Satoko Fujii’s Tokyo Trio to Release First Studio Album Dream a Dream via Libra Records

Highly Anticipated Album Showcases Unique Blend of Composition & Improvisation from Pioneering Jazz Pianist Satoko Fujii

After two successful live recordings, the acclaimed Satoko Fujii Tokyo Trio is set to release their first studio album, Dream a Dream, on March 28, 2025, via Libra Records. This highly anticipated album cements the trio’s place as one of the most innovative piano ensembles in modern jazz, combining improvisation and composition in a way that feels boundaryless and dynamic.

A Bold, Unique Trio Sound

As jazz critic S. Victor Aaron writes, "Satoko Fujii’s Tokyo Trio isn’t even close to being a conventional jazz trio… But it is a Satoko Fujii ensemble in every sense, with the grace, sophistication, surprise, and ingenuity found in every other of her ensembles." With a rare ability to blend structure and spontaneity, the trio creates music that is constantly evolving, surprising, and deeply connected.

Grego Applegate Edwards of Gapplegate Music Review calls the trio’s music “a landmark avant-jazz improv trio,” showcasing Fujii’s distinct voice within the jazz world. The trio's chemistry is evident in their interplay, where each member contributes their voice to create a fluid and intricate sound.

Exploring Composition and Improvisation: Fujii’s Vision

The balance between composition and improvisation lies at the heart of Dream a Dream. Fujii elaborates on her creative approach: “I know improvised music can be exciting, but I like writing notes, too. I like to have these two things together without borders." This unique combination allows the trio to shift seamlessly between composed themes and open-ended improvisation, creating a rich, unpredictable sonic journey.

Fujii continues, “Sometimes I write a lot, but other times I write just a few bars to set the mood. For example, Dream a Dream has a long theme that is very much written, but we improvise and I use parts of the theme to cue a change in feel.” Each track on the album blends these two elements, resulting in a conversation between written and spontaneous music.

The Trio’s Dynamic Performance on Dream a Dream

The tracks on Dream a Dream reflect the trio's growing mastery of this musical synthesis, developed through years of touring and honing their sound. Recorded during the trio’s 2024 European tour, the album captures the essence of their live energy and the seamless integration of composition and improvisation. The music is intricate yet accessible, rich in emotional depth and dynamic range.

Opening track "Second Step" exemplifies the trio’s ability to surprise and engage listeners, beginning with a haunting, unaccompanied piano introduction before transitioning into a collaborative, unpredictable improvisation. The track leads into a rapid-fire drum solo and quirky trio conclusion, showcasing Fujii’s lyrical piano playing and the trio’s tightly-knit synergy.

The title track, "Dream a Dream," moves through contrasting moods, from surreal inside-piano sounds to baroque melodies and rhapsodic conclusions. The piece's evolving structure keeps the listener on their toes, with solos from bassist Sagawa and drummer Takemura highlighting their individual musical voices.

"Summer Day" and "Rain Drop" further emphasize the trio’s nuanced interplay, with staccato notes creating a raindrop-like texture and the music shifting between different combinations of the trio’s instruments. The final track, "Aruku," written during the pandemic, offers a dynamic journey with unexpected stops and contrasts in ensemble balance, commemorating daily walks Fujii took with her husband, trumpeter Natsuki Tamura.

About Satoko Fujii

One of the most original voices in jazz, Satoko Fujii has been pushing the boundaries of improvisation for nearly 30 years. Known for her rumbling intensity and generous restraint, Fujii blends jazz with contemporary classical, rock, and traditional Japanese music, creating a sound that is instantly recognizable. In 2024, Fujii ranked highly in multiple categories in the DownBeat Critics’ Poll, cementing her place as a leading figure in contemporary jazz.

Fujii’s prolific career includes collaborations with notable musicians and ensembles, and she has been recognized for her artistic intelligence with a 2020 Instant Award in Improvised Music. Dream a Dream marks an exciting new chapter in her journey, continuing her exploration of collective improvisation and composition.

Track Highlights from Dream a Dream:

• “Second Step”: A powerful opening track that transitions from haunting piano to intricate trio improvisation.

• “Dream a Dream”: A piece that blends composed melodies with surprising and dynamic improvisations.

• “Summer Day”: A beautiful example of the trio’s collective interplay, featuring lush, spontaneous interactions.

• “Rain Drop”: A track full of unconventional, flowing rhythms and intricate textures.

• “Aruku”: A piece inspired by Fujii’s pandemic walks, full of dynamic contrasts and shifting ensemble balance.

Kenny Dorham’s Blue Bossa in the Bronx: Live from the Blue Morocco - A Never-Before-Heard 1967 Performance

Deluxe Package Features Insights from Grammy Winner Bob Blumenthal, Jazz Experts Dan Morgenstern, Charles Tolliver, Eddie Henderson, Steven Bernstein, Jeremy Pelt, and More

Blue Bossa in the Bronx: Live from the Blue Morocco, a previously unreleased live performance by legendary trumpeter Kenny Dorham, will be available as a limited two-LP set for Record Store Day on April 12, 2025. This thrilling archival release from Resonance Records captures Dorham in his prime at the iconic Blue Morocco jazz club in the Bronx, New York, recorded in 1967.

The collection has been expertly transferred from the original tape reels, remastered by Fran Gala at Resonance Records Studio, and pressed on high-quality 180-gram vinyl at Le Vinylist. The release will also be followed by a deluxe CD edition on April 18.

A Stellar Lineup and Historic Performance

Featuring a powerhouse lineup, Blue Bossa in the Bronx includes Sonny Red on alto sax, Cedar Walton on piano, Paul Chambers on bass, and Denis Charles on drums. The album kicks off with Dorham’s signature composition, “Blue Bossa,” a tune first recorded on Joe Henderson’s 1963 album Page One. The set also includes a dynamic mix of Dorham’s original compositions, standards like “Memories of You” and “My One and Only Love,” and works by jazz legends Charlie Parker, Milt Jackson, and Miles Davis.

