Gerald Clayton's 'Ones & Twos: Expanded Edition'—A Sonic Experiment in Coexistence

Pianist and composer Gerald Clayton is set to release Ones & Twos: Expanded Edition on May 30, 2025, via Blue Note Records. This digital release builds upon his third Blue Note album, Ones & Twos, and presents the culmination of a unique musical experiment inspired by the art of turntablism.

Clayton's concept involves creating a record where the A side can be played simultaneously with the B side, emulating the moment in a club when a DJ transitions between songs, allowing two separate pieces to coexist. This idea challenges traditional notions of musical structure and harmony. As Clayton explains, "Is it really possible for two separate melodies to coexist harmoniously? Does one inevitably become a counter melody to the other—a support of the more dominant melody? What does the experiment teach us about coexistence more broadly?" 

The original Ones & Twos album, released on April 11, featured separated tracks with contributions from vibraphonist Joel Ross, flutist Elena Pinderhughes, trumpeter Marquis Hill, and drummer Kendrick Scott, with post-production by Kassa Overall. The Expanded Edition includes two bonus tracks and a second disc comprising the combined overlaid tracks, revealing the end result of Clayton's experiment.

Listeners can experience the concept through the 3-track single: "Glass Half Warm," "Glass Half Cool," and the combined "Glass Half Warm / Glass Half Cool." These tracks exemplify the project's exploration of harmony, tension, and the possibility of coexistence within music.

Ones & Twos: Expanded Edition invites audiences to reflect on broader themes of coexistence, not only in music but in human relationships and cultures. As Clayton notes, "One of the lessons we may gain from the music is that there will be moments of friction/tension, and there will be moments where two things fit together smoothly/peacefully."

The album will be available for digital download and streaming on May 30.

Charlie Musselwhite's 'Look Out Highway': A Masterful Blend of Tradition and Innovation

Charlie Musselwhite's latest album, Look Out Highway, set to release on May 16, 2025, via Forty Below Records, marks a significant moment in his illustrious career. Known for his mastery of the harmonica and a voice that resonates with the soul of the blues, Musselwhite delivers an album that intertwines tradition with contemporary flair.

This project is particularly notable as it's the first time Musselwhite has recorded with his long-standing touring band: guitarist Matt Stubbs (GA-20), drummer June Core (Robert Lockwood Jr.), and bassist Randy Bermudes (James Cotton). The sessions took place at Kid Andersen's Greaseland Studio in San Jose, California, and Clarksdale Sound Stage in Musselwhite's adopted hometown of Clarksdale, Mississippi. Andersen, a frequent collaborator, contributed both as a musician and recording engineer, adding depth to the album's sound .

The album opens with the title track, "Look Out Highway," a song inspired by a gospel rhythm Musselwhite heard years ago outside a Memphis church. He describes the creative process as, "I caught the scent and found the trail that led to the melody and lyrics," highlighting the organic nature of his songwriting .

Throughout the eleven tracks, Musselwhite's storytelling prowess shines. "Storm Warning" uses weather metaphors to depict turbulent relationships, while "Sad Eyes" delves into the complexities of doomed love affairs. "Baby Won’t You Please Help Me" stands out with its autobiographical lyrics and a searing harmonica solo that underscores Musselwhite's virtuosity . The album also features "Ghosts in Memphis," where rapper Al Kapone adds a contemporary edge, and "Ready for Times to Get Better," a duet with emerging singer Edna Nicole, offering a hopeful perspective amidst challenging times .

Look Out Highway encapsulates Musselwhite's journey through the blues, reflecting his roots and his evolution as an artist. With a blend of Delta and Chicago blues infused with Memphis soul, the album is a testament to his enduring influence in the genre. For those interested in exploring this latest work, the album is available for pre-order in various formats, including limited edition vinyl, CD, and digital download, through Forty Below Records .

Ethan Margolis, aka Emaginario, Bridges Cultures with 'Interlude of the Duende'

Guitarist Ethan Margolis, known by his stage name Emaginario, exemplifies an artist deeply committed to authentic cross-cultural musical dialogue. His compositions reflect a profound understanding of Afro-Caribbean rhythms and Roma (Gitano) stylings, cultivated over a 24-year mentorship within Spain’s Roma community. This journey has led him to develop a modal harmony approach, fostering an open, creative interplay between guitar and drums.

Margolis's distinctive style is showcased in his album, Interlude of the Duende, released via Ropeadope Records. The album features a trio format with jazz luminaries Larry Grenadier on upright bass and Eric Harland on drums. The term "duende," often associated with a heightened state of emotional expression in Spanish music, aptly captures the album's essence—an improvisational, stream-of-consciousness exploration where Margolis's guitar dialogues with Harland's tribal percussion and Grenadier's subtle bass lines.

