Is autoerotic-audiophilia a thing? Subdued, yet meticulously composed and engineered to inspire lush cinematic soundscapes on the backsides of closed eyelids, that's how I'm tempted to describe the sensory experience that is UNIFONY to you.
The collaborators would walk into the studio and coax a moment, a sound from the instruments. No through-composed scores, no plans, just the interaction of kindred spirits and vibrating metal and wood, wire and skin.
This is the basic premise of UNIFONY. Improv-based, timbre-inspired, the collaborative project harnesses European indie songwriter and film composer Minco Eggersman and audiophile engineer and musical ingenue Theodoor Borger’s unique chemistry to conjure a soundscape for good, wildly talented music friends. The first album of the project UNIFONY (to be released Oct. 12, 2018) features the sometimes breathy, sometimes crystalline trumpet of ECM artist Mathias Eick, and the stellar mixing and mastering skills of Phil Brown (Led Zeppelin, Bowie, Talk Talk) and Bob Ludwig (Hendrix, McCartney, Queen, Daft Punk).
The results are lush, enigmatic, touching the imagination and emotions without ever revealing the full story. They are ambient and cinematic, yet ultimately simple at their hearts, drawing inspiration from everything from post-rock like Talk Talk and contemporary classical compositions. Though the tracks are grounded in small moments of inspiration, they achieve well-developed form and bright sheen, thanks to friendship and technical prowess of the project’s contributors.