Thursday, April 16, 2015

NEW RELEASES: THE VERY BEST OF IDRIS MUHAMMAD: BOOGIE TO THE TOP; PAUL WILLIAMS – A LITTLE ON THE WINDY SIDE (EXPANDED EDITION); NICOLE WILLIS & THE SOUL INVESTIGATORS - PAINT ME IN A CORNER

IDRIS MUHAMMAD - THE VERY BEST OF IDRIS MUHAMMAD: BOOGIE TO THE TOP

This collection includes the Jazz Funk Classics Could Heaven Ever Be Like This, Boogie To The Top and Turn This Mutha Out, and the 7 versions of these three tracks are also added as bonus tracks. Some amazing Jazz musicians play on tracks featured on this compilation, including Grover Washington Jr, Eric Gale, Bob James, Ralph MacDonald, Fred Wesley, Hiram Bullock & The Brecker Brothers. The CTI / Kudu albums were recorded between 1974 & 1978 a real purple patch for Idris with the release of four albums in that period namely Power Of Soul, House Of The Rising Sun, Turn This Mutha Out & Boogie To The Top Tracks on these albums were produced by Creed Taylor & Dave Matthews. The track Lorans Dance was sampled by both The Beastie Boys (For All The Girls) and Fatboy Slim (The Weekend Starts Here), Could Heaven Ever Be Like This has also been sampled notably by Jamiroquai (Alright). ~ Amazon

PAUL WILLIAMS – A LITTLE ON THE WINDY SIDE (EXPANDED EDITION)

In a Grammy, Oscar and Golden Globe-winning career that’s taken him from Tiny Tim to Daft Punk, Paul Williams has seen his songs recorded by Frank Sinatra, Barbra Streisand, Elvis Presley, David Bowie, The Carpenters, and of course, Kermit the Frog. During his reign as perhaps the Seventies’ most in-demand songwriter, Williams also kept busy as an actor, television personality and recording artist. He came into his own as a vocalist at Reprise and A&M Records on albums such as Someday Man and Just an Old-Fashioned Love Song before moving to Epic Records’ sister label, Portrait. At Portrait – also the home of Heart and, briefly, Ringo Starr – Williams recorded what he later described as “one of the most listenable and good-feeling records I’ve ever been associated with.”  That record was A Little on the Windy Side. The album was recorded in Nashville with Paul’s brother Mentor Williams—the songwriter of Dobie Gray’s Top 5 hit “Drift Away” and Paul’s onetime bandmate in The Holy Mackerel—and featured Music City’s top session cats including David Briggs, Reggie Young and Troy Seals (a talented songwriter in his own right.)  Despite a wealth of strong material including movie tunes “Here’s Another Fine Mess” and “My Fair Share,” fan favorite “For Goodness Sake,” and a collaboration with Brill Building legend Jeff Barry, A Little on the Windy Side all but disappeared when the Portrait label was briefly shuttered.  Years later, a limited edition Japanese CD release came and went, too.  Real Gone Music and Second Disc Records have come to the rescue with this freshly-remastered first-ever American reissue.  Even better, four bonus tracks have been added to this Expanded Edition!  Three never-before-heard outtakes (including Paul’s own rendition of “When the River Meets the Sea” from the beloved holiday special Emmet Otter’s Jug-Band Christmas and “Love Conquers All,” originally performed by Seals & Crofts) and a rare mono single round out this package, which features new liner notes from The Second Disc’s Joe Marchese and remastering by Sean Brennan at Battery Studios in New York.  

