Tuesday, February 28, 2012

COMING SOON: U-NAM - WEEK END IN LA: A TRIBUTE TO GEORGE BENSON

Chart topping jazz artist U-Nam (best known for his #1 hit “Street Life") is currently in the process of wrapping up production of his next project. Paying tribute to his hero and favorite artist George Benson, U-Nam will be releasing the album Week End in L.A. (A George Benson Tribute ) as U-Nam & Friends.

I just had the opportunity to listen to a sneak preview of U-Nam’s version of Benson's "Love X Love" from the forthcoming album due out this spring, and all I can say is WOW what a really cool track! I can’t wait to listen to the whole album when it’s released. Week End In LA (A Tribute To George Benson) also features: George Duke, Phil Perry, Ronnie Foster, Patrice Rushen, Tim TiO Owens,Paul Jackson Jr, Mike White, Smitty Smith, Eric Valentine, Kamil Rustam, Andreas Oberg, Franck Sitbon, Denis Benarrosh, Raymond Gimenes, Dio Saucedo, Jeff Lacey, Matt Rohde, Bill Steinway, Shannon Kennedy and many others.

According to U-Nam, with this new project, one can, “Expect the Unexpected!!!" U-Nam also mentionned that this will be the “Best, Biggest, Most Exciting and Intimidating project of his life." He also added, “before I even started to record any music on this project, my first thought was to call George [Benson], let him know about the project and ask for his blessing. I got more than I expected when he told me this, ‘Man, for sure you have my blessing and anyway whatever you’re gonna do it’s gonna sounds fantastic.’ After that I felt relieved and incredibly motivated to do a great hommage to GB!" The album is going to follow in the footsteps of “GB"; a mix of Jazz, R’n’B, Pop, Soul and full of innovation.

Monday, February 27, 2012

JOYCE 'RIO' - THE NEW STUDIO ALBUM


Joyce’s seventh original recording for Far Out – Rio – combines Joyce’s Brazilian rhythms (partido alto to samba), jazz and bossa harmonies and intelligent lyrics through her beautifully expressive voice on special original compositions and unique versions of classic Brazilian songs.

“In the summer of 2010, I was invited by the city of Rio to present a solo show on Ipanema beach. It was intended as a sort of luau for people leaving the beach, with just voice and guitar. I threw a sundress over my swimsuit, flip-flops on my feet, coconut water within easy reach, and there I was.

The sea of people, both locals and tourists, on the sand; the presence of friends who, like me, grew up on that stretch of beach; giving joy to so many made the show one of the happiest I’d ever given. Seeing all those people singing with me the city’s anthem, “Cidade Maravilhosa,” was priceless. This CD was born when the sun sank behind the Dois Irmãos hill, and the crowd applauded as we had done so many years ago. A crowd that applauds a simple sunset must be very good folk. Rio—the mountain, the sun and the sea—where I make my samba simply.”

Joyce - Rio Tracklist:
1. Adeus America
2. O Mar
3. Manha No Posto Seis
4. Vela No Breu
5. Puro Ouro
6. Desde Que O Samba E Samba
7. Valsa De Uma Cidade
8. As Mariposas/Com Que Roupa
9. Fitio de Oracao
10. Rio Meu
11. Viva Meu Samba
12. Mascarada
13. Samba Do Carioca
14. Cidade Maravilhosa
15. Tardes Cariocas / See You In Rio

NEW RELEASES FROM COMPTON, MARK DE CLIVE-LOWE & AZYMUTH

COMPTON – COMPTON’S SOUL

A sweetly soulful surprise from Andy Compton of The Rurals – a set that's even more profoundly steeped in deep soul atmosphere – with Compton collaborating with seductive female vocalists for one of the sultriest underground soul sets we've heard in a while! This is one of those records that you'd expect to good, given Andy's previous work – and it's actually a knockout! It's elegant and slow cooking, but, it's to hypnotic and intoxicating to call it laidback. The backdrop smoulders with keys, beats and bass with some jazzy soul flourishes. 9 of the 13 tracks are sung by Jaidene Veda, with some great spoken passages, too. Other vocalists include Diviniti, Kafele and Ladybird – and the singers write their own lyrics, given the album a nice collabortive vibe. Includes "And It Rains", "Bluenotes", "Believing", "Imagined", "Where Do We Go", "Record By Record", "Tomorrow", "Oh Love I", "7 Days", "Soon" and "No Limits". Source: Dusty Groove

MARK DE CLIVE-LOWE - RENEGADES

Mark De Clive-Lowe is back, and more brilliant than ever – working here on a set that's overflowing with superstar talent, and which cooks even more than some of his previous albums! All the grooves we've always loved from Mark are firmly in place – the wicked beats, cosmic rhythms, and spacious keyboards – but there's also a nice new focus too, one that brings in a lot deeper soul to most tunes – thanks in part to vocals from an array of guests who include Omar, Nia Andrews, Tawiah, Ovasoul7, Bembe Segue, Sheila E, and Sandra Nkake! The album's stuffed with tuneful numbers – more great singles than most other artists would hope for in a single album – and Mark still keeps things a bit cosmic at points too, with some great space jazz keyboards. Titles include "Get Started", "Under Orders", "The Why", "Everything", "Emergency", "Alabi", "Push", and "Hooligan". Source: Dusty Groove

AZYMUTH - MADDSLINKY & ZED BIAS REMIX 12"
 
The third remix single taken from Azymuth’s acclaimed 2011 studio album Aurora is Ta Nessa Ainda Bicho. Following monster mixes on 12” of Azymuth’s In My Treehouse (LTJ Xperience – JD19) and Meu Mengo (Mark E – JD 21) comes this highly limited heavyweight 12” from influential UK garage, break beat garage, broken beat and dubstep pioneer producer Zed Bias and the alias Maddslinky.

JILL SCOTT RELEASES "SO BLESSED"

Blues Babe/Warner Bros. recording artist Jill Scott's new single "So Blessed" was released to Urban Adult Contemporary radio on Monday, February 27th. The new record off the #1 critically acclaimed album The Light Of The Sun follows Jill's resounding performance of "So Blessed" at the 43rd Annual NAACP Image Awards, which also garnered her the award for Outstanding Female Artist, besting Beyonce and Mary J. Blige (See Video Link below). After headlining VH1 Divas and performing at the Nobel Peace Prize Concert most recently, the win adds additional accolades to her album, which also scored two Soul Train Awards for Best R&B/Soul Female Artist and Best Female R&B Soul Album.

"So Blessed" takes Jill back to the hit making producers Vidal and Dre (Michael Jackson, Alicia Keys), who she previously worked with on her Grammy winning debut album Who Is Jill Scott?Vol.1. The mid tempo funky soul record inspires all listeners to wake up every morning and realize the blessings around them. "This record spoke to me as an inspiration for myself and for others to remember to count your personal blessings every day. The money, cars, trophies, can all disappear immediately... it's about what's happening in your life like your family, friends and health," comments Jill.
The record follows the success of her debut #1 record "So In Love" ft. Anthony Hamilton, which stood atop the radio charts for an astounding 18 weeks and tying the all time BDS record with Maxwell's "Lifetime" record at 17 weeks. Jill then proceeded to follow up with her next single "So Gone(What My Mind Says)" which was a top 10 record peaking at #7 atop the charts as well.

Reigning supreme, three time Grammy Award winner Jill Scott secured the #1 spot on the Billboard charts for the first time in her career with the release of The Light Of The Sun. With sales of over 135,000 units in her first week Scott beat out Bon Iver and Adele for the week's top selling album across all genres. The album scored rave reviews across the board from Wall Street Journal calling it "one of the superior albums of the year" to NPR Music naming it "Best of 2011," all the way across the likes of The New York Times, Entertainment Weekly, and People Magazine. Scott's successful return additionally came with a string of firsts, gracing her first Billboard Magazine cover, as well as her first solo performance at the 2011 BET Awards, which The Washington Post named as one of the night's greatest performances.

The Jill Scott Live Experience lived supreme throughout the summer as her "Summer Block Party Tour" garnered rave reviews across the country. Publications such as New York Magazine, Newsweek, People, and Time Out NY amongst others gave her outstanding reviews for her live performance. Boston Globe remarked "Jill does not waste her breath or time..." while the Washington Post remarked "a romantic journey from pleasure, to pain, to confusion and finally to acceptance, with enough rest stops for fun and laughter as balance."

