he studied under legendary guitarist Kenny Burrell, who led the university’s jazz program.

After college, Kiefer signed with Stones Throw Records and began establishing his musical identity through acclaimed projects including Happysad, Between Days, and It’s Ok, B U. His growing list of collaborations includes work with Dr. Dre, De La Soul, Pete Rock, Anderson .Paak, Kaytranada, Terrace Martin, and many others. He is also a member of FATHERS alongside CARRTOONS, Nate Smith, and producer Kenneth Blume, whose self-titled debut album was recently released on Blue Note.

With Memory Bomb, Kiefer brings together the experiences, collaborations, and influences that have shaped his career while continuing to push his unique “Over The Breaks” sound into new territory.

Calloway Return to Their Jazz Roots with New Single “BWAO”

For more than four decades, Reggie and Vincent Calloway have been synonymous with infectious R&B, funk, and electronic dance grooves. As the creative force behind classics like "Freak-A-Zoid" and "I Wanna Be Rich," the duo helped define the sound of the 1980s and beyond. Now, they're taking listeners in an unexpected direction with the release of "BWAO," their first jazz recording in 34 years.

Released through Spiral Galaxy Entertainment, "BWAO" marks a return to the music that first inspired the brothers long before their chart-topping success.

"People know us for the dance floor," says GRAMMY-nominated Reggie Calloway. "But before the hits, our father was playing Miles Davis and Charlie Parker in the basement. Our first group, Sun Child, released a jazz album in 1974, and later we recorded the jazz track 'Sound of One Hand Clapping' for our Let's Get Smooth album in 1992. 'BWAO' is us returning to the feeling that started it all."

Written, produced, and performed by Reggie and Vincent, "BWAO" is built around a smooth, sensual jazz groove complemented by a dreamy falsetto chorus. Vincent showcases his remarkable versatility by layering trumpet, trombone, flugelhorn, mellophone, and soprano saxophone, effectively creating his own horn section. Reggie contributes flute and vocals over a drum track programmed by six-time GRAMMY winner Rob Chiarelli, whose credits include Kirk Franklin, Tori Kelly, and Erica Campbell. The recording also features keyboardist Wes Boatman, bassist C.C. Thomas Jr., and background vocalists Marla, Tammy, Salina, and Henry Benefield.

The brothers say their appreciation for jazz was shaped early in their careers.

"Opening for bebop saxophonist Sonny Stitt when we were teenagers taught us that jazz isn't just about the notes—it's about the feeling you create," Reggie explains. "We've waited a long time to show people this side of Calloway."

The title "BWAO" carries a special meaning for Vincent Calloway.

"Everyone asks what it means," he says with a smile. "It's a greeting, a farewell, and a philosophy. It's a celebration of family, friendship, coworkers—a reminder to live a full and fruitful life. The ambiance of the music puts you in a reflective place, especially if you're apart from the people you love."

The single will begin collecting radio playlist adds on July 27, continuing an impressive creative streak for the Los Angeles-based duo. Over the past 18 months, Calloway have released the romantic ballad "Til Valentines," the EDM-inspired "Freak-A-Fied," the wellness anthem "6 Pack," and fresh versions of their signature hits "Freak-A-Zoid" and "I Wanna Be Rich."

Reggie and Vincent Calloway first made their mark as members of Midnight Star before achieving success as Calloway and as producers and songwriters for artists including Teddy Pendergrass, Gladys Knight, Natalie Cole, Levert, Klymaxx, and The Deele. With "BWAO," they remind listeners that while their legacy was built on irresistible grooves, jazz has always been at the heart of their musical journey.

Kris Davis Trio Reaches New Heights on Lost in Geneva

Following the critical success of their 2024 debut Run the Gauntlet, Grammy Award-winning pianist and composer Kris Davis returns with Lost in Geneva, the highly anticipated second recording by her acclaimed trio featuring bassist Robert Hurst and drummer Johnathan Blake. Scheduled for release on September 25, 2026, the album also marks the launch of 4166 Records, a new imprint dedicated to Davis' music.

Years of touring together have transformed the trio into one of the most compelling ensembles in contemporary jazz. Their shared experiences on stage have fostered an extraordinary musical chemistry, allowing the three musicians to communicate with remarkable intuition while uncovering fresh discoveries during every performance.

"We've been touring steadily for a few years now, and I feel a real clarity about who we are as a trio," Davis explains. "I wanted to write music that highlights our strengths—grounded in groove and open enough to explore and engage with my compositional language."

That chemistry has not gone unnoticed. The trio recently received the 2026 Deutscher Jazz Preis (German Jazz Prize) as International Live Act of the Year, while critics continue to praise the group's fearless improvisation and deep musical connection.

Unlike Run the Gauntlet, which paid tribute to six influential women pianists, Lost in Geneva draws inspiration from the trio's own experiences together. The album features eight Davis compositions, one original composition each from Hurst and Blake, and an inventive interpretation of avant-garde composer Morton Feldman's Nature Piece 5.

The album's title comes from one of the many travel stories accumulated while touring internationally. "Lost in Geneva" captures the disorienting feeling of jet lag, unfamiliar surroundings, and the strange moments that often become the memories musicians treasure most. The composition may already be familiar to some listeners, having appeared during the trio's acclaimed NPR Tiny Desk Concert.

The album opens with "The Subtext," whose overlapping piano lines create an atmosphere of mystery and hidden meaning. "Congestion Pricing" begins with a lyrical bass introduction from Robert Hurst before evolving into a bustling musical portrait inspired by New York City's recently implemented toll system for Lower Manhattan.

Several compositions revisit earlier material through the lens of the trio's evolved identity. "Where Does That Tunnel Go," originally recorded by Davis in 2010, and "The Ballerina," previously performed in several collaborative settings, both emerge transformed by the trio's collective voice.

Nature also plays an important role throughout the recording. Hurst's "The Bluesy Bird in Bob's Backyard" celebrates an unusually soulful feathered visitor, while the group improvisation "Mourning Dove" serves as its atmospheric prelude. Davis contributes "The Deer Fly," an energetic portrait of the persistent insect familiar to New England hikers, while "Northern Flicker" closes the album with another spontaneous group improvisation.