NICOLE WILLIS & THE SOUL INVESTIGATORS - PAINT ME IN A CORNER

Now and then you might find yourself painted in a corner. It is usually the case that you can only blame yourself for ending up there. The painter of shapes and words, Nicole Willis has painted herself for the past ten years into the periphery of Helsinki, Finland, only to sing her soul out. Now she's back at grinding her vocal axe with The Soul Investigators. Approaching the release of their third joint album in late 2015, it's time to test the waters with Paint Me in a Corner b/w Where Are You Now. Neither of the tracks carries much of a humour element. The first one points its pounding existential finger towards us all, urging us to break the chains of normality, while the beautiful melancholia of the second track rocks the listener in a mid-tempo groove paradise. These two tracks might be just the thing to kick you in the chest with enough soul in order to get out of the house. Maybe even dance by yourself in a desolate corner of the bar.


Things are already heating up for the throwback R&B vocal group DW3 on the heels of a new album "VINTAGE TRUTH" plus a hot radio single featuring Brian Culbertson

A twelve-song set of smooth old school soul strewn with modern day sensibilities, retro R&B vocal group DW3’s just released sophomore disc, “Vintage Truth,” is letting the music be its guide to the top of Billboard’s Most Added and New & Active singles charts thanks to their spirited harmony, rhythm & groove outing with contemporary jazz keyboards kingpin Brian Culbertson titled “Let The Music.” The GRAMMY®-nominated vocalists will celebrate the Woodward Avenue Records release at a pair of Los Angeles-area launch parties beginning with Thursday’s (April 16) gig at Spaghettini in Seal Beach, California prior to playing a string of summer jazz festival dates from Memorial Day Weekend through Labor Day Weekend. 

“Vintage Truth,” which was Amazon’s No. 1 classic R&B album during the week of release, is dedicated to DW3’s late drummer, producer and mentor Ricky Lawson (Michael Jackson, Eric Clapton, Phil Collins, Whitney Houston, Steely Dan), who passed away prior to the album’s completion. Hit producer-mixer Paul Brown stepped in to help finish the record and DW3 – brothers Billy & Eric Mondragon and Damon Reel - assumed the production helm on half the tracks, a mix of soul-powered originals and classic covers by a pair of the outfit’s seminal influences, Stevie Wonder (“Overjoyed”) and Luther Vandross (“So Amazing”),  in addition to a scorching soul-singed remake of The Pasadenas’ “Tribute (Right On)” and seductive, caressing versions of The Eagles’ “I Can’t Tell You Why” and The Mamas & The Papas’ “California Dreamin’.” Horn men Dave Koz, Greg Adams and Elan Trotman make guest appearances on “Vintage Truth” to animate by adding hues of sax and trumpet.      

The release of “Vintage Truth” will be feted a second time on May 24 at Spaghettini’s new buzz spot location in Beverly Hills. Earlier that same day, DW3 will bring their combustible party band live show to the San Diego Jazz Festival. Other upcoming high-profile festival dates include the Newport Beach Jazz Festival (May 30), Culbertson’s Napa Valley Jazz Getaway (June 13 & 14) and the Cancun Jazz Festival (September 2-6). DW3 is slated to open for R&B-jazz great George Benson on September 25 at Thornton Winery in Temecula, California. 


“Remembering Joe Sample” at the Berks Jazz Festival

One of the featured attractions at this year’s Berks Jazz Festival (its 25th anniversary show) will be a special performance on Saturday, April 18, 2015, at the Crown Plaza Hotel in Reading, PA called “Remembering Joe Sample.” This special tribute to the world renowned pianist and composer who passed away last September was organized by musical director Bobby Lyle and festival promoter John Ernesto; and will feature a stellar lineup of artists—many of whom performed and/or recorded with Sample.

It was a sad day for jazz fans as they lost their ambassador last fall (September 12, 2014) when Joe Sample died of mesothelioma, leaving a void in the smooth jazz/contemporary piano world. Gaining his fame in the early 1960s, and then topping charts with the award-winning Jazz Crusaders, the keyboard player who was comfortable in all musical settings, ranging from zydeco to playing blues with Eric Clapton to playing straight-ahead jazz. Sample also played a tremendous role in branding the sound of the Houston-based Jazz Crusaders.