In addition, Jill dominated television, having appearances on The Today Show, Tonight Show With Jay Leno, Live! With Jimmy Kimmel outdoor series, and Live! With Regis & Kelly. Not to be topped by her performance this year at The White House for the American Poetry Workshop as well as President Obama and his family.

Friday, February 24, 2012

ENNIO MORRICONE - THE COMPLETE EDITION

Ennio Morricone is an Italian composer and conductor, who wrote music for more than 500 motion pictures and television series, in a career lasting over 50 years. His scores have been included in over 20 award-winning films as well as several symphonic and choral pieces. Morricone is most famous for his work in the Spaghetti Westerns directed by his friend Sergio Leone, including A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), and Once Upon a Time in the West (1968).

This new collection includes an incredible amount of classic and obscure film music, original compositions, orchestral arrangements and more from the himself – an incredible 15-CD retrospective, and at a stunningly affordable price – selected by Morricone himself. This collection is by far the most encompassing set we've ever seen for him.

Of course he's most famous for his international film score work, from cult horror to classic Hollywood – so 9 of the 15 discs are film themes and score material, selected by Morricone and sequenced chronology on discs 1-9, selections including the themes or other bits from Il Buono, Il Brutto, Il Cattivo, Escalation, Galileo, Gli Intoccabili, Slalom, Svegliati E Uccidi, Metti Una Sera A Cena, Veruschka, La Donna Della Domenica, Copkiller, Malena, and so much more! Discs 10 & 11 cover his best work for television, disc 12 is a set of Ennio's contemporary classical compositions, disc 13 features favorite original songs he composed for a wide range of international artists, disc 14 includes favorite orchestral arrangements, and disc 15 features arrangements he did for hit songs by artists such as Gino Paoli, Donatella Moretti, Paul Anka, Jimmy Fontana and others.

MARCHIO BOSSA - ITALIAN BOSSA BAR

Marchio Bossa is a jazz band founded by Piero and Pippo Lombardo in 2001, and their primary objective was to produce what they consider to be the best blend of bossa nova and samba jazz possible. In doing so, they utilized elements from the bossa nova sound of Antonio Carlos Jobim, Sergio Mendes, etc., and to mixed it up with other jazz and funk elements from the likes of Al Jarreau, Earth Wind & Fire, and Pat Metheny, among others. Overtime, Marchio Bossa have matured to an elegant and refined act, both live and on recordings, boasting some of the most talented Italian musicians.


Their latest album, Italian Bossa Bar, reflects the new-euro bossa groove that they have so well perfected.  To date Marchio Bossa have released four albums (plus compilations), each of which achieved both critical and sales successes worldwide: Italian Lounge Music (2003, Azzurra Music); No Bossa No Party (2004, Azzurra Music); Fantasy – The Best Of Lounge (2006, Azzurra Music); Colorando (2008); and The Very Best Of Italian Lounge Music (2009).

Musicians:
Francesca Leone - vocals; Pippo Lombardo - piano and keyboards; Guido Di Leone - guitars; Pierluigi Balducci – bass; Mimmo Scialpi - drums.

Guest Musicians:
Fabrizio Bosso (trumpet), Daniele Scannapieco (tenor) sax, Gilson Silveira (percussions), Gaetano Partipilo (contralto sax), Rocco Zifarelli (guitar), Marco Tamburini (trumpet), Leo Gadaleta (strings), Bruno Tassone (baritone sax), Fabio Lepore (vocals), Tommy Gargano (vocals).

Marchio Bossa - Italian Bossa Bar Tracklist:
1. E Questo Samba Va
2. Your Smile
3. Goodbye My Friend
4. Ama
5. Windmills Of Your Mind
6. Morena
7. Cafè Bossa
8. Uma Batida De Amor
9. Case Vuote
10. Vorrei
11. Suoni D'acqua
12. Nascita Di Un Nuovo Amore

NNEKA – SOUL IS HEAVY


Soul Is Heavy is the new album from award winning Nigerian singer/songwriter, Nneka. An effortlessly balanced combination of hip hop beats, reggae grooves, brass riffs and African-pop is the canvas for its motif of love, pain, politics and God. Featuring guest collaborations with The Roots' Black Thought ("God Knows Why") and Ms. Dynamite ("Sleep"), Soul Is Heavy further affirms her credentials as a fast-rising star of black-consciousness music.

Nneka's natural energy channels hope and optimism throughout her writing ("Shining Star"), but her signature steeliness and stark life observations are maintained ("No Doubt"). This isn't an album that has to be pretentious to stand out. It is real, honest, true to itself and bursting with feeling.

Soul Is Heavy is both affirming and compelling by addressing the tough realities and uncomfortable truths of modern politics - both personal ("Stay") and international ("Soul is Heavy") - adding credence to her comparisons with Lauryn Hill / Erykah Badu.

A majority of the album has once again been produced by close friend and co-writer DJ Farhot, and mixed by Tom Elmhirst and Philippe Weiss whose recent credits include Amy Winehouse, Adele, Cee Lo Green and Wyclef Jean.

Nneka kicks off her North American tour on March 6th in Vancouver with dates following in San Francisco, Los Angeles, Austin for SXSW, Chicago, New York, Philadelphia and others.

Tour Dates
3/6: Vancouver @The Biltmore Cabaret
3/7: Seattle, WA @ The Crocodile
3/8: Portland, OR @ Doug Fir Lounge
3/10: San Francisco, CA @ Red Devil Lounge
3/11: West Hollywood, CA @ Troubadour
3/13 – 3/17: Austin, TX @ SXSW
3/18: Houston, TX @ House Of Blues Bronze Peacock
3/21: Chicago, IL @ Double Door
3/23: Toronto @ Virgin Mobile Mod Club "Canadian Music Week"
3/24: Montreal @ Cabaret du Mile End
3/26: Cambridge, MA @ T.T. The Bear's
3/27: New York, NY @ Gramercy Theatre
3/28: Philadelpha, PA @ Johnny Brenda's
3/29: Vienna, VA @ Jammin Java Music Club & Cafe
3/31: Atlanta, GA @ Vinyl

CEU – CARAVANA SEREIA BLOOM


The open road, the bohemian atmosphere, the existential mythology of travel—these were the visions in young Brazilian singer Céu’s mind while creating her latest album. One of the most sonically adventurous artists in her country today, numerous road trips from her São Paulo home to Brazil’s Northeast proved to be the perfect inspiration for this newest sonic adventure.

“All the files were sitting in a big folder on my computer under a very boring name: Studies on the Road,” says a reflective Céu. “So I decided to mix the title of one song with a word found in the lyrics of another. Then I added ‘Caravan’ in front of the sentence. In the end it made a lot of sense, as the album was created in partnership with a lot of other people.”

The result, Caravana Sereia Bloom (Six Degrees Records), is her boldest work to date. Today, the Grammy/Latin Grammy – nominated singer seems to have more in common with the psychedelic oeuvres of early Tropicalia artists and Os Mutantes than the restrained musings of Jobim, eschewing much of the laid-back bossa nova and samba that caused Starbucks to make her self-titled debut the first international release in its Hear Music™ Debut series.

This can quickly be heard on the ska-based, carnival-esque “Asfalto e Sal.” Like the greats mentioned above, Céu uses airy guitar riffs and lazy drum rhythms so prominent in Caribbean music to seduce your ears. Once you’re nodding along, her poetry sets in. This particular track looks at sociological behaviors in urban environments. “Our sense of ‘progress’ that pushes us to continuously grow, ends up dominating and polluting our culture,” she says. “The character in ‘Asfalto e Sal’ goes on the road in order to jump out of this kind of life.”

Ironically, São Paulo may be the safest place to escapes such “progress.” Since 2007, the world’s fourth-largest city has completely banned outdoor advertising—no billboards, no ads on the sides of buses or kiosks, no Times Square lighting displays. Nevertheless, no land is an Eden. With a sense of escape gnawing inside of her, Céu derived these Kerouacian fantasies from a piece of Brazilian cinematic history.

“The record as a whole was a way to pay tribute to ‘Caravan Holiday’ from the movie Bye Bye Brasil,” she says. The movie tells the story of a trickster magician, Gypsy Lord, and his Caravana Rolidei. A local accordion player falls in love with the notion of life on the road (as well as Lord’s precious dancer, Salomé), and jumps on board with his own pregnant wife, Dasdô. The movie takes many twists and turns, reminding us that it is the journey and not the destination that counts.