Initially composed with a vision for congas, bongos, batá drums, claps, and shakers, Margolis adapted these ideas for the trio setting. He notes, “Eric Harland and Larry Grenadier worked hard with me to harness the ceremonial essence of the album and of the sketch-like compositions.” The result is a unique sound that emphasizes an open and free listening environment over grandiose compositions.

Grenadier's contribution is particularly noteworthy. Margolis describes his playing as "masterful accompanist-mentality," staying naturally "out of the way" of the guitar while maintaining the groove. Tracks like “Solace and Descent” and “A Beating Heart” highlight Grenadier's ability to complement Margolis's guitar work seamlessly.

The album's production emphasizes clarity and space, allowing the acoustic guitar to shine. Margolis's sensitivity to frequency clashes between acoustic guitars, cymbals, and upright basses informed his deliberate choices in tunings and keys. He aimed to highlight the acoustic guitar as a world jazz instrument, balancing fingerstyle and picking techniques to create a distinctive sound.

Interlude of the Duende is a continuation of Margolis's exploration of diverse musical traditions. His previous works include the 2014 world jazz album Soleángeles, the 2015 flamenco-Delta blues fusion Sonikete Blues, and the 2023 vocal-centric Songs of Mind, which earned critical acclaim from JAZZIZ and Goldmine magazine. Margolis's ability to blend genres and cultures reflects his ongoing journey to redefine musical identities.

With Interlude of the Duende, Emaginario invites listeners into a space where music transcends boundaries, offering a rich tapestry of sound that reflects his deep cultural connections and artistic evolution.

Bill Banfield’s Take Time to Listen: A Tribute to Legacy and Craft

Jazz guitarist Bill Banfield's latest album, Take Time to Listen, is a deeply personal project inspired by a moment with his father, who recently celebrated his 100th birthday. During a conversation, his father advised, “Bill, I will talk to you, but you must take time to listen.” This profound statement became the album's title and its guiding principle: to encourage listeners to delve into the stories embedded within music.

Born and raised in Detroit, Banfield honed his craft at Cass Technical High School, studying under jazz legends Kenny Burrell and Earl Klugh. He further refined his skills through interactions with masters like Joe Pass, George Benson, and Pat Metheny. Banfield describes his approach as "solo-voiced guitar," emphasizing the importance of imagination and emotion in music. Take Time to Listen is dedicated to Burrell and Klugh, acknowledging their significant influence on his early development.

In a musical landscape often dominated by fleeting social media clips, Banfield opts for a more contemplative approach. He structured the album like a live performance, with most tracks captured in single takes and minimal overdubbing. The 16-track collection features a blend of Banfield's originals and interpretations of classics such as Sting's "Fragile," Elton John's "Your Song," and Carole King's "You've Got a Friend," alongside jazz standards like "Summertime" and "Autumn Leaves." Banfield's renditions hint at familiar melodies, capturing their essence without strict adherence to the original compositions.

Original compositions like "AM Song for Birdie" and "Song for Earl" showcase Banfield's ability to weave personal narratives into his music. "Pass Me the Blues" stands out with its rhythmic complexity and soulful expression. The recording process was intentionally intimate, with microphones placed close to the guitar to capture its natural acoustics and nuances. Banfield aimed for a sound that felt authentic and raw, embracing imperfections as part of the musical journey.

Beyond his musical endeavors, Banfield is an accomplished composer with 12 symphonies, 7 operas, and 9 concertos to his name. He has served as a professor at Berklee College of Music and is currently an Artist-in-Residence at Longy School of Music. Banfield's contributions extend to education, having developed a national music curriculum commissioned by Quincy Jones. His work has been recognized by esteemed figures like Dr. Cornel West, who described him as "one of the last grand Renaissance men in our time."

Take Time to Listen is more than an album; it's an invitation to pause, reflect, and truly engage with music. Banfield's dedication to his craft and his mentors is evident in every note, offering a timeless listening experience.

Zizi Returns with 'Levitate': A Bold Fusion of Folk, Soul, and Avant-Garde Jazz

Billie Zizi's latest album, Levitate, marks a triumphant return for the Edmonton-based artist, blending her signature fusion of folk, soul, R&B, and avant-garde jazz into a tapestry of introspective and experimental melodies. Following her 2015 debut Gun Metal Dress and the 2016 follow-up Moon of Honey, Levitate showcases Zizi's evolution as a solo artist, embracing both personal vulnerability and artistic risk-taking.

The title track, "Levitate," opens with ethereal pedal steel swells and introspective lyrics that delve into themes of transcendence and self-discovery. Zizi's vocal performance is both intimate and expansive, carrying an emotional weight that resonates deeply. The arrangement is expertly curated, with each instrument weaving in and out of the mix, adding depth and texture to the song's reflective tone. 

