Euge Groove Rises Again with The Phoenix, His Most Personal and Spiritually Inspired Album Yet

 

Few albums arrive with a story as powerful as the music itself. For contemporary jazz saxophonist Euge Groove, The Phoenix isn't just the title of his latest release—it's the soundtrack to one of the most profound transformations of his life.

Following a life-threatening open-heart surgery in early 2025 and a grueling year-long recovery, Groove emerged with a renewed outlook on life, creativity, and purpose. The result is The Phoenix, his 14th studio album, arriving July 17, 2026, and arguably his most personal work to date.

Inspired by the mythical bird that rises from its own ashes, Groove embraces the symbolism of rebirth throughout the project. What began as another recording became something much deeper after his near-death experience shifted his perspective. Rather than chasing perfection or urgency, he focused on creating music rooted in peace, gratitude, and authenticity.

"I really wasn't sure I was going to get to the finish line on this album," Groove admits. "I'm just seeking peace right now. I feel like I've returned to the reasons I got into music to begin with."

Ironically, much of The Phoenix had already been written before doctors discovered the heart condition that would eventually require emergency surgery. At the time, Groove couldn't understand why he lacked the strength to finish recording the saxophone parts. Only later did the diagnosis explain everything.

Completing the album became a remarkable journey of perseverance. Longtime collaborators Tracy Carter, Corney Mims, and producer Paul Brown helped carry the project across the finish line, allowing Groove to focus solely on performing. Against all expectations, recording sessions that he feared would last only minutes stretched into hours without fatigue—experiences he describes as nothing short of miraculous.

Musically, The Phoenix showcases everything fans have come to love about Euge Groove while revealing new emotional depth. The uplifting title track radiates optimism and resilience, while "Heart of Gold" opens the album with elegant melodies and Groove's signature soprano saxophone tone. "Wrapped Around Your Finger," written for his first granddaughter, captures heartfelt tenderness, and the reflective ballad "Those Nights Alone" delivers some of his most expressive playing.

One of the album's most touching moments comes with "Odysseus," a joyful tribute to Groove's Bernedoodle service dog, whose cardiac-alert training and unwavering companionship became instrumental during his recovery. Groove credits Odysseus with helping save his life, both physically and emotionally.

The emotional centerpiece may be "At Peace," a composition that Groove says came together almost effortlessly in a single take. Rather than meticulously planning every note, he simply stepped in front of the microphone and allowed instinct—and perhaps something greater—to guide the performance.

Throughout the album, listeners will notice a relaxed confidence replacing the intensity found on some of his previous recordings. That shift reflects the artist's own spiritual awakening.

Groove says surviving such a life-altering experience eliminated much of the fear that once existed in his life. Instead, he now embraces challenges with gratitude and a renewed appreciation for every opportunity to create, perform, and connect with audiences.

A graduate of the University of Miami's Frost School of Music, Euge Groove has enjoyed an extraordinary career spanning decades, collaborating with artists including Tina Turner, Tower of Power, Joe Cocker, Huey Lewis, Aaron Neville, and The Eurythmics. Yet The Phoenix feels less like another chapter in a successful career and more like the beginning of an entirely new one.

As he prepares to return to the stage, Groove says his mission has changed. Rather than performing because he has to, he's performing because he genuinely wants to. That joy, freedom, and sense of peace resonate throughout every note of The Phoenix.

Sometimes the greatest comeback isn't about returning to who you were—it's about becoming someone entirely new. With The Phoenix, Euge Groove has done exactly that.

dee Brown Captures the Spirit of Detroit Summers with “Summer Cruise”

There’s something special about summer in Detroit. After enduring long, unforgiving winters, the city comes alive as classic cars, convertibles, and automotive enthusiasts take to the streets. Nowhere is that energy more evident than along the legendary Woodward Avenue, where the annual Woodward Dream Cruise transforms the city into a celebration of automotive culture. Groove jazz guitarist dee Brown bottles that unmistakable feeling on his latest Innervision Records single, “Summer Cruise.”

Currently climbing the Billboard and Mediabase charts, “Summer Cruise” serves as the first preview of Brown’s upcoming album, Living The Good Life. The single continues his signature blend of smooth jazz, R&B, and heartfelt storytelling rooted in his Detroit upbringing.

Written and produced by fellow Innervision Records artist Blake Aaron, whose résumé includes nine Billboard No. 1 singles, “Summer Cruise” delivers exactly what its title promises. Built on a relaxed, funky groove with a retro go-go beat, the track evokes the freedom of warm evenings spent behind the wheel, windows down, music up, and nowhere in particular to be.

Brown’s expressive guitar work leads the way, supported by an all-star lineup of musicians. GRAMMY-winning bassist Mel Brown and drummer Michael White provide the irresistible rhythm section, while saxophonist Michael Parlett adds soulful melodies that complement Brown’s guitar. The production is elevated further by 13-time GRAMMY nominee Tyries Rolfe’s lush string arrangements and Carnell Harrell’s vibrant keyboard work, creating a rich sonic landscape that perfectly captures the joy of summer cruising.

The collaboration marks another successful partnership between Brown and Aaron, following their 2024 single “Wes 8Mile,” which appeared on Brown’s 2025 album Mister Smooth. Like its predecessor, “Summer Cruise” draws deeply from Detroit culture and the experiences that shaped Brown as both a musician and storyteller.

Reflecting on the collaboration, Brown shared that Aaron first introduced him to the song, believing it naturally fit his musical style. Brown immediately connected with the melody and groove, describing it as music that made him want to dance while celebrating the carefree spirit of summer.

For Brown, however, the song goes beyond great musicianship—it’s a tribute to home.

He says “Summer Cruise” reflects his Detroit roots, especially those warm summer evenings when drivers lower the tops on their convertibles and cruise Woodward Avenue. The annual Woodward Dream Cruise has grown into one of the world's largest automotive celebrations, attracting approximately one million spectators and more than 40,000 classic cars each year, making it the perfect inspiration for the song.

The accompanying music video brings that atmosphere to life, showcasing the vibrant street party and classic car culture that have made the Woodward Dream Cruise an iconic American tradition.

“Summer Cruise” arrives as another milestone in a career spanning nearly two decades. Since releasing his debut album, No Time To Waste, in 2007, Brown has steadily built a reputation as one of contemporary jazz’s standout guitarists. His albums Remembering You (2018) and Deep Secrets (2021) have each surpassed five million streams on Spotify, while Mister Smooth continued his chart success with multiple Billboard Top 30 singles.

