Samuel Blaser Explores Family Heritage on Deeply Personal New Album Rosina

Acclaimed Swiss trombonist and composer Samuel Blaser will release his new album, Rosina, on October 16 via Blaser Music. Widely regarded as one of the most inventive voices in contemporary jazz, Blaser delivers what may be his most personal recording to date, drawing inspiration from his Italian family roots, traditional folk melodies, and the historic field recordings of folklorist Alan Lomax.

Since emerging as a leading figure in modern creative music, Blaser has built an impressive catalog of 34 recordings as a leader or co-leader since 2008. With Rosina, however, the trombonist turns inward, creating a collection of eight original compositions that intertwine Italian folk traditions with his distinctive approach to improvisation and contemporary jazz.

The album is named after Blaser's maternal grandmother, Rosina Pierina Scarpioni, a member of the Italian Resistance during World War II who later relocated to Switzerland. Although Blaser never had the opportunity to meet her, reconnecting with relatives in her native Emilia-Romagna and discovering extended family in New York inspired him to explore this important part of his heritage. That journey ultimately led him to the traditional folk songs of the region, many of which were documented by legendary ethnomusicologist Alan Lomax.

Rather than simply interpreting these melodies, Blaser transforms them into deeply personal musical statements. Three traditional songs from Emilia-Romagna are woven seamlessly together with five original compositions, creating an album that honors tradition while remaining firmly rooted in contemporary jazz improvisation.

Reflecting on the project, Blaser describes Rosina as a milestone in his artistic development.

"I feel with this project I'm finally shaping the music in a way I want it to sound, where different parts of my musical language are coming together. It's also the first time I'm consciously linking my music to Italy."

Joining Blaser is a quartet of longtime collaborators whose collective chemistry gives the music both freedom and emotional depth. Pianist Russ Lossing, bassist Masa Kamaguchi, and drummer Billy Mintz provide an ideal foundation for Blaser's expansive compositions, moving effortlessly between spacious improvisation, lyrical intimacy, and adventurous interplay.

Recorded at Skyline Underground in New Jersey during sessions in September 2024 and March 2025, Rosina captures the quartet's remarkable ability to balance folk-inspired melodies with modern jazz exploration. The result is a richly expressive album that reflects both personal discovery and artistic maturity.

Personnel

• Samuel Blaser – trombone
• Russ Lossing – piano
• Masa Kamaguchi – bass
• Billy Mintz – drums

Recorded at Skyline Underground, New Jersey, September 27–28, 2024, and March 2025. Mastered by Paul Wickliffe.

Tracklist

1. Boara
2. Amaaka
3. Rosina
4. Elgnij
5. Adagio
6. Scherzo
7. Mysteriously
8. Serenata

Rosina will be released October 16 on Blaser Music.

Meshell Ndegeocello Announces Synonym, an Ambitious Blue Note Album Featuring Cynthia Erivo, Chaka Khan, Brandi Carlile, WILLOW, and More

GRAMMY-winning artist Meshell Ndegeocello has announced the release of her third Blue Note Records album, Synonym, arriving October 2. One of the most ambitious projects of her celebrated career, the album finds the acclaimed bassist, singer, songwriter, producer, and visionary reimagining a carefully curated collection of beloved songs through an expansive series of collaborative duets with an extraordinary lineup of guest artists.

Available for pre-order on color vinyl, black vinyl, CD, and digital formats, Synonym is introduced by the stunning lead single, "I Knew You Were Waiting (For Me)," a fresh interpretation of the George Michael and Aretha Franklin classic featuring the powerful vocals of Cynthia Erivo alongside Ndegeocello.

Spanning multiple decades and genres, Synonym explores themes of love, heartbreak, friendship, desire, identity, care, and resilience. The album moves effortlessly from 1960s folk and 1970s soul to country, pop, 1980s R&B, electro-boogie, alternative rock, and early-2000s hip-hop, demonstrating Ndegeocello's lifelong refusal to be confined by musical boundaries.

"This project is about classic songs that are known and loved," Ndegeocello explains. "The songs have diverse tones, representing various genres and intentional grooves. But the album is also about joy, selfhood, individual representation, and universal experience."

While Ndegeocello's artistry has long stood on its own as one of modern music's most influential creative voices, Synonym places equal emphasis on collaboration. The album features an impressive roster of acclaimed artists, including Cynthia Erivo, Cat Power, Chaka Khan, Brandi Carlile, Bill Callahan, Chris Thile, Nick Hakim, Robert Glasper, Madison Cunningham, Laura Lee of Khruangbin, Lizz Wright, Emily King, Lianne La Havas, Moses Sumney, Destin Conrad, ANOHNI, WILLOW, Evann McIntosh, and Ink.

The project also reunites Ndegeocello with producer David Gamson, who helped shape her landmark debut albums Plantation Lullabies (1993) and Peace Beyond Passion (1996). Gamson co-produced Synonym alongside Ndegeocello and longtime collaborator Abe Rounds. The album is further enriched by an exceptional ensemble of musicians, including drummers Abe Rounds and Deantoni Parks, guitarist Chris Bruce, keyboardists Jake Sherman, Jebin Bruni, and Larry Goldings, saxophonists Josh Johnson and Levon Henry, flutist Elena Pinderhughes, banjo virtuoso Béla Fleck, and many more.

The album's title reflects one of its central ideas. Ndegeocello describes a synonym as different words expressing the same meaning, using the concept as a metaphor for humanity itself. Despite our differences, she believes people ultimately share the same hopes, needs, and emotional experiences.

"This project is an expression of queer liberation as a synonym for liberation of all kinds," she says. "The queer community claimed me when others didn't... I recognize the ways in which it all overlaps. Once again, I went back to my elders: Audre Lorde told us that there is no single-issue struggle. Similarly, these arrangements are synonyms for their originals—these different sounds still mean the same thing."