Johnathan Blake contributes "Clues," originally featured on his 2012 debut album, now reimagined with the trio's unmistakable groove and interplay. The collection also ventures into modern classical territory with Davis' fascinating arrangement of Morton Feldman's "Nature Piece 5," revealing rhythmic possibilities hidden within the composer's abstract musical language.

Track Listing

1. The Subtext
2. Congestion Pricing
3. Where Does That Tunnel Go
4. The Ballerina
5. Mourning Dove
6. The Bluesy Bird in Bob's Backyard (Robert Hurst)
7. The Deer Fly
8. Clues (Johnathan Blake)
9. Nature Piece 5 (Morton Feldman)
10. Lost in Geneva
11. Northern Flicker

Personnel

• Kris Davis – piano
• Robert Hurst – bass
• Johnathan Blake – drums

Over the past two decades, Kris Davis has established herself as one of the most adventurous voices in modern jazz. A Grammy Award winner, multiple-time DownBeat Pianist of the Year, and recipient of the 2021 Doris Duke Artist Award, she has collaborated with an extraordinary list of artists including Terri Lyne Carrington, Dave Holland, John Zorn, Tyshawn Sorey, Ingrid Laubrock, Craig Taborn, and esperanza spalding. She is also the founder of Pyroclastic Records, Associate Program Director of Creative Development at the Berklee Institute of Jazz and Gender Justice, and a Steinway Artist.

Following the album's release, the trio will perform at the Hyde Park Jazz Festival in Chicago and the Monterey Jazz Festival before embarking on an Australian release tour and later a European tour. In January 2027, the trio returns to New York City's legendary Village Vanguard, continuing what has become one of the most exciting musical partnerships in contemporary jazz.

With Lost in Geneva, Kris Davis, Robert Hurst, and Johnathan Blake demonstrate that the deepest artistic discoveries often come not from unfamiliar collaborators, but from musicians who have learned to listen to one another on an extraordinary level. The result is a vibrant, adventurous recording that continues to push the boundaries of the modern piano trio while remaining grounded in groove, communication, and shared exploration.

Jon Batiste Celebrates Mozart and Thelonious Monk with Three New Piano Albums

Multi-Grammy, Emmy, and Academy Award-winning pianist, composer, and bandleader Jon Batiste has announced an ambitious new chapter in his acclaimed solo piano series with the release of Black Mozart (Batiste Piano Series Vol. 2), arriving June 19 on Decca Records US. Appropriately released on Juneteenth, the album reimagines the music of Wolfgang Amadeus Mozart through a distinctly Black American musical perspective while continuing Batiste's exploration of the classical canon through improvisation and spontaneous composition.

The announcement also includes two additional solo piano albums dedicated to jazz legend Thelonious Monk. Monk Meditations and Monk Movements will both be released on August 14 through Verve Records, completing a remarkable trilogy that draws musical connections between two of history's most visionary composers.

Batiste describes the project as an ongoing dialogue between three musical minds.

"My intent was to curate a musical conversation between Monk and Mozart with me at the piano, honoring them and contributing to their kindred legacies."

Although Mozart and Monk lived centuries apart, Batiste sees striking similarities between the two innovators.

"Like Thelonious Monk, Mozart was a meticulous metaphysician who created a special blend of logical mastery that still somehow defies explanation."

Born into a celebrated Louisiana musical family, Batiste received classical training before earning both bachelor's and master's degrees in jazz piano from The Juilliard School. His ability to move effortlessly between classical, jazz, blues, gospel, soul, and contemporary music has become one of the defining characteristics of his career.

The new album builds upon the success of Beethoven Blues, the first installment in the Batiste Piano Series released in 2024. While that recording reimagined Beethoven through blues and jazz traditions, Black Mozart applies a similarly inventive approach to Mozart's timeless works.

Batiste explains that Mozart's music naturally lends itself to reinterpretation.

"I reimagined Mozart 'Black,' imbuing it with influences from jazz, rags, stride, blues, and stomps while still maintaining its core essence of modern classical music."

Rather than simply performing Mozart's compositions, Batiste transforms them into living, breathing conversations between classical tradition and African American musical expression. The result promises to be both respectful of Mozart's original genius and unmistakably reflective of Batiste's own artistic voice.

The companion albums, Monk Meditations and Monk Movements, continue that philosophy by focusing on another musical revolutionary. Like Mozart, Thelonious Monk challenged convention, expanded harmonic language, and forever altered the direction of music through originality, rhythmic invention, and fearless creativity.

With these three releases, Jon Batiste once again demonstrates why he remains one of the most versatile and visionary musicians of his generation. By connecting Mozart, Monk, and his own improvisational voice, he reminds listeners that great music transcends genres, centuries, and cultural boundaries while continuing to evolve through fresh interpretation.

Harry Bartlett & Kurtis Perrie Blur Musical Boundaries on This Is Living

When artists from distinctly different musical backgrounds come together with an open mind, the results can be truly remarkable. That spirit defines This Is Living, the forthcoming collaborative album from guitarist Harry Bartlett and electronic music producer Kurtis Perrie, arriving August 21 on Adhyâropa Records.

The project was born during an intensive two-week creative session in Etobicoke, Ontario, where Bartlett and Perrie immersed themselves in each other's musical worlds. Despite beginning the collaboration with only a limited understanding of one another's artistic traditions, they discovered common ground through experimentation and curiosity. The result is an album that feels greater than the sum of its parts.

This Is Living is a hypnotic blend of electro-acoustic textures that seamlessly bridges ambient electronics, jazz, bluegrass, and contemporary instrumental music. Ethereal melodies drift over subtle rhythms while acoustic and electronic elements intertwine to create an atmosphere that is both nostalgic and captivating. The music unfolds like a conversation, with each artist contributing a unique voice while allowing space for the other to shine.