Throughout his career, Brown has performed and collaborated alongside an impressive roster of legendary artists across jazz, R&B, and gospel, including George Benson, Al Jarreau, Stephanie Mills, Gerald Albright, Mindi Abair, Bob James, Brian Culbertson, Spyro Gyra, Najee, Jeffrey Osborne, Michael and BeBe Winans, and many more.

With “Summer Cruise,” dee Brown delivers more than another smooth jazz single—he delivers a musical postcard from Detroit, celebrating the city's resilience, rich automotive heritage, and the simple joy of taking the long way home on a warm summer night. As anticipation builds for Living The Good Life, the single offers an inviting glimpse of what's to come while reminding listeners that sometimes the best destination is simply the ride itself.

Agneya Unites Global Rhythms on Powerful Debut Album AGNEYA,

Award-winning Indo-Canadian drummer, percussionist, and composer Agneya is set to release his highly anticipated debut album, AGNEYA, on September 18, 2026, via Agneya Music (ACM 001). A bold artistic statement shaped by nearly fifteen years of musical exploration across continents, the album reflects a deeply personal journey where rhythm becomes a universal language that transcends borders, cultures, and traditions.

Born and raised in western India and now based between Toronto and Berlin, Agneya has built an impressive career performing across an extraordinary range of musical styles, including Indian folk, contemporary jazz, Arabic music, Zimbabwean music, Nigerian soul, rock, and experimental music. Every collaboration has contributed to the artistic vision behind AGNEYA, his first recording as a bandleader.

Ahead of the album's release, Agneya has unveiled the first single and video, "Teleology." Built around a South Indian Konnakol vocal percussion phrase, the track evolves into a dynamic, groove-driven composition where shifting rhythmic perspectives create a compelling musical conversation. The release follows another milestone for the artist, who was recently named the recipient of the Toronto Arts Foundation's prestigious Breakthrough Jazz Artist Award.

The album opens with the atmospheric "It Began Before Words," setting the tone for a collection that embraces rhythm as humanity's oldest form of communication. Tracks such as "Zwischenspiel I" highlight Agneya's inventive rhythmic approach alongside the melodic brilliance of Canadian bassist Rich Brown, while "Keiko" pairs Agneya with Indian percussionist Varun Venkit for a vibrant reinterpretation of a traditional folk melody.

Among the album's standout moments is "Khoj," featuring acclaimed trumpeter Ingrid Jensen, whose soaring improvisation is matched by Agneya's masterful rhythmic foundation. The album also offers an imaginative reinterpretation of Coldplay's "Fix You," featuring the expressive vocals of German-Ghanaian singer Emily Intsiful, alongside a fresh arrangement of John Coltrane's classic "Naima," transformed through the West African Ketju groove and featuring alto saxophonist Yonatan Hes and pianist Jakob Reisener.

"This project was built through real relationships," Agneya explains. "Part of the album features my European band from Berlin—musicians from Luxembourg, France, Germany, and Wales—and the other part features my friends and mentors in Canada and India. The album is all of me. It's all the music, people, places, hardships, grooves, friendships, migrations, and contradictions that shaped me into the person I am today."

For Agneya, rhythm is more than technique—it's a shared human experience. "Rhythm has always been the thread connecting everything for me," he says. "This record is my attempt to connect those rhythmic dots honestly—not as a statement of tokenistic diversity, but because this is genuinely the music that lives inside me."

Growing up in India, Agneya absorbed both centuries-old musical traditions and the explosion of Western popular culture. From listening to Pandit Bhimsen Joshi to discovering Korn, Limp Bizkit, heavy metal, West African rhythmic systems, and eventually jazz, his influences have blended into a musical identity that refuses to fit neatly into a single genre.

"I think human beings are incredibly layered and emotionally complex," Agneya reflects. "With AGNEYA, I wanted to resist the impulse to simplify those complexities. I wanted the music to exist like life: intense, joyful, uncertain, rhythmic, contradictory, and alive."

Produced by Jeremy Ledbetter and Agneya, AGNEYA brings together an exceptional international cast of collaborators, including Ingrid Jensen, Rich Brown, Emily Intsiful, Jakob Reisener, Ursula Harrison, James Hill, Rolf Zielke, Dhaivat Jani, Varun Venkit, Gandhaar Amin, Shirantha Beddage, Yonatan Hes, and Max Serra. Together they create a vibrant musical landscape where tradition and innovation coexist, inviting listeners into a deeply human experience built on groove, movement, and connection.

AGNEYA will be available worldwide on September 18, 2026.

Rediscovering Jan Hammer's Fusion Mastery in This Essential 3CD Collection

Long before Jan Hammer became a household name through the Miami Vice soundtrack, he was one of jazz fusion's most adventurous keyboard innovators. This outstanding three-disc collection brings together three defining recordings from the mid-1970s that showcase his remarkable creativity alongside two legendary collaborators: Jeff Beck and Jerry Goodman.

The collection opens with The First Seven Days, a deeply personal and surprisingly introspective album recorded shortly after Hammer's time with the Mahavishnu Orchestra. Rather than relying on the explosive fusion sound many listeners might expect, Hammer crafts a thoughtful concept album filled with lyrical piano passages, expressive synthesizers, and atmospheric compositions. Tracks like "Oceans & Continents," "Fourth Day," "Darkness/Earth In Search Of A Sun," and "The Animals" reveal a composer equally comfortable creating beauty as technical brilliance.

The second disc, Jeff Beck with The Jan Hammer Group Live, captures one of the most exciting collaborations in jazz-rock history. Beck's electrifying guitar work perfectly complements Hammer's Moog, Oberheim, and keyboard wizardry, creating an energetic performance that helped define 1970s fusion. Classics including "Scatterbrain," "Freeway Jam," "Blue Wind," "She's A Woman," and "Full Moon Boogie" demonstrate why this recording remains a favorite among both rock and jazz fans decades later.

Rounding out the set is Like Children, Hammer's collaboration with violinist and guitarist Jerry Goodman. The album balances adventurous improvisation with memorable melodies, highlighting Hammer's tasteful use of synthesizers, electric piano, and inventive textures. Goodman also contributes vocals on select tracks, while standout pieces such as "Stepping Tones," "Night," "No Fear," "Country & Eastern Music," "Topeka," and "Earth (Still Our Only Home)" capture the adventurous spirit of the era.

What makes this collection especially rewarding is hearing Hammer before the commercial success that later defined much of his career. These recordings reveal an artist pushing boundaries, experimenting with new sounds, and helping shape the evolution of jazz fusion. His chemistry with Jeff Beck and Jerry Goodman remains exceptional, blending technical virtuosity with genuine musical expression.