"Midnight Sun," another standout track, captures the essence of fleeting love under the continuous daylight of the northern summer. Co-produced with Austin Parachoniak, the song features a groove that gradually deepens in intensity, mirroring the song's lyrical exploration of love's ephemeral nature. 

Throughout the album, Zizi's poetic lyricism shines, with tracks like "A Picture of a Picture" offering haunting reflections on memory and identity. The song's dreamy and transcendent quality transports listeners into a contemplative space, showcasing Zizi's ability to evoke deep emotion through her music. 

Levitate is a testament to Billie Zizi's growth as an artist, seamlessly blending diverse musical influences into a cohesive and emotionally resonant album. Her ability to navigate complex themes with vulnerability and creativity makes this record a compelling addition to her discography.

Abi Flynn's 'Get Deep' Album Launch: A Triumph of Resilience and Artistry

On May 8, 2025, the music industry witnessed a poignant and powerful moment as Abi Flynn launched her debut album, Get Deep, at an exclusive event held at Kobalt's London office. The album, set for release on May 23 under the Splash Blue label, marks a significant milestone in Flynn's career and serves as a testament to her resilience and artistic vision.

A Journey from Adversity to Art

In her late twenties, Flynn faced a life-altering challenge when she was diagnosed with aggressive blood cancer. Doctors discovered an 11cm tumor in her chest, which grew to 21cm after two years of unsuccessful treatments. Given mere months to live and advised she might never carry a child, Flynn chose a path of creation over despair. Instead of succumbing to the prognosis, she poured her experiences, emotions, and survival into her music, resulting in the creation of Get Deep.

In a candid statement, Flynn shared, "I was told I had months to live. So, I wrote an album instead." Each track on the album was crafted during her chemotherapy sessions, serving as both a therapeutic outlet and a declaration of her unwavering will to live. She describes the album as "medicine," a collection of songs that provided solace and strength during her darkest moments.

An Evening of Music and Meaning

The launch event at Kobalt was an intimate gathering, offering attendees a first listen to the album in its entirety. Flynn performed live with her band, delivering renditions of the album's tracks that resonated deeply with the audience. Following the performance, Flynn engaged in a heartfelt Q&A session, sharing insights into her creative process and the profound experiences that influenced her music.

The evening also highlighted the work of the Cancer Awareness Trust, a charity close to Flynn's heart. She recently collaborated with the organization, joining notable figures like Sir Chris Hoy and Professor Sir Chris Evans to discuss hope, healing, and the role of creative expression in the face of illness. Flynn's partnership with the Cancer Awareness Trust, Evamore, and Cancer Platform underscores her commitment to raising awareness and supporting others on similar journeys.

Gifts from the Dark: A New Initiative

In conjunction with the album release, Flynn introduced Gifts from the Dark, an initiative designed to provide a platform for individuals to share their personal stories of adversity and transformation. The project aims to foster a community of support and understanding, allowing others to find strength in shared experiences.

Looking Ahead

As Flynn prepares for the official release of Get Deep on May 23, she continues to inspire with her story of resilience and creativity. Her journey from a cancer diagnosis to becoming a voice of hope and empowerment serves as a reminder of the healing power of music and the human spirit's capacity to overcome even the most daunting challenges.

Dee Dee Bridgewater & Bill Charlap Announce Elemental – A Captivating Jazz Duo Album

Jazz luminaries Dee Dee Bridgewater and Bill Charlap have unveiled their highly anticipated collaborative album, Elemental, set for release on June 13, 2025, under exclusive license to Mack Avenue Records by DDB Records. This marks their first duo recording, capturing the magic of their sold-out live performances.

The album features a curated selection of jazz standards, showcasing the duo's deep understanding of jazz tradition and impeccable phrasing. Their rendition of "Honeysuckle Rose" exemplifies their natural chemistry, with Bridgewater's dynamic vocals dancing atop Charlap's jaunty piano lines. Bridgewater describes their approach as playful and spontaneous, emulating the whimsical nature of Fats Waller's original composition.

Elemental is available for pre-order on CD and limited edition 180-gram vinyl. Fans can also stream the lead single, "Honeysuckle Rose," on various platforms.

Dee Dee Bridgewater, born Denise Eileen Garrett on May 27, 1950, in Memphis, Tennessee, is a three-time Grammy Award-winning jazz vocalist and Tony Award-winning actress. Raised in Flint, Michigan, in a music-filled home, she was introduced to jazz early on by her father, Matthew Garrett, a respected jazz trumpeter and teacher at Memphis’ Manassas High School. Her mother introduced her to Ella Fitzgerald’s music, which became an inspiration to Bridgewater throughout her career.

