Nancy Sinatra’s Classic ‘Movin’ With Nancy’ Returns in Definitive Expanded Edition

Nancy Sinatra’s beloved 1967 album Movin’ With Nancy is getting the deluxe treatment, as Light in the Attic announces the first-ever vinyl reissue and definitive expanded edition of the iconic soundtrack album. Scheduled for release on June 26, 2026, the reissue celebrates one of the most ambitious and creative projects of Sinatra’s career, capturing the style, spirit, and cultural energy of the late 1960s.

Originally released alongside the groundbreaking television special of the same name, Movin’ With Nancy was far more than a promotional vehicle. While the project was funded by RC Cola, it became a deeply personal endeavor for Sinatra, who enlisted friends and family—including Frank Sinatra, Dean Martin, and Sammy Davis Jr.—to participate. She also contributed her own wardrobe, cars, home, and even handled her own makeup, creating what stands as a remarkably DIY production for its era.

The new edition arrives freshly remastered from the original analog tapes by GRAMMY-nominated engineer John Baldwin. Fans can choose between a beautifully packaged gatefold LP pressed on “Some Velvet Morning” purple vinyl and a CD edition, both featuring extensive booklets packed with archival content. The LP includes a 20-page booklet, while the CD edition expands to 32 pages. Both formats feature a new Q&A with Nancy Sinatra and GRAMMY-nominated co-producer Hunter Lea, along with never-before-seen photographs from Sinatra’s personal archive.

Adding further value for collectors, the release includes four previously unreleased bonus tracks: “It’s Such A Pretty World Today (Movin’ Version),” “Let’s Get Movin’,” “This Town (Film Intro),” and “RC Cola (It’s A Mad Mad Cola).” A limited run of just 50 autographed test pressings will also be available.

The album features memorable performances and appearances from some of the era’s biggest stars, including Frank Sinatra and Dean Martin, further underscoring the project's significance as a snapshot of 1960s popular culture.

The complete tracklist is as follows:

1. Gotta Get Out of This Town
2. Who Will Buy
3. Wait Till You See Him
4. Younger Than Springtime — Frank Sinatra
5. Things
6. Some Velvet Morning
7. See the Little Children
8. Up Up and Away
9. Friday’s Child
10. Jackson
11. This Town
12. What’d I Say
13. It’s Such A Pretty World Today (Movin’ Version) (previously unreleased)
14. Let’s Get Movin’ (previously unreleased)
15. This Town (Film Intro) (previously unreleased)
16. RC Cola (It’s A Mad Mad Cola) (previously unreleased)

With its stylish blend of music, film, celebrity appearances, and 1960s cool, Movin’ With Nancy remains one of Nancy Sinatra’s most fascinating artistic statements. This long-awaited reissue offers both longtime fans and new listeners the opportunity to rediscover a landmark project in its most complete form yet.

Movin’ With Nancy will be released on June 26, 2026, via Light in the Attic.

Loren Stillman’s Seer Brings Together Three Modern Jazz Visionaries for a Stunning Newvelle Records Release

Saxophonist Loren Stillman continues his remarkable artistic journey with Seer, a captivating new trio recording featuring acclaimed pianist Craig Taborn and bassist Thomas Morgan. Released on April 24, 2026, as part of Newvelle Records’ celebrated Newvelle Ten Collection, the album stands as a profound statement of creativity, intimacy, and collective musical vision.

Recorded over two days at EastSide Sound in New York City on February 1–2, 2025, Seer captures three master improvisers at the height of their powers. The result is an album that gracefully balances structure and spontaneity, blending intricate compositions with inspired improvisation while maintaining a striking sense of emotional clarity throughout.

Stillman has long occupied a distinctive place in contemporary jazz. A former student of the legendary Lee Konitz, he has built a career defined by lyrical expression, fearless exploration, and a commitment to artistic growth. His collaborations with influential figures such as Paul Motian, Charlie Haden, and John Abercrombie established him as one of the most thoughtful and compelling saxophonists of his generation. On Seer, both his alto and soprano saxophone work reveal a mature artist capable of moving effortlessly between melodic beauty and abstract invention.

Joining Stillman are two of the most respected musicians in modern jazz. Pianist Craig Taborn brings his unmistakable harmonic imagination and textural sophistication to every performance. Renowned for his ability to blur the boundaries between composition and improvisation, Taborn's contributions elevate the music with subtle complexity and endless surprise. Bassist Thomas Morgan, whose lyrical playing has made him one of the most sought-after collaborators in jazz, provides both grounding and momentum, shaping the trio’s collective voice with remarkable sensitivity and grace.

Across ten tracks, the trio engages in a deeply conversational musical dialogue. Composed primarily by Stillman, with Morgan contributing the composition “Return,” the album unfolds with an organic flow that rewards attentive listening. The opening piece, “Waterworks,” immediately establishes the trio’s nuanced interplay, while the title track, “Seer,” offers a reflective and contemplative centerpiece that highlights the ensemble’s extraordinary ability to communicate through space, texture, and subtle gestures. By the time the closing “Victory Lap” arrives, listeners have been taken on a journey marked by elegance, curiosity, and emotional depth.

What makes Seer particularly compelling is the balance between individuality and collective expression. Each musician’s distinct voice remains unmistakable, yet the trio consistently prioritizes the needs of the music over individual display. The result is a recording that feels deeply collaborative, with every note serving the larger narrative unfolding across the album.

As with all Newvelle Records releases, Seer extends beyond the music itself. The album features original artwork by internationally acclaimed Icelandic artist Ragnar Kjartansson, whose evocative visual work complements the album’s introspective and immersive character. The pairing of exceptional music with thoughtful visual presentation has become a hallmark of Newvelle’s releases, transforming each project into a complete artistic experience for listeners and collectors alike.

The album also reflects Newvelle’s unwavering commitment to audiophile-quality production. Recorded by Rocky Russo, mixed by Marc Urselli, mastered by Matthew Lutthans, and pressed by Quality Record Pressings (QRP), Seer delivers the depth, warmth, and sonic detail that have made Newvelle one of the most respected labels in contemporary jazz.