Toronto-based Kurtis Perrie has earned recognition as an innovative electronic music producer and instrument designer, receiving support from Four Tet and securing sync placements with Apple and the NFL. Harry Bartlett, an award-winning Nashville guitarist and composer, has collaborated with acclaimed artists including Viktor Krauss and John Mailander. Together, they are joined on the album by vibraphonist Bjorn Kriel and percussionist Jason Martin, adding additional color and depth to the recordings.

The musicians featured on This Is Living are:

• Kurtis Perrie Conant – electronics, synthesizer
• Harry Bartlett – guitar, pump organ, synthesizer, piano
• Bjorn Kriel – vibraphone
• Jason Martin – percussion

The seven-track album includes:

1. Like Flowers That Bloom (1:47)
2. And Wither (2:14)
3. Childs Play (4:07)
4. C (2:36)
5. Banya (4:11)
6. Long Road (2:42)
7. Ways of the World (2:22)

Ahead of the album's August 21 release, listeners can enjoy the singles "Childs Play," released July 20, and "Banya," arriving August 4. Rather than simply merging acoustic and electronic styles, This Is Living creates a fresh musical language that rewards careful listening and repeated exploration. For fans of contemporary jazz, ambient music, and adventurous instrumental recordings, this is a release well worth discovering.

Samuel Blaser Explores Family Heritage on Deeply Personal New Album Rosina

Acclaimed Swiss trombonist and composer Samuel Blaser will release his new album, Rosina, on October 16 via Blaser Music. Widely regarded as one of the most inventive voices in contemporary jazz, Blaser delivers what may be his most personal recording to date, drawing inspiration from his Italian family roots, traditional folk melodies, and the historic field recordings of folklorist Alan Lomax.

Since emerging as a leading figure in modern creative music, Blaser has built an impressive catalog of 34 recordings as a leader or co-leader since 2008. With Rosina, however, the trombonist turns inward, creating a collection of eight original compositions that intertwine Italian folk traditions with his distinctive approach to improvisation and contemporary jazz.

The album is named after Blaser's maternal grandmother, Rosina Pierina Scarpioni, a member of the Italian Resistance during World War II who later relocated to Switzerland. Although Blaser never had the opportunity to meet her, reconnecting with relatives in her native Emilia-Romagna and discovering extended family in New York inspired him to explore this important part of his heritage. That journey ultimately led him to the traditional folk songs of the region, many of which were documented by legendary ethnomusicologist Alan Lomax.

Rather than simply interpreting these melodies, Blaser transforms them into deeply personal musical statements. Three traditional songs from Emilia-Romagna are woven seamlessly together with five original compositions, creating an album that honors tradition while remaining firmly rooted in contemporary jazz improvisation.

Reflecting on the project, Blaser describes Rosina as a milestone in his artistic development.

"I feel with this project I'm finally shaping the music in a way I want it to sound, where different parts of my musical language are coming together. It's also the first time I'm consciously linking my music to Italy."

Joining Blaser is a quartet of longtime collaborators whose collective chemistry gives the music both freedom and emotional depth. Pianist Russ Lossing, bassist Masa Kamaguchi, and drummer Billy Mintz provide an ideal foundation for Blaser's expansive compositions, moving effortlessly between spacious improvisation, lyrical intimacy, and adventurous interplay.

Recorded at Skyline Underground in New Jersey during sessions in September 2024 and March 2025, Rosina captures the quartet's remarkable ability to balance folk-inspired melodies with modern jazz exploration. The result is a richly expressive album that reflects both personal discovery and artistic maturity.

Personnel

• Samuel Blaser – trombone
• Russ Lossing – piano
• Masa Kamaguchi – bass
• Billy Mintz – drums

Recorded at Skyline Underground, New Jersey, September 27–28, 2024, and March 2025. Mastered by Paul Wickliffe.

Tracklist

1. Boara
2. Amaaka
3. Rosina
4. Elgnij
5. Adagio
6. Scherzo
7. Mysteriously
8. Serenata

Rosina will be released October 16 on Blaser Music.

Meshell Ndegeocello Announces Synonym, an Ambitious Blue Note Album Featuring Cynthia Erivo, Chaka Khan, Brandi Carlile, WILLOW, and More

GRAMMY-winning artist Meshell Ndegeocello has announced the release of her third Blue Note Records album, Synonym, arriving October 2. One of the most ambitious projects of her celebrated career, the album finds the acclaimed bassist, singer, songwriter, producer, and visionary reimagining a carefully curated collection of beloved songs through an expansive series of collaborative duets with an extraordinary lineup of guest artists.

Available for pre-order on color vinyl, black vinyl, CD, and digital formats, Synonym is introduced by the stunning lead single, "I Knew You Were Waiting (For Me)," a fresh interpretation of the George Michael and Aretha Franklin classic featuring the powerful vocals of Cynthia Erivo alongside Ndegeocello.

Spanning multiple decades and genres, Synonym explores themes of love, heartbreak, friendship, desire, identity, care, and resilience. The album moves effortlessly from 1960s folk and 1970s soul to country, pop, 1980s R&B, electro-boogie, alternative rock, and early-2000s hip-hop, demonstrating Ndegeocello's lifelong refusal to be confined by musical boundaries.

"This project is about classic songs that are known and loved," Ndegeocello explains. "The songs have diverse tones, representing various genres and intentional grooves. But the album is also about joy, selfhood, individual representation, and universal experience."

While Ndegeocello's artistry has long stood on its own as one of modern music's most influential creative voices, Synonym places equal emphasis on collaboration. The album features an impressive roster of acclaimed artists, including Cynthia Erivo, Cat Power, Chaka Khan, Brandi Carlile, Bill Callahan, Chris Thile, Nick Hakim, Robert Glasper, Madison Cunningham, Laura Lee of Khruangbin, Lizz Wright, Emily King, Lianne La Havas, Moses Sumney, Destin Conrad, ANOHNI, WILLOW, Evann McIntosh, and Ink.

The project also reunites Ndegeocello with producer David Gamson, who helped shape her landmark debut albums Plantation Lullabies (1993) and Peace Beyond Passion (1996). Gamson co-produced Synonym alongside Ndegeocello and longtime collaborator Abe Rounds. The album is further enriched by an exceptional ensemble of musicians, including drummers Abe Rounds and Deantoni Parks, guitarist Chris Bruce, keyboardists Jake Sherman, Jebin Bruni, and Larry Goldings, saxophonists Josh Johnson and Levon Henry, flutist Elena Pinderhughes, banjo virtuoso Béla Fleck, and many more.