A Tribute to Dorham’s Legacy

In the deluxe two-LP set and CD edition, Grammy-winning jazz writer Bob Blumenthal contributes insightful notes on Dorham’s profound impact on the jazz world. Dan Morgenstern, the late director of the Institute of Jazz Studies, offers a special appreciation of Dorham’s musical contributions, while top jazz trumpeters Charles Tolliver, Eddie Henderson, Steven Bernstein, and Jeremy Pelt share their personal reflections on Dorham’s enduring influence.

Produced by Zev Feldman, co-president of Resonance Records, this release marks an essential addition to the celebration of Kenny Dorham’s centenary in 2024. Feldman comments, “This recording cements Dorham’s place as a pivotal figure in modern jazz history, capturing him at a crucial point in his career.”

An Underrated Jazz Giant

Blumenthal eloquently writes about Dorham's significance, describing him as “underrated” and “a musician's musician,” highlighting his unique role in the development of modern jazz. Though Dorham often played in the shadows of more charismatic figures like Dizzy Gillespie, Fats Navarro, and Miles Davis, he was an indispensable force in jazz, collaborating with the era's greatest talents.

In his reflections, Dan Morgenstern offers a poignant tribute to Dorham’s legacy, praising him as “one of my favorite modern trumpeters” and noting his melodious, thoughtful approach to trumpet playing.

The Influence of Kenny Dorham

Several of today’s top jazz trumpeters offer high praise for Dorham’s impact on their own work:

• Eddie Henderson recalls, “From Kenny’s first note, you could tell it was him. His sound was distinct—lyrical and unmistakable. He was one of the heavyweights of that generation.”

• Charles Tolliver remembers, “Kenny crafted a tone and delivery that was inimitable. He was a trumpet hero of mine, and I loved his execution.”

• Steven Bernstein adds, “Kenny had a unique sound that you could identify from one note. He wasn’t just playing the trumpet; he was shaping the instrument to fit his voice.”

• Jeremy Pelt reflects, “Kenny Dorham had a knack for melody, with a harmonic sense that was sleek and sophisticated. He played inside the chord, making every note resonate with meaning.”

A Night to Remember

Engineer Bernard Drayton, who recorded the performance at the Blue Morocco, recalls the electrifying atmosphere: “Kenny’s ability to assemble the best musicians was extraordinary. Despite his health struggles, he was on fire that night. The vibe was pure Dorham.”

Track Highlights

• "Blue Bossa" – Dorham’s iconic composition, presented with fresh energy and precision.

• A mix of Dorham originals and jazz standards, including pieces by Parker, Davis, and Jackson.

• The extraordinary Sonny Red, Cedar Walton, Paul Chambers, and Denis Charles delivering a hard-hitting performance alongside Dorham’s signature trumpet style.

Freddie Hubbard’s “On Fire: Live from the Blue Morocco” – A Heated, Unreleased 1967 Performance

Legendary Trumpeter’s Live Performance Captured at the Peak of His Brilliance, Featuring Bennie Maupin, Kenny Barron, Herbie Lewis, and Freddie Waits

Resonance Records is set to release On Fire: Live from the Blue Morocco, an electrifying, previously unreleased 1967 performance by legendary trumpeter Freddie Hubbard, on April 12, 2025, as a limited three-LP set for Record Store Day. The album captures Hubbard at the peak of his early brilliance in a ferocious live performance recorded at the Blue Morocco, a jazz club in the Bronx, New York, owned by Sylvia Robinson (later co-founder of Sugar Hill Records).

The limited-edition vinyl, which will also be available as a two-CD set on April 18, has been remastered from the original tapes by Matthew Lutthans and pressed at Le Vinylist. It features Hubbard’s fiery performance, backed by a stellar ensemble that includes Bennie Maupin (saxophone), Kenny Barron (piano), Herbie Lewis (bass), and Freddie Waits (drums). This album presents an exciting mix of Hubbard’s original compositions and clever arrangements of jazz standards.

A Pivotal Moment in Hubbard’s Career

This recording offers a rare glimpse into Hubbard's early mastery and the dynamic energy of his live performances. By 1967, Hubbard had firmly established himself as one of the leading trumpeters in jazz, gaining recognition for his work with Art Blakey & the Jazz Messengers and groundbreaking albums for Blue Note and Impulse!. The recordings in On Fire showcase Hubbard’s powerful sound and inventive soloing at the height of his creative output, accompanied by a group of like-minded musicians fully in tune with his visionary approach.

The package includes interviews with Bennie Maupin and Kenny Barron, as well as interviews with prominent jazz trumpeters Charles Tolliver, Eddie Henderson, Steven Bernstein, and Jeremy Pelt, offering unique insights into Hubbard’s influence. Jazz scholar John Koenig contributes an introductory essay, providing context for the performance and exploring Hubbard’s artistry during this crucial period of his career.

Exclusive and Limited Edition Packaging

The three-LP set includes extensive liner notes, photos, and rare memorabilia. This set is a must-have for serious collectors and jazz enthusiasts, documenting a key moment in the development of one of jazz’s greatest trumpet players. The album is produced with the full endorsement of Duane Hubbard, Freddie’s son, ensuring that his father’s legacy is honored.

Zev Feldman, co-president of Resonance Records, comments, “This album captures Freddie Hubbard at the peak of his career. He was already forging his place among the greatest jazz trumpet players of all time. The live setting and the incredible chemistry with his band make this an essential release for fans.”

What the Musicians Are Saying

The musicians who played with Hubbard during this period recall the intensity and excitement of performing alongside him.

Bennie Maupin says, "Playing with Freddie was very intense. It pushed me to step up my game. He had so much experience, and his energy was contagious. It was exciting to be a part of that band."

Kenny Barron adds, "What made playing with Freddie special was the freedom we had. We could shift from straight-ahead jazz to avant-garde in an instant, and Freddie was always the one leading the charge. He made every moment feel alive."

Hubbard’s Lasting Impact on Jazz

Freddie Hubbard’s influence on trumpet playing is legendary. Charles Tolliver reflects, "Freddie was one of my trumpet heroes. He had a unique way of playing that allowed him to deliver powerful solos while keeping the blues and swing alive."

Eddie Henderson notes, “Freddie dominated the trumpet scene in the ‘60s and ‘70s. His compositions were harmonically complex, and his trumpet technique was unparalleled. He set the bar for trumpet players to come.”