One of the album's defining characteristics is its collection of duet performances featuring artists who identify along the same gender spectrum. Rather than redefining the original songs, Ndegeocello uses these collaborations to emphasize emotional connection and shared experience while allowing each interpretation to develop its own unique identity.

Synonym also reflects an important evolution in Ndegeocello's artistic philosophy. While she remains one of contemporary music's most celebrated performers, she views this project as an opportunity to further establish herself as a producer and musical curator.

"I want to do more collective music," she explains. "On this album, I wanted to show off as a producer. I love being on Blue Note Records because with that, I still get to be a musician."

The release follows an extraordinary creative resurgence that has seen Ndegeocello earn widespread critical acclaim for her first two Blue Note albums, The Omnichord Real Book (2023) and No More Water: The Gospel of James Baldwin (2024). Both projects earned GRAMMY recognition while further cementing her reputation as one of the most fearless and innovative artists of her generation.

With Synonym, Meshell Ndegeocello once again demonstrates that timeless songs can be transformed into something entirely new without losing the emotional truths that made them classics in the first place.

Synonym Tracklist

1. I Knew You Were Waiting (For Me) (with Cynthia Erivo)
2. Don't You Want Me (with Cat Power)
3. Don't Stop The Music (with Nick Hakim and Robert Glasper)
4. Islands In The Stream (with Chaka Khan)
5. It Ain't Me Babe (with Madison Cunningham)
6. Always on Time (with Laura Lee)
7. Be Real Black For Me (with Emily King and Lizz Wright)
8. Don't Look Any Further (with Lianne La Havas)
9. The Closer I Get To You (with Destin Conrad and Moses Sumney)
10. Golden Ring (with Brandi Carlile)
11. I Got You Babe (with ANOHNI)
12. Here We Come (Here He Comes) (with Evann McIntosh)
13. Guilty (with Ink)
14. Hunger Strike (with WILLOW)
15. With God On Our Side (with Bill Callahan and Chris Thile)

Synonym will be released October 2 via Blue Note Records.

Azar Lawrence Celebrates a Lifetime of Jazz with Turn the Music Up

Legendary tenor saxophonist and composer Azar Lawrence is set to release his highly anticipated new album, Turn the Music Up, on September 25 via his own Trazar Records. At 73, Lawrence continues to push the boundaries of jazz while honoring the musical legacy that has defined his remarkable career spanning more than five decades.

Turn the Music Up serves as both a retrospective and a bold artistic statement. The album revisits several compositions from Lawrence's early recordings, particularly his landmark releases Bridge into the New Age (1974) and Summer Solstice (1975), while reimagining them through the dynamic sound of his current ensemble, The Azar Lawrence Experience (TALE). Rather than simply recreating the past, Lawrence breathes new life into these compositions, presenting them with fresh energy, modern arrangements, and the maturity that comes from decades of musical evolution.

Throughout his career, Lawrence has built an extraordinary résumé, performing alongside jazz icons including McCoy Tyner, Miles Davis, Woody Shaw, and Elvin Jones. Beyond the jazz world, he has collaborated with artists such as Marvin Gaye and Earth, Wind & Fire and currently performs as a member of the acclaimed supergroup The Cookers. His solo career, launched in 1974, now includes 13 albums that have consistently reflected his distinctive artistic vision.

Lawrence describes Turn the Music Up as the culmination of everything he has learned throughout his musical journey. Drawing inspiration from the harmonic intensity and modal depth he absorbed while performing alongside Tyner, Davis, and Jones during the post-John Coltrane era, Lawrence emphasizes that the new album speaks with his own unmistakable voice while continuing to move the music forward.

The album features updated interpretations of several of Lawrence's signature works, including the title track from Summer Solstice, as well as an inspired, Latin-infused version of McCoy Tyner's "Atlantis," a composition Lawrence originally recorded with Tyner in 1974. Also included is a moving rendition of the spiritual jazz classic "The Creator Has a Master Plan," originally composed by Pharoah Sanders and Leon Thomas.

Supporting Lawrence is The Azar Lawrence Experience, featuring trumpeter Brian Swartz, guitarist Taka Mori, pianist and keyboardist Robert Turner, bassist Gerald Brown, drummer and percussionist Yayo Morales, and vocalist Lynne Fiddmont. The ensemble demonstrates remarkable versatility throughout the album, seamlessly shifting from the Brazilian-inspired rhythms of "Highway" to the soulful elegance of "Fatisha" and the infectious funk of "Summer Solstice." Fiddmont's vocal performances add another compelling dimension, equally comfortable delivering powerful scat vocals and delicate spiritual expressions.

Additional contributions from trombonist Quinn Carson and percussionists Munyungo Jackson, David Leach, and Adam Moseley enrich the album's expansive sound. Despite the large ensemble and the extended improvisational nature of the seven tracks, the performances remain focused, disciplined, and deeply connected, showcasing Lawrence's meticulous attention to musical detail.

Born in Los Angeles on November 3, 1952, Lawrence developed his musical foundation under the guidance of his mother, ImaJean Lawrence, a schoolteacher, choir director, and music instructor. Beginning on violin at age five before transitioning to viola and eventually tenor saxophone at 13, Lawrence quickly immersed himself in jazz through the influence of his friend Reggie Golson, son of saxophone legend Benny Golson, and the Dorsey High School Jazz Workshop.

His professional career gained momentum through Horace Tapscott's Pan-Afrikan People's Arkestra before performances with Ike & Tina Turner, the Watts 103rd Street Band, and War. In 1972, Lawrence joined Elvin Jones' band and relocated to New York, where he soon began working extensively with McCoy Tyner and appeared on Miles Davis' influential live album Dark Magus.