Beyond being a standout release in its own right, Seer serves as a centerpiece of the Newvelle Ten Collection, which celebrates the label’s tenth anniversary through a series of distinctive projects pairing world-class musicians with celebrated visual artists. The collection highlights Newvelle’s ongoing dedication to presenting jazz as a living, evolving art form while preserving the highest standards of craftsmanship and presentation.

With Seer, Loren Stillman, Craig Taborn, and Thomas Morgan have created a recording that feels both timeless and forward-looking. Rich in nuance, imagination, and emotional resonance, the album captures three exceptional artists engaged in meaningful musical conversation. It is a testament to the enduring power of improvisation, the beauty of collective expression, and the limitless possibilities of modern jazz..

Loren Stillman – Seer
Newvelle Records (NV039)
Featuring Craig Taborn and Thomas Morgan
Recorded February 1–2, 2025, at EastSide Sound, New York City
Release Date: April 24, 2026

Phil Haynes Bridges Generations on the Expansive New Improvisational Trio Album Terra

 

Few artists embody the spirit of fearless exploration quite like drummer and composer Phil Haynes. Following the publication of his acclaimed 2023 memoir, Chasing the Masters, Haynes has entered a remarkably productive new phase of his career—one that simultaneously reconnects him with influential collaborators from his past while opening doors to a new generation of adventurous musicians.

That dual mission finds its most compelling expression on Terra, a breathtaking new trio recording scheduled for release on May 1, 2026, via Haynes' Corner Store Jazz imprint. The album unites Haynes with renowned guitarist Ben Monder and rising tenor saxophonist Peyton Pleninger, creating a cross-generational collaboration that is both deeply intuitive and strikingly original.

Recorded live on March 1, 2025, at Bucknell University's Natalie Davis-Rooke Recital Hall, Terra captures the trio's very first performance together. Remarkably, it was also the first time Monder and Pleninger had ever made music with one another. What emerged was an hour-long collective improvisation that exceeded even Haynes' highest expectations.

"I was curious about getting Ben and Peyton together, but no one could have imagined that the chemistry would be so good," Haynes reflects. "It felt like a gift."

That chemistry is evident from the opening moments of the album. Delicate chimes introduce an atmosphere of vast openness, setting the stage for a musical journey that unfolds with patience, imagination, and wonder. Haynes enriches the sonic landscape with bamboo percussion textures while Monder's guitar creates shimmering, echoing environments. When Pleninger's tenor saxophone enters, the music transforms continuously, moving through moments of intensity, introspection, and transcendence.

The resulting soundscape often feels celestial. In the album's liner notes, Haynes compares the experience to "laying down, stargazing," a description that perfectly captures the music's expansive character. Yet beneath its cosmic beauty lies an unexpectedly grounded message. As the performance evolved, themes of environmental awareness and humanity's relationship with the planet emerged organically.

"We didn't intend such a message or even discuss the subject beforehand," Haynes explains. "But the collective subconscious of the ensemble was obviously working, and it's reassuring not to be tone deaf to what's happening in the world around us."

The album's title, Terra, reflects this connection to the Earth. While the music reaches skyward in its most adventurous passages, it remains rooted in a shared awareness of the fragility and beauty of the world we inhabit. In that regard, the project continues the socially conscious spirit that informed Haynes' previous work with his Free Country ensemble, particularly the politically charged release Liberty Now!.

Aside from agreeing to keep a handful of familiar standards in reserve, the trio entered the performance without a roadmap. The beloved standard "Skylark" briefly materializes midway through the set, emerging naturally from the surrounding improvisation. Otherwise, the entire hour is created spontaneously, each musician responding instinctively to the unfolding moment.

"Playing free is dangerous," Haynes says. "We were blessed. This trio turned out to be more than the sum of its parts."

For listeners familiar with Ben Monder's work, the guitarist's presence adds another fascinating dimension. Widely celebrated for his role in The Bad Plus and his contributions to David Bowie's final album Blackstar, Monder has long been recognized as one of the most innovative voices in contemporary guitar. His creative partnership with Haynes dates back to the drummer's early New York years, when the two explored adventurous interpretations of John Coltrane's music. Their reunion on 2025's Transition(s) rekindled a musical conversation that had been dormant for more than 25 years.

Peyton Pleninger represents the other side of Haynes' artistic vision. A boundary-pushing saxophonist, improviser, astrologer, visual artist, and researcher, Pleninger embodies a multidisciplinary approach to creativity. His mentorship under the late percussion visionary Milford Graves and studies with saxophone innovator Steve Coleman have helped shape a unique artistic voice that extends well beyond conventional musical boundaries.

Haynes first encountered Pleninger during an improvisational performance in New York's Hudson Valley. The connection was immediate.

"All of a sudden, heads were snapping to attention and I realized that we had crazy chemistry like I hadn't found with a new musician for decades," Haynes recalls. "We just instantly, inexplicably had this magic together."

That magic is the heartbeat of Terra. It is an album built on trust, curiosity, and collective imagination—a rare recording that captures the exhilaration of discovery in real time. By bringing together a longtime collaborator and an emerging creative force, Haynes has crafted a project that reflects both his artistic past and his ongoing pursuit of the future.

More than simply another entry in an already distinguished discography, Terra stands as a powerful statement about connection, mentorship, and the limitless possibilities that emerge when musicians listen deeply to one another. It is a reminder that the most meaningful journeys often begin without a map.

Phil Haynes / Ben Monder / Peyton Pleninger – Terra
Corner Store Jazz (CSJ-0153)
Recorded March 1, 2025
Release Date: May 1, 2026

El Arte del Bolero, Vol. 3: Miguel Zenón and Luis Perdomo Keep the Flame Glowing

 

The much-anticipated El Arte del Bolero, Volume 3 arrives August 28, 2026 on Miguel Zenón’s Miel Music label, extending a duo odyssey with pianist Luis Perdomo that has already won hearts, critics, and a Grammy. Available on vinyl, CD, and all streaming platforms, the new album deepens a project that reimagines beloved Latin repertoire with the directness and daring of jazz at its most intimate.