Steven Bernstein sums it up: “This recording is insane! It’s one of the most exciting live performances I’ve ever heard. Freddie is on fire. It’s just so good.”

Track Highlights

• Freddie Hubbard leads a fierce performance of his original compositions.

• Standards are given fresh, inventive arrangements, showcasing Hubbard’s flair for reinterpretation.

• The band features Bennie Maupin (sax), Kenny Barron (piano), Herbie Lewis (bass), and Freddie Waits (drums), all elevating Hubbard’s vision to new heights.

Final Thoughts

On Fire: Live from the Blue Morocco is a vital addition to the discography of one of jazz’s most influential trumpeters. Captured live at a pivotal moment in his career, this limited-edition release is an essential piece for collectors, jazz fans, and anyone interested in the genius of Freddie Hubbard.

Charles Mingus’ Late-‘70s Mastery Unveiled on In Argentina: The Buenos Aires Concerts – Three-LP Record Store Day Exclusive

A Revealing Look at Mingus’ 1977 Quintet, Featuring Classic Tracks and Expansive Later Works – Limited Edition Vinyl, Two-CD Set Out April 18

Resonance Records is set to release In Argentina: The Buenos Aires Concerts, a thrilling and long-awaited collection of live performances by jazz legend Charles Mingus. This groundbreaking release, available exclusively as a three-LP set for Record Store Day 2025 on April 12, captures the iconic bassist and composer’s 1977 quintet in two previously unheard performances from his South American tour. It will also be available in a two-CD set on April 18, offering an intimate glimpse into the workings of Mingus’ late-period band.

This collection is the first authorized release of Mingus' 1977 Buenos Aires performances, recorded at Teatro Coliseo and Teatro Sociedad Hebraica Argentina (SHA) on June 2-3, 1977, just months before Mingus was diagnosed with ALS (Amyotrophic Lateral Sclerosis), which ultimately claimed his life in 1979. Released in full cooperation with the Charles Mingus Estate and Jazz Workshop, Inc., this collection highlights the thrilling interaction between Mingus and his outstanding quintet, featuring Jack Walrath (trumpet), Ricky Ford (tenor saxophone), Robert Neloms (piano), and Dannie Richmond (drums).

In Argentina provides an exclusive opportunity to hear live renditions of classic Mingus compositions like "Goodbye Pork Pie Hat" and "Fables of Faubus," alongside later works such as "Duke Ellington’s Sound of Love," "Three or Four Shades of Blue," and "Cumbia and Jazz Fusion." Mingus also performs short solo piano pieces, further showcasing his versatility.

Deluxe Packaging & Special Features

This deluxe edition is a celebration of Mingus’ legacy, with thoughtful liner notes, including an essay by Brian Priestley, author of Mingus: A Critical Biography (1983), and insights from Claudio Parisi, Argentine writer and jazz historian. Additionally, the package includes interviews with Jack Walrath and Ricky Ford, recollections from those who were there, and photographs by Uberto Sagramoso and Tito Villalba, documenting this unforgettable chapter of jazz history.

Mingus’ 1977 quintet had a powerful and unique energy, and the album captures that in full, allowing listeners to experience their infectious chemistry firsthand. As Resonance co-president Zev Feldman puts it, "The band had an amazing energy and simpatico. There was undeniable chemistry, and they just sounded terrific."

A Historic Jazz Document

The In Argentina release represents an essential addition to any jazz lover’s collection, offering a rare and fascinating window into one of Mingus' most overlooked lineups. For years, the 1977 quintet remained largely undocumented, with only a handful of bootlegs surfacing over time. Now, thanks to this official release, Mingus' final working band receives the attention it truly deserves.

In his essay, Priestley emphasizes the importance of this release, noting how the In Argentina concerts have long been underappreciated. "Mingus always surrounded himself with incredible musicians," Priestley writes. "And this group, despite the challenges it faced, remains one of his best."

Track Highlights & Performances

In Argentina captures some of Mingus' most fiery performances, including:

• “Goodbye Pork Pie Hat” – A touching, timeless classic

• “Fables of Faubus” – One of Mingus’ most famous political works

• “Cumbia and Jazz Fusion” – A Latin-infused track that exemplifies Mingus’ boundless creativity

• “Three or Four Shades of Blue” – A stunning exploration of color and mood

• “Duke Ellington’s Sound of Love” – A tribute to one of Mingus’ greatest influences

Final Thoughts

For those looking to explore the depth and innovation of Charles Mingus, In Argentina: The Buenos Aires Concerts is a must-have. Whether on vinyl or CD, this set provides a rare chance to hear Mingus in a pivotal moment of his career, with a band that fully realized his bold, adventurous musical vision.

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Pre-order In Argentina: The Buenos Aires Concerts on Record Store Day (April 12) and CD (April 18).

Track Listing:

LP Edition:

• Side A:

  1. Goodbye Pork Pie Hat

  2. Fables of Faubus

  3. Cumbia and Jazz Fusion

• Side B:

  1. Duke Ellington’s Sound of Love

  2. Three or Four Shades of Blue

  3. A Short Piano Solo (by Mingus)

• Side C:

  1. Fables of Faubus (Continued)

  2. Three or Four Shades of Blue (Continued)

CD Edition (Bonus Tracks):

• Full concert performance with unreleased tracks and improvisations from Mingus and the quintet.

Guitarist Rez Abbasi’s Acoustic Quintet Releases New Album Sound Remains

Sound Remains Marks a New Chapter for Abbasi’s Acoustic Quintet, Featuring Master Percussionist Hasan Bakr

Rez Abbasi, the acclaimed guitarist and 2021 Guggenheim Fellow, continues to push the boundaries of jazz with the release of Sound Remains, his latest album with the Rez Abbasi Acoustic Quintet (RAAQ). Slated for release on June 6, 2025, via Whirlwind Recordings, Sound Remains brings a fresh dynamic to Abbasi’s long-standing ensemble, expanding their sound with the addition of master percussionist Hasan Bakr.

This marks the third album from the Rez Abbasi Acoustic Quintet, following the success of Natural Selection and Intents and Purposes. The new album continues to showcase the synergy between Abbasi, vibraphonist Bill Ware, bassist Stephan Crump, and drummer Eric McPherson, while Bakr’s rich, Gullah-Geechee-inspired percussion adds an exciting new layer to the group's sound.

