After the great success of Sarah McKenzie's 2017 disc, Paris
in the Rain (Impulse! Records), the 31-year-old pianist, singer, and composer
returns with the poignant, Secrets of My Heart. The former disc opened more
opportunities for her to perform around the world in such far away places as
Brazil, Korea, Japan, and also established her in the United States. Its title
song became one of her signature tunes and is one of the highlights of her live
shows.
"Traveling was something that I really had to adjust
to," McKenzie says. "In the beginning, it is very exciting. I often
describe it as going into a magical world; it's stepping off reality and going
into this world that's so unreal. Then you come home, and all of that activity
stops. It's been a world of extremes."
While embarking on her music career, being so far away from
her family in Australia tore her. Sometimes, she contemplated abandoning music
for the security of being with her family. "I went through a big
coming-of-age process because I had to really decide how much I love this dream
versus how much I love being with my family," she explains. "How much
am I prepared to sacrifice for my dream as a professional musician? And is it
OK to follow that dream? And is this
constant traveling the dream itself? I had some poignant questions to ask
myself since the release of Paris in the Rain. And that process resulted in
Secrets of My Heart."
For Secrets of My Heart, she reunites with noted Australian
composer, arranger, and events music director, Chong Lim, who produced her
first two discs – Don't Tempt Me and Close Your Eyes. "He's the guy who
introduced me to Wayne Shorter's Native Dancer and Antonio Carlos Jobim's Stone
Flower. We always had a great connection; he knows me inside and out," she
says.
Recorded in New York City, Secrets of My Heart exudes
cosmopolitan flair with its lineup that includes French bassist Pierre
Boussaguet and Brazilian percussionist Rogerio Bocattoalongside guitarist Dan
Wilson, drummer Donald Edwards, vibraphonist Warren Wolf,tenor saxophonist Troy
Roberts, and cellist Jody Redhage Ferber(all of whom based in the United
States).
Secrets of My Heart documents McKenzie's burgeoning
brilliance interpreting 20th-century jazz standards with her penchant for
crafting sterling compositions that will surely become jazz standards in the
21stcentury.
McKenzie penned the lion's share of Secrets of My Heart's 12
songs. The titled track deftly articulates emotional reticence while being
pulled in multiple directions with regards one's passion. Amid a lithe
bossanova rhythm and orchestral accompaniment, McKenzie sings such poetic
verses as "Kept in a box/Locked in a darken room/Buried beneath the places
where roses bloom/Sinking so slowly/Drifting apart/Just like the secrets in my
heart/Swept by the wind/Lost in the black of night/Hidden behind the sun/Denied
the light/Alone in the world without a guide or chart/Just like the secrets of
my heart."
While she acknowledges the blue corridors of some of her
lyrics, McKenzie tries to counter them with glimpses of hope. "With a lot
of my songs, for some reason, I can go negative, but I always need to end them
with something positive," she explains. "I don't want my songs to get
too dark. In general, I think I'm an optimist. Everyone is struggling with
something. And definitely in this last period, I've struggled more than I'd
usually have. But you got to have positivity."
Indeed, the fetching original "I Fell in Love with
You," prances to an upbeat swing momentum as she conveys the seemingly
inconsequential moments that occur when you fall in love with someone; the song
also highlights McKenzie's succinct yet masterful piano improvisations and
Wilson's beguiling guitar aside. He also accompanies McKenzie magnificently on
the guitar/vocal duo "My True Love Is You," a pensive original
ballad, one of two on the album. McKenzie channels the elegiac wonder of Cole
Porter on her ebullient mid-tempo ballad "You and the Music," an
original, which she cites as the album's anthem. On the whimsical,
blues-drenched "It's All About Love," McKenzie celebrates her love
for jazz by challenging herself to write eloquent vocalese lyrics inside Charlie
Parker-esque bebop lines.
"I love writing lyrics. I think I'm very specific with
my lyrics. I like Johnny Mercer, Sammy Kahn, Irving Berlin, and Cole
Porter," says McKenzie before explaining that she now begins with the
melody when composing. "Initially, I wrote songs together – the lyrics and
melody. But when I pulled them apart, I realisedthat my melodies weren't as
strong as I thought they were in my head. I think for me, I always want to have
a flow with the words or something witty; and I know how it should sound."
McKenzie's favourite song on Secrets of My Heart is
"TillThe End of Time," one of the two originals that explicitly
betray her love for Brazilian music. She wrote the song during a stint in Rio
de Janeiro, where she collaborated with musicians who played with one of her
heroes – Antonio Carlos Jobim. The other strongly Brazilian-inflected original
is the bossa nova, "DeNada" (also written in Brazil), which contains
carefree lyrics and a sauntering piano solo from McKenzie.
Even though McKenzie hailed from Melbourne and studied at
Boston's Berklee College of Musicon a full scholarship, she started her career
in Europe, first living in Paris,then London. And while she's absorbed great
harmonic and lyric-writing knowledge from the Great American Songbook, she says
that Secrets of My Heart reveals her time spent in Europe, especially from a
harmonic standpoint. Her residency in Europe also afforded her the opportunity
to sit around the piano with the iconic composer and arranger Michel Legrand.
"His style differsfrom the classic American Songbook standards,"
McKenzie says. "Michel is a little bit more lyrical and French; his music
is a little bit more Debussy or Ravel-influenced thanthe classic American
Songbook standards. To have been able to spend time with him at the piano was
one of the highlights of the year."
McKenzie's mesmerisingreading of "You Must Believe in
Spring" best exposes her time with Legrand on Secrets of My Heart. Her
solo performance of just vocal and piano accentuates Legrand's pensive yet
hopeful lyrics as well as his impressionistic harmonic language.
Secrets of My Heart opens with McKenzie's transfixing
rendition of John Barry and Leslie Bricusse's "You Only Live Twice,"
which showcases McKenzie's comely piano soloing as much as it does her alluring
singing. She also delivers an exquisite
makeover of Stanley Styne and Donald Kahn's classic "A Beautiful
Friendship" and a gutbucket take on Dinah Washington's "Come on
Home."
She concludes Secrets of My Heart with a tour-de-force
homage to another hero, George Gershwin with "The Gershwin Medley" an
instrumental on which she plays snippets of "Rhapsody in Blue,"
"Summertime," "The Man I Love" and "I Got
Rhythm."
"Ultimately, this album is about me embracing the
unknown and going with love," McKenzie explains. "I'm so lucky to be
able to play my music for a living."
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