Volumes 1 and 2 established the blueprint: two virtuosos—Zenón with his distinctive, singing alto tone and Perdomo with his luminous touch—meeting inside timeless songs and letting feeling lead. The concept is clear but the execution is spontaneous: few takes, no fuss, all presence. As Zenón has put it, they just go in and play. That approach helped El Arte del Bolero, Vol. 2 take home the 2024 Grammy for Best Latin Jazz Album, a nod to the power of stand-and-deliver eloquence.

What they’re exploring is the bolero: a bittersweet, slow-dance song form born in eastern Cuba in the 1880s that blossomed across the Americas in the 20th century. Radio carried it everywhere; Mexican and other film industries in the 1930s and ’40s minted hemispheric stars and stamped these melodies into collective memory. Bolero became a pan-Latin lingua franca—intimate yet grand, harmonically rich yet instantly singable.

For Zenón (from Santurce, Puerto Rico) and Perdomo (from Caracas, Venezuela), the connection is personal. They grew up with the harmonies, melodies, and heart-on-sleeve lyrics at home via parents and grandparents. That shared cultural grounding makes their duo feel less like repertory and more like remembering—reviving durable songs while assembling a living Latin American Songbook of their own. They approach it the way jazz musicians dig into the Great American Songbook, and the link is audible: many bolero composers absorbed jazz influence, traceable in cadences and structures that welcome improvisation.

The repertoire choices come from lived experience rather than archival hunts. One of them recalls a tune heard at home; the other brings a cherished version; together they follow where the song points. It’s a personalized curation that brings out soul and nuance without ornament for ornament’s sake.

Their history together undergirds the ease. Zenón—a MacArthur and Guggenheim Fellow, Grammy winner, tireless international bandleader with 19 albums over 25 years—has led the Miguel Zenón Quartet with Perdomo for 27 years. Perdomo, a Grammy-winning pianist with nine leader records and more than 250 sideman credits, is equally steeped in modern harmony and lyric touch. In duo, they listen like old friends and risk like new collaborators.

The series itself has organic roots. The first El Arte del Bolero came together quickly for a pandemic livestream and was released January 8, 2021, when much of the world was still isolated. Volume 2 arrived in 2023 and earned its Grammy the following year. With Volume 3, it’s official: this is a continuing love letter to songs that never stop giving.

Zenón’s broader footprint includes collaborations with the SFJAZZ Collective, Charlie Haden, Fred Hersch, Danilo Pérez, the Mingus Big Band, and commissions from institutions ranging from Chamber Music America to MIT and PRISM Quartet. He’s also an Associate Professor in MIT’s Music & Theater Arts Section and holds an honorary doctorate from Universidad del Sagrado Corazón. Perdomo’s resume spans Ravi Coltrane, Tom Harrell, Henry Threadgill, The Cookers, and The Vanguard Orchestra; he’s taught at Queens College, Berklee, The New School, and is Associate Professor of Jazz Piano at Oberlin Conservatory, as well as faculty for UMass Amherst’s Jazz in July.

If the first two volumes felt like discovery and affirmation, Volume 3 promises deepening: the comfort of masters in their element, the spark of first-take freshness, the glow of melodies that carry family histories. For listeners who fell in love with the series, expect more of what matters most—clarity, warmth, and songs that breathe.

Jimmy Smith’s ‘Softly As A Summer Breeze’ Returns in Audiophile Blue Note Classic Vinyl Edition

Few artists transformed the sound of jazz as profoundly as Jimmy Smith. During the final week of February 1958, the groundbreaking Hammond B3 organ virtuoso entered Manhattan Towers studio in New York City and embarked on what would become one of the most productive recording sessions of his remarkable career.

Over the course of just two days, Smith recorded enough material for three albums: House Party, The Sermon, and Softly As A Summer Breeze. While the first two releases quickly found their audience, Softly As A Summer Breeze remained in the vault for several years before finally seeing release in 1965. Today, the album is celebrated as one of the finest examples of Smith’s mastery of the organ trio format.

The sessions captured Smith working with two different ensembles, each bringing its own distinctive character to the music. On four tracks, he is joined by acclaimed guitarist Kenny Burrell and legendary drummer Philly Joe Jones, whose dynamic interplay provides the perfect backdrop for Smith’s soulful improvisations. The remaining selections feature guitarist Eddie McFadden and drummer Donald Bailey, another rhythm section that helped define many of Smith’s classic Blue Note recordings.

The album showcases Smith’s ability to breathe new life into jazz standards while maintaining his unmistakable groove-driven style. Performances of “These Foolish Things,” “It Could Happen To You,” “Sometimes I’m Happy,” and “Someone To Watch Over Me” demonstrate his lyrical side, balancing technical brilliance with emotional depth. The set also includes a spirited interpretation of Thelonious Monk’s “Hackensack,” along with Smith’s own composition, “One For Philly Joe,” a tribute to the celebrated drummer who contributed so much to the session’s energy and swing.

What makes Softly As A Summer Breeze particularly compelling is the effortless chemistry between the musicians. Smith’s innovative organ work serves as both harmonic foundation and melodic centerpiece, while the guitars and drums provide subtle yet powerful support. The result is a recording that captures the vitality of late-1950s jazz while highlighting the revolutionary role Smith played in elevating the Hammond B3 organ from a novelty instrument to a cornerstone of modern jazz.

Now, the album is receiving the premium treatment as part of the acclaimed Blue Note Classic Vinyl Series. This stereo, all-analog edition has been mastered directly from the original master tapes by renowned engineer Kevin Gray and pressed on high-quality 180-gram vinyl at Optimal. The release offers listeners the opportunity to experience the warmth, depth, and immediacy of these historic recordings with exceptional sound quality.

More than six decades after the music was recorded, Softly As A Summer Breeze remains a shining example of Jimmy Smith’s artistry and influence. Whether you're a longtime Blue Note collector or discovering his music for the first time, this new vinyl edition serves as a reminder of why Smith remains one of the most important figures in jazz history.

Track Listing

Side A

1. These Foolish Things
2. Hackensack
3. It Could Happen To You

Side B

1. Sometimes I'm Happy
2. Someone To Watch Over Me
3. Home Cookin'

With its blend of swing, soul, and impeccable musicianship, Softly As A Summer Breeze continues to stand as an essential chapter in the Jimmy Smith story and a worthy addition to any jazz vinyl collection.