Bridgewater began her professional career as a member of the Thad Jones/Mel Lewis Jazz Orchestra in the early 1970s. She later performed with jazz legends such as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, and Max Roach. In 1975, she won a Tony Award for her role as Glinda in the Broadway musical The Wiz. Throughout her career, she has released numerous albums, including Dear Ella, a tribute to Ella Fitzgerald, and Eleanora Fagan (1915–1959): To Billie with Love From Dee Dee, a tribute to Billie Holiday, both of which earned her Grammy Awards.

Bill Charlap, born William Morrison Charlap on October 15, 1966, in New York City, is a Grammy Award-winning jazz pianist known for his lyrical approach to jazz and American popular song. He began playing the piano at age three and comes from a musical family; his father, Moose Charlap, was a Broadway composer and songwriter, and his mother, Sandy Stewart, is a singer who toured with Benny Goodman and appeared on television shows such as The Ed Sullivan Show and Perry Como's Kraft Music Hall.

Charlap formed his trio in 1997 with bassist Peter Washington and drummer Kenny Washington, and the group has become one of the leading ensembles in jazz. He has performed and recorded with artists such as Tony Bennett, Wynton Marsalis, and Gerry Mulligan. In 2016, his collaboration with Tony Bennett on The Silver Lining: The Songs of Jerome Kern won the Grammy Award for Best Traditional Pop Vocal Album. Charlap is also the Director of Jazz Studies at William Paterson University in New Jersey.

Melba Moore Returns to Dance Floors with Empowering New Single “No Filter”

Legendary R&B and Broadway icon Melba Moore is set to release her latest single, “No Filter,” on May 30, 2025, marking a triumphant return to the dance music scene. Known for her chart-topping hits in the 1970s and 1980s, Moore's new track promises to reignite her presence on contemporary dance floors.

Written by Angela Pettus and produced by George Pettus, “No Filter” combines a pulsating groove with Moore’s signature soulful vocals. The song delivers a powerful message of self-empowerment and authenticity, encouraging listeners to embrace their true selves without fear or hesitation. With its infectious rhythm and uplifting lyrics, “No Filter” is poised to become a staple in clubs and on dance charts worldwide.

This release comes on the heels of Moore's celebrated performance at the Apollo Theater in April 2025, where she joined DJ D-Nice for the 5th Anniversary of “Club Quarantine.” Dressed in a vibrant yellow ensemble, Moore captivated audiences with her timeless hit “You Stepped Into My Life,” a song that originally reached the Top 5 on the Billboard Dance charts in 1978. Her appearance highlighted her enduring influence and connection with both longtime fans and a new generation of listeners.

Melba Moore's illustrious career spans nearly six decades, encompassing achievements in music, theater, and television. From her groundbreaking role in the original cast of Hair to her Tony Award-winning performance in Purlie, Moore has continually evolved as an artist. Her recent work, including the album Imagine, showcases her commitment to creating music that resonates emotionally and spiritually with audiences.

With “No Filter,” Melba Moore reaffirms her place in the music industry, delivering a track that is both a nod to her disco roots and a step forward into contemporary sounds. Fans old and new can look forward to experiencing the magic of Melba Moore once again on the dance floor.

Kandace Springs Reimagines Billie Holiday’s Lady in Satin with Orchestral Elegance

Lady in Satin, Kandace Springs’ fifth studio project, finds the Nashville-born vocalist delivering a radiant tribute to Billie Holiday. This 12-track set honors Holiday’s legendary 1958 Lady in Satin while offering a fresh, elegant reinterpretation.

Springs is accompanied throughout by the 60-member Orquestra Clássica de Espinho from Portugal, who provide a refined and emotive backdrop—an ideal sonic canvas for revisiting the legacy of Holiday, a towering figure in vocal jazz and Black American music. The album is due May 9, 2025, via SRP Records.

The artwork echoes the original: where Holiday looked to the side, Springs faces forward, donning the singer’s signature white gardenia. Yet this is no impersonation. “Billie is a huge part of who I am musically,” Springs explains, “but mimicking her would feel wrong.” To make the material her own, she immersed herself in instrumental takes of the songs: “That gave me space to find my voice in them.”

Widely seen as Holiday’s final triumph, Lady in Satin was the last album released before her death (1959’s Last Recording followed posthumously). Critics have lauded its poignancy—AllMusic called it “high art from a woman who lived through deep hardship.” Rolling Stone placed it at No. 317 in its 2020 500 Greatest Albums of All Time.

Springs tackles the record with grace and credibility. Mentored by Prince—who once described her voice as capable of “melting snow”—she's carved out her own acclaim. The Guardian praised her 2016 debut Soul Eyes for its innate soulfulness. That was followed by 2018’s genre-spanning Indigo and 2020’s The Women Who Raised Me, her salute to iconic female jazz singers.