Acoustic Guitar Brilliance Meets Percussion Innovation

Abbasi, known for his innovative use of the steel-string acoustic guitar in jazz, uses this record to explore the intimate and emotive qualities of the instrument. The album captures Abbasi’s desire to return to his acoustic roots, where every note played on the guitar is accentuated by the organic interplay of the ensemble. Abbasi shares, “I wanted to reconnect with the intimacy of my acoustic group, where all I play is acoustic guitar. The addition of percussion improvisation with the band gave a new edge to my tunes.”

Sound Remains: A Journey of Presence and Mindfulness

Sound Remains is a deeply personal and reflective work, unfolding as a meditation suite that explores themes of presence, mindfulness, and the dissolution of ego-driven attachment. Abbasi, who has found peace and clarity through meditation, says, “When I reach that space, often the only thing that remains is sound.”

The album features a series of intricate compositions, with each track reflecting Abbasi's philosophical exploration of life’s impermanence and the deep emotional connection he shares with his band. Notable tracks include:

• “Presence”: A rolling 12/8 groove that showcases the interaction between guitar and vibes.

• “You Are”: A track where Bakr’s percussion propels Abbasi into an incandescent solo.

• “Folk’s Song”: A beautiful duet between guitar and vibes, serving as a tribute to Abbasi’s late mother, reflecting on the value of life in the face of mortality.

• “Spin Dream”: A rhythmic metaphor for the circular confusion of life, shifting between groove and swing.

• “Purity”: A soulful, uplifting track that closes the album with a gospel-like resonance.

The album also features a spontaneous interpretation of John Coltrane’s Lonnie’s Lament, performed on fretless guitar, showcasing the band’s fluid creativity and mutual musical empathy.

A Truly Special Recording

Abbasi speaks highly of his band’s collaborative effort in capturing Sound Remains. “Eric’s use of space complements Hasan’s rhythmic feel beautifully. Bill’s sound on vibes is uniquely his own, and Stephan’s presence on bass is commanding. We captured something truly special on this record.”

Sound Remains will be available in LP, CD, and digital formats, allowing listeners to experience the raw emotion and intricate musical interplay that defines this album.

About Rez Abbasi

Rez Abbasi is a multifaceted artist whose genre-defying approach to jazz has earned him recognition and praise from publications like The Wall Street Journal, The New York Times, and NPR. Born in Karachi, Pakistan, Abbasi has lived and studied in various cultural contexts, blending jazz with influences from classical music, Indian traditions, and beyond. His wide-ranging projects have earned him a place alongside jazz greats like Bill Frisell and Pat Metheny in DownBeat’s International Critics Poll.

With 17 albums to his name and numerous composition grants, Abbasi continues to forge new paths in jazz. His latest projects include Charm, a collaboration with sitarist Josh Feinberg, and Django-shift, a reimagining of Django Reinhardt's compositions. He also continues to expand his musical horizons with his long-standing group RAAQ and other exciting collaborations.

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Craft Recordings & Jazz Dispensary Celebrate 50th Anniversary of The Blackbyrds’ City Life with Deluxe Reissue & Expanded Digital Edition

Out May 30th, the iconic 1975 jazz-funk album features classics like “Happy Music” and “Rock Creek Park”

Los Angeles, CA (March 25, 2025)—Craft Recordings and Jazz Dispensary are thrilled to announce the upcoming reissue of City Life, the chart-topping 1975 fusion masterpiece from The Blackbyrds. This special 50th anniversary edition, arriving on May 30th, will bring fans a remastered vinyl release as part of the Top Shelf series, along with a deluxe digital edition packed with bonus tracks.

The vinyl reissue, mastered all-analog by Kevin Gray at Cohearent Audio, comes pressed on high-quality 180-gram vinyl at RTI. Housed in a gatefold tip-on jacket, this release brings the timeless grooves of The Blackbyrds back to life. Additionally, the deluxe digital edition will feature five bonus tracks, including rare gems like a previously unreleased extended cut of “All I Ask,” the disco mix of “Happy People,” and the 12-inch version of “Rock Creek Park.”

In celebration of the album’s legacy, Jazz Dispensary is also releasing a brand-new official Blackbyrds T-shirt, designed by the acclaimed Madalyn Stefanak, inspired by the iconic Rock Creek Park music video. The exclusive shirt will be available at the Craft Recordings store.

City Life features some of The Blackbyrds’ most unforgettable tracks, including the fan-favorite “Happy Music,” the soulful title track, and the legendary “Rock Creek Park,” which has been sampled extensively by artists such as De La Soul, Nas, and Massive Attack. The album quickly became a fan favorite, topping the Billboard Top Jazz LPs chart and landing on the Billboard 200.

Keith Killgo, founding member of The Blackbyrds, reflects: “Recording City Life was a truly exciting and fulfilling experience. It’s humbling to see this record continue to resonate with fans. I’m grateful for everyone who helped bring this 50th anniversary reissue to life.”

Track Listings:

Vinyl (LP):

• Side A: “Rock Creek Park,” “Thankful ‘Bout Yourself,” “City Life,” “All I Ask”

• Side B: “Happy Music,” “Love So Fine,” “Flying High,” “Hash And Eggs”

Deluxe Digital Edition:

• “Rock Creek Park,” “Thankful ‘Bout Yourself,” “City Life,” “All I Ask,” “Happy Music,” “Love So Fine,” “Flying High,” “Hash And Eggs”

• Bonus Tracks: “Happy Music” (Single Version), “Happy Music” (Disco Mix), “Rock Creek Park” (Single Version), “Rock Creek Park” (12-Inch Version), “All I Ask” (Long Version)*

*Previously unreleased

Myles Sanko’s Let It Unfold: A Bold Step Towards Artistic Independence and Personal Growth

Myles Sanko has always walked his own path in the world of Soul/Funk music, and with his latest album Let It Unfold, he takes a monumental leap forward—both creatively and personally. After releasing Memories of Love in 2021, which left a lasting impression with its fusion of soul, jazz, and hip-hop, Sanko’s newest work marks a continuation of his musical evolution. For Let It Unfold, Sanko has embraced full creative control, handling everything from writing, composing, and arranging to recording, mixing, and producing the album through his own label, 213 Music.