Following decades of collaborations across jazz, soul, R&B, and hip-hop, including work with Freddie Hubbard, Stanley Turrentine, Phyllis Hyman, Marvin Gaye, and Busta Rhymes, Lawrence has enjoyed a creative resurgence in recent years. His 2022 release New Sky, collaborations with artists such as Theo Croker and Kamasi Washington, and ongoing work with The Cookers and TALE have reaffirmed his status as one of jazz's most vital voices.

With Turn the Music Up, Azar Lawrence delivers more than a celebration of his past achievements. The album stands as a powerful reminder that true artistry continues to evolve, blending decades of experience with a fearless commitment to innovation. It is both a tribute to the rich traditions of spiritual and modal jazz and an exciting glimpse into the future of one of the genre's enduring masters.

Turn the Music Up arrives September 25 on Trazar Records.

Thelonious Monk's Live in Paris, 1967 Volume One Launches Historic Archival Series

One of the most significant jazz archival releases of 2026 arrives on April 24 with Thelonious Monk: Live in Paris, 1967 Volume One. Released by the Monk Estate through Rhythm-A-Ning Entertainment, the previously unreleased concert recording inaugurates an ambitious archival series that will present rare live performances by one of jazz's most influential pianists and composers while reclaiming recordings that have circulated for decades only as unauthorized bootlegs.

Few artists have shaped modern jazz as profoundly as Thelonious Monk. His unmistakable piano style, angular yet lyrical compositions, unconventional rhythms, and unmistakable visual identity helped redefine the possibilities of jazz performance. From his signature hats and distinctive fashion to his famously unpredictable stage presence, Monk embodied originality in every aspect of his artistry, leaving a legacy that continues to inspire generations of musicians.

The new release captures Monk's celebrated working quartet during a remarkable 1967 Paris performance featuring longtime tenor saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley. Making the concert even more extraordinary is the addition of an all-star lineup of guest musicians, including alto saxophonist Phil Woods, trombonist Jimmy Cleveland, trumpeter Ray Copeland, and tenor saxophone great Johnny Griffin. A second volume, scheduled for release on October 9, 2026, expands the ensemble further with the addition of legendary trumpeter Clark Terry.

Live in Paris, 1967 Volume One presents four of Monk's enduring compositions while showcasing the remarkable chemistry between the quartet and its distinguished guests. "Epistrophy" features commanding solos from Johnny Griffin and Ray Copeland, while "Evidence" highlights Charlie Rouse's expressive tenor alongside Woods' blues-infused alto work. The ensemble's richly layered horn arrangements create an energetic, jam session atmosphere that complements Monk's unmistakable piano language. "We See" continues the adventurous interplay before the quartet closes the album with a moving performance of the ballad "Ruby, My Dear."

For Monk's son, drummer and producer T.S. Monk, the recording highlights an often-overlooked chapter of his father's career.

"Giants like Rollins and Coltrane, Abdul Malik, Roy Haynes or Art Blakey, Mingus and Max Roach spent much time with Monk," he explains. "People are quite aware of his touring and recording quartet... His touring with larger ensembles especially in Europe, not as much. The Clark Terrys, Phil Woods, Jimmy Clevelands, Johnny Griffins and others highlight the respect his peers had for him."

Beyond the music itself, the release represents a significant milestone in the Monk family's efforts to preserve and control the pianist's artistic legacy. The archival series seeks to replace decades of unauthorized releases with carefully restored editions curated directly by the Monk Estate.

"Thelonious Monk never wrote music to fit a system," says Monk's grandson, Thelonious Monk IV. "He wrote to expand imagination and move the culture forward. We've spent years navigating piracy, legacy structures, and an industry not always built for artist control. This album release marks a shift—stewarded independently, handled with intention, and delivered directly to listeners."

To commemorate the launch, the Monk Estate has partnered with luxury hatmaker Optimo to create The Monk, only the second release in the company's Icon Series. Limited to just 88 individually numbered hats—a tribute to the piano's 88 keys—the collection draws inspiration from the distinctive hats Monk wore throughout the 1960s. Available in Black, Smoke, and a custom "'Round Midnight Grey," each hat includes a first pressing of the album on a special edition colored vinyl signed by Thelonious Sphere Monk III and Optimo founder Graham Thompson.

The recording itself receives equally meticulous treatment. Mastered by legendary engineer Rudy Van Gelder and presented on a 180-gram audiophile vinyl pressing, Live in Paris, 1967 Volume One features cover artwork by acclaimed Japanese graphic designer Gaku Inada. The album will also be available digitally.

More than half a century after it was recorded, Thelonious Monk: Live in Paris, 1967 Volume One offers jazz fans an invaluable glimpse of one of the music's greatest innovators performing alongside an extraordinary collection of peers. As the first chapter in the Monk Estate's new archival initiative, the release not only celebrates Monk's enduring genius but also ensures that future generations will experience these historic performances as they were meant to be heard.

Thelonious Monk: Live in Paris, 1967 Volume One released on April 24, 2026, via Rhythm-A-Ning Entertainment.

Kevin Sun Announces Kevin Sun, I & Kevin Sun, II: Two New Jazz Albums Arrive September 25, 2026

New York-based saxophonist and composer Kevin Sun will release two ambitious new jazz albums, Kevin Sun, I and Kevin Sun, II, on September 25, 2026, through his independent label, Endectomorph Music. Rather than presenting a conventional double album, Sun offers two interconnected recordings that explore modern jazz composition, improvisation, and ensemble interaction from different perspectives, making them among the most anticipated contemporary jazz releases of 2026.

Both albums are designed to complement one another while standing independently. "This isn't really a conventional double album," Sun explains. "It's more like a pair of video games set in the same universe, each with its own style and cast of characters."

Across the two releases, Sun demonstrates the compositional approach that has made him one of the most distinctive voices in contemporary jazz. His writing provides structured frameworks that encourage spontaneous creativity, allowing each musician to develop an individual voice within carefully crafted compositions.