Afrobeat Landmark Returns: Lekan Animashaun’s ‘Low Profile (Not For The Blacks)’ Gets Long-Awaited Reissue

Strut Records is shining a well-deserved spotlight on one of Afrobeat’s most fascinating and elusive recordings with a new reissue of Low Profile (Not For The Blacks), the sole solo album by legendary saxophonist and bandleader Lekan Animashaun.

For decades, Animashaun was a key figure in the Afrobeat movement, first as a member of Fela Kuti’s renowned Afrika 70 ensemble and later as musical director of the iconic Egypt 80 band following the departure of drummer Tony Allen. His contributions to Afrobeat extended across countless international tours and recordings, helping shape the sound that would influence generations of musicians around the world.

Recorded beginning in 1977, Low Profile (Not For The Blacks) emerged during a particularly important period in Afrobeat history. The album was composed and recorded across sessions in Nigeria and while touring internationally with Fela Kuti. Kuti not only produced the project but also contributed keyboards to the title track, underscoring the close creative relationship between the two musicians.

The album’s title reflects a pointed social commentary inspired by Nigeria’s political climate during the oil boom of the 1970s. According to Animashaun, the phrase originated from a speech by then-military Head of State Olusegun Obasanjo, who urged Black Nigerians to maintain a low profile regarding their newfound wealth and avoid displays of arrogance. Animashaun challenged the sentiment, arguing that humility and dignity should apply to everyone regardless of race, a perspective that became the foundation for the album’s title track.

Musically, the eleven-minute “Low Profile (Not For The Blacks)” delivers everything fans of classic Afrobeat could hope for: hypnotic rhythms, extended grooves, layered horn arrangements, and politically conscious messaging. It captures the essence of the genre during one of its most creative eras while showcasing Animashaun’s distinctive voice as both a composer and bandleader.

The album’s second track, “Se Rere,” which translates as “Do Right,” offers a complementary message centered on integrity and accountability. Built around a simmering Afrobeat groove, the song emphasizes the principle that people ultimately reap what they sow. The track would later become a staple of Fela Kuti’s live performances, serving as an opening number during concerts throughout Nigeria and around the world during the 1980s and 1990s.

Although work on the album began in the late 1970s, Low Profile remained unreleased for nearly two decades before finally appearing in 1995 on Fela Kuti’s Kalakuta label. As one of only a handful of recordings led by core members of Kuti’s inner circle, the album has since become a prized collector’s item among Afrobeat enthusiasts and vinyl collectors.

This latest reissue from Strut Records restores the album to its rightful place in Afrobeat history. Featuring both extended tracks in their full glory, the release has been fully remastered by The Carvery and includes the complete original artwork. Adding further value for collectors and fans, the package also features newly written liner notes by Lekan Animashaun himself, offering personal insights into the music and its creation.

With renewed global interest in Afrobeat’s roots and legacy, the reissue of Low Profile (Not For The Blacks) provides an opportunity for a new generation of listeners to discover a recording that bridges political consciousness, musical innovation, and the unmistakable groove that helped define a genre.

Track Listing:

Side A
“Low Profile (Not For The Blacks)” – 11:29

Side B
“Se Rere” – 11:34

More than a historical document, Low Profile (Not For The Blacks) remains a vibrant and relevant statement from one of Afrobeat’s unsung architects. Thanks to this carefully curated reissue, Lekan Animashaun’s voice and vision can once again be heard loud and clear.

Celebrating a Century of Oscar Peterson: Landmark Centennial Box Set Arrives August 2026

Few artists have left a mark on jazz as profound and enduring as Oscar Peterson. As the world celebrates the centennial of the legendary pianist’s birth, a remarkable new collection offers fans an unprecedented opportunity to experience both his extraordinary musical legacy and the personal story behind one of jazz’s most beloved figures.

Available now for pre-order and scheduled to ship on or before August 28, 2026, this limited-edition Oscar Peterson Centennial Box Set serves as both a musical journey and an intimate portrait of the man whose artistry influenced generations of musicians around the globe.

More than simply a collection of recordings, the release invites listeners behind the curtain to discover the vulnerability, dedication, passion, and family values that shaped Peterson throughout his life and career. Through previously unreleased performances and rare archival materials, the box set aims to deepen appreciation for a musician whose influence extends far beyond the piano.

Spanning the years 1969 through 1996, the collection takes listeners on a world tour through Peterson’s music with never-before-heard live recordings captured in Detroit, Michigan; São Paulo, Brazil; Basel, Switzerland; Auckland, New Zealand; and Toronto, Canada. These performances showcase the virtuosity, elegance, and emotional depth that made Peterson one of the most celebrated jazz musicians of all time.

The centerpiece of the release is a premium 6-LP set pressed on 180-gram vinyl, designed for collectors and audiophiles alike. Accompanying the recordings is a beautifully produced 48-page book filled with never-before-seen archival material. Among the highlights are Peterson’s own photography, personal poetry, and heartfelt remembrances from family members, friends, and fellow musicians who witnessed his brilliance firsthand.

For devoted fans and collectors, early pre-orders come with additional incentives. During the initial pre-order period, select purchasers will receive exclusive commemorative gifts on a first-come, first-served basis. The first 25 pre-orders will receive a signed Oscar Peterson headshot from the Estate of Oscar Peterson, an Oscar Peterson Centennial cork turntable slipmat, and a handwritten note from Oscar’s wife, Kelly Peterson.

Pre-orders numbered 26 through 75 will receive the commemorative cork turntable slipmat along with a handwritten note from Kelly Peterson. Those placing pre-orders between numbers 76 and 100 will receive a handwritten note from Kelly Peterson as a special keepsake. Customers whose orders qualify for these exclusive gifts will be notified by August 15, 2026.

This centennial release stands as more than a tribute to a legendary musician. It is a celebration of a life dedicated to artistry, friendship, compassion, and excellence. Through rare recordings, personal artifacts, and stories from those who knew him best, the Oscar Peterson Centennial Box Set offers a unique opportunity to revisit the legacy of one of the greatest pianists in jazz history while discovering new dimensions of the man behind the music.