After the pandemic-induced introspection, Springs released Run Your Race in 2024, a deeply personal album dedicated to her late father. Paris Move called it “a significant artistic evolution.” That journey naturally led to Lady in Satin.

“I’d always dreamed of recording a tribute to Billie with a full orchestra,” Springs recalls. When introduced to the Orquestra, she discovered they were seeking a similar collaboration. “The moment we connected, it felt meant to be.”

Over the course of a year, the team curated lush arrangements. Top arrangers—Nuno Peixoto de Pinho, Carlos Azevedo, William Goodchild, among others—crafted rich orchestrations. “The first time I sang with them, I was floored,” Springs says. “Even now, it’s hard to believe how magical it sounds.”

The album begins with “You’ve Changed,” the first track recorded with the Orquestra. “I was nervous that day,” she admits, “but once they began playing, it felt like a dream realized.”

Next is a simmering “You Don’t Know What Love Is.” Springs then moves through “For All We Know,” “I’m a Fool to Want You,” and “But Beautiful”—each performed with interpretive depth and emotional clarity.

She brings warmth and originality to lesser-known selections like “For Heaven’s Sake” and “The End of a Love Affair,” and reinvigorates standards such as “It’s Easy to Remember” and “I’ll Be Around.”

Springs was especially moved by rediscovering songs that had faded from public consciousness, including “Violets for Your Furs” and “I Get Along Without You Very Well,” both given renewed attention through her heartfelt renditions.

The closing number, “Glad to Be Unhappy,” encapsulates the album’s blend of classical textures—harps, French horns, timpani—with timeless sentiment. “I’ve worked with big bands before,” Springs reflects, “but nothing compares to being enveloped by this kind of sound. It was unforgettable.”

Now, that experience is ready to be shared with the world.

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Tracklist

1. You’ve Changed

2. You Don’t Know What Love Is

3. For All We Know

4. I’m a Fool to Want You

5. But Beautiful

6. I’ll Be Around

7. For Heaven’s Sake

8. The End of a Love Affair

9. It’s Easy to Remember

10. Violets for Your Furs

11. I Get Along Without You Very Well

12. Glad to Be Unhappy

José James' '1978: Revenge of the Dragon'—A Raw, Genre-Bending Tribute to Late '70s Underground Culture

José James' upcoming album, 1978: Revenge of the Dragon, set to release on May 16, 2025, via Rainbow Blonde Records, is a vibrant homage to the transformative energy of the late 1970s. Building upon his previous album, 1978, which celebrated the glitz of Studio 54, this new project delves into the raw, underground spirit of downtown's Mudd Club, blending jazz fusion, funk, punk, and cinematic influences from kung fu and Blaxploitation films .

Sound & Concept

Recorded live to tape in one take at Dreamland Studios—a restored 19th-century church near Woodstock, NY—the album captures an unfiltered, high-energy performance. James describes it as "hot," akin to a Friday night out at the Mudd Club in its prime.

Tracklist & Collaborators

The album features a mix of four originals and four reimagined classics:

Side A:

1. Tokyo Daydream (feat. Taali)

2. Rock With You (feat. Takuya Kuroda)

3. Rise of The Tiger

4. They Sleep We Grind (for Badu)

Side B:

5. I Thought It Was You (feat. Ebban Dorsey)

6. Miss You

7. Inside And Out (feat. Ben Wendel)

8. Last Call at The Mudd Club

The ensemble includes José James and Taali on vocals, BIGYUKI on keys and analog synth, Jharis Yokley on drums, with bass by David Ginyard and Kyle Miles. The brass section features Takuya Kuroda on trumpet, Ebban Dorsey on alto sax, and Ben Wendel on tenor sax .

Visual Companion

Complementing the album is a kung-fu short film titled Revenge of the Dragon, complete with training montages and plot twists, paying tribute to the genre's golden year, 1978, and Bruce Lee's cultural impact.

Lead Single: “They Sleep, We Grind (for Badu)”

The lead single is a hypnotic groove steeped in dub, funk, and sampledelia, inspired by Erykah Badu's social media mantra and martial arts videos. James channels influences from George Clinton to J Dilla, creating a decades-collapsing cut powered by an "ugly groove" .

This album promises a dynamic listening experience, blending genres and eras with José James' signature style.

Nādt Orchestra's 'Dualism': A Sonic Fusion of Jazz, Global Rhythms, and Spiritual Energy

Bologna-based Nādt Orchestra has unveiled their debut album, Dualism, released on May 9, 2025, via Locomotiv Records. This nine-track LP is a rich tapestry of jazz innovation, weaving together Afrobeat, Ethio-jazz, Afro-Cuban rhythms, and electronic textures into a cohesive and exploratory soundscape.