For longtime fusion fans, this set is an essential addition to the collection. For newcomers, it serves as an ideal introduction to one of the genre's most influential keyboardists at the height of his creative powers. Three classic albums, three distinct musical journeys, and countless moments of brilliance make this one of the best values available for anyone looking to explore the golden age of jazz-rock fusion.

Ayn Inserto and the WDR Big Band Deliver a Stunning Celebration of Contemporary Large Ensemble Jazz on Jagged Edges & Elegant Lines

Acclaimed composer, arranger, and bandleader Ayn Inserto reaches a major milestone in her career with the release of Jagged Edges & Elegant Lines: The Music of Ayn Inserto, arriving August 7, 2026, via Summit Records. Recorded live with the world-renowned WDR Big Band on May 31, 2024, the album captures an unforgettable evening of visionary large ensemble music, showcasing Inserto's distinctive compositional voice alongside one of the finest jazz orchestras in the world.

For Inserto, the project represents both a dream realized and the culmination of years spent establishing herself as one of contemporary jazz's most compelling big band composers. The Singapore-born, Boston-based musician founded the Ayn Inserto Jazz Orchestra 25 years ago to bring her ambitious and rhythmically adventurous compositions to life. Since then, her reputation has steadily grown through acclaimed recordings, international collaborations, and recognition from leading voices in jazz education and performance.

Recent years have seen Inserto serve as musical director and conductor for Germany's Frankfurt Radio Big Band, contribute arrangements for bassist Linda May Han Oh, and earn inclusion in New Standards: 101 Lead Sheets by Women, the landmark collection spearheaded by Terri Lyne Carrington and the Berklee Institute of Jazz and Gender Justice. Her work has also earned praise from DownBeat, which noted her rare ability to balance sophisticated craftsmanship with engaging musical storytelling.

That reputation led to an invitation from the legendary WDR Big Band to present an evening dedicated entirely to her compositions. The ensemble commissioned four new works from Inserto, inspiring what became the emotional centerpiece of the album: the four-movement "Suite for Sean Jones."

Written specifically for acclaimed trumpeter Sean Jones, the suite explores four defining aspects of the musician's life and character—"The Artist," "The Educator," "The Husband and Father," and "The Human Soul." Inserto immersed herself in Jones' recordings for months, seeking to capture not only his remarkable technical brilliance but also the soulfulness and deep blues tradition that define his playing. The result is a powerful work that blends breathtaking complexity with heartfelt lyricism, leaving audiences visibly moved during its premiere performance.

The remainder of the album presents a carefully curated journey through Inserto's compositional catalog. Pieces such as "Eshel Sketch," "Vinifera," "La Danza Infinita," and the exhilarating "Down a Rabbit Hole" highlight her gift for combining intricate rhythmic architecture with memorable melodies and emotional depth. Additional selections, including "Mr. Jones and Company" and her arrangement of Jones' "BJ's Tune," further reinforce the musical dialogue between composer, soloist, and ensemble.

The album's title perfectly reflects Inserto's compositional philosophy. As described in the liner notes by longtime collaborator Jennifer Wharton, her music exists in the space between sharp rhythmic edges and elegant melodic lines, creating tension that feels both intellectually engaging and emotionally rewarding. While her scores challenge performers with sophisticated counterpoint, shifting meters, and layered orchestration, they remain rooted in melodies that connect immediately with listeners.

Critics and fellow musicians have already recognized the significance of the project.

Saxophonist and composer Christine Jensen praised the recording, saying, "In this extraordinary collaboration with the mighty WDR band, Ayn takes the helm, spinning a swath of imaginative tales, capturing and pushing the big band jazz composition legacy forward with her keen imagination. Ayn is at the top of her game as a composer in the contemporary jazz ensemble world."

Acclaimed saxophonist Miguel Zenón echoed that enthusiasm, calling the album "a fabulous tour de force," highlighting Inserto's intricate and elegant writing while applauding the inspired performance by the WDR Big Band.

Now serving as Assistant Chair of Harmony and Jazz Composition at Berklee College of Music, Inserto continues to mentor the next generation of jazz composers while expanding the possibilities of contemporary large ensemble writing. Her work with organizations including the Women in Jazz Organization, the Jazz Education Network, and Jazz Composers Present further underscores her commitment to both artistic excellence and jazz education.

With Jagged Edges & Elegant Lines, Ayn Inserto delivers not only a career-spanning portrait of her evolution as a composer but also a compelling vision for the future of big band jazz. Blending daring harmonic language, rhythmic innovation, lyrical beauty, and emotional storytelling, the album stands as one of the year's most significant releases for fans of modern large ensemble music.

Jagged Edges & Elegant Lines: The Music of Ayn Inserto will be released worldwide on August 7, 2026, via Summit Records.

Nancy Sinatra’s Classic ‘Movin’ With Nancy’ Returns in Definitive Expanded Edition

Nancy Sinatra’s beloved 1967 album Movin’ With Nancy is getting the deluxe treatment, as Light in the Attic announces the first-ever vinyl reissue and definitive expanded edition of the iconic soundtrack album. Scheduled for release on June 26, 2026, the reissue celebrates one of the most ambitious and creative projects of Sinatra’s career, capturing the style, spirit, and cultural energy of the late 1960s.

Originally released alongside the groundbreaking television special of the same name, Movin’ With Nancy was far more than a promotional vehicle. While the project was funded by RC Cola, it became a deeply personal endeavor for Sinatra, who enlisted friends and family—including Frank Sinatra, Dean Martin, and Sammy Davis Jr.—to participate. She also contributed her own wardrobe, cars, home, and even handled her own makeup, creating what stands as a remarkably DIY production for its era.

The new edition arrives freshly remastered from the original analog tapes by GRAMMY-nominated engineer John Baldwin. Fans can choose between a beautifully packaged gatefold LP pressed on “Some Velvet Morning” purple vinyl and a CD edition, both featuring extensive booklets packed with archival content. The LP includes a 20-page booklet, while the CD edition expands to 32 pages. Both formats feature a new Q&A with Nancy Sinatra and GRAMMY-nominated co-producer Hunter Lea, along with never-before-seen photographs from Sinatra’s personal archive.

Adding further value for collectors, the release includes four previously unreleased bonus tracks: “It’s Such A Pretty World Today (Movin’ Version),” “Let’s Get Movin’,” “This Town (Film Intro),” and “RC Cola (It’s A Mad Mad Cola).” A limited run of just 50 autographed test pressings will also be available.

The album features memorable performances and appearances from some of the era’s biggest stars, including Frank Sinatra and Dean Martin, further underscoring the project's significance as a snapshot of 1960s popular culture.