This album is a deeply personal reflection of Sanko’s journey, addressing themes of self-acceptance, healing, and embracing vulnerability. For Sanko, Let It Unfold serves not just as a musical project but as a form of therapy—an opportunity to confront past childhood traumas and empower himself toward future dreams. The title itself is symbolic of the gradual process of personal growth and emotional healing, inviting listeners to experience Sanko’s path to self-love, one song at a time.

Drawing inspiration from his Ghanaian roots and his love for soul, jazz, and hip-hop, Sanko masterfully blends these influences to create a contemporary sound all his own. The resulting album feels rich with emotional depth and authenticity, showcasing his ability to merge genres seamlessly while preserving his unique artistic vision. His approach to songwriting has grown more refined, and his voice, already impressive on his previous album, reaches new heights in this record.

As one reviewer noted, Let It Unfold marks a distinct continuation of Sanko’s excellence, with standout tracks that speak to his musical growth. The album opens with the title track, “Unfold,” where trumpeter Samuel Evans sets the tone right from the start, with guitarist Chris Booth following through, ensuring the rest of the album carries this polished and sophisticated sound. Throughout the album, Sanko’s vocals are as dynamic as ever, exhibiting a new level of musicality that draws from the entire history of soul music.

Fans of the great Motown era will undoubtedly appreciate the vibe Sanko channels through his work, but this album offers more than just nostalgia—it brings a fresh, contemporary edge to the genre. His voice, arrangements, and compositions stand out with the same strength and originality as soul icons like Tower of Power or Ghost-Note, proving that Myles Sanko is carving his own niche in the world of modern soul. Tracks like “Stronger” reflect the weight and power of his lyrics, which play a key role in the album’s emotional resonance.

The musicianship on Let It Unfold is top-notch, with Sanko surrounded by a stellar group of musicians who complement his vision perfectly. The album features Tom O’Grady on piano and Rhodes, Jon Mapp on bass, Chris Booth on electric guitar, Ric Elsworth on drums, vibraphone, marimba, and congas, Gareth Lumbers on saxophone and flute, and Samuel Ewens on trumpet and flugelhorn. Their contributions are seamless, elevating Sanko’s vocal delivery and reinforcing the album’s powerful message of healing and growth.

With Let It Unfold, Sanko not only showcases his refined songwriting and production skills but also proves that he belongs on the international stage. The album’s well-structured tracklist takes listeners on a journey through different musical landscapes. From the soulful groove of “Won’t Be Lonely” to the brilliant closing track “Say It,” the album never fails to captivate. Every track feels like a carefully crafted piece of art, and the 11 songs seem to pass by far too quickly.

As one listener put it, “The album is a hypnotic experience”—and it’s easy to see why. The perfect blend of jazz, soul, and funk, Let It Unfold is an album that will resonate with fans across genres, from soul and funk lovers to jazz enthusiasts. It’s a testament to Myles Sanko’s growth as an artist, and it’s no surprise that it’s earned the coveted "Indispensable" status from our team. With his unique style, emotional depth, and undeniable talent, Sanko has solidified his place as one of the most exciting contemporary voices in soul music.

Whether you're already a fan of his work or new to Myles Sanko's music, Let It Unfold is an album you won’t want to miss. It’s a bold, intimate, and empowering statement from an artist who continues to evolve and push boundaries.

Steve Knight Returns with For Years Gone: A Journey Through Jazz and Soul

Since the release of his 2022 debut album, Persistence, guitarist and composer Steve Knight has been riding a wave of success. With a jam-packed schedule that includes a weekly residency at a chic Chicago restaurant, community performances at a local high school, and a dozen gigs each month at clubs across the city, Knight has firmly established himself as a key figure in Chicago’s vibrant jazz scene. And now, with the release of his new album For Years Gone, he’s poised to be even busier.

Persistence earned rave reviews, including a four-star rating from DownBeat. All About Jazz described it as “engaging at every level: harmonic, melodic, rhythmic... this entire production works very well, whatever one's taste in guitar heroes might be." Take Effect praised it as “an excellent first album, highly technical and delivered with grace and adventurousness,” highlighting Knight’s ability to blend pop, funk, blues, and R&B into his jazz repertoire.

Knight’s journey began in Olathe, Kansas, where he started playing guitar at the age of 12. He went on to major in theater at Emporia State University but found himself equally drawn to music. Split between the theater and music departments, Knight played in pit orchestras, big bands, and faculty combos while teaching guitar at the university. His career took him to New York City, where he performed on Carnival Cruise Lines before studying under jazz guitar greats like Mark Whitfield, Peter Bernstein, and the late Jack Wilkins.

In 2016, Knight relocated to Chicago, where he dove into the local jazz scene. He also became involved in the community, creating the popular "Jazz in the Yard" event during the Covid-19 lockdown, which is now in its sixth season, attracting hundreds of attendees each week.

Joining Knight on For Years Gone are bassist Justin Peterson, a Las Vegas native who also played on Persistence, and drummer Linard Stroud, both established names on the Chicago jazz scene.

The album opens with “Lure,” a blues composition that Knight penned for the record. He explains, “The blues is where all jazz comes from. It’s not easy to write a great blues, but I wanted to lure the listener in with this composition, using different chords to create melodic tension.”

Another highlight is his rendition of “Pure Imagination,” a beloved ballad Knight has performed for years. He appreciates how the song’s unexpected phrases and key changes make it an ideal vehicle for jazz.

Knight pays homage to jazz legend Roy Haynes with his original composition “Cracklin’,” while his take on Pat Martino’s “Colossus” delivers high-energy, intense playing. For a more introspective moment, the title track, “For Years Gone,” was written in memory of his late mother.

The album also features “Kothbiro,” a haunting African song by Kenyan musician Ayub Ogada, which Knight discovered in the film The Constant Gardener. Another standout is his reimagining of George Harrison’s “Something,” which he transforms into a unique jazz piece by playing the iconic intro in 7/4 time.

Knight’s version of Joni Mitchell’s “Urge for Going” captures the song's powerful lyrics, creating two distinct solo sections that reflect the metaphorical and meteorological journey of the seasons.