As Brad Cohan of The New York City Jazz Record noted, "Sun is a protean force who displays relative ease in hurdling from majestic melodicism to seat-gripping improvisational intensity."

Following ten acclaimed releases over the past eight years, Sun began asking himself a deceptively simple question: What makes a great jazz composition? That search became the foundation for both Kevin Sun, I and Kevin Sun, II.

"For me, the best compositions are at heart vehicles for improvisation," Sun says. "They're designed to bring out the best in each individual musician. They raise the stakes for improvising and let everyone sound their best, or just more like themselves than anything else."

Kevin Sun, I features guitarist Max Light, bassist Walter Stinson, and drummer Jon Starks in a studio production that evolved through more than a year of performances at Brooklyn's Lowlands Bar. The extensive live performances allowed the quartet to refine the material before entering the recording studio, resulting in performances that feel both polished and spontaneous.

The album opens with "Go In," the lead single and one of Sun's most technically demanding compositions. Inspired by John Coltrane's harmonic innovations, the piece combines complex harmonic movement with shifting meters while maintaining an energetic sense of forward momentum. Other highlights include "Scrollwork," an intricate exploration of four-part rhythmic counterpoint, and "Hold Music," which transforms the frustration of a lengthy IRS phone call into an inventive musical narrative filled with tension and release.

Recorded under very different circumstances, Kevin Sun, II captures the energy of a working band fresh off the road. Featuring bassist Walter Stinson alongside pianist Christian Li and drummer Kayvon Gordon, the album was recorded in a single afternoon at Terrarium Studio in Minneapolis following a week-long U.S. tour. With minimal editing, the recording preserves the immediacy and chemistry developed through live performance.

The second volume also reflects the broad range of influences that shape Sun's musical identity. His interpretation of Ryuichi Sakamoto's "Chanson" showcases the quartet's lyrical sensitivity, while "Laura Palmer's Theme" pays tribute to the late filmmaker David Lynch through a fresh arrangement of Angelo Badalamenti's iconic composition from Twin Peaks. Another standout, "Unformed, Shrouded by Fog," adapts the memorable spoken introduction from the acclaimed video game Dark Souls into an atmospheric jazz composition dedicated to actress Pik-Sen Lim.

Sun's music comfortably bridges jazz tradition with contemporary cultural influences. His compositions draw inspiration from John Coltrane, Benny Golson, David Lynch, FromSoftware's immersive video games, and Ryuichi Sakamoto's distinctive blend of minimalism and lyricism. Rather than functioning as stylistic references, these influences become launching points for music that is deeply personal and unmistakably his own.

Over the past decade, Kevin Sun has earned recognition as one of New York City's leading modern jazz composers and tenor saxophonists. His recordings have been praised for their harmonic sophistication, inventive structures, and emotional depth, while his work as founder of Endectomorph Music has helped spotlight a new generation of creative improvised music.

With Kevin Sun, I and Kevin Sun, II, Sun brings together years of musical exploration into two complementary recordings that celebrate melody, improvisation, and collaboration. The albums reaffirm his belief that the strongest jazz compositions are those that inspire musicians to create something unique in the moment—a philosophy that resonates throughout both releases.

Kevin Sun will celebrate the albums with a release concert on Saturday, September 19, 2026, at Bar Bayeux in Brooklyn, giving audiences an opportunity to hear music from both recordings performed live ahead of their official release.

Kevin Sun, I and Kevin Sun, II will be released on September 25, 2026, via Endectomorph Music.

Alister Spence Pushes the Boundaries of the Piano on Always Ever

Australian pianist, composer, and improviser Alister Spence continues his fearless exploration of sound with Always Ever, an ambitious new solo album released April 24, 2026. Featuring 16 fully improvised pieces, the release finds Spence expanding his relationship with the piano through an array of experimental techniques, prepared piano methods, and spontaneous invention.

The album builds upon the creative path established with his acclaimed 2020 solo release Whirlpool, which was praised by All About Jazz as "a good place to hear [Spence's] uncommon imagination at work." On Always Ever, however, Spence ventures even further beyond conventional piano performance, embracing the instrument as an entire sonic landscape rather than simply a keyboard.

"The playing of the piano for me has expanded to encompass the whole piano, more than just playing the keys," Spence explains. "I'm interested in contingency. I'm interested in accidents and what they cause to happen in the music, and I deliberately try to create those accidents for myself."

That philosophy permeates every moment of Always Ever. The collection moves effortlessly between percussive prepared piano textures, meditative drones, abstract improvisation, and lyrical passages, with each composition offering a distinct perspective on the instrument's limitless possibilities. From the resonant string strikes of the opening track "Mystic" to the metallic textures of "Distant Cousins," the album continually surprises while inviting listeners into Spence's process of discovery.

Critics have long recognized Spence's singular artistic voice. Stuart Nicholson of Jazzwise writes, "Spence is both imaginative and expansive, sensitive to mood and contrast, texture and melody, euphony and cacophony." Stuart Broomer of The Free Jazz Collective similarly praises the pianist's originality, noting that Spence "possesses a particular kind of vision that speaks to an original distance... a special capacity to see through time and space to a different territory."

Spence traces the roots of his adventurous approach back to his years with the internationally acclaimed ensemble Clarion Fracture Zone, where experimentation first became central to his musical identity. Over the decades, that curiosity has flourished through collaborations with renowned artists including Satoko Fujii, Lloyd Swanton of The Necks, Toby Hall, and Ed Kuepper, while his work as a composer for film and television has further broadened his creative perspective.

Yet it is in his solo work where Spence's sonic imagination has found perhaps its most compelling outlet. Throughout Always Ever, he embraces uncertainty, allowing chance, texture, resonance, and instinct to shape each performance in real time.