For longtime admirers and newcomers alike, this collection promises to be one of the most significant jazz archival releases of 2026 and a fitting tribute to a musician whose influence continues to resonate around the world.

Strat Andriotis: From Hamilton Roots to Global Jazz Recognition

The musical journey of Strat Andriotis is one defined by exploration, evolution, and an unwavering commitment to artistic growth. After emigrating from Greece to Hamilton, Ontario, Canada with his family at the age of four, Andriotis would go on to become one of Canada's most distinctive guitarists and composers, blending jazz, classical, rock, and contemporary instrumental music into a style uniquely his own.

His first musical experiences came through the piano. At age eleven, Andriotis began studying classical piano, dedicating four years to formal lessons. Like many musicians of his generation, however, the explosive sounds of Cream and The Jimi Hendrix Experience captured his imagination. Inspired by the energy and freedom of rock music, he picked up the guitar and spent much of his teenage years performing in local rock bands.

A pivotal moment arrived when he was seventeen and purchased Miles Davis’ landmark album In A Silent Way. The recording transformed his approach to music. Suddenly immersed in jazz harmony, scales, complex structures, and improvisation, Andriotis began exploring a deeper and more creative musical language that would shape the rest of his career.

Early in his recording career, Andriotis collaborated with pianist Tom Carney, producing three albums that stripped music down to its essentials: nylon-string guitar, piano, and carefully selected samples. Their debut release was described by the Toronto Star as “surprisingly enigmatic” and received radio airplay throughout Canada and the United States. The two follow-up albums also gained exposure through CBC’s DiscDrive radio program. During this period, Andriotis stepped away from the electric guitar entirely, not playing the instrument for nearly seven years.

By 2010, he had come full circle. Immersing himself in the works of composers ranging from Niccolò Paganini and Erik Satie to Ludwig van Beethoven, Andriotis devoted countless hours to practice and composition. The result was a new creative direction that blended classical sophistication with contemporary expression. The single “Under” introduced listeners to this evolving sound and served as a preview for the album Liars Incorporated.

Released in 2015, Liars Incorporated became an award-winning contemporary classical recording celebrated for its emotional depth and cinematic atmosphere. Featuring Jeff Vidov on piano and Katie Avery on violin, the album was recorded at Hamilton’s Grant Avenue Studio by acclaimed engineer Bob Doidge, known for his work on U2’s The Joshua Tree. The recording showcased Andriotis’ gift for melody and his ability to create expansive instrumental narratives.

He followed this success in 2016 with Less Off Patient, an eleven-track collection that further refined his blend of contemporary classical, neoclassical, and jazz influences. Once again joined by Jeff Vidov on piano and Adrianna Lee on violin, Andriotis delivered a breathtaking instrumental work that highlighted both technical mastery and compositional maturity.

The momentum continued with Night Manager, announced in 2018 and released later that year. The album featured an impressive lineup of guest musicians, including legendary jazz-rock violinist Jerry Goodman of the Mahavishnu Orchestra and Grammy Award-winning pianist Gonzalo Rubalcaba. The project expanded Andriotis’ musical reach while reinforcing his reputation as a composer capable of bringing together world-class talent.

Drawing inspiration from jazz guitar giants such as Django Reinhardt and John McLaughlin, Andriotis developed a distinctive voice that blends Gypsy Jazz, modern jazz, neoclassical music, and contemporary instrumental traditions. His growing catalog has earned critical acclaim and attracted listeners seeking sophisticated, emotionally resonant instrumental music.

In 2020, Andriotis released Remember Me At Twilight, a collection that took audiences on a richly textured jazz journey. Recorded in Canada, the album featured Paul Intson on bass, Dave King on drums, Howie Silverman on keyboards, and Jerry Goodman on violin. Guest saxophonist Aaron Heick recorded his contributions at Innsbruck Records in Brooklyn under the guidance of Grammy-nominated producer Roman Klun. The result was a polished and expansive recording that demonstrated Andriotis’ continuing evolution as both guitarist and composer.

Now, Andriotis is preparing to unveil his latest project, The Wolf Sleeps Alone, scheduled for international release on September 4, 2026. The album features nine original instrumental compositions performed in a trio format alongside bassist Vince Di Francesco and drummer Vince Karcza. Having performed the material live for eight months before entering the studio, the trio developed a deep musical connection that is evident throughout the recordings.

Born in Greece, raised in Canada, and shaped by influences ranging from John Coltrane, Ornette Coleman, Thelonious Monk, Pat Martino, and John McLaughlin, Strat Andriotis has built a career defined by artistic exploration and authenticity. From rock clubs and jazz experimentation to award-winning contemporary classical works and internationally recognized recordings, his musical journey continues to evolve. With The Wolf Sleeps Alone on the horizon, Andriotis once again demonstrates why he remains one of Canada's most compelling and innovative instrumental artists.

Malcolm Strachan Moves Into Bold New Territory with Look On The Bright Side

 

Scottish trumpeter Malcolm Strachan returns with his third solo album Look On The Bright Side, a groove-driven, forward-looking release that moves fluidly between soul-jazz, Latin rhythms and Afrobeat textures while staying rooted in the warm, cinematic language of 1970s jazz. Across the record, Strachan continues to expand his identity as a composer and bandleader, drawing together influences shaped by more than two decades at the centre of the UK jazz, funk and soul landscape.

Strachan’s career began after graduating from Leeds College of Music in 1996, leading to a prolific life as a professional trumpeter working across genres and stages worldwide. Over the years he has performed and recorded with a wide range of artists including Mark Ronson, Amy Winehouse, Corinne Bailey Rae, Jamiroquai, The New Mastersounds, Martha Reeves & The Vandellas, and Craig Charles’s Fantasy Funk Band, as well as contributing to countless studio sessions across contemporary pop and soul.

Originally from Inverness, Strachan co-founded the influential horn section and funk outfit The Haggis Horns in 1998 alongside Atholl Ransome and Jason Rae. Emerging from the Leeds live scene with club residencies and a rapidly growing reputation, the group gained wider recognition after appearing on Keb Darge Presents The New Mastersounds and releasing their debut album Hot Damn in 2007 on First Word Records. The Haggis Horns have remained active ever since, continuing to tour and work extensively as both a band and horn section across live and studio projects.