He also revisits two jazz classics: Charlie Christian and Benny Goodman’s “7 Come 11,” which he updates with a funky twist, and “In a Sentimental Mood,” which Knight reinterprets as an uptempo burner, inspired by Ed Cherry’s organ trio version.

On For Years Gone, Steve Knight’s focus is on melody, groove, and storytelling through his guitar playing, never overwhelming the listener with unnecessary technical displays. Supported by a group of like-minded musicians, this album is a testament to Knight’s mastery of both original compositions and reinterpretations of well-known jazz and pop standards.

Jeffrey Gimble’s Long-Awaited Album Brand New Key Celebrates Jazz, Soul, and Growth

Jeffrey Gimble’s second album, Brand New Key, is a captivating mix of classic standards, lesser-known gems, and a few tracks that absolutely deserve to become standards. It marks the vocalist’s long-anticipated return since his 2013 debut, Beyond Up High. All About Jazz praised his debut, calling it “quite frankly, terrific in style, swing, and swagger.” With Brand New Key, Gimble continues to showcase his refined artistry, capturing the essence of jazz while introducing fresh interpretations that reveal his growth as a performer.

The album features a stellar lineup of Los Angeles musicians, including acclaimed pianist and composer Josh Nelson, who also produced the album. Guitarist Larry Koonse, bassist Dan Lutz, and drummer Dan Schnelle round out the band. Gimble had long hoped to collaborate with Nelson. “Josh is such a brilliant pianist and arranger," he says. "We kept talking about doing a project together, and I thought, how could I not? He’s one of my closest friends and one of the best pianists in town.”

Gimble’s musical journey began in a jazz-filled home in Houston, where he accompanied his bandleader father to gigs, immersed himself in his family's vast jazz record collection, and played piano and sang. It was during these formative years that he first encountered the Great American Songbook and the works of American musical theater, sparking a lifelong love of jazz.

Brand New Key reflects Gimble’s passion for the music of the '60s and '70s while delving into his own musical evolution. "I think the real reason I chose the title Brand New Key is because it signifies that I’m a different singer now," he explains. "I’m bringing something to the table that I didn’t have before. I’m full of new ideas and excited about where I can take a song.”

The album opens with a fresh take on the 1926 jazz standard "Bye Bye Blackbird." Inspired by old-school R&B, Gimble gives it a funky groove, influenced by Curtis Mayfield’s soul-driven style. Another standout track is "Tryin’ Times," originally recorded by the legendary Roberta Flack in 1969. A call for unity and love in the face of adversity, Gimble honors the song’s timeless message with sensitivity, while mixing in real-life street sounds for added texture.

Among the highlights is Gimble’s interpretation of the Rodgers and Hart classic "I Didn’t Know What Time It Was," from their 1939 Broadway musical Too Many Girls. The lyrics' joyful spirit resonate deeply with Gimble, who has always admired the duo's lyrical prowess.

Gimble also pays tribute to his childhood love of bossa nova with a Portuguese rendition of "A Rã (A Frog)." His deep admiration for bossa nova icons like Sérgio Mendes has been with him since childhood. A nostalgic memory of spotting Mendes backstage at a concert at age four has stayed with him, fueling his lifelong affection for the genre.

In another moment of serendipity, Gimble and Nelson spontaneously recorded "The Nearness of You," a song they frequently perform together during gigs. What started as a casual jam session ended up as a track the two felt deserved to be on the album.

The title track, “Brand New Key,” a pop hit by Melanie from 1971, adds a fun and playful twist to the collection. "It’s a little sexy, a little goofy, and I really enjoy singing it," Gimble says, adding that it was the first record he ever bought. His cover of Dena DeRose's "In the Glow of the Moonlight" draws him in with its unexpected melody shifts and octave leaps, a perfect match for his voice.

The album’s closer, "Music’s The Only Thing That’s on My Mind," pays homage to his childhood, recalling the moments when his father played "Sweet Adeline." "The music that he taught me reached right out and caught me," Gimble reflects. "Music’s the only thing that’s on my mind."

Gimble’s father, Maynard Gimble, always encouraged him to follow his heart, and that’s precisely what he’s done with Brand New Key. With Nelson’s brilliant arrangements and the band’s stellar musicianship, the album is a heartfelt, personal journey that resonates with listeners on multiple levels.

Brand New Key will be released on Café Pacific Records and will be available on Bandcamp (physical copies) and all streaming platforms on April 4, 2025.

Celebrating Dionne Warwick: The Ultimate Box Set Chronicles Her Legendary Scepter Recordings

Dionne Warwick, one of the most iconic and successful vocalists in music history, is being celebrated like never before in a newly released, deluxe 12CD box set, Make It Easy On Yourself: The Scepter Recordings 1962-1971. This collection serves as a definitive tribute to the legendary six-time Grammy Award winner, who was recently inducted into the 2024 Rock & Roll Hall of Fame. For music lovers, this is a once-in-a-lifetime opportunity to experience the unparalleled voice and groundbreaking collaborations of a true music icon.

A Monumental Collection of Timeless Music

The box set is the first-ever comprehensive collection to chronicle the first decade of Warwick’s illustrious career, focusing on her collaborations with the celebrated songwriting duo Burt Bacharach and Hal David. Their partnership was integral to creating some of the most timeless pop and soul songs in music history, and this set highlights those era-defining tracks that made Warwick an international sensation.

Spanning 12 CDs, the collection includes an impressive 280 tracks, encompassing every original Scepter album and single release from 1962 to 1971. It also features over 60 rare bonus tracks, including 16 previously unreleased studio outtakes and live performances—totaling more than 14 hours of Dionne’s iconic vocals.

One of the standout features of the set is the exclusive bonus disc, ALWAYS SOMETHING THERE: LIVE & STUDIO GEMS FROM THE SCEPTER VAULTS, which includes a lost 1969 concert from Washington, D.C. that had never been heard before. For longtime fans and new listeners alike, this concert serves as an unforgettable window into the energy and talent that made Warwick one of the world’s most beloved entertainers.