"I do things throughout this album where I'm only broadly aware of how they're going to sound," Spence says. "So much is just open to the moment... Even if I'm playing the piano more conventionally, I try to deliberately make myself go off track so that I'm not able to guess what's going to happen as a result."

Recorded on September 28, 2025, Always Ever stands as a captivating document of an artist continually redefining both his instrument and his own creative process. For listeners drawn to adventurous improvisation, prepared piano, and boundary-pushing contemporary jazz, Alister Spence's latest release offers an absorbing journey into the infinite possibilities of sound.

Martha Reeves Returns With Searching, A Soulful New Chapter From A Motown Legend

After more than two decades away from the recording studio, Martha Reeves returns with Searching, her first new album in 22 years, arriving August 14, 2026. Released as she celebrates her 85th birthday, the album is a powerful statement of resilience, creativity, faith, and the enduring strength of one of soul music’s most recognizable voices.

For Reeves, Searching is more than a comeback—it is a celebration of a lifetime devoted to music. The album explores jazz, soul, blues, and gospel influences while showcasing the expressive voice that helped define the golden era of Motown. Filled with warmth, honesty, and emotional depth, the project reflects an artist still exploring new possibilities rather than simply revisiting the past.

Born in Eufala, Alabama, and raised in Detroit, Martha Reeves became one of the defining voices of the Motown era as the lead singer of Martha and the Vandellas. The group became one of the label’s most successful acts, delivering timeless classics including “Dancing in the Street,” “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack.” With her powerful vocal delivery, dynamic stage presence, and unmistakable energy, Reeves helped establish the sound that introduced Motown to audiences around the world.

Before becoming a star, Reeves worked behind the scenes at Motown, where she gained valuable experience as a secretary and studio presence before stepping into the spotlight. Her journey from aspiring singer to international icon became one of the most inspiring stories of the Motown movement.

Following her success with The Vandellas, Reeves continued her career as a solo artist, performer, and advocate for music and culture. Her influence has stretched across generations, with her recordings continuing to inspire artists and fans decades after their original release.

For Searching, Reeves traveled to New Orleans to collaborate with acclaimed trombonist Delfeayo Marsalis and longtime manager Chris Roe. What began as a jazz-focused project evolved naturally as Reeves brought her soulful instincts into the sessions, resulting in a record that blends the rich musical traditions of New Orleans with the R&B foundation that made her famous.

The album features two interpretations of “To Know You Is to Love You,” the classic song written by Syreeta and Stevie Wonder. One version delivers a vibrant, horn-driven arrangement, while another highlights the intimacy and emotion of Reeves’ vocals. She also brings her unique perspective to beloved standards including “Mood Indigo” and “Summertime,” songs that allow her to explore new shades of her artistry.

The title track, “Searching,” co-written with Marsalis, stands as one of the album’s defining moments, combining powerful musicianship with Reeves’ commanding vocal performance. Her original composition “Thank You, Jesus” reflects the gospel roots that shaped her childhood and helped form the foundation of her musical identity.

Reeves’ career has always been built on connection—between performer and audience, tradition and innovation, past and future. Searching continues that journey, proving that great artistry has no expiration date.

As she approaches 85, Reeves remains committed to performing and creating, embracing each new opportunity with gratitude and enthusiasm. Her message is clear: the music is still alive, the voice is still powerful, and the journey is far from over.

The Womack Sisters Carry a Legendary Soul Legacy Into a New Era With Their Self-Titled Debut Album

Soul music royalty meets a fresh new generation with the long-awaited debut album from The Womack Sisters, arriving August 14, 2026, via Daptone Records. A deeply personal and soulful collection, The Womack Sisters celebrates family heritage while introducing a distinct sound shaped by experience, resilience, and a lifelong connection to music.

Featured in MOJO’s 2026 “Essential Albums” preview, the album represents a major milestone for sisters Kucha, Zeimani, and BG Womack, who have spent their lives surrounded by music. As the granddaughters of legendary soul pioneer Sam Cooke and nieces of iconic songwriter, guitarist, and vocalist Bobby Womack, the Sisters carry a remarkable musical lineage—but this debut proves they are far more than heirs to a famous name.

The Womack Sisters look to the past while creating something entirely their own. The album channels the spirit of classic soul, when songwriting, emotion, and musicianship were at the center of popular music, while bringing a modern perspective and their own individual voices to every track.

The Sisters’ musical journey began almost from birth. Raised by their parents Zekkariyas and Zeriiya (formerly known as Womack & Womack), they grew up performing around the world, learning through real-life experience rather than traditional classrooms. Their childhood was spent on stages and in studios across the globe, with homes ranging from London and Amsterdam to Kenya, Paris, Sydney, Zurich, Vienna, Tanzania, New York, Miami, West Virginia, Thailand, and the Bahamas.

That unique upbringing shaped their artistry, giving them a rare understanding of performance, harmony, and storytelling. Each sister brings her own personality and vocal character to the album, allowing every song to feel both connected and individual.

The album’s lead single, “Chauffeur,” introduces listeners to the Sisters’ rich harmonies, emotional depth, and timeless approach to soul music. Other standout moments include the heartfelt “If You Want Me,” the powerful “Monster,” the reflective “Laughter & Tears,” and the closing tribute “My Sisters And Me.”

Released through Daptone Records, a label known for preserving and celebrating authentic soul sounds, The Womack Sisters feels like both a continuation and a new beginning. It honors the artists who came before them while establishing Kucha, Zeimani, and BG as voices with their own story to tell.

With unforgettable melodies, soulful arrangements, and a connection to one of music’s greatest family legacies, The Womack Sisters is a debut that celebrates where they came from while confidently stepping into the future.