You can immediately hear how much Céu is enjoying her own journey on this 35-minute gem. Producer Gui Amabis does a fantastic job of allowing stripped down guitars to convey a constant sense of momentum. Pieces of popular Brazilian Music from the Northeast are embedded in lush reggae grooves. A lifelong fan of Bob Marley and all things Jamaican, Céu stretched her musical vocabulary to draw inspiration for each song, exploring a multitude of Latin American sounds: cumbia, lambadas, carímbos, bregas and guitarradas.

“Basically this entire album is a collection of short tales revolving around the chaos of a road trip,” she says. “In each song I put myself in a different character’s place. In ‘Palhaço’ I am working in a circus and have to convince the clown to go back on stage. And then in ‘Amor de Antigos,’ I have to convince an old lady to remember her true love.”

“Retrovisor,” the album’s first single, is set in a dark bar near the end of a night of Karaoke. The last performer sings about heartbreak to a disgruntled crowd of waiters and truck drivers. Keeping true to the record’s theme, Céu and crew took their own road trip to Recife’s Vila Velha to film the video.

Then there’s the dripping, sensuous rhythm of “Streets Bloom,” one of the few songs that Céu has ever sung in English. Wanting to collaborate with friends, she called experimental vocalist Lucas Santtana, whose recent album Sem Nostalgia has received numerous accolades in Brazil and America. “The idea was to create a Brazilian road trip with a Wild West flavor,” she says.

“He liked the idea and came back with beautiful lyrics, as if I were telling people my impressions of a such a trip.”

The brooding, ambient nature of this latest release is intentional. While updating bossa nova and samba put Céu on the global map, she chose to travel to Brazil’s Northeast for the heaviest dose of musical inspiration. Utilizing the post-psychedelia synthesizers and guitar effects of the typical sounds of Brazil’s popular music from the Northeast, she also pays tribute to modern innovators, all the while evolving her own unique and personal sound. Céu’s sound is as relevant to Brazil today as her legendary forebears two generations ago. Caravana Sereia Bloom is this girl from São Paulo’s finest moment in a career that shows no sign of slowing.

Thursday, February 23, 2012

BARBRA STREISAND RE-SIGNS WITH COLUMBIA RECORDS


Barbra Streisand will remain on Columbia Records, the Sony Music-owned label has announced. Streisand has sold over 71 million albums in the U.S. including her most recent Grammy nominated album, What Matters Most, which was her 31st to reach the Top Ten. The Grammy- and Oscar-winning singer and actress has been with the label for 50 years, having originally signed in the early 1960s. She released her first album, The Barbra Streisand Album, in 1963. Only crooner Tony Bennett has been on the label longer.

Streisand is one of the most commercially and critically successful entertainers in modern entertainment history, with more than 71.5 million albums shipped in the United States and 140 million albums sold worldwide. She is the best-selling female artist on the Recording Industry Association of America's (RIAA) Top Selling Artists list, the only female recording artist in the top ten, and the only artist outside of the rock and roll genre.

According to the RIAA, Streisand holds the record for the most top-ten albums of any female recording artist – a total of 32 since 1963. Streisand has the widest span (48 years) between first and latest top-ten albums of any female recording artist. With her 2009 album, Love Is the Answer, she became one of the rare artists to achieve number-one albums in five consecutive decades. According to the RIAA, she has released 51 Gold albums, 30 Platinum albums, and 13 Multi-Platinum albums in the United States.

Columbia will also release a 12-set DVD featuring unprecedented access into Streisand's professional and personal life. The DVD set will consist of never before seen footage directly from Barbra’s archives.

HAMMOND EXPRESS - ANOTHER STEPPIN' SOUL

If you shiver everytime you hear a Hammond organ twirl, possibly played by Jimmy Smith, Jack McDuff, Larry Young or Booker T., then you’re not one to miss the latest album entitled Another Steppin’ Soul from Hammond Express. It’s a timeless homage to classic organ soul from Italy's Hammond Express – paying tribute to Booker T & The MGs, The Tams, Groove Holmes, John Barry, Brian Auger, Curtis Mayfield and others!

Their debut album, Rendez-Vous (2003) was a new-lounge compilation (released by the Italian label Scenario Music), was a futuristic trip into dance jazz, through spy-movie soundtracks (“Modern City Blues”), sci-fi atmospheres (“Space”), ‘70’s bossa nova (“Bossa Rouge – Vibrato Mix”) and easy-listening evergreens, like the Carpenters “We’ve Only Just Begun”. Not the usual Hammond combo, but something modern for a “future lounge” party with a psychedelic touch.

Now producer and keyboardist Francesco Gazzara infuses soul with the sweet sound of the 60s. Singer Lily Latuheru joins Gazzara, bass player Massimo Sanna, drummer Juliano Ferrarri, percussionist Mirtao and flute & horns player Dario Cecchini. The set opens & closes with solid originals, but the focus is choice covers. 14 tracks in all. "The Glorious Revolution", "Never For Me", "I Can't Help Myself", "Diamonds Are Forever", "Nobody Does It Better", "Move On Up", "Inner City Blues". "Mercy", "What", "Goldfinger", "Stadium", "The House In The Clouds" and more. Francesco Gazzara by the way is already well known as the leader of his own group GAZZARA, as well as being the author of the book “Lounge Music: Il Blues Dell’Uomo Bianco.”

Hammond Express - Another Steppin' Soul Tracklist:
1. The Glorious Revolution
2. Be Young Be Foolish Be Happy
3. Never For Me
4. I Can't Help Myself
5. Diamonds Are Forever
6. Nobody Does It Better
7. Move On Up
8. Inner City Blues
9. Mercy
10. What
11. Goldfinger
12. Stadium
13. You Can't Hurry Love
14. The House In The Clouds
15. Batucada Express
16. Ass Enchillada

BURT BACHARACH - CASINO ROYALE ORIGINAL MOTION PICTURE SOUNDTRACK EXPANDED EDITION


Casino Royale is back yet again – and this time it’s a 45th Anniversary edition that includes a slipcased 2-CD set with two booklets, one of which is 64 pages in length with notes by Bond musician historian Gergely Hubai. Hubai discusses the film’s troubled production history, and analyzes Bacharach’s music via track-by-track notes, while the book is illustrated with rare stills, poster artwork and other memorabilia. The 45th Anniversary Edition of Casino Royale is limited to 1,500 copies and is due to ship late this month. It can be pre-ordered now from both Screen Archives Entertainment and Quartet Records.

Burt Bacharach, Casino Royale: Original Motion Picture Soundtrack
CD 1: The Complete Original Soundtrack
1. Main Titles (2:36) – Herb Alpert and the Tijuana Brass
2. Opening Cars Converging / To the Bond Chateau (1:54)
3. The Black Rose (0:33)
4. Pipe Lament / James Bond in Scotland (1:14)
5. Cock O’ the North (1:52)
6. The Widow Duty of Lady Fiona / Wassail (3:41)
7. Agent Mimi Locked in Her Room (1:35)
8. Grouse Shoot (0:33)
9. Mimi’s Lament (1:29)
10. Little French Boy (Drink a Pint of Milk a Day) (2:08)
11. Money Penny’s Bedroom (1:36)
12. Gymnasium Training (1:48)
13. Buckingham Club (1:19)
14. The Look of Love (3:46) – Dusty Springfield
15. Proposals, Super 8 and Costumes (1:35)
16. Sir James’ Trip to Find Mata / Temple Dance (3:14)
17. Sitar Background / Back to London (2:54)
18. Arrival in Berlin (1:03)
19. Old Berlin House / Mata-Hari School for Spies (2:43)
20. Escape from the Berlin House (1:19)
21. Bond Arrival in France (0:39)
22. Vesper in the Shower (0:42)
23. Hi There Miss Goodthighs (1:15)
24. Dream On James, You’re Winning (1:17) – Mike Redway
25. Le Chiffre’s Magic Act / My Name is Bond, James Bond (1:14)
26. Vesper’s Kidnapping (0:44)
27. Torture Sequence (0:29)
28. Mata’s Kidnapping / Flying Saucer (1:05)
29. Sister McTarry (0:36)
30. Fight in Casino Manager’s Office / Dr. Noah’s Headquarters (2:09)
31. The LSD Room (0:34)
32. The Big Fight at Casino Royale (4:30)
33. Seven Bonds in Heaven / End Title (2:25) – Mike Redway

CD 2: The Soundtrack Album
1. Casino Royale Theme (Main Title) (2:36) – Herb Alpert and the Tijuana Brass
2. The Look of Love (4:09) – Dusty Springfield
3. Money Penny Goes for Broke (1:38)
4. Le Chiffre’s Torture of the Mind (2:10)
5. Home James, Don’t Spare the Horses (1:31)
6. Sir James’ Trip to Find Mata (3:48)
7. The Look of Love (Instrumental) (2:46)
8. Hi There Miss Goodthighs (1:14)
9. Little French Boy (2:21)
10. Flying Saucer / First Stop Berlin (2:52)
11. The Venerable Sir James Bond (2:30)
12. Dream on James, You’re Winning (1:18)
13. The Big Cowboys and Indians Fight at Casino Royale / Casino Royale Theme (Reprise) (4:57) – Herb Alpert and the Tijuana Brass

GEORGE BENSON WINS OUTSTANDING JAZZ ALBUM AWARD FOR 'GUITAR MAN'

Congratulations to George Benson and all involved in the making of Guitar Man. It was announced that Guitar Man has won the award for Outstanding Jazz Album at the 43rd NAACP Image Awards.