The complete tracklist is as follows:

1. Gotta Get Out of This Town
2. Who Will Buy
3. Wait Till You See Him
4. Younger Than Springtime — Frank Sinatra
5. Things
6. Some Velvet Morning
7. See the Little Children
8. Up Up and Away
9. Friday’s Child
10. Jackson
11. This Town
12. What’d I Say
13. It’s Such A Pretty World Today (Movin’ Version) (previously unreleased)
14. Let’s Get Movin’ (previously unreleased)
15. This Town (Film Intro) (previously unreleased)
16. RC Cola (It’s A Mad Mad Cola) (previously unreleased)

With its stylish blend of music, film, celebrity appearances, and 1960s cool, Movin’ With Nancy remains one of Nancy Sinatra’s most fascinating artistic statements. This long-awaited reissue offers both longtime fans and new listeners the opportunity to rediscover a landmark project in its most complete form yet.

Movin’ With Nancy will be released on June 26, 2026, via Light in the Attic.

Loren Stillman’s Seer Brings Together Three Modern Jazz Visionaries for a Stunning Newvelle Records Release

Saxophonist Loren Stillman continues his remarkable artistic journey with Seer, a captivating new trio recording featuring acclaimed pianist Craig Taborn and bassist Thomas Morgan. Released on April 24, 2026, as part of Newvelle Records’ celebrated Newvelle Ten Collection, the album stands as a profound statement of creativity, intimacy, and collective musical vision.

Recorded over two days at EastSide Sound in New York City on February 1–2, 2025, Seer captures three master improvisers at the height of their powers. The result is an album that gracefully balances structure and spontaneity, blending intricate compositions with inspired improvisation while maintaining a striking sense of emotional clarity throughout.

Stillman has long occupied a distinctive place in contemporary jazz. A former student of the legendary Lee Konitz, he has built a career defined by lyrical expression, fearless exploration, and a commitment to artistic growth. His collaborations with influential figures such as Paul Motian, Charlie Haden, and John Abercrombie established him as one of the most thoughtful and compelling saxophonists of his generation. On Seer, both his alto and soprano saxophone work reveal a mature artist capable of moving effortlessly between melodic beauty and abstract invention.

Joining Stillman are two of the most respected musicians in modern jazz. Pianist Craig Taborn brings his unmistakable harmonic imagination and textural sophistication to every performance. Renowned for his ability to blur the boundaries between composition and improvisation, Taborn's contributions elevate the music with subtle complexity and endless surprise. Bassist Thomas Morgan, whose lyrical playing has made him one of the most sought-after collaborators in jazz, provides both grounding and momentum, shaping the trio’s collective voice with remarkable sensitivity and grace.

Across ten tracks, the trio engages in a deeply conversational musical dialogue. Composed primarily by Stillman, with Morgan contributing the composition “Return,” the album unfolds with an organic flow that rewards attentive listening. The opening piece, “Waterworks,” immediately establishes the trio’s nuanced interplay, while the title track, “Seer,” offers a reflective and contemplative centerpiece that highlights the ensemble’s extraordinary ability to communicate through space, texture, and subtle gestures. By the time the closing “Victory Lap” arrives, listeners have been taken on a journey marked by elegance, curiosity, and emotional depth.

What makes Seer particularly compelling is the balance between individuality and collective expression. Each musician’s distinct voice remains unmistakable, yet the trio consistently prioritizes the needs of the music over individual display. The result is a recording that feels deeply collaborative, with every note serving the larger narrative unfolding across the album.

As with all Newvelle Records releases, Seer extends beyond the music itself. The album features original artwork by internationally acclaimed Icelandic artist Ragnar Kjartansson, whose evocative visual work complements the album’s introspective and immersive character. The pairing of exceptional music with thoughtful visual presentation has become a hallmark of Newvelle’s releases, transforming each project into a complete artistic experience for listeners and collectors alike.

The album also reflects Newvelle’s unwavering commitment to audiophile-quality production. Recorded by Rocky Russo, mixed by Marc Urselli, mastered by Matthew Lutthans, and pressed by Quality Record Pressings (QRP), Seer delivers the depth, warmth, and sonic detail that have made Newvelle one of the most respected labels in contemporary jazz.

Beyond being a standout release in its own right, Seer serves as a centerpiece of the Newvelle Ten Collection, which celebrates the label’s tenth anniversary through a series of distinctive projects pairing world-class musicians with celebrated visual artists. The collection highlights Newvelle’s ongoing dedication to presenting jazz as a living, evolving art form while preserving the highest standards of craftsmanship and presentation.

With Seer, Loren Stillman, Craig Taborn, and Thomas Morgan have created a recording that feels both timeless and forward-looking. Rich in nuance, imagination, and emotional resonance, the album captures three exceptional artists engaged in meaningful musical conversation. It is a testament to the enduring power of improvisation, the beauty of collective expression, and the limitless possibilities of modern jazz..

Loren Stillman – Seer
Newvelle Records (NV039)
Featuring Craig Taborn and Thomas Morgan
Recorded February 1–2, 2025, at EastSide Sound, New York City
Release Date: April 24, 2026

Phil Haynes Bridges Generations on the Expansive New Improvisational Trio Album Terra

 

Few artists embody the spirit of fearless exploration quite like drummer and composer Phil Haynes. Following the publication of his acclaimed 2023 memoir, Chasing the Masters, Haynes has entered a remarkably productive new phase of his career—one that simultaneously reconnects him with influential collaborators from his past while opening doors to a new generation of adventurous musicians.

That dual mission finds its most compelling expression on Terra, a breathtaking new trio recording scheduled for release on May 1, 2026, via Haynes' Corner Store Jazz imprint. The album unites Haynes with renowned guitarist Ben Monder and rising tenor saxophonist Peyton Pleninger, creating a cross-generational collaboration that is both deeply intuitive and strikingly original.

Recorded live on March 1, 2025, at Bucknell University's Natalie Davis-Rooke Recital Hall, Terra captures the trio's very first performance together. Remarkably, it was also the first time Monder and Pleninger had ever made music with one another. What emerged was an hour-long collective improvisation that exceeded even Haynes' highest expectations.

"I was curious about getting Ben and Peyton together, but no one could have imagined that the chemistry would be so good," Haynes reflects. "It felt like a gift."

That chemistry is evident from the opening moments of the album. Delicate chimes introduce an atmosphere of vast openness, setting the stage for a musical journey that unfolds with patience, imagination, and wonder. Haynes enriches the sonic landscape with bamboo percussion textures while Monder's guitar creates shimmering, echoing environments. When Pleninger's tenor saxophone enters, the music transforms continuously, moving through moments of intensity, introspection, and transcendence.