Track Listing:

Side A

1. Chauffeur
2. If You Want Me
3. Monster
4. If I Let You
5. I Just Don’t Want You

Side B

1. Laughter & Tears
2. Didn’t Mean Much To Me
3. You Went Away Too Long
4. I Am Your Season
5. All Around
6. My Sisters And Me

John Edwards’ Lost Soul Classic Tin Man Finally Arrives on Vinyl

For decades, soul fans have known the name John Edwards as one of the great voices of his generation. Now, a long-lost chapter of his remarkable career is finally receiving the vinyl release it deserves with Tin Man – The Unissued Second Aware LP, a stunning collection of recordings that captures Edwards at the height of his early solo powers.

Originally recorded for Aware Records under the guidance of producer Floyd Smith, these tracks represent a fascinating moment in Edwards’ career. Following the success of his early Aware singles, including the acclaimed soul gems "Stop This Merry-Go-Round" and "Careful Man," the label prepared a second album that was expected to continue his rise as one of the most exciting male vocalists in soul music.

Unfortunately, Aware Records collapsed due to the criminal activities of its owner, leaving the album unreleased and the master tapes hidden away for years. When the recordings were eventually rediscovered in the 1990s, several tracks appeared on the Kent CD Careful Man, while select singles earned praise from collectors and modern soul enthusiasts. Now, for the first time, the complete collection is available on vinyl, allowing fans to experience these recordings exactly as they were intended.

The album showcases Edwards’ extraordinary vocal ability—powerful, emotional, and filled with the kind of sincerity that defined classic soul. Songs like "Tin Man," "How Can I Go On Without You," and "Cold Hearted Woman" demonstrate why Edwards became such a respected figure among soul fans and musicians alike.

John Edwards’ journey extends far beyond his solo recordings. His remarkable voice and stage presence led the legendary The Spinners to recruit him as the replacement for their celebrated lead singer Philippe Wynne. Edwards became the group’s frontman during a new era of their career, bringing his own distinctive style while honoring the legacy of one of soul music’s most influential vocal groups.

A native of St. Louis, Edwards began singing professionally in the 1960s, developing a reputation as a powerful performer with deep roots in gospel and R&B. Before joining The Spinners, he built a strong following through his Aware Records recordings, where his passionate delivery and sophisticated phrasing earned him recognition as one of the finest emerging voices in soul music.

During his time with The Spinners, Edwards helped continue the group’s legacy, performing alongside one of the most successful vocal ensembles in R&B history. His tenure with the group introduced his voice to a worldwide audience, further cementing his reputation as a gifted interpreter of emotional soul.

Tin Man is more than a lost album—it is an important piece of soul history finally restored. For collectors, modern soul enthusiasts, and longtime fans of John Edwards, this release is an essential reminder of a singer whose talent always deserved a bigger spotlight.

Track Listing:

Side A

1. John Edwards – "How Can I Go On Without You"
2. "Ain’t That Good Enough"
3. "It’s Got To Be The Real Thing"
4. "Come Back Strong"
5. "Tin Man"
6. "Walls That Separate Our Love"

Side B

1. "Time"
2. "Cold Hearted Woman"
3. "Everybody Don’t Get A Second Chance"
4. "I Had A Love"
5. "The Way We Were"

Jai Alai Returns with a Stunning Collection of Rare Soul, Jazz, and Boogie Gems

The second installment of the Jai Alai series delivers another exceptional journey through the deepest corners of soul, jazz, boogie, and R&B, bringing together rare recordings, forgotten classics, and previously unreleased treasures from some of the most remarkable voices in music history.

Taking its name from the Kleeer track "Open Your Mind," originally released on the New York band’s 1979 album Winners, this collection celebrates the adventurous creativity of artists who helped shape the soul and boogie movement. Kleeer’s journey from Pipeline and The Universal Robot Band into one of the defining groups of the era is reflected in the sophisticated grooves and futuristic energy of their music.

Among the highlights are two incredible previously unreleased recordings from legendary vocal icons. Aretha Franklin’s "The Boy From Bombay," co-produced with Quincy Jones, offers a fascinating glimpse into the Queen of Soul’s more experimental side, while Dionne Warwick’s "Someone Else Gets The Prize," produced by Ashford & Simpson, carries the emotional power and songwriting brilliance of a song that deserved far greater recognition.

The collection continues with Philadelphia’s Pieces Of A Dream, the acclaimed group discovered by Grover Washington Jr. Their elegant fusion of jazz, soul, and R&B made them favorites across Europe during the 1980s, and "It’s Time For Love" remains one of their most captivating recordings.

Further exploration of the vaults reveals more essential discoveries, including Teddy Pendergrass’ sought-after Phat Phili Mix of "Believe In Love" and Leon Ware’s stunning "Got To Be Loved" from his 1981 masterpiece Rockin’ You Eternally. Ware’s genius for creating deeply sensual, sophisticated soul has long deserved greater recognition, and this track stands among his finest achievements.

Gerald Levert’s "What About Me" adds another powerful moment to the compilation, showcasing the extraordinary voice and emotional depth of an artist who helped define contemporary R&B. His influence continues to be felt by generations of singers who followed.

The set also highlights two lesser-known but highly deserving artists. Andy Bey’s "I Know This Love Can’t Be Wrong" recalls the elegance of classic jazz-soul greats, while Phajja’s "What Are You Waiting For" demonstrates the group’s polished harmonies and sophisticated production, reminiscent of the finest vocal groups of the era.

Closing the collection is Etta James’ "Evening Of Love," a stunning Southern soul ballad that showcases the timeless power of one of music’s greatest voices. Recorded decades into her legendary career, James delivers the song with the passion, confidence, and emotional honesty that made her an icon.

Featuring a remarkable lineup of rare recordings and hidden gems, Jai Alai’s second release is a treasure trove for collectors and music lovers alike—a celebration of soulful artistry that deserves to be heard again.