Formed in 2020, the eight-member ensemble—led by guitarist Domenico Romano—comprises young, talented musicians who draw inspiration from diverse musical traditions spanning Africa, Central America, and the Middle East. Their name, 'Nādt,' is derived from the Sanskrit term denoting the subtle channels through which prāṇa, or vital energy, flows, reflecting their commitment to creating music that resonates on both physical and spiritual levels.

Dualism is produced by Grammy-winning producer Tommaso Colliva, known for his work with Muse and Calibro 35. Colliva captures the ensemble's dynamic interplay, stating, "There are few things as exciting as listening to nine musicians interacting in the same room at the same time... it's becoming more and more of a rarity, an exception, almost a kind of magic."

The album features notable collaborations with contemporary jazz figures such as Gianluca Petrella and Pasquale Mirra. In "Koko," Afro-Cuban percussion intertwines with Petrella's trombone, building towards a crescendo that highlights the ensemble's rhythmic progression. "Eggun" showcases Mirra's vibraphone alongside double bassist Alberto Brutti, creating a composition anchored by the hypnotic pulse of Batá drums, evoking the power of ritual ceremonies.

Tracks like "Spiral" and "Elephant" delve into groove-centric territories, drawing parallels to the modern Afrobeat of Ezra Collective and the tropical influences of Brazilian group Iconili. The album concludes with "Sewa," featuring the soaring voice of Burkinabé griotte Kadi Coulibaly, delivering lyrics in Bambara that evoke a feeling of shared happiness.

Dualism is available in LP, CD, and digital formats through Locomotiv Records. Listeners can experience the album's rich sonic landscape on streaming platforms like Spotify.

For fans of genre-defying jazz and global musical fusion, Nādt Orchestra's Dualism offers a compelling journey through contrasting yet harmonious soundscapes.

Grace Jones Joins Montreux Jazz Festival Lineup

Following the unexpected cancellation of French artist Laylow’s tour, the Montreux Jazz Festival has quickly reimagined its July 12th Lake Stage lineup — and the result is nothing short of iconic. The festival proudly announced that the legendary Grace Jones will now take the stage, joining the headliners of its 59th edition. Tickets are available now and expected to go fast.

A Bold, Brilliant Replacement

Laylow’s withdrawal — prompted by his decision to focus on creating his next album — left fans wondering what would fill the void. The Festival, committed to curating meaningful artistic pairings, looked for a performer who could complement Yseult, the fearless French songstress set to open the show.

Enter Grace Jones.

The Jamaican-born music and fashion icon was a natural choice. Her daring artistic spirit and genre-defying career align perfectly with the avant-garde energy Yseult brings to the stage. Together, these two powerful women represent different generations but share the same uncompromising artistic vision.

Grace Jones: A Living Work of Art

More than just a singer, Grace Jones is a force of nature — a performer who fuses music, fashion, art, and theatricality into every appearance.

Born in Spanish Town, Jamaica in 1948 and raised in New York, Jones began her career as a model before moving into music in the late 1970s. Her debut albums, recorded with Island Records, blended disco with reggae and new wave influences, launching her into international stardom.

Over the decades, she has remained a cultural trailblazer. Known for her androgynous style, chiseled cheekbones, and commanding stage presence, she became a muse to Andy Warhol, graced countless magazine covers, and even starred as a Bond villain opposite Roger Moore in A View to a Kill.

A Genre-Defying Legacy

Jones’s music cannot be boxed in. Her influential albums such as Nightclubbing (1981) and Slave to the Rhythm (1985) broke new ground, merging funk, pop, reggae, and avant-garde sensibilities. Her voice—deep, theatrical, and unapologetically powerful—has influenced generations of artists from Lady Gaga to Rihanna.

Now, she brings that same eclectic energy back to Montreux for her fourth appearance at the legendary festival. Her last performance, held eight years ago at the Stravinski Auditorium, is still remembered as one of Montreux’s most electric and theatrical nights.

What to Expect on July 12

This performance on the Lake Stage promises to be an unforgettable event. Set against the picturesque backdrop of Lake Geneva, Grace Jones will command the stage with her signature style, complete with bold costumes, high drama, and genre-melding music that spans decades of innovation.

Paired with Yseult’s emotionally raw and genre-bending sound, the evening will be a celebration of fearless femininity, artistic rebellion, and musical evolution.