On Guitar Man, Benson’s mastery of the guitar is demonstrated in a variety of styles and settings, all with legendary jazz roots. The opening track “Tenderly” is a solo guitar track that serves as a reminder that Benson is one guitar man with sufficient technical and interpretive skills to be a band unto himself. The second song is an intriguing rendition of Lennon and McCartney’s “I Want To Hold Your Hand.” Along with Benson on nylon-string guitar and Garfield on piano are guitarists Paul Jackson Jr. and Ray Fuller; bassist Freddie Washington; drummer Oscar Seaton, Jr. (who regularly tours with Benson); violinist Charlie Bisharat; and flutist/clarinetist Dan Higgins. All come together to create a fully orchestrated sound that casts one of the most simplistic of the Beatles’ early love ballads into something full-bodied and engaging.

The remainder of the set consists of either solo guitar tracks or Benson backed by the aforementioned five-man team, which lays down an easygoing rendition of Stevie Wonder’s “My Cherie Amour.” Benson delivers the lyrics in his own engaging vocal style that includes a healthy dose of his trademark scatting guitar accompaniment.

Other highlights include a rollicking version of the Champs’ 1958 instrumental hit, “Tequila,” followed a couple tracks later by “My One and Only Love,” which opens with a 16-bar solo jazz guitar intro that segues into a sweet vocal ballad. Benson delivers a playful straightahead rendition of “Paper Moon” with the quartet, followed by a solo guitar rendition of “Danny Boy” (one of the few times, if ever, that a guitar sounds like bagpipes). In the final stretch, Benson and Garfield set up a lush guitar-and-piano arrangement of the smoky standard, “Since I Fell For You,” with Benson once again stepping up to the mic for an emotional delivery of the song’s impassioned lyrics.

Upcoming George Benson tour dates:
March 24 @ Sovereign Performing Arts, Reading, PA
March 25 @ Knight Theater, Charlotte, NC
June 2 @ Merriweather Post Pavilion, Columbia, MD
June 23 @ Orpheum Theatre, Vancouver, Canada
June 24 @ Royal Theatre, Victoria, Canada
June 26 @ Toronto Jazz Festival, Toronto, Canada
September 1 @ Imperiale Palace Hotel, Portofino, Italy
September 20 @ Snoqualmie Casino, Snoqualmie, WA
September 22 @ Johnson’s Beach & Resort, Guerneville, CA
January 17-18, 2013 @ Smooth Jazz Cruise, Ft. Lauderdale, FL
January 24-25, 2013 @ Smooth Jazz Cruise, Ft. Lauderdale, FL

Wednesday, February 22, 2012

SOB's (SOUNDS OF BRAZIL) TO CELEBRATE 30 YEARS IN NEW YORK...

2012 marks Manhattan live music landmark S.O.B.s’ (Sounds of Brazil) thirtieth year in existence and to celebrate, they have partnered up with their talent booking and marketing team, Noizy Cricket!!, and world-renowned International Creative Management (ICM) as well as OGPR Marketing & Public Relations to provide an all star anniversary concert at this year’s SXSW, on Wednesday, March 14th. The show is to be held at 6th Street’s Malaia World Lounge.

The performance line-up, meant to showcase S.O.B’s commitment to musical diversity, includes acts like Miguel, Machine Gun Kelly, and 2 Chainz, as well as rap supergroup Slaughterhouse [Joe Budden, Joell Ortiz, Royce Da 5'9, Crooked I], Elle Varner, Nikki Jean, Maya Azuceña, Airplane Boys & Hoodie Allen. Opening honors will be performed by warm-up alumn, Anthm. AllHipHop, who have supported S.O.B.’s with on-the-scene media coverage for the past decade, is the event’s media partner. YouHeardThatNew’s infamous founder, Low Key, will host the evening with 2DopeBoyz’s DJ Meka providing the musical backdrop in-between sets.

Founded in June of 1982 by owner and director, Larry Gold, on what was then a barren stretch of land at the corners of Varick and Houston Streets, to expose the musical heritage of the Afro-Latino Diaspora, S.O.B.’s has gone on to become renowned as the premier venue for not only World Music, but all genres, in New York City and the world over. The list of music legends to have graced the stage in the past thirty years is too extensive to list but the venue’s contributions to connecting music to fans doesn’t stop there. S.O.B.’s has also developed a reputation in the industry as a breeding ground for up-and-coming artists and trends. A show at S.O.B.’s can be a springboard for emerging artists, garnering them press from mainstream local, national and even international media as well as attracting attention from music industry professionals. This has been the case with uncounted artists including John Legend, Erykah Badu, Kanye West, Common, Drake and Ryan Leslie. In fact, the venue spawned the long-standing Breeding Ground feature on AllHipHop, on which the site has highlighted its picks from the crop of Hip Hop hopefuls over the years.

The partnership between S.O.B.’s and International Creative Management to present the venue’s thirtieth anniversary made perfect sense as the two, working closely with Noizy Cricket!!, have collaborated for many years to provide amazing live entertainment to New York audiences.

“We could have provided an entire month’s worth of concerts with all of the talent that has stepped on to the S.O.B’s stage over the past thirty years.” shares Noizy Cricket!! founder, le’Roy Benros. “We’ve gathered some of the freshest talent out today who've put on legendary performances here in New York and brought them to SXSW for a night to remember!"

“After 30 years of building S.O.B's into one of the elite music venues in NYC we are honored to finally be showcasing some of the best of Urban Music at SXSW.” adds owner, Larry Gold.
“We have been working with Larry and the S.O.B.’s family for many years and this will be a great way to celebrate their 30th anniversary,” says ICM Agent, Zach Iser. “Our clients are proud to be a part of this special evening of live music.”

Media is encouraged to attend this momentous occasion in New York City’s music history at one of the nation’s biggest and best music festivals, SXSW. Attendance is free to all on a first come, first served basis with SXSW wristbands and select media will be given access to talent for interview purposes.

ADELE'S '21' CONTINUES TO SHATTER SALES RECORDS...

Exactly one year after its release, Adele's 21 experienced its biggest sales week ever with over 730,000 copies sold. This astounding number follows Adele's Grammy sweep and her first public performance since undergoing vocal surgery in November, a riveting rendition of her hit "Rolling in the Deep." Honored with 6 Grammy Awards, Adele has tied the record held by Beyonce for most Grammys won by a female artist in a single year, as well as Eric Clapton's record for most Grammys won by a British artist in one night. Furthermore, Adele is only the second artist in Grammy History, after Christopher Cross in 1981, to have won The Recording Academy's top three categories - "Record of the Year," "Album of the Year" and "Song of the Year"- while also possessing a "Best New Artist" Grammy.

The album, which won Adele this "Best New Artist" distinction in 2009, 19, is also experiencing a sales boost. Four years after its release, it has sold nearly 2 million copies. Adele has two albums occupying the top 5 slots on Billboard's Top 200 Albums chart this week, with 19 selling an impressive 87,000 copies.

Adele's Grammy-winning album 21 surpassed 2 million downloads on the iTunes Store in the U.S. within a year of its release, making her the first artist to go double platinum on iTunes.

Now in its 21st non-consecutive week at #1 on The Billboard Top 200 Album Chart, 21 is the longest running #1 by a woman in Billboard's nearly 56 year history. The album has been certified 7x Platinum in the U.S. and has sold over 18 million copies worldwide. 21 has additionally spawned over 16 million singles sold in the U.S. alone, including 7x Platinum certified "Rolling in the Deep," 4x Platinum certified "Someone Like You," 2x Platinum certified "Set Fire to the Rain" and Gold certified "Rumour Has It."