The album's title reflects one of its central ideas. Ndegeocello describes a synonym as different words expressing the same meaning, using the concept as a metaphor for humanity itself. Despite our differences, she believes people ultimately share the same hopes, needs, and emotional experiences.

"This project is an expression of queer liberation as a synonym for liberation of all kinds," she says. "The queer community claimed me when others didn't... I recognize the ways in which it all overlaps. Once again, I went back to my elders: Audre Lorde told us that there is no single-issue struggle. Similarly, these arrangements are synonyms for their originals—these different sounds still mean the same thing."

One of the album's defining characteristics is its collection of duet performances featuring artists who identify along the same gender spectrum. Rather than redefining the original songs, Ndegeocello uses these collaborations to emphasize emotional connection and shared experience while allowing each interpretation to develop its own unique identity.

Synonym also reflects an important evolution in Ndegeocello's artistic philosophy. While she remains one of contemporary music's most celebrated performers, she views this project as an opportunity to further establish herself as a producer and musical curator.

"I want to do more collective music," she explains. "On this album, I wanted to show off as a producer. I love being on Blue Note Records because with that, I still get to be a musician."

The release follows an extraordinary creative resurgence that has seen Ndegeocello earn widespread critical acclaim for her first two Blue Note albums, The Omnichord Real Book (2023) and No More Water: The Gospel of James Baldwin (2024). Both projects earned GRAMMY recognition while further cementing her reputation as one of the most fearless and innovative artists of her generation.

With Synonym, Meshell Ndegeocello once again demonstrates that timeless songs can be transformed into something entirely new without losing the emotional truths that made them classics in the first place.

Synonym Tracklist

1. I Knew You Were Waiting (For Me) (with Cynthia Erivo)
2. Don't You Want Me (with Cat Power)
3. Don't Stop The Music (with Nick Hakim and Robert Glasper)
4. Islands In The Stream (with Chaka Khan)
5. It Ain't Me Babe (with Madison Cunningham)
6. Always on Time (with Laura Lee)
7. Be Real Black For Me (with Emily King and Lizz Wright)
8. Don't Look Any Further (with Lianne La Havas)
9. The Closer I Get To You (with Destin Conrad and Moses Sumney)
10. Golden Ring (with Brandi Carlile)
11. I Got You Babe (with ANOHNI)
12. Here We Come (Here He Comes) (with Evann McIntosh)
13. Guilty (with Ink)
14. Hunger Strike (with WILLOW)
15. With God On Our Side (with Bill Callahan and Chris Thile)

Synonym will be released October 2 via Blue Note Records.

Azar Lawrence Celebrates a Lifetime of Jazz with Turn the Music Up

Legendary tenor saxophonist and composer Azar Lawrence is set to release his highly anticipated new album, Turn the Music Up, on September 25 via his own Trazar Records. At 73, Lawrence continues to push the boundaries of jazz while honoring the musical legacy that has defined his remarkable career spanning more than five decades.

Turn the Music Up serves as both a retrospective and a bold artistic statement. The album revisits several compositions from Lawrence's early recordings, particularly his landmark releases Bridge into the New Age (1974) and Summer Solstice (1975), while reimagining them through the dynamic sound of his current ensemble, The Azar Lawrence Experience (TALE). Rather than simply recreating the past, Lawrence breathes new life into these compositions, presenting them with fresh energy, modern arrangements, and the maturity that comes from decades of musical evolution.

Throughout his career, Lawrence has built an extraordinary résumé, performing alongside jazz icons including McCoy Tyner, Miles Davis, Woody Shaw, and Elvin Jones. Beyond the jazz world, he has collaborated with artists such as Marvin Gaye and Earth, Wind & Fire and currently performs as a member of the acclaimed supergroup The Cookers. His solo career, launched in 1974, now includes 13 albums that have consistently reflected his distinctive artistic vision.

Lawrence describes Turn the Music Up as the culmination of everything he has learned throughout his musical journey. Drawing inspiration from the harmonic intensity and modal depth he absorbed while performing alongside Tyner, Davis, and Jones during the post-John Coltrane era, Lawrence emphasizes that the new album speaks with his own unmistakable voice while continuing to move the music forward.

The album features updated interpretations of several of Lawrence's signature works, including the title track from Summer Solstice, as well as an inspired, Latin-infused version of McCoy Tyner's "Atlantis," a composition Lawrence originally recorded with Tyner in 1974. Also included is a moving rendition of the spiritual jazz classic "The Creator Has a Master Plan," originally composed by Pharoah Sanders and Leon Thomas.

Supporting Lawrence is The Azar Lawrence Experience, featuring trumpeter Brian Swartz, guitarist Taka Mori, pianist and keyboardist Robert Turner, bassist Gerald Brown, drummer and percussionist Yayo Morales, and vocalist Lynne Fiddmont. The ensemble demonstrates remarkable versatility throughout the album, seamlessly shifting from the Brazilian-inspired rhythms of "Highway" to the soulful elegance of "Fatisha" and the infectious funk of "Summer Solstice." Fiddmont's vocal performances add another compelling dimension, equally comfortable delivering powerful scat vocals and delicate spiritual expressions.

Additional contributions from trombonist Quinn Carson and percussionists Munyungo Jackson, David Leach, and Adam Moseley enrich the album's expansive sound. Despite the large ensemble and the extended improvisational nature of the seven tracks, the performances remain focused, disciplined, and deeply connected, showcasing Lawrence's meticulous attention to musical detail.

Born in Los Angeles on November 3, 1952, Lawrence developed his musical foundation under the guidance of his mother, ImaJean Lawrence, a schoolteacher, choir director, and music instructor. Beginning on violin at age five before transitioning to viola and eventually tenor saxophone at 13, Lawrence quickly immersed himself in jazz through the influence of his friend Reggie Golson, son of saxophone legend Benny Golson, and the Dorsey High School Jazz Workshop.