Rediscovering Classic Hits and Unheard Gems

The box set also includes alternate takes of classic songs like “Don’t Say I Didn’t Tell You So,” “Who Gets the Guy,” “Walk the Way You Talk,” and “We’ve Only Just Begun.” Fans will be treated to a wealth of new material, including the official CD debut of the rare duet between Warwick and Leslie Uggams on Bacharach & David’s “Try to See It My Way,” as well as the soundtrack versions of Warwick’s songs from the film The Love Machine. These previously unreleased tracks and alternate versions provide a fresh perspective on Warwick’s artistry and vocal brilliance.

A Career That Redefined Popular Music

Dionne Warwick made history in the mid-1960s as the first Black female solo artist to break through internationally, particularly in the UK and Europe. Her elegant blend of pop and soul produced some of the most unforgettable songs of the era, including “Walk on By,” “I Say a Little Prayer,” “Alfie,” and “Do You Know the Way to San Jose.” Her unique vocal style and emotional depth set her apart and created a legacy that continues to resonate today.

Other key tracks featured in the box set include “Don’t Make Me Over,” which became a cornerstone of her career, as well as “I’ll Never Fall in Love Again,” which won her a Grammy. The set also includes “You’ll Never Get To Heaven (If You Break My Heart),” “Message To Michael,” “Promises, Promises,” and many more hits that solidified her as one of the most important voices in music history.

A Richly Detailed and Beautifully Presented Set

Make It Easy On Yourself is not only a musical treasure trove but also a beautifully designed package. The 64-page booklet that accompanies the set is a work of art in itself, offering an in-depth 12,000-word essay by Joe Marchese. Drawing on unpublished interviews with Dionne Warwick and the late Burt Bacharach, the essay delves into the heart of Warwick’s career and the lasting impact of her collaborations with Bacharach and David. The booklet also features a personal reflection from David Nathan, the British Ambassador of Soul, as well as an appreciation of Dionne’s groundbreaking gospel album The Magic of Believing by Tim Dillinger of God’s Music Is My Life.

The set’s production team, including executive producer David Nathan, producers Joe Marchese and Jim Pierson, designer John Sellards, and mastering engineer Nick Robbins, have worked meticulously to ensure the set is a high-quality presentation of Warwick’s music. With detailed discographical annotations for each track, the set offers fans a deeper understanding of her legacy.

The Ultimate Tribute to a Global Icon

As the 225th reissue from SoulMusic Records, Make It Easy On Yourself: The Scepter Recordings 1962-1971 completes the trilogy of box sets celebrating Dionne Warwick’s incredible recording career, alongside Sure Thing: The Warner Bros. Recordings 1972-1977 and Déjà Vu: The Arista Recordings 1979-1994.

This box set is the ultimate tribute to an artist whose influence on pop, soul, and popular music cannot be overstated. With full cooperation from Warwick herself, this collection captures the essence of her extraordinary career and serves as a fitting tribute to her legacy as a global music icon.

“I am so very thrilled about this wonderful collection of my recordings! It is truly something that I myself would buy,” said Dionne Warwick upon the release of the box set, further solidifying her deep connection to her remarkable body of work.

For collectors and music lovers, Make It Easy On Yourself: The Scepter Recordings 1962-1971 is a must-have, a fitting tribute to the legendary Dionne Warwick and her extraordinary contributions to the world of music.

Cerrone's "Disco Symphony" – A Revolutionary Reimagining of Classic Hits with the Symphony Orchestra of Cannes

French disco legend Cerrone is back with a groundbreaking project that brings his iconic tracks into a whole new light. In his new album, “Disco Symphony,” Cerrone revisits 21 of his greatest hits, transforming them into symphonic masterpieces. Performed with the Symphony Orchestra of Cannes and conducted by the legendary Randy Kerber, this album offers a fresh and exhilarating way to experience Cerrone's classic disco anthems.

With over 50 musicians contributing to the orchestra, "Disco Symphony" brings together the energy of 70s disco with the grandeur of classical music, blending two seemingly disparate worlds into a stunning musical experience. The album delivers an emotional journey through Cerrone’s disco catalog, blending lush orchestrations with the infectious beats and melodies that made him a global sensation.

Tracklisting of "Disco Symphony"

CD 1:

1. Love in C Minor
2. Look for Love 2024
3. Cerrone's Paradise
4. You Are the One
5. For You
6. Rocket in the Pocket
7. All We Are
8. The Impact
9. Je Suis Music
10. Give Me Love

CD 2:

1. Love Is Here
2. My Desire
3. The Only One
4. Africanism
5. Percs Solo
6. Drum Symphony
7. Not Too Shabby
8. Hooked on You
9. Took Me So Long
10. Supernature
11. A Part of You

A Timeless Fusion of Disco and Classical Music

In “Disco Symphony”, Cerrone has taken his renowned disco hits and infused them with symphonic elements, creating a one-of-a-kind experience for listeners. The album celebrates the timeless appeal of his music while showcasing the intricate beauty and grandeur of orchestral arrangements. Under the direction of Randy Kerber, who is renowned for his work with some of the world’s greatest artists, the Symphony Orchestra of Cannes breathes new life into Cerrone's celebrated tracks.

From the sweeping strings in "Love in C Minor" to the dramatic buildup of "Supernature," Cerrone’s sound has been transformed into something far beyond the world of disco. Each track has been meticulously crafted, ensuring that both fans of the original songs and newcomers will appreciate this unique reimagination.

Cerrone’s Legacy: A Pioneer of Disco Music

For over four decades, Cerrone has been at the forefront of the disco movement. Known for pioneering the fusion of electronic music with symphonic orchestration, he revolutionized the genre in the late 70s and early 80s. Tracks like “Supernature” and “Love in C Minor” became global hits and cemented Cerrone’s status as a true legend of the disco era.

With “Disco Symphony,” Cerrone continues to push the boundaries of music, inviting listeners to experience his catalog in a new and captivating way. The album stands as a testament to his ability to evolve and adapt, all while maintaining the core energy that made him a household name in the world of music.

Lance Ferguson Set to Release L'océan de toi Soundtrack – A Tribute to the Long-Lost 1981 French Film

Acclaimed musician and composer Lance Ferguson is set to release his much-anticipated album L'océan de toi on March 28th digitally, followed by a physical release on LP and CD on April 4th via Pacific Theatre Records. This album features Ferguson’s newly composed soundtrack for the long-lost 1981 French film of the same name, which, despite its initial obscurity, now finds new life through Ferguson's evocative score.