JILL SCOTT & STEVE TYRELL ADDED TO 13th CAPE TOWN INTERNATIONAL JAZZ FESTIVAL LINEUP

The 13th Cape Town International Jazz Festival line-up has been bolstered by the addition of three exciting internationally acclaimed artists. Master vocalist, poet and actress Jill Scott's (USA) exciting repertoire is expected to bring the house down as she joins the other greats on the festival's Kippies stage.

In 2000 Scott released her much anticipated debut record Who is Jill Scott? Words & Sounds, Vol.1. This double platinum selling album earned Scott several Grammy nominations, including Best New Artist. Two more critically acclaimed albums followed; Beautifully Human: Words & Sounds, Vol. 2 and The Real Thing: Words & Sounds, Vol. 3. Both garnered two more Grammy Awards and spawned multiple worldwide tours.

Most recently Scott was cast as the lead character in The No.1 Ladies Detective Agency, a HBO/BBC mini-series filmed on location in Botswana and currently being broadcast in South Africa. Prior to that she starred alongside Tyler Perry and Janet Jackson in the movie series Why Did I Get Married?. This Three-time Grammy Award-winning singer-songwriter, New York Times best-selling poet and critically acclaimed actress joins the bill as one of the headline acts.

Texas-born jazz vocalist and popular standard singer Steve Tyrell (USA) also joins the bill. He is known for the self-produced and critically acclaimed album A New Standard, released by Atlantic in 1999. In 1986 Linda Ronstadt and James Ingram recorded Tyrell's Somewhere Out There which won two Grammys (including Song of the Year) and received an Oscar nomination. Three years later, Ronstadt recorded Tyrell's Don't Know Much featuring Aaron Neville which earned both her and Neville a Grammy win for Best Vocal Performance.

Hip Hop artist Pharoahe Monch (USA), completes the line-up bringing the total number of performing artists to 41. Known for his popular hit Simon Says, the New York native was originally part of Organized Confusion with partner Prince Poetry. Today the former visual artist works on his own, recently having released W.A.R. (We are Renegades). The music video for the new single off the album, Still Standing, was released on February 5 and features fellow Jazz Festival performer Jill Scott.

These three acclaimed performers join an already star-studded line-up of artists, with this year’s headliners reflecting the festival's philosophy of broadening audience's perspectives of what is understood as 'jazz'.

As previously announced, the rest of the line-up for 2012 is completed by the following artists: James Ingram (USA), Dave Koz with special guest Patti Austin (USA), Mike Stern with special guest Dave Weckl (USA), Virtual Jazz Reality (SA), Brubecks play Brubeck (USA/SA), Ron Carter, Donald Harrison and Lenny White (USA), Andre Petersen Quintet (SA), Atmosphere (USA), Jean Grae (USA), Goodluck (SA), Zamajobe (SA), Zahara (SA), The Jason Reolon Trio (SA), David Sanchez with special guest Lionel Loueke (Puerto Rico/Benin), The Moreira Project (Mozambique) and Alexander Sinton High School Jazz Band (SA). Zakes Bantwini (SA); Unathi (SA); Lindiwe Suttle (SA); Sophia Foster, (SA); Hassan'adas (SA); Victor Kula (SA); Adam Glasser (SA); Herbie Tsoaeli (SA); Steve Dyer (SA)' Ill Literate Skill (SA); Hip Hop Pantsula (SA); Dorothy Masuka (SA); Hugh Masekela with Special Guest ‘' Tribute to Mama Afrika''' Gabriel Tchiema (Angola); Allen Stone (USA); Nouvelle Vague (France); Xia Jia (China); Alfredo Rodriguez (Cuba); Kevin Mahogany (USA); The Patti Austin Trio (USA); Marcus Miller (USA) and Third World (USA).

This year’s Cape Town International Jazz Festival will take place on Friday 30 and Saturday 31 March. In its 13th year, the festival continues to titillate South African audiences with the finest in local and international performers at the Cape Town International Convention Centre (CTICC).

Celebrating not only musical creativity, but visual creativity too, The Duotone Photographic Exhibition is an annual fixture of the festival. Every year it commemorates prolific jazz photography to educate people about the power of art & photography, how one image can be timeless and to expose other forms of art , culture and heritage as it is all one form of expression and enjoyment. This year it showcases the works of Nuno Martins (Angola); Sipho Maluka (SA) and Shelley Christians (SA).

One of the most exciting elements to the festival is the annual free Community Concert which brings thousands together in the centre of Cape Town on Green Market Square. This year the concert will take place on March 28th, the Wednesday preceding the festival. The line-up is usually a teaser of some of the local and international acts that will feature at the festival.

The gold sponsors for the Cape Town International Jazz Festival 2012 is the Department of Arts and Culture and the SABC. Other sponsors include Provincial Government of the Western Cape, The City of Cape Town, Oude Meester, Hansa Pilsner, Department of Cultural Affairs and Sport, Cape Town Partnership and the Western Cape Education Department.

For more information visit http://www.capetownjazzfest.com/

KATE McGARRY - GIRL TALK

Kate McGarry, one of her generation's most individual and influential singers, has earned acclaim for blending her love of folk and pop music with jazz fluency and improvisation. As the Nashville Scene said, the sweet-toned, Grammy Award-nominated vocalist "embraces jazz's freedom yet points the genre toward a future that's as fresh and thrilling as its past." With Girl Talk - her fifth Palmetto Records album, to be released April 10 - McGarry pays homage to her role models among the great women of the jazz vocal tradition, from Betty Carter to Sheila Jordan to Carmen McRae. Accompanied by an intimately swinging jazz combo, McGarry puts her own inimitable spin on such classic songs as "We Kiss in a Shadow," "The Man I Love," the winking title track and, as a dream duet with Kurt Elling, the Brazilian "O Cantador." McGarry, although inspired by tradition, makes the album's songs feel utterly contemporary, not only through her distinctly 21st-century musical personality but through the personal emotions and sexual politics at play.

"Starry-eyed admiration and gratitude for our strong lineage of visionary jazz women is what fueled the making of Girl Talk, my first straight-ahead recording in many years," McGarry explains. "As part of my research for the album, I listened to hours of interviews with some of my favorite jazz singers - Sarah Vaughan, Betty Carter, Anita O'Day, Shirley Horn, Nina Simone, Elis Regina, Sheila Jordan, Irene Kral, Abbey Lincoln. There's something so compelling about hearing their speaking voices detailing the struggles and triumphs of their daily lives and journeys - my kind of `girl talk.' These icons were co-creators of the great art of jazz singing at a time in our nation's history when women's voices and dreams were so easily silenced or devalued."

The title track of Girl Talk, a "Mad Men"-era number by Bobby Troup and Neal Hefti, reflects the days when women were supposed to know their place rather than have their own voice. "The lyrics of that song are patronizing, of course," McGarry says. "But I learned it from the LP Betty Carter, Finally, where Betty pretty much obliterates the original lyrical intent and gives the tune a whole new feeling. Her version was a beacon for me. I love how the great women jazz singers didn't allow the songs of the time to define or reduce them - they redefined and expanded the meanings of the songs with their bold storytelling. In doing so, they gave themselves and other women a bigger space to live in."

With "The Man I Love" by the Gershwins, McGarry felt it as "such a sad song, with this idea that you couldn't be complete as a person without finding a man," she says. "We re-set the tune, removing some of the chords, changing some. We slowed it down, made it feel starker. And instead of concentrating on all this man's wonderful qualities, we focused on the words `I'm waiting.' It became more explicitly a cautionary tale." McGarry was moved to arrange the opening number, "We Kiss in a Shadow" (from The King and I), after she read a story about the New Jersey student who jumped off the George Washington Bridge in 2010 after being outed, cruelly, as gay. "To me, it became a song about civil rights," she says. "It's sad, but hopeful. It's written in anticipation of a time, hopefully soon, when people are free to legally love and marry whomever they choose - without having to suffer the discrimination and violence that come from ignorance and fear."

The challenge and opportunity in this album was for McGarry to "honor the tradition these women developed but also allow the music to reflect life today - my life today," she says. "Singing these songs can't be like putting on a costume. I didn't grow up in the ‘30s or ‘40s or ‘50s, and I wouldn't consider myself a traditional jazz singer per se. As someone who has covered everything from Björk to Sting to the Cars, I definitely have my own influences musically, just as I've lived in a world that's so different in terms of media and society. But the elements of harmonic and rhythmic improvisation, of swing, of storytelling - these are where those classic jazz singers and I connect. I see this album as a bridge between the contemporary things I do and the jazz tradition I learned so much from."