Greg Murphy’s “Snap Happy” – A Jubilant Jazz Journey Full of Soul and Sophistication

In his eighth release as a bandleader, acclaimed jazz pianist Greg Murphy delivers a vibrant and soulful listening experience with Snap Happy, a masterfully crafted album that celebrates technical brilliance, rhythmic joy, and lyrical finesse. Released under Whaling City Sound, this project blends a variety of jazz styles into a seamless and expressive musical narrative.

From the opening track, an energetic reimagining of the jazz standard “On Green Dolphin Street,” Murphy sets the tone with dynamic interplay and bold creativity. This momentum flows into “Twelve More Bars to Go,” a nod to Wayne Shorter’s influence, and continues with standout originals like the title track “Snap Happy” and the funk-inspired “Chillin’ for Rhythm.”

Murphy’s long-standing trio is in top form on this album. Obasi Akoto anchors the music with deeply resonant acoustic and electric bass lines, while Steve Johns provides dynamic and nuanced percussion throughout. Together, they elevate Murphy’s compositions with chemistry and class.

One of the album’s highlights is “Snap Happy”, featuring soulful guitar work from Mark Whitfield and vibrant vocals from Sy Smith on “Geneva.” These collaborations bring added texture and emotional depth, enriching the album’s diverse sonic palette.

A unique aspect of Snap Happy is its ability to traverse emotional landscapes—moving from the reflective and heartfelt “I Fall in Love Too Easily” to the assertive, groove-driven “Equality” and the ethereal balladry of “The Shadow of Lo.” The album closes with genre-bending interpretations of “Pannonica” (Monk meets bossa nova) and a sizzling rendition of “All God’s Chillun Got Rhythm,” showcasing Murphy’s stylistic agility.

Snap Happy is not only a celebration of Greg Murphy’s musical journey but also a testament to his role as a torchbearer of contemporary jazz. His playing—equal parts precision and passion—honors the legacy of jazz greats like McCoy Tyner while pushing the genre into fresh, modern terrain.

As noted jazz critic Chris DeVito writes, "Snap Happy exudes happiness, achieving what its name implies—makes people happy."

Whether you're a lifelong jazz enthusiast or a newcomer exploring the genre, Snap Happy offers a rich, rewarding experience that hits all the right notes.

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Track Highlights:

1. On Green Dolphin Street

2. Twelve More Bars to Go

3. Snap Happy

4. Equality

5. The Shadow of Lo

6. All God’s Chillun Got Rhythm

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Album Credits:

• Greg Murphy – Piano & Keyboards

• Obasi Akoto – Acoustic & Electric Bass

• Steve Johns – Drums & Percussion

• Mark Whitfield – Guitar (Tracks 4, 6, 9)

• Sy Smith – Vocals (Track 4)

Dr. Dave Returns with New Single "Reserved for Abbie" Featuring Ronnie Laws

Southern California-based jazz guitarist and composer Dr. Dave has unveiled his latest single, “Reserved for Abbie,” a heartfelt ballad that exemplifies his signature smooth jazz style. This track features the legendary saxophonist Ronnie Laws, whose soulful improvisation adds depth and emotion to the romantic composition.

“Reserved for Abbie” draws inspiration from a past long-distance relationship, with Dr. Dave conveying longing and affection through melodic guitar lines and emotive lyrics. The song includes dreamy female backing vocals that echo sentiments like, “Reserved for Abbie/In my world…She’s the girl,” culminating in the poignant plea, “Come back.”

This collaboration with Ronnie Laws continues Dr. Dave’s tradition of featuring renowned jazz artists in his work, following previous partnerships with Freddie Hubbard, Ernie Watts, and members of Fattburger. The track exemplifies Dr. Dave’s ability to blend personal storytelling with engaging jazz compositions.

“Reserved for Abbie” is part of Dr. Dave’s ongoing project with The Housecall Band, known for their 2018 album Midnight Daydream, which produced hits like “Sexy Cindy” and “Cecil’s Groove.” Fans can look forward to more releases as Dr. Dave continues to explore themes of love and connection through his music.

Fred Hersch's 'The Surrounding Green': A Masterclass in Jazz Piano Trio Artistry

Renowned jazz pianist and composer Fred Hersch unveils his latest masterpiece, The Surrounding Green, marking his third release with ECM Records. This album showcases the profound synergy of Hersch's long-standing trio, featuring bassist Drew Gress and drummer Joey Baron, culminating in a studio recording that epitomizes the essence of jazz piano trio interplay.

Hersch, a 17-time Grammy nominee, is celebrated for his lyrical improvisation and nuanced compositions. In The Surrounding Green, he presents a blend of original pieces and reinterpretations of 20th-century jazz compositions, including works by Ornette Coleman, Egberto Gismonti, and the Gershwin brothers. The trio's rendition of Coleman's "Law Years" and Gismonti's "Palhaço" exemplify their ability to infuse classic tunes with fresh perspectives.