His professional career gained momentum through Horace Tapscott's Pan-Afrikan People's Arkestra before performances with Ike & Tina Turner, the Watts 103rd Street Band, and War. In 1972, Lawrence joined Elvin Jones' band and relocated to New York, where he soon began working extensively with McCoy Tyner and appeared on Miles Davis' influential live album Dark Magus.

Following decades of collaborations across jazz, soul, R&B, and hip-hop, including work with Freddie Hubbard, Stanley Turrentine, Phyllis Hyman, Marvin Gaye, and Busta Rhymes, Lawrence has enjoyed a creative resurgence in recent years. His 2022 release New Sky, collaborations with artists such as Theo Croker and Kamasi Washington, and ongoing work with The Cookers and TALE have reaffirmed his status as one of jazz's most vital voices.

With Turn the Music Up, Azar Lawrence delivers more than a celebration of his past achievements. The album stands as a powerful reminder that true artistry continues to evolve, blending decades of experience with a fearless commitment to innovation. It is both a tribute to the rich traditions of spiritual and modal jazz and an exciting glimpse into the future of one of the genre's enduring masters.

Turn the Music Up arrives September 25 on Trazar Records.

Thelonious Monk's Live in Paris, 1967 Volume One Launches Historic Archival Series

One of the most significant jazz archival releases of 2026 arrives on April 24 with Thelonious Monk: Live in Paris, 1967 Volume One. Released by the Monk Estate through Rhythm-A-Ning Entertainment, the previously unreleased concert recording inaugurates an ambitious archival series that will present rare live performances by one of jazz's most influential pianists and composers while reclaiming recordings that have circulated for decades only as unauthorized bootlegs.

Few artists have shaped modern jazz as profoundly as Thelonious Monk. His unmistakable piano style, angular yet lyrical compositions, unconventional rhythms, and unmistakable visual identity helped redefine the possibilities of jazz performance. From his signature hats and distinctive fashion to his famously unpredictable stage presence, Monk embodied originality in every aspect of his artistry, leaving a legacy that continues to inspire generations of musicians.

The new release captures Monk's celebrated working quartet during a remarkable 1967 Paris performance featuring longtime tenor saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley. Making the concert even more extraordinary is the addition of an all-star lineup of guest musicians, including alto saxophonist Phil Woods, trombonist Jimmy Cleveland, trumpeter Ray Copeland, and tenor saxophone great Johnny Griffin. A second volume, scheduled for release on October 9, 2026, expands the ensemble further with the addition of legendary trumpeter Clark Terry.

Live in Paris, 1967 Volume One presents four of Monk's enduring compositions while showcasing the remarkable chemistry between the quartet and its distinguished guests. "Epistrophy" features commanding solos from Johnny Griffin and Ray Copeland, while "Evidence" highlights Charlie Rouse's expressive tenor alongside Woods' blues-infused alto work. The ensemble's richly layered horn arrangements create an energetic, jam session atmosphere that complements Monk's unmistakable piano language. "We See" continues the adventurous interplay before the quartet closes the album with a moving performance of the ballad "Ruby, My Dear."

For Monk's son, drummer and producer T.S. Monk, the recording highlights an often-overlooked chapter of his father's career.

"Giants like Rollins and Coltrane, Abdul Malik, Roy Haynes or Art Blakey, Mingus and Max Roach spent much time with Monk," he explains. "People are quite aware of his touring and recording quartet... His touring with larger ensembles especially in Europe, not as much. The Clark Terrys, Phil Woods, Jimmy Clevelands, Johnny Griffins and others highlight the respect his peers had for him."

Beyond the music itself, the release represents a significant milestone in the Monk family's efforts to preserve and control the pianist's artistic legacy. The archival series seeks to replace decades of unauthorized releases with carefully restored editions curated directly by the Monk Estate.

"Thelonious Monk never wrote music to fit a system," says Monk's grandson, Thelonious Monk IV. "He wrote to expand imagination and move the culture forward. We've spent years navigating piracy, legacy structures, and an industry not always built for artist control. This album release marks a shift—stewarded independently, handled with intention, and delivered directly to listeners."

To commemorate the launch, the Monk Estate has partnered with luxury hatmaker Optimo to create The Monk, only the second release in the company's Icon Series. Limited to just 88 individually numbered hats—a tribute to the piano's 88 keys—the collection draws inspiration from the distinctive hats Monk wore throughout the 1960s. Available in Black, Smoke, and a custom "'Round Midnight Grey," each hat includes a first pressing of the album on a special edition colored vinyl signed by Thelonious Sphere Monk III and Optimo founder Graham Thompson.

The recording itself receives equally meticulous treatment. Mastered by legendary engineer Rudy Van Gelder and presented on a 180-gram audiophile vinyl pressing, Live in Paris, 1967 Volume One features cover artwork by acclaimed Japanese graphic designer Gaku Inada. The album will also be available digitally.

More than half a century after it was recorded, Thelonious Monk: Live in Paris, 1967 Volume One offers jazz fans an invaluable glimpse of one of the music's greatest innovators performing alongside an extraordinary collection of peers. As the first chapter in the Monk Estate's new archival initiative, the release not only celebrates Monk's enduring genius but also ensures that future generations will experience these historic performances as they were meant to be heard.

Thelonious Monk: Live in Paris, 1967 Volume One released on April 24, 2026, via Rhythm-A-Ning Entertainment.

Kevin Sun Announces Kevin Sun, I & Kevin Sun, II: Two New Jazz Albums Arrive September 25, 2026

New York-based saxophonist and composer Kevin Sun will release two ambitious new jazz albums, Kevin Sun, I and Kevin Sun, II, on September 25, 2026, through his independent label, Endectomorph Music. Rather than presenting a conventional double album, Sun offers two interconnected recordings that explore modern jazz composition, improvisation, and ensemble interaction from different perspectives, making them among the most anticipated contemporary jazz releases of 2026.

Both albums are designed to complement one another while standing independently. "This isn't really a conventional double album," Sun explains. "It's more like a pair of video games set in the same universe, each with its own style and cast of characters."