The resulting soundscape often feels celestial. In the album's liner notes, Haynes compares the experience to "laying down, stargazing," a description that perfectly captures the music's expansive character. Yet beneath its cosmic beauty lies an unexpectedly grounded message. As the performance evolved, themes of environmental awareness and humanity's relationship with the planet emerged organically.

"We didn't intend such a message or even discuss the subject beforehand," Haynes explains. "But the collective subconscious of the ensemble was obviously working, and it's reassuring not to be tone deaf to what's happening in the world around us."

The album's title, Terra, reflects this connection to the Earth. While the music reaches skyward in its most adventurous passages, it remains rooted in a shared awareness of the fragility and beauty of the world we inhabit. In that regard, the project continues the socially conscious spirit that informed Haynes' previous work with his Free Country ensemble, particularly the politically charged release Liberty Now!.

Aside from agreeing to keep a handful of familiar standards in reserve, the trio entered the performance without a roadmap. The beloved standard "Skylark" briefly materializes midway through the set, emerging naturally from the surrounding improvisation. Otherwise, the entire hour is created spontaneously, each musician responding instinctively to the unfolding moment.

"Playing free is dangerous," Haynes says. "We were blessed. This trio turned out to be more than the sum of its parts."

For listeners familiar with Ben Monder's work, the guitarist's presence adds another fascinating dimension. Widely celebrated for his role in The Bad Plus and his contributions to David Bowie's final album Blackstar, Monder has long been recognized as one of the most innovative voices in contemporary guitar. His creative partnership with Haynes dates back to the drummer's early New York years, when the two explored adventurous interpretations of John Coltrane's music. Their reunion on 2025's Transition(s) rekindled a musical conversation that had been dormant for more than 25 years.

Peyton Pleninger represents the other side of Haynes' artistic vision. A boundary-pushing saxophonist, improviser, astrologer, visual artist, and researcher, Pleninger embodies a multidisciplinary approach to creativity. His mentorship under the late percussion visionary Milford Graves and studies with saxophone innovator Steve Coleman have helped shape a unique artistic voice that extends well beyond conventional musical boundaries.

Haynes first encountered Pleninger during an improvisational performance in New York's Hudson Valley. The connection was immediate.

"All of a sudden, heads were snapping to attention and I realized that we had crazy chemistry like I hadn't found with a new musician for decades," Haynes recalls. "We just instantly, inexplicably had this magic together."

That magic is the heartbeat of Terra. It is an album built on trust, curiosity, and collective imagination—a rare recording that captures the exhilaration of discovery in real time. By bringing together a longtime collaborator and an emerging creative force, Haynes has crafted a project that reflects both his artistic past and his ongoing pursuit of the future.

More than simply another entry in an already distinguished discography, Terra stands as a powerful statement about connection, mentorship, and the limitless possibilities that emerge when musicians listen deeply to one another. It is a reminder that the most meaningful journeys often begin without a map.

Phil Haynes / Ben Monder / Peyton Pleninger – Terra
Corner Store Jazz (CSJ-0153)
Recorded March 1, 2025
Release Date: May 1, 2026

El Arte del Bolero, Vol. 3: Miguel Zenón and Luis Perdomo Keep the Flame Glowing

 

The much-anticipated El Arte del Bolero, Volume 3 arrives August 28, 2026 on Miguel Zenón’s Miel Music label, extending a duo odyssey with pianist Luis Perdomo that has already won hearts, critics, and a Grammy. Available on vinyl, CD, and all streaming platforms, the new album deepens a project that reimagines beloved Latin repertoire with the directness and daring of jazz at its most intimate.

Volumes 1 and 2 established the blueprint: two virtuosos—Zenón with his distinctive, singing alto tone and Perdomo with his luminous touch—meeting inside timeless songs and letting feeling lead. The concept is clear but the execution is spontaneous: few takes, no fuss, all presence. As Zenón has put it, they just go in and play. That approach helped El Arte del Bolero, Vol. 2 take home the 2024 Grammy for Best Latin Jazz Album, a nod to the power of stand-and-deliver eloquence.

What they’re exploring is the bolero: a bittersweet, slow-dance song form born in eastern Cuba in the 1880s that blossomed across the Americas in the 20th century. Radio carried it everywhere; Mexican and other film industries in the 1930s and ’40s minted hemispheric stars and stamped these melodies into collective memory. Bolero became a pan-Latin lingua franca—intimate yet grand, harmonically rich yet instantly singable.

For Zenón (from Santurce, Puerto Rico) and Perdomo (from Caracas, Venezuela), the connection is personal. They grew up with the harmonies, melodies, and heart-on-sleeve lyrics at home via parents and grandparents. That shared cultural grounding makes their duo feel less like repertory and more like remembering—reviving durable songs while assembling a living Latin American Songbook of their own. They approach it the way jazz musicians dig into the Great American Songbook, and the link is audible: many bolero composers absorbed jazz influence, traceable in cadences and structures that welcome improvisation.

The repertoire choices come from lived experience rather than archival hunts. One of them recalls a tune heard at home; the other brings a cherished version; together they follow where the song points. It’s a personalized curation that brings out soul and nuance without ornament for ornament’s sake.

Their history together undergirds the ease. Zenón—a MacArthur and Guggenheim Fellow, Grammy winner, tireless international bandleader with 19 albums over 25 years—has led the Miguel Zenón Quartet with Perdomo for 27 years. Perdomo, a Grammy-winning pianist with nine leader records and more than 250 sideman credits, is equally steeped in modern harmony and lyric touch. In duo, they listen like old friends and risk like new collaborators.

The series itself has organic roots. The first El Arte del Bolero came together quickly for a pandemic livestream and was released January 8, 2021, when much of the world was still isolated. Volume 2 arrived in 2023 and earned its Grammy the following year. With Volume 3, it’s official: this is a continuing love letter to songs that never stop giving.

Zenón’s broader footprint includes collaborations with the SFJAZZ Collective, Charlie Haden, Fred Hersch, Danilo Pérez, the Mingus Big Band, and commissions from institutions ranging from Chamber Music America to MIT and PRISM Quartet. He’s also an Associate Professor in MIT’s Music & Theater Arts Section and holds an honorary doctorate from Universidad del Sagrado Corazón. Perdomo’s resume spans Ravi Coltrane, Tom Harrell, Henry Threadgill, The Cookers, and The Vanguard Orchestra; he’s taught at Queens College, Berklee, The New School, and is Associate Professor of Jazz Piano at Oberlin Conservatory, as well as faculty for UMass Amherst’s Jazz in July.