Strachan’s solo path has unfolded in parallel. His debut album About Time introduced a deeply soulful, instrumental jazz sound that nodded to the classic Blue Note era of the late 1960s. In 2023, Point Of No Return pushed further into jazz-funk and fusion territory, drawing inspiration from the 1970s CTI Records aesthetic and the work of trumpet icon Freddie Hubbard, where groove and harmonic richness sit at the centre of the music.

With Look On The Bright Side, Strachan continues that evolution, widening his palette to incorporate brighter harmonic colours, Afro-Latin rhythms and deep funk undercurrents. The result is a record that feels both reflective and in motion, balancing nostalgia for analog-era jazz textures with a contemporary sense of rhythm and direction.

Across his solo catalogue and extensive collaborative history, Strachan has steadily refined a voice that bridges eras and styles without losing focus on groove, melody and emotional clarity. Look On The Bright Side stands as a further step into that vision, reinforcing his place as one of the UK scene’s most versatile and enduring brass voices.

Barcelona Art Orchestra and Miguel Zenón Chart the Many Dimensions of Human Expression on Expressions

 

The Barcelona Art Orchestra joins forces with acclaimed alto saxophonist Miguel Zenón for Expressions – Concerto for Alto Saxophone and Orchestra, an ambitious large-scale work that explores the many facets of human expression through the dynamic relationship between soloist and ensemble. The album arrives June 26, 2026 via Miel Music, Zenón’s label.

Structured as a four-movement concerto, Expressions examines contrasting emotional states and modes of communication, moving between silence and outcry, song and speech, intimacy and tension. The work is the result of a unique collaborative process, with each movement composed by one of the orchestra’s artistic directors: Néstor Giménez (Silenci / Xiscle), Lluc Casares (Canta / Parla), Joan Vidal (Xiuxiueig / Esglai), and Lluís Vidal (Lament / Crit). Together, the four composers create a unified musical statement that reflects the ensemble’s collective identity.

Written specifically for Zenón’s distinctive alto saxophone voice, the concerto places the Grammy-winning musician in continuous dialogue with the orchestra. The music shifts fluidly between lyrical passages and moments of heightened intensity, blending contemporary jazz language, improvisation and chamber-like textures into a sound world that is both carefully structured and remarkably open.

At the heart of the project is the Barcelona Art Orchestra’s commitment to collective creation. Rather than centering a single composer or artistic voice, Expressions emerges from the convergence of multiple perspectives, highlighting the individuality of its contributors while reinforcing a shared artistic vision.

Founded by Lluís Vidal, Néstor Giménez, Lluc Casares and Joan Vidal, the Barcelona Art Orchestra was conceived as a collaborative platform for large ensemble creation within the Catalan jazz scene. Bringing together musicians from different generations and artistic backgrounds, the ensemble has steadily built a reputation for projects that blur the boundaries between composition, improvisation and interdisciplinary performance.

That spirit is evident throughout the orchestra’s growing catalog. Its debut album, Ragtime Stories (2022), reimagined early jazz traditions through a contemporary lens, while projects such as Les Filles de Lilit expanded into multidisciplinary territory. Other notable works include Serratologia, a large-scale reinterpretation of the music of Joan Manuel Serrat; Osmosi, a multimedia project combining live drawing, stop-motion animation and big band composition; and Música Laietana, which revisits the legacy of Barcelona’s influential 1970s jazz-rock movement while also reworking Nino Rota’s iconic score for The Godfather.

Across these diverse projects, the Barcelona Art Orchestra has established itself as a distinctive voice within Europe’s contemporary large ensemble landscape, embracing experimentation, collaboration and artistic cross-pollination as core principles.

The collaboration with Miguel Zenón adds another compelling chapter to that story. Widely regarded as one of the most innovative and influential saxophonists of his generation, Zenón has built a career balancing tradition and forward-thinking creativity. A Grammy Award winner, Doris Duke Artist and MacArthur Fellow, he is known for combining extraordinary technical command with a deeply conceptual approach to composition, often drawing connections between jazz and a wide range of cultural and musical influences.

With Expressions, the Barcelona Art Orchestra and Zenón present a work that celebrates communication in all its forms, revealing how individuality and collective expression can coexist within a shared creative framework.

The Phoenix Trio Makes a Powerful Statement on Tomorrow Is Today

Giant Step Arts continues its acclaimed Modern Masters and New Horizons series with the release of Tomorrow Is Today, the debut recording from The Phoenix Trio, arriving June 19, 2026.

Bringing together three of contemporary jazz’s most respected voices—tenor saxophonist Mark Turner, bassist Joe Martin, and drummer Marcus Gilmore—The Phoenix Trio embodies the spirit of renewal that inspired its name. Like the mythical bird that rises from its ashes, the ensemble draws deeply from jazz tradition while creating music that feels entirely alive in the present moment.

Turner, widely regarded as one of the premier tenor saxophonists of his generation, joins forces with Martin, known for his rich tone and harmonic sophistication, and Gilmore, whose innovative approach to rhythm has redefined modern jazz drumming. Individually, each is an acclaimed bandleader and frequent headliner at New York’s Village Vanguard. Together, they form a collective built on compositional depth, fearless improvisation, and a shared musical language developed over decades.

The trio’s name reflects more than symbolism. Turner points to the recurring significance of the number three throughout culture, spirituality, science, and music. For him, the phoenix represents rebirth, transformation, and creative immortality—qualities that define both jazz itself and the collaborative spirit of this ensemble.

Unlike the fiery image often associated with the phoenix, the group embraces a more gradual process of transformation. Their music unfolds through careful interaction, balance, and exploration. Martin, a longtime admirer of the saxophone trio format, values the freedom and conversational possibilities created by the absence of a chordal instrument. The result is a musical environment where each voice carries equal weight and responsibility.

That sense of equality extends to the album’s repertoire. All three musicians contribute original compositions, creating a program that reflects the ensemble’s cooperative ethos. Martin provides four pieces, including family-inspired works that frame the album. Turner contributes “1946,” a tribute inspired by the artistry of Tom Harrell, while Gilmore’s “Harvest” adds its own earthy richness to the collection. Several performances feature freely improvised introductions built around thematic material, further emphasizing the trio’s commitment to collective creation.