The album transports listeners into a world of cinematic soundscapes, blending French nostalgia with modern touches that highlight Ferguson’s signature style. Drawing inspiration from the film’s ethereal tone, Ferguson has crafted a soundtrack that weaves together lush arrangements, evocative melodies, and atmospheric instrumentation, making it a must-listen for both film score enthusiasts and fans of his past work.

The Swimming Pool – The Second Track from L'océan de toi

Ahead of the album's full release, Ferguson has dropped the second track from the album, titled “The Swimming Pool.” Available now, the track perfectly captures the sensibilities of the film and invites listeners into its emotionally charged atmosphere. With its smooth yet haunting melody, “The Swimming Pool” exemplifies Ferguson's ability to marry cinematic depth with accessible music, offering a glimpse into the album’s dynamic range.

A Rediscovered Treasure

The soundtrack is a revival of a piece of cinematic history that many may not have experienced before. The original 1981 French film L'océan de toi was largely forgotten over time, but Ferguson’s reimagining of its music provides a new opportunity for fans of French cinema and soundtrack aficionados to connect with this hidden gem.

With L'océan de toi, Ferguson not only reintroduces a long-lost film but also redefines how music can breathe new life into forgotten works. The album is a celebration of cinematic scores that transcend time, capturing the essence of the film while adding Ferguson’s distinct musical flair.

Available Soon

L'océan de toi will be available digitally on March 28th, followed by a physical release on LP and CD on April 4th. For those looking to experience the album live and immerse themselves in its atmospheric compositions, further performance details will be announced soon.

Whether you’re a fan of Lance Ferguson’s previous projects or discovering his work for the first time, L'océan de toi promises to be a journey worth taking, both musically and emotionally.

Stay tuned for more updates, and make sure to listen to “The Swimming Pool” now to get a taste of what’s to come!

Ute Lemper Celebrates Kurt Weill's 125th Birthday with New Album Pirate Jenny

Acclaimed singer and actress Ute Lemper is set to release her highly anticipated new album, Pirate Jenny, on April 25 via The Audiophile Society. The album marks a special tribute to Kurt Weill, the revolutionary composer, in celebration of his 125th birthday. Nearly four decades after her groundbreaking album Ute Lemper Sings Kurt Weill, Lemper presents a fresh, electrifying reimagining of Weill’s iconic songs, blending his timeless melodies with a modern groove.

First Single “Mack the Knife” Now Available

To kick off the celebration, Ute Lemper has released the first single, "Mack the Knife", on March 2—the very day of Kurt Weill’s 125th birthday. This marks the beginning of a journey through Weill’s music, with upcoming singles like “Speak Low” from One Touch of Venus and “Pirate Jenny” from The Threepenny Opera.

Pirate Jenny showcases Lemper’s sultry vocals and atmospheric beats, merging classic Weill with modern rhythms. With The Audiophile Society’s Mega-Dimensional Sound™, the album transports listeners to a smoky Berlin jazz club, evoking the spirit of Lemper’s iconic roles as Sally Bowles in Cabaret and Velma Kelly in Chicago.

A Bridge Between Eras: "Weimar Meets the Club"

Lemper explains her vision for Pirate Jenny: “This project is about creating a new audience for Kurt Weill by blending his timeless melodies with a contemporary groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.”

Live Performances at 54 Below

To further bring Pirate Jenny to life, Lemper will perform some of Weill’s most beloved classics live at 54 Below in New York City on Tuesday, May 27 and Thursday, May 29. Don’t miss this opportunity to experience these unforgettable songs in an intimate setting.

A Legacy of Reinvention: Ute Lemper's Musical Journey

A Billboard Crossover Artist of the Year, Ute Lemper has built an illustrious career that spans a wide range of musical styles. Known for her powerful interpretations of legends like Marlene Dietrich, Edith Piaf, and Jacques Brel, Lemper has also collaborated with modern icons such as Tom Waits, Nick Cave, Elvis Costello, and Roger Waters (in The Wall: Live in Berlin).

With Pirate Jenny, Lemper reinvents Kurt Weill’s classic works for today’s audience, blending cabaret, jazz, and groove into a thrilling new experience. This album is not just a revival—it’s a re-invention of the music that shaped generations.

Tracklist & More

• First Single: "Mack the Knife" – Available Now
• Full Album Release: Pirate Jenny – Out April 25, 2024
• Live Performances: Ute Lemper at 54 Below – May 27 & 29, 2024

Calibro 35 Unveils Official Video for New Single "Reptile Strut" - First Track from Upcoming Album Exploration

Calibro 35, the acclaimed instrumental cinematic funk collective, has released the official video for their new single "Reptile Strut". This track serves as the first preview of their highly anticipated upcoming album Exploration, set to drop worldwide on June 6. Watch the official video now and experience the unique visual and musical energy of the band.

Watch the Official Video for "Reptile Strut"

The video for "Reptile Strut," directed by Matteo Castiglioni, offers a captivating visual journey, blending vintage footage, studio shots, graphic inserts, and animation. Inspired by 60s and 70s cinema aesthetics, the video tells the story of a green lizard mutated by atomic radiation into a Godzilla-like creature. This imagery, shifting from regeneration to destruction, explores the powerful theme of transformation.

Matteo Castiglioni, who previously worked with Calibro 35 on their Jazzploitation EP, says of the video, "The visual rhythm moves the sound in space, destroys illusions, perceptions, and levels of awareness. Through music, we reconnect to the Vital Force, hoping to manifest a new reality."

Watch the official video for "Reptile Strut" here

About Calibro 35

Since their formation in 2007, Milan-based Calibro 35 has been celebrated for their mastery of cinematic funk, blending intricate grooves with an eclectic mix of influences. Described by Rolling Stone as "the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years," the band has garnered a global reputation. Their unique sound has caught the attention of legends like Dr. Dre, Jay-Z, and The Child of Lov, who have sampled their work. Additionally, they’ve performed at major European festivals and collaborated with renowned artists like PJ Harvey, Mike Patton, and Stewart Copeland.