Track Listing:

Side A

1. Aretha Franklin – "The Boy From Bombay" (originally unissued Atlantic recording)
2. Dionne Warwick – "Someone Else Gets The Prize" (originally unissued Warner Bros. recording)
3. Andy Bey – "I Know This Love Can’t Be Wrong"
4. Pieces Of A Dream – "It’s Time For Love"
5. Kleeer – "Open Your Mind"

Side B

1. Leon Ware – "Got To Be Loved"
2. Teddy Pendergrass – "Believe In Love" (Phat Phili Mix)
3. Phajja – "What Are You Waiting For"
4. Gerald Levert – "What About Me"
5. Etta James – "Evening Of Love"

Pete Roth Trio and Bill Bruford Reunite for Group Chat, a Captivating New Live CD/DVD Release

The Pete Roth Trio, featuring legendary drummer Bill Bruford, will release Group Chat on September 18, 2026, a compelling new CD/DVD package that celebrates musical spontaneity, fearless improvisation, and the chemistry of three exceptional musicians. The two-disc collection features a nine-track live audio CD alongside a 35-minute bonus DVD, offering fans an immersive look at one of today's most adventurous jazz ensembles.

Perhaps the biggest story surrounding Group Chat is the return of Bill Bruford. Best known for his groundbreaking work with Yes, King Crimson, and Earthworks, Bruford makes his first headline performance appearance in 13 years and his first recording of new material in 19 years. His return is nothing short of a milestone for progressive music and modern jazz fans alike.

Led by guitarist Pete Roth and rounded out by bassist Mike Pratt, the trio thrives on musical conversation. Their performances are rooted in jazz but stretch far beyond traditional boundaries, incorporating elements of funk, contemporary classical music, and spontaneous improvisation. The result is an album that feels fresh, unpredictable, and completely alive.

Original compositions including "Full Circle," "Dancing With Grace," and "Original Sin" showcase the trio's remarkable interplay, while collaborative works such as "Part Of The Charm" and "Looking Forward To Looking Back" highlight the democratic spirit that defines the group. One of the album's most intriguing moments is their imaginative improvisation on the Largo from Antonín Dvořák's Symphony No. 9, demonstrating the trio's ability to transform a classical masterpiece into something entirely new.

The deluxe digipak edition also includes a beautifully produced booklet featuring extensive liner notes and exclusive group photographs. The accompanying DVD expands the experience with live performances, an introduction to the project, and a special spoken segment from Pete Roth, providing fans with additional insight into the trio's creative process.

Early reviews have been overwhelmingly positive. Critics have praised the group's effortless communication, inventive musicianship, and willingness to take risks. Reviewers have described the trio as a band of equals whose performances are filled with nuance, invention, groove, and genuine joy, with one publication perfectly summarizing the music as "loose enough that it could fall apart and tight enough that it grooves."

Pete Roth brings decades of experience spanning blues, rock, and jazz, while Mike Pratt contributes a deep understanding of jazz fusion, groove, and modern composition. Together with Bruford's legendary rhythmic imagination and decades of groundbreaking work, the trio creates something that feels both sophisticated and refreshingly accessible.

Group Chat isn't simply another live jazz recording—it's a celebration of listening, collaboration, and musical trust. Every performance unfolds as an open conversation where melody, rhythm, and improvisation meet in real time, reminding listeners why live music remains one of jazz's greatest strengths.

For longtime fans of Bill Bruford and newcomers discovering the Pete Roth Trio, Group Chat promises to be one of the year's most engaging and rewarding jazz releases.

Stephan Moccio Returns to His Roots with the Elegant New Album Scenes From A Velvet Room

Award-winning pianist, songwriter, and composer Stephan Moccio has released his deeply personal new album, Scenes From A Velvet Room, a beautiful collection inspired by the formative years that helped shape his remarkable career. The twelve-track instrumental release serves as a musical time capsule, blending jazz and classical influences while reflecting on the nights Moccio spent performing six evenings a week in the lobby of Toronto's iconic Four Seasons Hotel.

Rather than looking ahead, Scenes From A Velvet Room invites listeners to journey back to a pivotal chapter in Moccio's life. Long before writing some of the biggest songs of the past two decades, he honed his craft as a lounge pianist, learning to connect with audiences through subtlety, atmosphere, and emotion. Those experiences became the foundation for the graceful, melodic storytelling that defines the new album.

Among the album's highlights is "I Break Everything I Love," accompanied by a striking visualizer that captures the reflective mood of the project. Another standout is "Opaline," an elegant collaboration with legendary saxophonist Branford Marsalis. Best known for his work alongside artists ranging from Herbie Hancock to The Grateful Dead, Marsalis brings warmth and expressive depth to Moccio's delicate piano performance, creating one of the album's most memorable moments.

The project follows a period of personal reflection for Moccio, whose songwriting résumé already includes some of modern music's most recognizable hits. His compositions have helped define the careers of artists including Celine Dion with "A New Day Has Come," Miley Cyrus' global smash "Wrecking Ball," The Weeknd's Academy Award-nominated "Earned It," and "I Believe," the official theme song of the 2010 Winter Olympics.

Despite a career filled with international success, Scenes From A Velvet Room demonstrates that Moccio remains drawn to the quiet moments that first inspired him. He recalls his years at the Four Seasons not simply as a stepping stone, but as an invaluable education in musicianship—learning how to read a room, shape an atmosphere, and let music enhance an experience without demanding attention.

That understated elegance flows throughout the album. Every composition feels intimate and cinematic, allowing the listener to experience the refined ambiance of an upscale hotel lounge while appreciating the emotional depth behind each melody.

With Scenes From A Velvet Room, Stephan Moccio offers more than an album—he delivers a heartfelt reflection on where his musical journey began. It's a graceful reminder that sometimes the most meaningful stories are found not in the spotlight, but in the quiet spaces where artistry first takes shape.