The album's title track, "The Surrounding Green," along with originals like "Plainsong" and "Anticipation," highlight Hersch's compositional prowess. These pieces are characterized by intricate harmonies, melodic inventiveness, and rhythmic sophistication, reflecting the trio's deep musical rapport developed over decades of collaboration.

Recorded in May 2024 at Lugano’s Auditorio Stelio Molo and produced by ECM's Manfred Eicher, the album benefits from the venue's acoustics, capturing the trio's dynamic range and subtle interplay. Hersch notes the exceptional communication within the trio, stating, "I feel that on this record you really hear the history! I hope that people can feel the maturity of the interaction, the sonic world, and the sensitivity at play."

The Surrounding Green stands as a testament to Fred Hersch's enduring influence in the jazz world, offering listeners an immersive experience into the refined art of piano trio performance.

Joanna Eden's 'The Road to Paysandú': A Jazz Journey Rooted in Friendship and Latin Soul

Acclaimed UK jazz singer-songwriter Joanna Eden returns with her seventh studio album, The Road to Paysandú, a heartfelt fusion of jazz, soul, and Latin rhythms. Released in May 2025, the album showcases Eden's evolution as an artist, weaving personal narratives with rich musical textures.

Eden, often described as the "jewel in the crown of the UK jazz scene" by Claire Martin, has earned accolades from jazz luminaries like Dame Cleo Laine and Jamie Cullum. Her influence extends to global superstar Sam Smith, who credits Eden as "the reason I sing" and recently shared a duet with her at the BBC Proms, calling it "a career high."

The inspiration for The Road to Paysandú stems from Eden's journey to Uruguay with her husband and musical collaborator, bassist Andrés Lafone. Their experiences in Lafone's homeland ignited a creative spark, leading to a collection of songs that reflect the country's vibrant culture and Eden's own introspective storytelling.

A standout track, "The Kindness of a Friend," released as a single in August 2024, encapsulates the album's warm and soulful essence. With its catchy groove and sing-along chorus reminiscent of Stevie Wonder, the song celebrates the generosity and support found in true friendship. Eden shares that the song was a gift to a friend whose kindness left a lasting impact on her life. The album features collaborations with esteemed musicians, including Grammy-winning Uruguayan keyboardist Hugo Fattoruso, who praised Eden as "la mejor música de todos nosotros" during rehearsals. Recording took place at Montevideo's historic Sondor Studio, renowned for its rich acoustic legacy.

Eden's live performances continue to captivate audiences, with a UK tour supporting The Road to Paysandú commencing at London's PizzaExpress Jazz Club on May 4, 2025. The tour will visit venues across the country, including Milton Keynes, Lincoln, Brecon, Fishguard, Oxfordshire, Suffolk, and Eden's hometown of Saffron Walden.

With The Road to Paysandú, Joanna Eden invites listeners on a musical journey that bridges continents and emotions, solidifying her status as one of the UK's most cherished jazz artists.

Jamie Shew's 'Spicy, Classy, (and a little) Sassy': A Jazz Journey Through Love's Many Facets

Jamie Shew, a distinguished jazz vocalist, songwriter, and arranger, has long understood the transformative power of music. Following the loss of her husband, bassist Roger Shew, to cancer, she channeled her grief into her 2018 album Eyes Wide Open, a poignant collection that traced the arc of their relationship and her journey through sorrow. Critic Scott Yanow praised her for a "strong, clear and attractive voice," noting her comfort across registers and tempos.

Now, with her latest release, Spicy, Classy, (and a little) Sassy, Shew embarks on a vibrant exploration of love in all its forms—joyful, messy, and resilient. The album features 12 tracks, including nine reimagined jazz standards and three original compositions, two penned by Shew herself. The originals, "Enough" and "Letters from You," delve into themes of modern life's chaos and familial bonds, respectively.

Collaborating with an ensemble of esteemed musicians—pianist Jeremy Siskind, Hammond B3 and Rhodes player Kait Dunton, guitarist Mike Scott, bassist Lyman Medeiros, and drummer Mark Ferber—Shew infuses each track with fresh arrangements and emotional depth. Vocalist Mario Jose contributes background vocals on select pieces, adding further richness to the album's texture.

Beyond her recording career, Shew is a dedicated educator, having taught at Fullerton College for over two decades. She leads courses in vocal jazz styling, improvisation, and music theory, and directs ensembles within the college's acclaimed vocal jazz program. Her commitment to nurturing young talent extends to her roles as an adjudicator and clinician at jazz festivals nationwide.

Spicy, Classy, (and a little) Sassy stands as a testament to Shew's resilience and artistic evolution, offering listeners a heartfelt journey through the multifaceted landscape of love.