If the first two volumes felt like discovery and affirmation, Volume 3 promises deepening: the comfort of masters in their element, the spark of first-take freshness, the glow of melodies that carry family histories. For listeners who fell in love with the series, expect more of what matters most—clarity, warmth, and songs that breathe.

Jimmy Smith’s ‘Softly As A Summer Breeze’ Returns in Audiophile Blue Note Classic Vinyl Edition

Few artists transformed the sound of jazz as profoundly as Jimmy Smith. During the final week of February 1958, the groundbreaking Hammond B3 organ virtuoso entered Manhattan Towers studio in New York City and embarked on what would become one of the most productive recording sessions of his remarkable career.

Over the course of just two days, Smith recorded enough material for three albums: House Party, The Sermon, and Softly As A Summer Breeze. While the first two releases quickly found their audience, Softly As A Summer Breeze remained in the vault for several years before finally seeing release in 1965. Today, the album is celebrated as one of the finest examples of Smith’s mastery of the organ trio format.

The sessions captured Smith working with two different ensembles, each bringing its own distinctive character to the music. On four tracks, he is joined by acclaimed guitarist Kenny Burrell and legendary drummer Philly Joe Jones, whose dynamic interplay provides the perfect backdrop for Smith’s soulful improvisations. The remaining selections feature guitarist Eddie McFadden and drummer Donald Bailey, another rhythm section that helped define many of Smith’s classic Blue Note recordings.

The album showcases Smith’s ability to breathe new life into jazz standards while maintaining his unmistakable groove-driven style. Performances of “These Foolish Things,” “It Could Happen To You,” “Sometimes I’m Happy,” and “Someone To Watch Over Me” demonstrate his lyrical side, balancing technical brilliance with emotional depth. The set also includes a spirited interpretation of Thelonious Monk’s “Hackensack,” along with Smith’s own composition, “One For Philly Joe,” a tribute to the celebrated drummer who contributed so much to the session’s energy and swing.

What makes Softly As A Summer Breeze particularly compelling is the effortless chemistry between the musicians. Smith’s innovative organ work serves as both harmonic foundation and melodic centerpiece, while the guitars and drums provide subtle yet powerful support. The result is a recording that captures the vitality of late-1950s jazz while highlighting the revolutionary role Smith played in elevating the Hammond B3 organ from a novelty instrument to a cornerstone of modern jazz.

Now, the album is receiving the premium treatment as part of the acclaimed Blue Note Classic Vinyl Series. This stereo, all-analog edition has been mastered directly from the original master tapes by renowned engineer Kevin Gray and pressed on high-quality 180-gram vinyl at Optimal. The release offers listeners the opportunity to experience the warmth, depth, and immediacy of these historic recordings with exceptional sound quality.

More than six decades after the music was recorded, Softly As A Summer Breeze remains a shining example of Jimmy Smith’s artistry and influence. Whether you're a longtime Blue Note collector or discovering his music for the first time, this new vinyl edition serves as a reminder of why Smith remains one of the most important figures in jazz history.

Track Listing

Side A

1. These Foolish Things
2. Hackensack
3. It Could Happen To You

Side B

1. Sometimes I'm Happy
2. Someone To Watch Over Me
3. Home Cookin'

With its blend of swing, soul, and impeccable musicianship, Softly As A Summer Breeze continues to stand as an essential chapter in the Jimmy Smith story and a worthy addition to any jazz vinyl collection.

Afrobeat Landmark Returns: Lekan Animashaun’s ‘Low Profile (Not For The Blacks)’ Gets Long-Awaited Reissue

Strut Records is shining a well-deserved spotlight on one of Afrobeat’s most fascinating and elusive recordings with a new reissue of Low Profile (Not For The Blacks), the sole solo album by legendary saxophonist and bandleader Lekan Animashaun.

For decades, Animashaun was a key figure in the Afrobeat movement, first as a member of Fela Kuti’s renowned Afrika 70 ensemble and later as musical director of the iconic Egypt 80 band following the departure of drummer Tony Allen. His contributions to Afrobeat extended across countless international tours and recordings, helping shape the sound that would influence generations of musicians around the world.

Recorded beginning in 1977, Low Profile (Not For The Blacks) emerged during a particularly important period in Afrobeat history. The album was composed and recorded across sessions in Nigeria and while touring internationally with Fela Kuti. Kuti not only produced the project but also contributed keyboards to the title track, underscoring the close creative relationship between the two musicians.

The album’s title reflects a pointed social commentary inspired by Nigeria’s political climate during the oil boom of the 1970s. According to Animashaun, the phrase originated from a speech by then-military Head of State Olusegun Obasanjo, who urged Black Nigerians to maintain a low profile regarding their newfound wealth and avoid displays of arrogance. Animashaun challenged the sentiment, arguing that humility and dignity should apply to everyone regardless of race, a perspective that became the foundation for the album’s title track.

Musically, the eleven-minute “Low Profile (Not For The Blacks)” delivers everything fans of classic Afrobeat could hope for: hypnotic rhythms, extended grooves, layered horn arrangements, and politically conscious messaging. It captures the essence of the genre during one of its most creative eras while showcasing Animashaun’s distinctive voice as both a composer and bandleader.

The album’s second track, “Se Rere,” which translates as “Do Right,” offers a complementary message centered on integrity and accountability. Built around a simmering Afrobeat groove, the song emphasizes the principle that people ultimately reap what they sow. The track would later become a staple of Fela Kuti’s live performances, serving as an opening number during concerts throughout Nigeria and around the world during the 1980s and 1990s.

Although work on the album began in the late 1970s, Low Profile remained unreleased for nearly two decades before finally appearing in 1995 on Fela Kuti’s Kalakuta label. As one of only a handful of recordings led by core members of Kuti’s inner circle, the album has since become a prized collector’s item among Afrobeat enthusiasts and vinyl collectors.

This latest reissue from Strut Records restores the album to its rightful place in Afrobeat history. Featuring both extended tracks in their full glory, the release has been fully remastered by The Carvery and includes the complete original artwork. Adding further value for collectors and fans, the package also features newly written liner notes by Lekan Animashaun himself, offering personal insights into the music and its creation.

With renewed global interest in Afrobeat’s roots and legacy, the reissue of Low Profile (Not For The Blacks) provides an opportunity for a new generation of listeners to discover a recording that bridges political consciousness, musical innovation, and the unmistakable groove that helped define a genre.

Track Listing:

Side A
“Low Profile (Not For The Blacks)” – 11:29

Side B
“Se Rere” – 11:34

More than a historical document, Low Profile (Not For The Blacks) remains a vibrant and relevant statement from one of Afrobeat’s unsung architects. Thanks to this carefully curated reissue, Lekan Animashaun’s voice and vision can once again be heard loud and clear.