Across the two releases, Sun demonstrates the compositional approach that has made him one of the most distinctive voices in contemporary jazz. His writing provides structured frameworks that encourage spontaneous creativity, allowing each musician to develop an individual voice within carefully crafted compositions.

As Brad Cohan of The New York City Jazz Record noted, "Sun is a protean force who displays relative ease in hurdling from majestic melodicism to seat-gripping improvisational intensity."

Following ten acclaimed releases over the past eight years, Sun began asking himself a deceptively simple question: What makes a great jazz composition? That search became the foundation for both Kevin Sun, I and Kevin Sun, II.

"For me, the best compositions are at heart vehicles for improvisation," Sun says. "They're designed to bring out the best in each individual musician. They raise the stakes for improvising and let everyone sound their best, or just more like themselves than anything else."

Kevin Sun, I features guitarist Max Light, bassist Walter Stinson, and drummer Jon Starks in a studio production that evolved through more than a year of performances at Brooklyn's Lowlands Bar. The extensive live performances allowed the quartet to refine the material before entering the recording studio, resulting in performances that feel both polished and spontaneous.

The album opens with "Go In," the lead single and one of Sun's most technically demanding compositions. Inspired by John Coltrane's harmonic innovations, the piece combines complex harmonic movement with shifting meters while maintaining an energetic sense of forward momentum. Other highlights include "Scrollwork," an intricate exploration of four-part rhythmic counterpoint, and "Hold Music," which transforms the frustration of a lengthy IRS phone call into an inventive musical narrative filled with tension and release.

Recorded under very different circumstances, Kevin Sun, II captures the energy of a working band fresh off the road. Featuring bassist Walter Stinson alongside pianist Christian Li and drummer Kayvon Gordon, the album was recorded in a single afternoon at Terrarium Studio in Minneapolis following a week-long U.S. tour. With minimal editing, the recording preserves the immediacy and chemistry developed through live performance.

The second volume also reflects the broad range of influences that shape Sun's musical identity. His interpretation of Ryuichi Sakamoto's "Chanson" showcases the quartet's lyrical sensitivity, while "Laura Palmer's Theme" pays tribute to the late filmmaker David Lynch through a fresh arrangement of Angelo Badalamenti's iconic composition from Twin Peaks. Another standout, "Unformed, Shrouded by Fog," adapts the memorable spoken introduction from the acclaimed video game Dark Souls into an atmospheric jazz composition dedicated to actress Pik-Sen Lim.

Sun's music comfortably bridges jazz tradition with contemporary cultural influences. His compositions draw inspiration from John Coltrane, Benny Golson, David Lynch, FromSoftware's immersive video games, and Ryuichi Sakamoto's distinctive blend of minimalism and lyricism. Rather than functioning as stylistic references, these influences become launching points for music that is deeply personal and unmistakably his own.

Over the past decade, Kevin Sun has earned recognition as one of New York City's leading modern jazz composers and tenor saxophonists. His recordings have been praised for their harmonic sophistication, inventive structures, and emotional depth, while his work as founder of Endectomorph Music has helped spotlight a new generation of creative improvised music.

With Kevin Sun, I and Kevin Sun, II, Sun brings together years of musical exploration into two complementary recordings that celebrate melody, improvisation, and collaboration. The albums reaffirm his belief that the strongest jazz compositions are those that inspire musicians to create something unique in the moment—a philosophy that resonates throughout both releases.

Kevin Sun will celebrate the albums with a release concert on Saturday, September 19, 2026, at Bar Bayeux in Brooklyn, giving audiences an opportunity to hear music from both recordings performed live ahead of their official release.

Kevin Sun, I and Kevin Sun, II will be released on September 25, 2026, via Endectomorph Music.

Alister Spence Pushes the Boundaries of the Piano on Always Ever

Australian pianist, composer, and improviser Alister Spence continues his fearless exploration of sound with Always Ever, an ambitious new solo album released April 24, 2026. Featuring 16 fully improvised pieces, the release finds Spence expanding his relationship with the piano through an array of experimental techniques, prepared piano methods, and spontaneous invention.

The album builds upon the creative path established with his acclaimed 2020 solo release Whirlpool, which was praised by All About Jazz as "a good place to hear [Spence's] uncommon imagination at work." On Always Ever, however, Spence ventures even further beyond conventional piano performance, embracing the instrument as an entire sonic landscape rather than simply a keyboard.

"The playing of the piano for me has expanded to encompass the whole piano, more than just playing the keys," Spence explains. "I'm interested in contingency. I'm interested in accidents and what they cause to happen in the music, and I deliberately try to create those accidents for myself."

That philosophy permeates every moment of Always Ever. The collection moves effortlessly between percussive prepared piano textures, meditative drones, abstract improvisation, and lyrical passages, with each composition offering a distinct perspective on the instrument's limitless possibilities. From the resonant string strikes of the opening track "Mystic" to the metallic textures of "Distant Cousins," the album continually surprises while inviting listeners into Spence's process of discovery.

Critics have long recognized Spence's singular artistic voice. Stuart Nicholson of Jazzwise writes, "Spence is both imaginative and expansive, sensitive to mood and contrast, texture and melody, euphony and cacophony." Stuart Broomer of The Free Jazz Collective similarly praises the pianist's originality, noting that Spence "possesses a particular kind of vision that speaks to an original distance... a special capacity to see through time and space to a different territory."

Spence traces the roots of his adventurous approach back to his years with the internationally acclaimed ensemble Clarion Fracture Zone, where experimentation first became central to his musical identity. Over the decades, that curiosity has flourished through collaborations with renowned artists including Satoko Fujii, Lloyd Swanton of The Necks, Toby Hall, and Ed Kuepper, while his work as a composer for film and television has further broadened his creative perspective.

Yet it is in his solo work where Spence's sonic imagination has found perhaps its most compelling outlet. Throughout Always Ever, he embraces uncertainty, allowing chance, texture, resonance, and instinct to shape each performance in real time.