Recorded live before an audience at Brooklyn’s Ornithology Club over two days in March 2025, Tomorrow Is Today captures a band discovering new dimensions within familiar material. Rehearsal was intentionally minimal. Instead, the musicians relied on years of shared experience and mutual trust, allowing the music to evolve organically from performance to performance.

The album stands as another significant release in Giant Step Arts’ Modern Masters and New Horizons series, curated by trumpeter Jason Palmer in partnership with the organization. The initiative highlights both established innovators and emerging artists who continue to shape the future of jazz.

Founded in 2018 by Jimmy and Dena Katz, Giant Step Arts has become one of the most artist-centered organizations in modern jazz. Dedicated to commissioning, presenting, recording, and promoting creative work without commercial constraints, the nonprofit allows musicians to maintain full ownership of their recordings while receiving production, promotional, and performance support.

Jimmy Katz’s influence on the jazz world extends far beyond the organization. An award-winning photographer and respected recording engineer, Katz has contributed to more than 600 recording projects and photographed some of the most important figures in jazz history, including Sonny Rollins, Keith Jarrett, Ornette Coleman, Herbie Hancock, Wynton Marsalis, Pat Metheny, and Dizzy Gillespie. Through both sound and image, his work has helped document and preserve the evolving story of jazz for nearly three decades.

With Tomorrow Is Today, The Phoenix Trio delivers a compelling debut that balances introspection, virtuosity, and collective imagination. It is a recording rooted in experience yet focused firmly on the future—a fitting addition to a series dedicated to celebrating jazz’s enduring capacity for reinvention.

The Phoenix Trio – Tomorrow Is Today will be released by Giant Step Arts on June 19, 2026.

Belton Mouras Jr. Unveils Global Music Video for Chart-Climbing Jazz Single “Dynamo”

Multimedia artist Belton Mouras Jr. has released the official music video for his contemporary jazz single “Dynamo,” building on the momentum of the track’s steady rise on the Billboard and Mediabase charts. The video premiered on June 8 and showcases the pianist, keyboardist, and composer performing against the backdrop of some of the world’s most iconic cities, including New York, Paris, London, Dubai, Rio de Janeiro, and Tokyo.

Originally written during the production of Mouras Jr.’s first feature film, Fingers: The Vegan Zombie Musical, “Dynamo” quickly evolved from a soundtrack piece into a standalone release. Recognizing the song’s potential, Mouras Jr. enlisted the talents of nine-time GRAMMY®-nominated saxophonist Gerald Albright and two-time Emmy Award-winning bassist Tony Saunders. Their contributions helped propel the single onto radio playlists nationwide, earning it a spot among the most-added contemporary jazz tracks during its debut week.

As the founder of Belton Mouras Entertainment, Mouras Jr. creates music, films, and visual art under a unified creative vision. For the “Dynamo” video, he sought visuals that reflected the song’s energy and expansive spirit. The result is a visually striking production that combines performance footage with AI-generated international cityscapes, creating the impression of a dynamic world tour fueled by music and imagination.

“‘Dynamo’ represents the spark that drives all creative endeavors,” said Mouras Jr. “Whether I’m composing music, making films, or telling stories, I’m inspired by the idea that one creative spark can travel far beyond where it began. This video imagines that journey on a global scale, celebrating the power of music to cross borders and unite cultures.”

Based in Sacramento, California, Mouras Jr. continues to expand his creative reach across multiple genres. In March, he released his first country single, “Hold My Hand With Your Heart,” a romantic ballad that climbed to No. 17 on the World Indie Music Chart and was accompanied by an official music video.

Over the years, Mouras Jr. has built a growing catalog of contemporary jazz releases that blend jazz, R&B, pop, and Latin influences. “Dynamo” marks his second collaboration with Tony Saunders following the success of their previous single, “Get It.” He has also worked with Billboard chart-topping flutist Althea Rene, who, along with Saunders, makes a cameo appearance in Fingers: The Vegan Zombie Musical.

The official music video for “Dynamo” is now available to watch online. Fans can view “DYNAMO” – Belton Mouras Jr. featuring Tony Saunders and Gerald Albright (Official Music Video) and learn more about Mouras Jr.’s music, films, and creative projects through Belton Mouras Entertainment.

Belton Mouras Entertainment (BME) is dedicated to passionate storytelling through music, film, and art. Founded by screenwriter, director, composer, musician, and painter Belton Mouras Jr., the Sacramento-based company has produced acclaimed projects including Fingers: The World’s First Vegan Zombie and Mickey’s Tree, while recently completing production on the feature film Fingers: The Vegan Zombie Musical. Through a blend of humor, heart, and social commentary, BME continues to connect with audiences worldwide through its films, soundtracks, and charting musical releases.

Dames Brown Celebrate Detroit’s Legacy and Soulful Future on Debut Album Take Me As I Am

After years of establishing themselves as one of Detroit’s most captivating vocal groups, Dames Brown have finally delivered their long-awaited debut album, Take Me As I Am. More than a collection of songs, the record serves as a heartfelt tribute to the city that shaped them, the musical traditions that inspire them, and the late Amp Fiddler, whose mentorship and creative guidance helped bring the project to life.

Recorded at Amp Fiddler’s legendary home studio, Take Me As I Am captures the essence of Detroit through a vibrant blend of soul, house, funk, techno, and classic 1970s groove. Rich instrumentation, gospel-inspired harmonies, and deeply emotional performances combine to create an album that feels both timeless and unmistakably rooted in the Motor City’s musical heritage.

For Dames Brown—Athena Johnson, Teresa Marbury, and LaRae Starr—the album represents the culmination of years spent refining their sound and building a reputation as one of Detroit’s most dynamic vocal collectives. Across fourteen tracks, the trio channels influences ranging from Motown and Parliament-Funkadelic to the enduring power of Aretha Franklin, crafting a sound that honors the past while embracing the future.

The album's emotional core is strengthened by the presence of Amp Fiddler, whose contributions appear throughout the project. His spirit and artistry are woven into the record, making Take Me As I Am as much a celebration of his legacy as it is a statement of the trio’s artistic identity.