Celebrating a Century of Oscar Peterson: Landmark Centennial Box Set Arrives August 2026

Few artists have left a mark on jazz as profound and enduring as Oscar Peterson. As the world celebrates the centennial of the legendary pianist’s birth, a remarkable new collection offers fans an unprecedented opportunity to experience both his extraordinary musical legacy and the personal story behind one of jazz’s most beloved figures.

Available now for pre-order and scheduled to ship on or before August 28, 2026, this limited-edition Oscar Peterson Centennial Box Set serves as both a musical journey and an intimate portrait of the man whose artistry influenced generations of musicians around the globe.

More than simply a collection of recordings, the release invites listeners behind the curtain to discover the vulnerability, dedication, passion, and family values that shaped Peterson throughout his life and career. Through previously unreleased performances and rare archival materials, the box set aims to deepen appreciation for a musician whose influence extends far beyond the piano.

Spanning the years 1969 through 1996, the collection takes listeners on a world tour through Peterson’s music with never-before-heard live recordings captured in Detroit, Michigan; São Paulo, Brazil; Basel, Switzerland; Auckland, New Zealand; and Toronto, Canada. These performances showcase the virtuosity, elegance, and emotional depth that made Peterson one of the most celebrated jazz musicians of all time.

The centerpiece of the release is a premium 6-LP set pressed on 180-gram vinyl, designed for collectors and audiophiles alike. Accompanying the recordings is a beautifully produced 48-page book filled with never-before-seen archival material. Among the highlights are Peterson’s own photography, personal poetry, and heartfelt remembrances from family members, friends, and fellow musicians who witnessed his brilliance firsthand.

For devoted fans and collectors, early pre-orders come with additional incentives. During the initial pre-order period, select purchasers will receive exclusive commemorative gifts on a first-come, first-served basis. The first 25 pre-orders will receive a signed Oscar Peterson headshot from the Estate of Oscar Peterson, an Oscar Peterson Centennial cork turntable slipmat, and a handwritten note from Oscar’s wife, Kelly Peterson.

Pre-orders numbered 26 through 75 will receive the commemorative cork turntable slipmat along with a handwritten note from Kelly Peterson. Those placing pre-orders between numbers 76 and 100 will receive a handwritten note from Kelly Peterson as a special keepsake. Customers whose orders qualify for these exclusive gifts will be notified by August 15, 2026.

This centennial release stands as more than a tribute to a legendary musician. It is a celebration of a life dedicated to artistry, friendship, compassion, and excellence. Through rare recordings, personal artifacts, and stories from those who knew him best, the Oscar Peterson Centennial Box Set offers a unique opportunity to revisit the legacy of one of the greatest pianists in jazz history while discovering new dimensions of the man behind the music.

For longtime admirers and newcomers alike, this collection promises to be one of the most significant jazz archival releases of 2026 and a fitting tribute to a musician whose influence continues to resonate around the world.

Strat Andriotis: From Hamilton Roots to Global Jazz Recognition

The musical journey of Strat Andriotis is one defined by exploration, evolution, and an unwavering commitment to artistic growth. After emigrating from Greece to Hamilton, Ontario, Canada with his family at the age of four, Andriotis would go on to become one of Canada's most distinctive guitarists and composers, blending jazz, classical, rock, and contemporary instrumental music into a style uniquely his own.

His first musical experiences came through the piano. At age eleven, Andriotis began studying classical piano, dedicating four years to formal lessons. Like many musicians of his generation, however, the explosive sounds of Cream and The Jimi Hendrix Experience captured his imagination. Inspired by the energy and freedom of rock music, he picked up the guitar and spent much of his teenage years performing in local rock bands.

A pivotal moment arrived when he was seventeen and purchased Miles Davis’ landmark album In A Silent Way. The recording transformed his approach to music. Suddenly immersed in jazz harmony, scales, complex structures, and improvisation, Andriotis began exploring a deeper and more creative musical language that would shape the rest of his career.

Early in his recording career, Andriotis collaborated with pianist Tom Carney, producing three albums that stripped music down to its essentials: nylon-string guitar, piano, and carefully selected samples. Their debut release was described by the Toronto Star as “surprisingly enigmatic” and received radio airplay throughout Canada and the United States. The two follow-up albums also gained exposure through CBC’s DiscDrive radio program. During this period, Andriotis stepped away from the electric guitar entirely, not playing the instrument for nearly seven years.

By 2010, he had come full circle. Immersing himself in the works of composers ranging from Niccolò Paganini and Erik Satie to Ludwig van Beethoven, Andriotis devoted countless hours to practice and composition. The result was a new creative direction that blended classical sophistication with contemporary expression. The single “Under” introduced listeners to this evolving sound and served as a preview for the album Liars Incorporated.

Released in 2015, Liars Incorporated became an award-winning contemporary classical recording celebrated for its emotional depth and cinematic atmosphere. Featuring Jeff Vidov on piano and Katie Avery on violin, the album was recorded at Hamilton’s Grant Avenue Studio by acclaimed engineer Bob Doidge, known for his work on U2’s The Joshua Tree. The recording showcased Andriotis’ gift for melody and his ability to create expansive instrumental narratives.

He followed this success in 2016 with Less Off Patient, an eleven-track collection that further refined his blend of contemporary classical, neoclassical, and jazz influences. Once again joined by Jeff Vidov on piano and Adrianna Lee on violin, Andriotis delivered a breathtaking instrumental work that highlighted both technical mastery and compositional maturity.

The momentum continued with Night Manager, announced in 2018 and released later that year. The album featured an impressive lineup of guest musicians, including legendary jazz-rock violinist Jerry Goodman of the Mahavishnu Orchestra and Grammy Award-winning pianist Gonzalo Rubalcaba. The project expanded Andriotis’ musical reach while reinforcing his reputation as a composer capable of bringing together world-class talent.

Drawing inspiration from jazz guitar giants such as Django Reinhardt and John McLaughlin, Andriotis developed a distinctive voice that blends Gypsy Jazz, modern jazz, neoclassical music, and contemporary instrumental traditions. His growing catalog has earned critical acclaim and attracted listeners seeking sophisticated, emotionally resonant instrumental music.

In 2020, Andriotis released Remember Me At Twilight, a collection that took audiences on a richly textured jazz journey. Recorded in Canada, the album featured Paul Intson on bass, Dave King on drums, Howie Silverman on keyboards, and Jerry Goodman on violin. Guest saxophonist Aaron Heick recorded his contributions at Innsbruck Records in Brooklyn under the guidance of Grammy-nominated producer Roman Klun. The result was a polished and expansive recording that demonstrated Andriotis’ continuing evolution as both guitarist and composer.