"I do things throughout this album where I'm only broadly aware of how they're going to sound," Spence says. "So much is just open to the moment... Even if I'm playing the piano more conventionally, I try to deliberately make myself go off track so that I'm not able to guess what's going to happen as a result."

Recorded on September 28, 2025, Always Ever stands as a captivating document of an artist continually redefining both his instrument and his own creative process. For listeners drawn to adventurous improvisation, prepared piano, and boundary-pushing contemporary jazz, Alister Spence's latest release offers an absorbing journey into the infinite possibilities of sound.

Martha Reeves Returns With Searching, A Soulful New Chapter From A Motown Legend

After more than two decades away from the recording studio, Martha Reeves returns with Searching, her first new album in 22 years, arriving August 14, 2026. Released as she celebrates her 85th birthday, the album is a powerful statement of resilience, creativity, faith, and the enduring strength of one of soul music’s most recognizable voices.

For Reeves, Searching is more than a comeback—it is a celebration of a lifetime devoted to music. The album explores jazz, soul, blues, and gospel influences while showcasing the expressive voice that helped define the golden era of Motown. Filled with warmth, honesty, and emotional depth, the project reflects an artist still exploring new possibilities rather than simply revisiting the past.

Born in Eufala, Alabama, and raised in Detroit, Martha Reeves became one of the defining voices of the Motown era as the lead singer of Martha and the Vandellas. The group became one of the label’s most successful acts, delivering timeless classics including “Dancing in the Street,” “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack.” With her powerful vocal delivery, dynamic stage presence, and unmistakable energy, Reeves helped establish the sound that introduced Motown to audiences around the world.

Before becoming a star, Reeves worked behind the scenes at Motown, where she gained valuable experience as a secretary and studio presence before stepping into the spotlight. Her journey from aspiring singer to international icon became one of the most inspiring stories of the Motown movement.

Following her success with The Vandellas, Reeves continued her career as a solo artist, performer, and advocate for music and culture. Her influence has stretched across generations, with her recordings continuing to inspire artists and fans decades after their original release.

For Searching, Reeves traveled to New Orleans to collaborate with acclaimed trombonist Delfeayo Marsalis and longtime manager Chris Roe. What began as a jazz-focused project evolved naturally as Reeves brought her soulful instincts into the sessions, resulting in a record that blends the rich musical traditions of New Orleans with the R&B foundation that made her famous.

The album features two interpretations of “To Know You Is to Love You,” the classic song written by Syreeta and Stevie Wonder. One version delivers a vibrant, horn-driven arrangement, while another highlights the intimacy and emotion of Reeves’ vocals. She also brings her unique perspective to beloved standards including “Mood Indigo” and “Summertime,” songs that allow her to explore new shades of her artistry.

The title track, “Searching,” co-written with Marsalis, stands as one of the album’s defining moments, combining powerful musicianship with Reeves’ commanding vocal performance. Her original composition “Thank You, Jesus” reflects the gospel roots that shaped her childhood and helped form the foundation of her musical identity.

Reeves’ career has always been built on connection—between performer and audience, tradition and innovation, past and future. Searching continues that journey, proving that great artistry has no expiration date.

As she approaches 85, Reeves remains committed to performing and creating, embracing each new opportunity with gratitude and enthusiasm. Her message is clear: the music is still alive, the voice is still powerful, and the journey is far from over.

The Womack Sisters Carry a Legendary Soul Legacy Into a New Era With Their Self-Titled Debut Album

Soul music royalty meets a fresh new generation with the long-awaited debut album from The Womack Sisters, arriving August 14, 2026, via Daptone Records. A deeply personal and soulful collection, The Womack Sisters celebrates family heritage while introducing a distinct sound shaped by experience, resilience, and a lifelong connection to music.

Featured in MOJO’s 2026 “Essential Albums” preview, the album represents a major milestone for sisters Kucha, Zeimani, and BG Womack, who have spent their lives surrounded by music. As the granddaughters of legendary soul pioneer Sam Cooke and nieces of iconic songwriter, guitarist, and vocalist Bobby Womack, the Sisters carry a remarkable musical lineage—but this debut proves they are far more than heirs to a famous name.

The Womack Sisters look to the past while creating something entirely their own. The album channels the spirit of classic soul, when songwriting, emotion, and musicianship were at the center of popular music, while bringing a modern perspective and their own individual voices to every track.

The Sisters’ musical journey began almost from birth. Raised by their parents Zekkariyas and Zeriiya (formerly known as Womack & Womack), they grew up performing around the world, learning through real-life experience rather than traditional classrooms. Their childhood was spent on stages and in studios across the globe, with homes ranging from London and Amsterdam to Kenya, Paris, Sydney, Zurich, Vienna, Tanzania, New York, Miami, West Virginia, Thailand, and the Bahamas.

That unique upbringing shaped their artistry, giving them a rare understanding of performance, harmony, and storytelling. Each sister brings her own personality and vocal character to the album, allowing every song to feel both connected and individual.

The album’s lead single, “Chauffeur,” introduces listeners to the Sisters’ rich harmonies, emotional depth, and timeless approach to soul music. Other standout moments include the heartfelt “If You Want Me,” the powerful “Monster,” the reflective “Laughter & Tears,” and the closing tribute “My Sisters And Me.”

Released through Daptone Records, a label known for preserving and celebrating authentic soul sounds, The Womack Sisters feels like both a continuation and a new beginning. It honors the artists who came before them while establishing Kucha, Zeimani, and BG as voices with their own story to tell.

With unforgettable melodies, soulful arrangements, and a connection to one of music’s greatest family legacies, The Womack Sisters is a debut that celebrates where they came from while confidently stepping into the future.

Track Listing:

Side A

1. Chauffeur
2. If You Want Me
3. Monster
4. If I Let You
5. I Just Don’t Want You

Side B

1. Laughter & Tears
2. Didn’t Mean Much To Me
3. You Went Away Too Long
4. I Am Your Season
5. All Around
6. My Sisters And Me

John Edwards’ Lost Soul Classic Tin Man Finally Arrives on Vinyl

For decades, soul fans have known the name John Edwards as one of the great voices of his generation. Now, a long-lost chapter of his remarkable career is finally receiving the vinyl release it deserves with Tin Man – The Unissued Second Aware LP, a stunning collection of recordings that captures Edwards at the height of his early solo powers.