Adding to the album’s Detroit pedigree are collaborations with some of the city’s most influential musical figures. House music pioneer Andrés joins the group on “What Would You Do?”, while producer Waajeed lends his touch to the uplifting “Glory.” Techno legend Eddie Fowlkes appears on “Do It,” further reinforcing the album’s connection to Detroit’s rich and diverse musical landscape.

Among the standout moments are the infectious “You’re The One For Me,” the inspiring “Glory,” and the emotionally resonant “What Would You Do?” Each track showcases the trio’s remarkable chemistry, powerful vocal interplay, and ability to seamlessly move between genres while maintaining a cohesive artistic vision.

The album opens with “Introducing Dames Brown,” featuring Amp Fiddler, setting the stage for a journey through groove, soul, and celebration. Tracks such as “Take Me As I Am,” “What Up Doe,” and “Provider” embody the warmth and authenticity that define the project, while songs like “Sweat” and “Why You Got Me Crazy (Walk Away)” reveal the group’s versatility and contemporary edge.

Although this marks their first full-length release, Dames Brown are far from newcomers. Over the past decade, they have built an impressive catalog through releases on Defected Records and its affiliated labels, collaborating with artists including Sophie Lloyd, The Vision, Floorplan, and Horse Meat Disco. Those experiences helped shape the confidence and maturity evident throughout Take Me As I Am.

What makes the album particularly compelling is its sense of purpose. Every song feels connected to a larger narrative about community, resilience, and artistic heritage. Detroit has always been a city where musical innovation emerges from deep cultural roots, and Dames Brown carry that tradition forward with authenticity and passion.

At its heart, Take Me As I Am is an album about acceptance, gratitude, and connection. It celebrates the people who came before, honors the city that continues to inspire generations of musicians, and firmly establishes Dames Brown as one of the leading voices in modern soul music.

With its combination of heartfelt songwriting, powerful vocals, and world-class collaborations, Take Me As I Am stands as both a fitting tribute to Amp Fiddler and a triumphant debut from a group whose time has truly arrived.

Track Listing

Side A

1. Introducing Dames Brown (with Amp Fiddler)
2. What Would You Do? (ft. Andrés & Amp Fiddler)
3. You're The One For Me

Side B

1. Glory (ft. Waajeed)
2. Take Me As I Am (with Amp Fiddler)
3. What Up Doe (with Amp Fiddler)
4. Do It (with Eddie Fowlkes)

Side C

1. Who Do You (Think You Are)? (with Amp Fiddler)
2. Provider (with Amp Fiddler)
3. Introducing Pt. II (Dirty Hips) (with Amp Fiddler)
4. Sweat

Side D

1. This Time (with Amp Fiddler)
2. Why You Got Me Crazy (Walk Away) (with Amp Fiddler)
3. Ova (with Amp Fiddler)

Take Me As I Am is available now.

Jéroboam Brings Modern Funk to the Forefront with Explosive Debut Album

In just three short years, Paris-based collective Jéroboam has emerged as one of the most exciting new names in contemporary soul and funk. Combining the energy of a powerhouse live band with a deep respect for classic groove traditions, the 11-piece ensemble has quickly built a reputation as a must-watch act on the European scene. Now, after years of development and a string of acclaimed underground releases, Jéroboam is set to take its biggest step yet with the release of its long-awaited debut album on Favorite Recordings.

More than just a band, Jéroboam represents a celebration of live music, dance-floor culture, and the enduring power of funk. Their performances are known for their intensity, precision, and infectious energy, delivering the kind of communal experience that turns casual listeners into devoted fans. Whether drawing from boogie-funk, soul, disco, or modern groove music, the group approaches every song with authenticity and passion.

Before arriving at this milestone, the musicians behind Jéroboam spent more than a decade honing their craft in Paris. The project’s roots trace back to a collective known as Echoes Of, where the core members bonded over a shared love of funk music and began exploring the sounds and ideas that would eventually define their current identity. As the lineup expanded and evolved, so did the group's ambitions.

Over the years, those experiences helped shape a distinctive musical voice that bridges classic funk traditions with contemporary soul influences. The result is a sound that feels both timeless and fresh—deeply rooted in groove while remaining forward-thinking and relevant.

Their debut full-length album serves as the culmination of that journey. Across eight carefully crafted tracks, Jéroboam delivers a collection of songs that balances sophisticated musicianship with memorable melodies and relatable storytelling. The album showcases the band's ability to move seamlessly between styles, from shimmering boogie-funk rhythms to soulful two-step grooves, all while maintaining a cohesive identity.

Each song highlights the ensemble’s strengths as both musicians and songwriters. Razor-sharp arrangements, tight rhythm sections, vibrant horn lines, and heartfelt vocals come together to create a record designed as much for focused listening as it is for packed dance floors.

Tracks such as “Sweet Addiction,” “Feeling Something,” and “Say Yeah” capture the band's knack for infectious hooks and irresistible grooves, while “Sleepless Night” explores a more reflective side of their songwriting. The album’s second half continues the momentum with “Unstoppable,” “Surrender,” “Light Up,” and “The Game,” further demonstrating the group's versatility and command of modern funk.

The release marks a defining moment for Jéroboam, solidifying the band's position among Europe's most compelling contemporary funk acts. What began as a shared passion project among friends in Paris has grown into a fully realized musical force capable of carrying the genre forward while honoring its rich history.

With a reputation already established through celebrated releases on Space Grapes and Chuwanaga—records championed by DJs, tastemakers, and funk aficionados around the world—Jéroboam enters this new chapter with significant momentum. Their debut album not only fulfills the promise of those early releases but expands upon it, delivering a vibrant and confident statement from a band that appears destined for a much larger audience.

For fans of modern soul, funk, disco, and groove-driven music, Jéroboam’s debut is more than just an introduction—it is a declaration that one of the genre’s most exciting new voices has officially arrived.

Track Listing

Side A

1. Sweet Addiction
2. Feeling Something
3. Say Yeah
4. Sleepless Night

Side B

1. Unstoppable
2. Surrender
3. Light Up
4. The Game