McGarry's previous Palmetto release was the Grammy-nominated If Less Is More, Nothing Is Everything of 2008, an album The New York Times called "astute and sensitive" and that impressed author Ted Gioia as "absolutely heartrending." The Boston Phoenix went further, saying: "If you want to know why there's no greater influence on the young generation of post-Joni female jazz singer-songwriters than Kate McGarry, check out her cover of the Cars' `Just What I Needed' - slow, mournful, with spare backing of ghostly organ, brushed drums, acoustic guitar and bass. McGarry is as beholden to folk and pop as to the tradition of Ella-Sarah-Betty, which she also happens to know cold."

Along with guitarist Keith Ganz, McGarry's husband and co-arranger/producer, the band on Girl Talk features musicians who have become like a family for the singer: keyboardist Gary Versace, bassist Reuben Rogers and drummer Clarence Penn. The arrangements range from quartet to trio to duo, with the haunted Jimmy Rowles ballad "Looking Back" featuring the singer with only Ganz's shadowing accompaniment on electric guitar (plus a beautiful acoustic solo).

In the years since the release of her previous album, McGarry and Ganz experienced multiple losses, with the passing of parents and McGarry's beloved singing teacher (Dr. Horace Boyer, a gospel music scholar). Adding to the life changes, the couple relocated to the quieter, more spacious environs of Durham, N.C., after many years of living in New York. Summing up this period and its scene-setting for Girl Talk, McGarry says, "Inevitably, this has been a time of reflection, and the new album represents a celebration of mentors and parental figures of all kinds in my life."

Singer Kate McGarry grew up in Hyannis, Mass., as one of 10 children in a musical family that spent many nights singing. At the University of Massachusetts at Amherst, she earned a degree in African-American music and jazz; she began developing her organic vocal style through early training in jazz performance with iconic saxophonist Archie Shepp, and her experiences studying at a meditation ashram and exploring Celtic, Brazilian and Indian music also contributed to her widescreen vision as a vocalist and composer. After years in Los Angeles, McGarry moved to New York in the late ‘90s; her independently produced sophomore album, Show Me, was picked up by Palmetto Records, making her the first vocalist ever on the label's roster. Jazziz magazine declared about McGarry upon that first Palmetto release, "With this near-flawless album, she has arrived."

In 2005, McGarry's Mercy Streets album - which ranged characteristically from the Peter Gabriel title track to songs by Björk, Joni Mitchell and Irving Berlin - was called "one of the most important vocal albums of the year" by All About Jazz. Featuring originals alongside tunes by Sting and Bill Evans/Miles Davis, her album The Target was named one of the best jazz vocal albums of 2007 by Downbeat. The Downbeat reviewer called the recording "a milestone of maturity," adding: "No matter how many liberties she takes with meter and interpretation, she exercises a fidelity to the meaning of the song. McGarry has the pure untrammeled voice of an ingénue who finds wonder in the simplest of things." Her 2008 album, If Less Is More, Nothing Is Everything, was nominated for a Grammy Award, with The Wall Street Journal calling it "an exceptionally appealing blend of folk and jazz" for its mix of originals, standards, Brazilian tunes and songs by the likes of Bob Dylan. National Public Radio said: "Kate McGarry is called a jazz vocalist, but she's hard to pin down. She draws on the music of her youth to inspire her - from the Irish tunes of her family's roots to musical theater to pop songs."

McGarry has performed on some of the world's most prestigious stages, from Carnegie Hall, Lincoln Center and Birdland to the Berlin Jazz Fest, San Sebastian Jazz Fest and Jazz Baltica. The singer has recorded and toured with such jazz luminaries as Hank Jones, Fred Hersch, Kurt Elling and Maria Schneider. And she has toured Eastern Europe, South America and China on behalf of the U.S. State Department.

http://www.katemcgarry.com/
http://www.palmetto-records.com/

Tuesday, February 21, 2012

RAMSEY LEWIS, SHEILA E., BONEY JAMES, CHRISTIAN MCBRIDE TOPLINE 2012 PLAYBOY JAZZ FESTIVAL

Featuring a world class lineup of talent, the 34th annual Playboy Jazz Festival will present an eclectic roster of Grammy-winning artists, acclaimed jazz icons, rising stars and Festival favorites, Saturday and Sunday, June 16th and 17th, at the renowned Hollywood Bowl.

Showcasing the entire spectrum of jazz, the event annually attracts over 35,000 fans from all over the world. Among the headliners for the two day concert are Ramsey Lewis, Robin Thicke, Ozomatli, Sheila E., Boney James and Christian McBride.

Having played the Festival on numerous occasions, Grammy-winner Ramsey Lewis will take to the Playboy stage for the first time with his popular Electric Band. Known for such chart topping hits as "The In Crowd", "Hang On Sloopy" and more, Lewis continues to captivate fans with his legendary piano playing and the innovative style that have earned him three Grammy awards and seven Gold records. He will perform hits from his classic Sun Goddess album as well as his latest CD, Ramsey Taking Another Look

Currently riding high with the success of his fifth album, Love After War, R&B singing sensation Robin Thicke is making his highly anticipated Festival debut. Before his stunning breakthrough as a hit making singer-songwriter, the Los Angeles native was already composing and producing for such superstar artists as Michael Jackson, Marc Anthony, Christina Aguilera and many others. His debut CD sold nearly two million copies, spawning the mega-hit "Lost Without U", which topped four Billboard charts simultaneously and was named ASCAP's Song Of The Year. His current release, Love After War, features Lil Wayne and debuted on the Billboard 200. Festival fans will be able to experience firsthand the talent that has won Thicke thousands of faithful fans and catapulted him to multi-platinum status.

Celebrated Los Angeles culture-mashers Ozomatli, whose rapid rise to stardom has taken them from hometown heroes to United States Department Cultural Ambassadors, are returning to the Playboy stage for their fifth appearance. Their notorious urban-Latino collision of hip-hop and salsa, dancehall and cumbia, samba and funk, meringue and comparsa, East L.A R&B and New Orleans jazz mixed with Jamaican reggae and Indian raga should once again move the crowd to its feet.

Sure to turn up the heat is the return appearance of the Emmy and Grammy-nominated Sheila E. Making her Festival debut as a leader, she has previously performed several times at the Festival with her legendary father, percussionist Pete Escovedo, and their family's famous band, with whom she still tours. A star in her own right, she has served as the musical director for such superstars as Jennifer Lopez, Beyoncé, and Prince. Known for her mega hit, "The Glamorous Life", she also performed with Prince on his Purple Rain Soundtrack leading to such solo hits as "The Belle of St. Mark" and "A Love Bizarre". She also toured with Ringo Starr and his All-Starr band in 2001, 2003 and 2006 and more recently performed alongside Marc Anthony in the American Idol Season 10 finale.

With four gold albums, three Grammy nominations, a Soul Train Award, and an NAACP award nomination to his credit, Boney James is considered by many to be one of the most influential jazz artists of his generation. Back by popular demand, James will bring his soulful grooves back to the Festival for the fourth time. Having sold over 3 million copies of his 12 albums, (Eight of which made #1 on the Billboard contemporary jazz chart), James produced, arranged and co-wrote his latest CD, Contact. Although the new CD still features James' signature sound, it has an added intensity inspired by his personal life after a serious car accident. Continuing to break down barriers with his music, James continues to make ‘contact' with his fans, connecting with them through his music all over the world.

Philadelphia born bass virtuoso and Grammy winner Christian McBride is one of the most recorded musicians of his generation. Having appeared on close to 300 recordings as a sideman or leader before the age of 40, McBride has played with such high caliber artists as Sting, The Roots, Kathleen Battle, Carly Simon and James Brown to name a few. Making his first Festival appearance with his big band, McBride's first big band album, The Good Feeling, just won the 2012 Grammy for "Best Large Jazz Ensemble". He has performed and recorded with such jazz giants as Herbie Hancock, Wynton Marsalis, Diana Krall, McCoy Tyner, Chick Corea, Roy Haynes, Joshua Redman, and many more. In 2006, he was named to the position of "creative chair for jazz" with the L.A. Philharmonic, taking over from Dianne Reeves. Although he lives in the musical worlds of hip hop, soul and classical music, he continues to be a trailblazer as a band leader and has composed a number of pieces for larger ensembles, showcasing his hallmark energy and versatility.