Originally recorded for Aware Records under the guidance of producer Floyd Smith, these tracks represent a fascinating moment in Edwards’ career. Following the success of his early Aware singles, including the acclaimed soul gems "Stop This Merry-Go-Round" and "Careful Man," the label prepared a second album that was expected to continue his rise as one of the most exciting male vocalists in soul music.

Unfortunately, Aware Records collapsed due to the criminal activities of its owner, leaving the album unreleased and the master tapes hidden away for years. When the recordings were eventually rediscovered in the 1990s, several tracks appeared on the Kent CD Careful Man, while select singles earned praise from collectors and modern soul enthusiasts. Now, for the first time, the complete collection is available on vinyl, allowing fans to experience these recordings exactly as they were intended.

The album showcases Edwards’ extraordinary vocal ability—powerful, emotional, and filled with the kind of sincerity that defined classic soul. Songs like "Tin Man," "How Can I Go On Without You," and "Cold Hearted Woman" demonstrate why Edwards became such a respected figure among soul fans and musicians alike.

John Edwards’ journey extends far beyond his solo recordings. His remarkable voice and stage presence led the legendary The Spinners to recruit him as the replacement for their celebrated lead singer Philippe Wynne. Edwards became the group’s frontman during a new era of their career, bringing his own distinctive style while honoring the legacy of one of soul music’s most influential vocal groups.

A native of St. Louis, Edwards began singing professionally in the 1960s, developing a reputation as a powerful performer with deep roots in gospel and R&B. Before joining The Spinners, he built a strong following through his Aware Records recordings, where his passionate delivery and sophisticated phrasing earned him recognition as one of the finest emerging voices in soul music.

During his time with The Spinners, Edwards helped continue the group’s legacy, performing alongside one of the most successful vocal ensembles in R&B history. His tenure with the group introduced his voice to a worldwide audience, further cementing his reputation as a gifted interpreter of emotional soul.

Tin Man is more than a lost album—it is an important piece of soul history finally restored. For collectors, modern soul enthusiasts, and longtime fans of John Edwards, this release is an essential reminder of a singer whose talent always deserved a bigger spotlight.

Track Listing:

Side A

1. John Edwards – "How Can I Go On Without You"
2. "Ain’t That Good Enough"
3. "It’s Got To Be The Real Thing"
4. "Come Back Strong"
5. "Tin Man"
6. "Walls That Separate Our Love"

Side B

1. "Time"
2. "Cold Hearted Woman"
3. "Everybody Don’t Get A Second Chance"
4. "I Had A Love"
5. "The Way We Were"

Jai Alai Returns with a Stunning Collection of Rare Soul, Jazz, and Boogie Gems

The second installment of the Jai Alai series delivers another exceptional journey through the deepest corners of soul, jazz, boogie, and R&B, bringing together rare recordings, forgotten classics, and previously unreleased treasures from some of the most remarkable voices in music history.

Taking its name from the Kleeer track "Open Your Mind," originally released on the New York band’s 1979 album Winners, this collection celebrates the adventurous creativity of artists who helped shape the soul and boogie movement. Kleeer’s journey from Pipeline and The Universal Robot Band into one of the defining groups of the era is reflected in the sophisticated grooves and futuristic energy of their music.

Among the highlights are two incredible previously unreleased recordings from legendary vocal icons. Aretha Franklin’s "The Boy From Bombay," co-produced with Quincy Jones, offers a fascinating glimpse into the Queen of Soul’s more experimental side, while Dionne Warwick’s "Someone Else Gets The Prize," produced by Ashford & Simpson, carries the emotional power and songwriting brilliance of a song that deserved far greater recognition.

The collection continues with Philadelphia’s Pieces Of A Dream, the acclaimed group discovered by Grover Washington Jr. Their elegant fusion of jazz, soul, and R&B made them favorites across Europe during the 1980s, and "It’s Time For Love" remains one of their most captivating recordings.

Further exploration of the vaults reveals more essential discoveries, including Teddy Pendergrass’ sought-after Phat Phili Mix of "Believe In Love" and Leon Ware’s stunning "Got To Be Loved" from his 1981 masterpiece Rockin’ You Eternally. Ware’s genius for creating deeply sensual, sophisticated soul has long deserved greater recognition, and this track stands among his finest achievements.

Gerald Levert’s "What About Me" adds another powerful moment to the compilation, showcasing the extraordinary voice and emotional depth of an artist who helped define contemporary R&B. His influence continues to be felt by generations of singers who followed.

The set also highlights two lesser-known but highly deserving artists. Andy Bey’s "I Know This Love Can’t Be Wrong" recalls the elegance of classic jazz-soul greats, while Phajja’s "What Are You Waiting For" demonstrates the group’s polished harmonies and sophisticated production, reminiscent of the finest vocal groups of the era.

Closing the collection is Etta James’ "Evening Of Love," a stunning Southern soul ballad that showcases the timeless power of one of music’s greatest voices. Recorded decades into her legendary career, James delivers the song with the passion, confidence, and emotional honesty that made her an icon.

Featuring a remarkable lineup of rare recordings and hidden gems, Jai Alai’s second release is a treasure trove for collectors and music lovers alike—a celebration of soulful artistry that deserves to be heard again.

Track Listing:

Side A

1. Aretha Franklin – "The Boy From Bombay" (originally unissued Atlantic recording)
2. Dionne Warwick – "Someone Else Gets The Prize" (originally unissued Warner Bros. recording)
3. Andy Bey – "I Know This Love Can’t Be Wrong"
4. Pieces Of A Dream – "It’s Time For Love"
5. Kleeer – "Open Your Mind"

Side B

1. Leon Ware – "Got To Be Loved"
2. Teddy Pendergrass – "Believe In Love" (Phat Phili Mix)
3. Phajja – "What Are You Waiting For"
4. Gerald Levert – "What About Me"
5. Etta James – "Evening Of Love"