Teddy Pendergrass’s Golden Run: Four Classic Albums That Defined Sophisticated Soul

Few artists have ever made the transition from group member to solo superstar as seamlessly as Teddy Pendergrass. After establishing himself as the unmistakable voice of Harold Melvin & The Blue Notes, Pendergrass stepped into the spotlight and created one of the greatest runs of albums in soul music history. Collected together in this excellent two-CD set are four essential releases—Teddy Pendergrass (1977), Life Is a Song Worth Singing (1978), Teddy (1979), and TP (1980)—capturing the evolution of one of the most powerful and influential voices of the 1970s.

Produced during the golden era of Philadelphia International Records, these albums showcase the masterful songwriting and production of Kenneth Gamble and Leon Huff. Together, they helped shape the sophisticated "Philly Soul" sound, blending lush orchestration, irresistible grooves, and heartfelt storytelling into timeless recordings.

Pendergrass's self-titled debut immediately proved that leaving Harold Melvin & The Blue Notes was the right decision. His commanding yet vulnerable vocals shine throughout classics like "The Whole Town's Laughing at Me," "You Can't Hide from Yourself," and "The More I Get, the More I Want." The album perfectly balances smooth ballads with upbeat soul, establishing the signature style that countless male R&B singers would later emulate.

Life Is a Song Worth Singing elevated his solo career even further. Featuring the unforgettable hits "Close the Door" and "When Somebody Loves You Back," the album remains one of the defining releases of late-'70s soul. It also captures the moment when Philadelphia soul matured beyond its disco roots into something richer, deeper, and more emotionally resonant.

By the time Teddy arrived in 1979, Pendergrass had become the undisputed king of romantic soul. Tracks like "Come Go With Me," "Turn Off the Lights," and "Do Me" helped define the Quiet Storm format that would dominate late-night radio for years. His ability to combine raw passion with refined elegance made these recordings timeless.

The collection concludes with TP, an album that further cemented his legacy. Anchored by the immortal "Love TKO," one of the greatest soul ballads ever recorded, the record also delivers standout performances on "Take Me In Your Arms Tonight," "Is It Still Good to Ya," and "Can't We Try." The production is polished, the songwriting exceptional, and Pendergrass's voice remains as commanding as ever.

More than four great albums, this collection documents the artistic peak of a singer who helped redefine modern soul music. Teddy Pendergrass possessed a voice that could be both commanding and tender, delivering love songs with unmatched conviction and emotional depth. His influence can still be heard across generations of R&B artists today.

Whether you're discovering his music for the first time or revisiting these classics, this four-album collection is an outstanding reminder of why Teddy Pendergrass remains one of soul music's greatest voices.

Tiwayo Returns With Outsider, a Raw, Borderless Soul Album Produced by Adrián Quesada

 

Paris-born soul singer and songwriter Tiwayo returns with his new album Outsider, arriving April 10, 2026 worldwide via production by Grammy-winning musician Adrián Quesada, co-founder of Black Pumas. The record marks a long-awaited comeback for an artist whose voice and story have already earned him a cult following across the modern soul scene.

Nicknamed “The Young Old,” Tiwayo’s artistic identity was born on a road trip to Memphis, where a Cajun bluesman reportedly heard his performance and was struck by the contrast between his youthful appearance and the deep, gravel-toned emotional weight of his voice. The encounter left a lasting impression, leading him to adopt the name Tiwayo—an evolution of his initials T.Y.O. that has stayed with him ever since.

Raised in France, Tiwayo stands apart from traditional expectations of European soul music. His sound draws instead from deep Southern traditions, shaped by years of travel, immersion, and lived experience rather than stylistic imitation. While France is more often associated with electronic music and chanson than raw American-rooted soul, Tiwayo has built a career defined by precisely that tension—between geography, identity, and genre.

His reputation has been quietly strengthened through admiration from respected figures including Norah Jones, Marcus Miller, Tony Visconti, and Don Was. He has also shared stages with artists such as Curtis Harding, Cody Chesnutt, and Marcus Miller, building a reputation as a compelling and unpredictable live performer.

Prior to Outsider, Tiwayo released Desert Dream via Yotanka Records and The Gypsy Soul of Tiwayo on Blue Note Records, the latter produced by Mark Neill, known for his work with The Black Keys. After a period of relative absence from the spotlight, he re-emerged when Adrián Quesada encountered his demos, leading to a creative partnership that brought him from Paris to Austin and into Quesada’s Electric Deluxe Studio.

There, Tiwayo and Quesada shaped Outsider into a raw, genre-crossing statement rooted in Southern soul, vintage R&B textures, and unfiltered emotional delivery. The album also features contributions from members of the Black Pumas extended musical circle, reinforcing its connection to contemporary retro-soul while resisting polish in favor of grit and immediacy.

The record includes appearances by guitarist Doyle Bramhall II, longtime collaborator of Eric Clapton, on tracks including “Daddy Was Born with the Blues,” a tribute to Tiwayo’s late father enhanced by string arrangements from Sly5thAve. Brooklyn-based vocalist Kendra Morris also joins for “Unchained Lovers,” a duet shaped by classic Hi Records-era Southern soul aesthetics.

Across its tracklist, Outsider moves between reflection, groove, and emotional release. Songs such as “I’ve Got to Travel Alone” explore artistic independence, while “Up for Soul” leans into rhythm-driven energy. “Sunshine Lady” and “My House Is Your Home” celebrate intimacy and everyday beauty, while “Dark Skies” confronts themes of loss and resilience.

What emerges is a portrait of an artist who exists between worlds. Tiwayo’s music resists easy categorization, shaped as much by migration and experience as by genre tradition. Neither fully inside nor outside the contemporary soul landscape, he occupies a space defined by movement, contradiction, and emotional honesty.

With Outsider, Tiwayo embraces that position fully—delivering a record that is both deeply personal and broadly universal, rooted in tradition yet unmistakably his own.