The music of Nat Birchall joins with a long-flowing
conversation in jazz. His chosen tongue is that of the spiritualised musical
discourse whose vital source can be found in the sacred testaments of John
Coltrane, and which was channelled most directly by his fellow travellers
Albert Ayler, Pharoah Sanders, and his wife Alice. Many others followed where
Coltrane led, giving voice in music to the esoteric renewal of the soul and
mind that lent spiritual strength to the black counterculture, and complemented
the political radicalism of the late 1960s and 1970s. This rich vein of spirit
music has rarely been tapped by British jazz musicians, and Birchall is one of
the few to have been drawn to it with the conviction of heart that it demands.
For these are the sonic and spiritual spaces where the colossi of an earlier
age declaimed and confessed with sacrificial passion, from within the flames of
revolution.
Ultimately,
it has been the sonic pathways offered by jazz that have provided Birchall with
the clearest way to channel the resonances of the higher heights, wherefrom
timeless musical messages might be revealed. 'It seems to me that's it's the
most direct way of tuning in to this higher source. That music seems to me to
display this connection to whatever this higher source, this higher energy,
might be. It seems to connect to it the most, more than other music. You can
hear it in other musics to a certain degree sometimes, but this seems to be
almost purely of that nature. That's what really motivates me the most.'
All music is
a spiritual communion - it is a talking in tongues, a present conversation with
the past and the future, a dance with technology, a branch held out to a
stranger. It speaks to the old and the young in a language that is beyond
language, it expresses and elicits emotion and thought at once, it is both
bodily and mental, noise and silence, intention and accident: it is the
dissolution of opposites, the fleeting noise made eternal prayer, the
transubstantiation of spirit into sound. Music is the expression of unity, in
which difference is both accepted and resolved, and from which a mended world
might be born. To make music is, as Roland Kirk observed, to talk with the
spirits. We are lucky that the music of Nat Birchall allows us to hear the
sounds of their world once more.
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