Now, Andriotis is preparing to unveil his latest project, The Wolf Sleeps Alone, scheduled for international release on September 4, 2026. The album features nine original instrumental compositions performed in a trio format alongside bassist Vince Di Francesco and drummer Vince Karcza. Having performed the material live for eight months before entering the studio, the trio developed a deep musical connection that is evident throughout the recordings.

Born in Greece, raised in Canada, and shaped by influences ranging from John Coltrane, Ornette Coleman, Thelonious Monk, Pat Martino, and John McLaughlin, Strat Andriotis has built a career defined by artistic exploration and authenticity. From rock clubs and jazz experimentation to award-winning contemporary classical works and internationally recognized recordings, his musical journey continues to evolve. With The Wolf Sleeps Alone on the horizon, Andriotis once again demonstrates why he remains one of Canada's most compelling and innovative instrumental artists.

Malcolm Strachan Moves Into Bold New Territory with Look On The Bright Side

 

Scottish trumpeter Malcolm Strachan returns with his third solo album Look On The Bright Side, a groove-driven, forward-looking release that moves fluidly between soul-jazz, Latin rhythms and Afrobeat textures while staying rooted in the warm, cinematic language of 1970s jazz. Across the record, Strachan continues to expand his identity as a composer and bandleader, drawing together influences shaped by more than two decades at the centre of the UK jazz, funk and soul landscape.

Strachan’s career began after graduating from Leeds College of Music in 1996, leading to a prolific life as a professional trumpeter working across genres and stages worldwide. Over the years he has performed and recorded with a wide range of artists including Mark Ronson, Amy Winehouse, Corinne Bailey Rae, Jamiroquai, The New Mastersounds, Martha Reeves & The Vandellas, and Craig Charles’s Fantasy Funk Band, as well as contributing to countless studio sessions across contemporary pop and soul.

Originally from Inverness, Strachan co-founded the influential horn section and funk outfit The Haggis Horns in 1998 alongside Atholl Ransome and Jason Rae. Emerging from the Leeds live scene with club residencies and a rapidly growing reputation, the group gained wider recognition after appearing on Keb Darge Presents The New Mastersounds and releasing their debut album Hot Damn in 2007 on First Word Records. The Haggis Horns have remained active ever since, continuing to tour and work extensively as both a band and horn section across live and studio projects.

Strachan’s solo path has unfolded in parallel. His debut album About Time introduced a deeply soulful, instrumental jazz sound that nodded to the classic Blue Note era of the late 1960s. In 2023, Point Of No Return pushed further into jazz-funk and fusion territory, drawing inspiration from the 1970s CTI Records aesthetic and the work of trumpet icon Freddie Hubbard, where groove and harmonic richness sit at the centre of the music.

With Look On The Bright Side, Strachan continues that evolution, widening his palette to incorporate brighter harmonic colours, Afro-Latin rhythms and deep funk undercurrents. The result is a record that feels both reflective and in motion, balancing nostalgia for analog-era jazz textures with a contemporary sense of rhythm and direction.

Across his solo catalogue and extensive collaborative history, Strachan has steadily refined a voice that bridges eras and styles without losing focus on groove, melody and emotional clarity. Look On The Bright Side stands as a further step into that vision, reinforcing his place as one of the UK scene’s most versatile and enduring brass voices.

Barcelona Art Orchestra and Miguel Zenón Chart the Many Dimensions of Human Expression on Expressions

 

The Barcelona Art Orchestra joins forces with acclaimed alto saxophonist Miguel Zenón for Expressions – Concerto for Alto Saxophone and Orchestra, an ambitious large-scale work that explores the many facets of human expression through the dynamic relationship between soloist and ensemble. The album arrives June 26, 2026 via Miel Music, Zenón’s label.

Structured as a four-movement concerto, Expressions examines contrasting emotional states and modes of communication, moving between silence and outcry, song and speech, intimacy and tension. The work is the result of a unique collaborative process, with each movement composed by one of the orchestra’s artistic directors: Néstor Giménez (Silenci / Xiscle), Lluc Casares (Canta / Parla), Joan Vidal (Xiuxiueig / Esglai), and Lluís Vidal (Lament / Crit). Together, the four composers create a unified musical statement that reflects the ensemble’s collective identity.

Written specifically for Zenón’s distinctive alto saxophone voice, the concerto places the Grammy-winning musician in continuous dialogue with the orchestra. The music shifts fluidly between lyrical passages and moments of heightened intensity, blending contemporary jazz language, improvisation and chamber-like textures into a sound world that is both carefully structured and remarkably open.

At the heart of the project is the Barcelona Art Orchestra’s commitment to collective creation. Rather than centering a single composer or artistic voice, Expressions emerges from the convergence of multiple perspectives, highlighting the individuality of its contributors while reinforcing a shared artistic vision.

Founded by Lluís Vidal, Néstor Giménez, Lluc Casares and Joan Vidal, the Barcelona Art Orchestra was conceived as a collaborative platform for large ensemble creation within the Catalan jazz scene. Bringing together musicians from different generations and artistic backgrounds, the ensemble has steadily built a reputation for projects that blur the boundaries between composition, improvisation and interdisciplinary performance.

That spirit is evident throughout the orchestra’s growing catalog. Its debut album, Ragtime Stories (2022), reimagined early jazz traditions through a contemporary lens, while projects such as Les Filles de Lilit expanded into multidisciplinary territory. Other notable works include Serratologia, a large-scale reinterpretation of the music of Joan Manuel Serrat; Osmosi, a multimedia project combining live drawing, stop-motion animation and big band composition; and Música Laietana, which revisits the legacy of Barcelona’s influential 1970s jazz-rock movement while also reworking Nino Rota’s iconic score for The Godfather.

Across these diverse projects, the Barcelona Art Orchestra has established itself as a distinctive voice within Europe’s contemporary large ensemble landscape, embracing experimentation, collaboration and artistic cross-pollination as core principles.

The collaboration with Miguel Zenón adds another compelling chapter to that story. Widely regarded as one of the most innovative and influential saxophonists of his generation, Zenón has built a career balancing tradition and forward-thinking creativity. A Grammy Award winner, Doris Duke Artist and MacArthur Fellow, he is known for combining extraordinary technical command with a deeply conceptual approach to composition, often drawing connections between jazz and a wide range of cultural and musical influences.

With Expressions, the Barcelona Art Orchestra and Zenón present a work that celebrates communication in all its forms, revealing how individuality and collective expression can coexist within a shared creative framework.