Since the release of their second album Naturally in 2005, Sharon Jones & the Dap- Kings have become a worldwide sensation. Steeped in the gilded and gritty sounds of gospel, 60s soul and funk, the nine-piece band continues to electrify fans with their fiery live performances and intoxicating, heart-throbbing sound. Their latest CD, I Learned the Hard Way, moved 100,000 copies in just four months out and they have been playing to sell out crowds all over the world. Returning for a second appearance after their triumphant debut a few years ago, Jones & the Dap- Kings will no doubt rock the house once more.

Bringing their ‘party' to the Festival for the first time, The Soul Rebels with special guests Leo Nocentelli, Zigaboo Modeliste and Ivan Neville were founded by New Orleans natives Lumar LeBlanc and Derrick Moss, all of whom are making their Festival debut. An eight piece ensemble harnessing the power of horns and drums in the party-like atmosphere of a dance club, the group honed their skills where most New Orleans bands do -- in the street. Nocentelli, the group's guitarist, has recorded with such major artists as Stevie Wonder, Paul McCartney and Sting. Modeliste, a pioneer of second line funk, has worked with Keith Richards, Robert Palmer and Dr. John. Both of them are original members of the legendary Meters, New Orleans' most famous funk band. Singer-songwriter Ivan Neville, also a multi-instrumentalist, is the son of Aaron Neville and leader of the group Dumpstaphunk. Together they've updated the brass band tradition and taken it a step further by adding hip hop and half sung, half rapped lyrics. The group averages 250 shows a year, playing everywhere from South Africa to Europe and the United States.

Bringing an international flavor to the Festival are the Global Gumbo All-Stars. A creation of the legendary Quincy Jones, the group features acclaimed bassist Richard Bona, noted guitarist Lionel Loueke, drummer Francisco Mela, and young piano phenomenon Alfredo Rodriguez, in a rotating ensemble of top singers and musicians from around the world. Born in Cameroon, bassist Richard Bona has worked as the musical director for Harry Belafonte and toured with Pat Metheny as a percussionist and vocalist. A native of West Africa, Lionel Loueke has performed with Herbie Hancock, Angelique Kidjo, Wayne Shorter, Santana and Sting. Cuban drummer Francisco Mela is a favorite among such elite jazz musicians as Joe Lovano, John Scoffield and others. Since being discovered by Quincy Jones at the Montereux Jazz Festival, young pianist and Jones' protégé, Alfredo Rodriguez has sky rocketed to success, performing with such legendary jazz artists as Herbie Hancock, and McCoy Tyner, playing many of the world's top jazz Festivals.

Returning as Master of Ceremonies for his 31st year, jazz aficionado Bill Cosby will bring his own group of specially chosen musicians to perform. Featured in this year's Cos Of Good Music are: Pianist Farid Barron; noted bassist and composer Dwayne Burno; three time Grammy nominee, world class drummer and percussionist Ndugu Chancler; veteran saxophonist Tia Fuller; guitarist Matthew Garrison; esteemed trumpeter Ingrid Jensen; master jazz percussionist Babatunde Lea; exceptional saxophonist Erena Terakubo. Farid Barron, Tia Fuller, Matthew Garrison, and Erena Terakubo are all making their Festival debut.

Celebrating their 50th anniversary, the Preservation Hall Jazz Band is synonymous with Dixieland and the best of New Orleans jazz and blues. Making a return appearance, the group once again will bring the spirit of the Crescent City to the Playboy stage in another rousing performance. Renowned for their rotating group of local New Orleans musicians who tour throughout the world, the group's mission is to preserve the legacy of the traditional New Orleans and Dixieland jazz typically played on the Mississippi riverboats until the early 20th century.

A Festival favorite, Keb' Mo' will bring the African-American folk-soul vibe of his 2011 collection, The Reflection to the show. A three-time Grammy winner, The Reflection is Mo's first new album since Suitcase in 2006. Featuring such diverse artists as Vince Gill, Dave Koz, India Arie, and David T. Walker, The Reflection is unique as it's not a blues album, but an accumulation of all of Mo's various influences - pre-disco, R&B, American folk, gospel, blues and more that contribute to create the sound uniquely so his own.

Renowned drummer, composer, and producer Terri Lyne Carrington will make her Festival debut with a live performance of her Grammy-winng The Mosaic Project (2011) at this year's show, featuring noted female artists Gretchen Parlato, Carmen Lundy, Tia Fuller (also playing in the Cos Of Good Music), Ingrid Jensen, Helen Sung, Linda Taylor and Mimi Jones, all of whom are making their Festival along with Carrington. After 20 years of touring with such luminaries as Herbie Hancock, Wayne Shorter, Al Jarreau, Stan Getz and many more, Carrington took a hiatus from recording, and returned in 2005. Recently she returned to her hometown of Boston where she was appointed a professor at her Alma Mater, Berklee College of Music.

Although most of the members of the exciting new all-star septet The Cookers have played the Festival at one time or other, this is their debut performance together as a group. One of the hottest bands around, The Cookers summon up an aggressive mid 60s spirit with a potent collection of expansive post-bop originals, marked by all the pyrotechnic playing expected of some of the heaviest hitters on the scene today. Billy Harper, Cecil McBee, George Cables, Eddie Henderson, and Billy Hart all came up in the heady era of the mid ‘60s, while David Weiss and Craig Handy are from a more recent generation. Their version of the band was solidified in 2007 and they have been playing venues around the world ever since. .

Marking their first festival appearance, the all-star group Spectrum Road features devoted Williams protégé Cindy Blackman-Santana on drums, John Medeski (Medeski, Martin & Wood) on keyboards, Vernon Reid (founder and primary songwriter of the rock band Living Colour) and the legendary Jack Bruce (from the psychedelic rock power trio Cream). Spectrum Road is named for one of the incendiary tracks on the Emergency! album by The Tony Williams Lifetime. From his stunning debut with Miles Davis at 17, through his pioneering fusion work with John McLaughlin, Larry Young, Allan Holdsworth and others, the late Tony Williams was one of the most renowned jazz drummers of all time. The four originally joined forces as the Lifetime Tribute Band, playing a series of concerts commemorating Williams' famed group in Japan. In 2011 they reunited, playing high profile jazz clubs throughout North America. The response was so positive, they renamed themselves and began touring as Spectrum Road.

The eight piece ensemble Chico Trujillo will bring the high energy music of Chile to the Playboy stage in their Festival debut. One of the major orchestras in the country, Chico Trujillo pioneered the revival of Chilean Cumbia. Led by vocalist Aldo "Macha" Asenjo, the band is known in its homeland as the ‘soundtrack' to every party, from Arica to Punta Arenas. Their hot, sizzling blend of classic cumbia, bolero, Latin music, Balkan and reggae attracts audiences of all generations. Chico Trujillo has come to symbolize a unique cocktail that has its roots in the pre-Pinochet era and has managed to incorporate all aspects of popular culture in Chile´.

Bringing his hard hitting Afro-pop to the Festival for the first time is KG Omulo, a singer/songwriter and pioneer of Afro-Urban music who regularly packs American clubs with his powerful calls for justice and deep grooves. His ability to take on the dark ironies of politics, with anger in the rhythms, combined with his powerful baritone voice, has made him equally popular in his native Kenya. His songs include English and Swahili lyrics. On his recently released solo debut album Ayah Ye! Moving Train, Omulo taps into the spirit of Bob Marley, Fela Kuti, Marvin Gaye and Stevie Wonder. The band includes some of Central Florida's finest brass and string practitioners, who have collectively worked with Sam Rivers, Ray Charles, T-Pain, Mofrot, The Legendary JC's, Junkie Rush, AM Conspiracy and Shak Nasti.

Opening Saturday's show at 3:00 p.m. is the LAUSD / Beyond the Bell All City Jazz Band under the direction of Tony White and J.B. Dyas. Calabasas High School Jazz Band will open the show on Sunday at 3:00 p.m.

Darlene Chan, president of FestivalWest Inc. is the producer for the Playboy Jazz Festivals for the 34th consecutive year. Hugh Hefner is executive producer and Richard Rosenzweig is President Emeritus of the Playboy Jazz Festival.

Single day tickets will be available through Ticketmaster starting February 10th. Patrons can purchase tickets online at www.ticketmaster.com, over the phone by calling (213) 365-3500 or (714) 740-7878, at any Ticketmaster outlet or by downloading a ticket order form available at www.playboyjazzfestival.c... There is also a link to the Ticketmaster website on the Playboy Jazz Festival website. Tickets may also be purchased at the Hollywood Bowl Box Office beginning May 7th.

http://www.playboyjazzfestival.com/

CATHERINE RUSSELL - STRICTLY ROMANCIN'

Strictly Romancin' is a paean to natural attractions; to a lover, an art form, and to one’s family heritage. On the album, Catherine explores love’s foibles, failures, and bliss, from amorous to humorous, embodying the lost art of song savvy, inhabiting the lyric, and allowing each melody to shine. On this 14 song collection, this ever soulful vocalist takes us on a journey; from Harlem dance hall, to Parisian Café, to Store Front Church, to New Orleans Gin Joint, to Uptown Cabaret, blurring distinctions between the carnal and the eternal, in a musical tour de force.

For these sessions, Catherine reunites with the team from her previous chart topping album, Inside This Heart of Mine, including recording engineer Katherine Miller, producer Paul Kahn, and Musical Director/Guitarist/Banjoist/Arranger, Matt Munisteri, who contributes his expansive vision. Also returning are the cream of New York City based players, trumpet great Jon-Erik Kellso, trombonist John Allred, saxophone/clarinetist Dan Block; this time joined by veteran saxophonist/arranger Andy Farber. Joe Barbato on accordion and Aaron Weinstein on violin add a gypsy flavor on two tracks. The rhythm section includes players from Catherine Russell’s road tested band, including stride and swing connoisseur Mark Shane on piano, the always solid Lee Hudson on bass, and Mark McClean on drums.

The album opens with “Under The Spell of The Blues”; a newly minted version borrowed from the original Chick Webb / Ella Fitzgerald recording. Alone with heartache at the dawn, Catherine sets a mournful tone with her mesmerizing lament.

The classic Dorothy Fields – Jimmy McHugh composition, “I’m In The Mood For Love”, was plucked from the fruitful recording collaboration of Louis Armstrong and Luis Russell. “Everything’s Been Done Before”, from the same source, is an unusual melody. Both are impeccably rendered by Catherine’s lush croon. “Ev’ntide” comes from the same rich period in 1936 when Louis Armstrong was churning out masterpieces for the Decca label, this one written by Hoagy Carmichael, and rarely recorded since. This sunset stroll with that special someone now belongs to Catherine. The sensuous slow dance of “Romance In The Dark”, written by the great Lil Green, dazzles the senses.

The Ellington-Strayhorn spin on breaking up, “I’m Checkin’ Out Goom’bye”, becomes a hilarious conversation between our femme fatale and hard swinging’ trombonist John Allred, aided and abetted by a jet propelled Matt Munisteri arrangement. “No More” is serious soul cleansing, Catherine’s homage to the late Abbey Lincoln, found on Abbey’s very first studio album.

“Satchel Mouth Baby” is a fun and bouncy infatuation written by Mary Lou Williams (a nod to Louis Armstrong). Catherine first performed this at the Kennedy Center’s Women in Jazz Festival in 2010, and it’s highlighted her repertoire ever since; fitting, as Cat’s mom worked with Mary Lou Williams and her dad with Satchel Mouth.

Cat implores “Don’t Leave Me”, a tune written and first performed by blues singer/pianist Ivory Joe Hunter, whose signature style is expertly channeled by pianist Mark Shane. “I Haven’t Changed A Thing”, once recorded by the hit-maker Kay Starr for Capitol Records, and mysteriously unissued, allows Catherine to reassert loyalty and devotion, while unearthing another gem.

"He’s All I Need”, was written and originally recorded by Gospel- cum early rocker, Sister Rosetta Tharpe, and her singing partner of many years, the late Sister Marie Knight. The duet is now reimagined by Catherine & her mother Carline Ray (who turned 86 years young just prior to this recording.)

And who better than Catherine Russell to jump start the spirit of Swing Era giants like Cab Calloway (“Wake Up and Live”), and Henry “Red” Allen (Whatchya Gonna Do When There Ain’t No Swing?”), and bring them into the 21st Century with utterly contemporary flair!

Catherine Russell -Strictly Romancin' Tracklist:
1. Under The Spell Of The Blues
2. I'm In The Mood For Love
3. Wake Up And Live
4. Ev'ntide
5. Romance In The Dark
6. I'm Checkin' Out, Goom'Bye
7. No More
8. Satchel Mouth Baby
9. Everything's Been Done Before
10. Don't Leave Me
11. I Haven't Changed A Thing
12. Everybody Loves My Baby
13. He's All I Need
14. Whatcha Gonna Do When There Ain't No Swing?

DEEP JAZZ – THE MEETING


Deep Jazz is the brainchild of acoustic bass player Jerker Kluge, and The Meeting is the amazing second album from Deep Jazz – and every bit as spiritual and soulful as the first. The arrangements, production, and execution here are wonderful – with no modern tricks or gimmicks to get in the way at all – and in addition to great warm acoustic bass from group leader Jerker Kluge, the set also features alto, tenor, flute, bass clarinet, and piano – plus some great Alice Coltrane-like harp, sweet percussion, and even female vocals on a few cuts.

The Meeting follows on from ther first effort, Heaven And Earth, and kicks off with Freddie Hubbard’s "Little Sunflower" – a song that needs little introduction and is given a sublime take. The Meeting has a  strong spiritual groove throughout, and Julia Fehenberger’s vocals are a featured and are are especially effective on the swinging "Don’t Get Drowned." You'll enjoy the peaceful "East And West" track as well. The Meeting flows, grooves and is essential for lovers of contemporary Jazz that owes a nod or two or three to the sixties. Other titles include the great originals "No Doubt", "The Meeting", "Movement", "Mystic Sky", "Invisible", and "East & West" – plus great versions of "Little Sunflower" and "Spirits Up Above".

Deep Jazz – The Meeting Tracklist:
1. Little Ssunflower
2. No Doubt
3. Movement
4. Mystic Sky
5. Don’t Get Drowned
6. Invisible
7. Coincidence Of Circumstance
8. East And West
9. Sprits Up Above
10.Autumn Sun

Deep Jazz line-up: Julia Fehenberger (Vocals), Andrea Hermenau (Piano, Vocals), Florian Riedl (Flöte, Alt-Saxophon), Till Martin (Tenor-Saxophon), Ulrich Wangenheim (Bassklarinette), Kathrin Pechlof (Harfe), Jerker Kluge (Kontrabass), Diony Varias (Percussion), Matthias Gmelin (Drums)

JASMINE KARA - BLUES AIN'T NOTHING BUT A GOOD WOMAN GONE BAD

Born in a small Swedish town to an Iranian father and a Swedish mother, Jasmine Kara knew as a little girl that music was her calling. Kara started performing at talent shows and took every chance she could get to get up on the stage. Singing and exploring new music was exciting and life ahead seemed beautiful for the young Kara. Then her life took a very dramatic turn. In her mid-teens she fell in love for the first time. But this love soon turned out to be everything but an innocent teenage love affair. Kara quickly found herself trapped in a most abusive and totally destructive relationship and she started sinking deeper and deeper. This very dark period almost took her life. When she was completely down and out, way down at the bottom a miracle happened. Someone gave her a guitar. And she remembered how good music used to make her feel. How music can heal. Shortly thereafter Kara decided to break up and leave. She left the town she grew up in, the relationship that almost killed her - and her old life, in search for a new. She started travelling the world, determined to find a way to make a living as a performing artist.

When Kara arrived in New York she immediately knew she had come home. The city’s music scene in general and it’s jazz, blues and R&B clubs in particular made her realize that this was where she belonged. She started performing all over town and took every chance she could get to sing to anyone who’d listen. Gradually she started noticing how her powerful voice could move her audience, making her even more certain that this was what she needed to do for the rest of her life. However, that dream of a recording contract kept eluding her, depsite promises and close calls.

Eventually she was picked up by new indepenent label Tri-Sound. One of it’s founders was legendary record man Marshall Chess, who ended up as Kara’s Executive Producer on her debut album Blues Ain’t Nothing But A Good Woman Gone Bad. A collection of classic old school blues and R&B-numbers, but with Kara's trade remarkable voice, the album was recorded during 48 hours in the well-renowned Cosmos Studio in Stockholm, Sweden for a 2010 summer release.

The album track list is heavy with adapations of traditional material and blues from the Willie Dixon and old school Chess school – though it's done in a moddish mid 60 style – heavy drums and bass lines, soulful guitars, horns and keys. The album was  was produced by Michel Zitron & Johan Wetterburg, and it includes "Fire", "Are You Doing Me Wrong", "Ain't No More Room", "Try My Love Again", "Must I Holler", "My Babe", "Ordinary Joe", "In The Basement" (Parts 1 & 2), "Grits Ain't Groceries", "Liberation Coversation" and more.

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