The horn section will consist of saxophonist Wilton Felder, who along with Sample, trombonist Wayne Henderson, and drummer Stix Hooper founded the famous Houston-based group called the Jazz Crusaders. Felder will be joined by trumpeter Rick Braun, saxophonist Everette Harp, and trombonist Jeff Bradshaw. The rhythm section will consist of Nick Sample (Joe’s son) on bass; J.J. Williams on drums; Randy Jacobs on guitar; Doc Gibbs on percussion; and musical director Bobby Lyle on piano. Vocalist Lizz Hogue will recreate some of the tunes made famous by the Sample/ Randy Crawford collaboration, including “Street Life.”

Joe Sample, who was a pioneer of contemporary jazz piano always reached back to the primary sources of jazz and soul music to create his personal interpretations of many composers. For nearly five decades Sample was an integral innovative, and best-selling part of jazz history; and the world lost one of its legends last year with his passing.

“Joe Sample and I became very close in the last few years. He was like a big brother to me and there was always tremendous musical respect between the two of us, thus, his loss hit all of us very hard. But putting this tribute together for the festival will allow us to celebrate the man and his illustrious musical life. For me it has truly been a labor of love, an honor, and a privilege. Showcasing some of his brilliant compositions for the audience will be a wonderful way to salute a musical icon whose legacy spanned decades and will live on forever.” –Bobby Lyle

In the history of the Berks Jazz Festival, and starting from its launch in 1991, Jazz Crusaders Joe Sample has been a featured performer four times (2000, 2002, 2006, and 2011). Berks Jazz Festival has always been about cultivating, promoting, and supporting the arts in the community of Pennsylvania through collaboration, education, and presentation. It continues that mission and propels excellence in jazz by featuring the cream of the crop in the jazz world. Joe Sample has been among the world’s jazz royalty throughout the years and has graced Berks Festival’s stage alongside Lalah Hathaway, Boney James, Spyro Gyra. Kirk Whalum, Yellow Jackets, Kurt Elling quartet, Betty Carter, Jeff Lorber, Najee, etc., throughout his years of his attendance there.

Longtime friend, neighbor, and fellow pianist Bobby Lyle is paying homage to Joe Sample during the Berks Jazz Festival with this special concert. Throughout his musical career, Lyle has developed an international reputation not only for his incredible piano technique, but also for his versatility and ability to constantly reinvent himself, both as a leader, sideman, and even as music director for superstars Bette Midler, Al Jarreau, and Anita Baker.


Wednesday, April 15, 2015

NEW RELEASES: FREE SOUL MEETS P-VINE JAZZ (VARIOUS ARTISTS); RHONDA THOMAS - VINYL DAZE; HYSEAR DON WALKER - COMPLETE EXPRESSIONS

FREE SOUL MEETS P-VINE JAZZ (VARIOUS ARTISTS)

Rare jazz gems from the 60s and 70s – all tracks from albums that have been reissued on the P-Vine label in recent years, but pulled together with an especially groovy focus for the Free Soul series! Most of these tunes are upbeat and very lively, and the strong presence of jazz vocals really links the style of the collection to the more familiar soul-based Free Soul titles – although a number of these tracks really stretch out into more spiritual jazz territory too! The CD features over 80 minutes of music – all of them great – and titles include "You've Got To Have Freedom" by Pharoah Sanders, "On A Clear Day" by Fred Johnson, "The One Who Needs You" by Vince Andrews, "Moves" by Doug Hammond, "Attica" by The Descendents Of Mike & Phoebe, "Sack Full Of Dreams" by Paul Humphrey, "He Loves You" by Janice Borla, "Feel Like Making Love" by Meta Roos, "Common Ground" by Judy Roberts, and "Dancing & Singing" by Billy Wooten. ~ Dusty Groove.

RHONDA THOMAS - VINYL DAZE

The title's a great one, given the old school vibe of the record – a quality that's enforced by the back cover's image of Rhonda kicking back with headphones, doing some deep listening on her collection of vintage vinyl! The set's got all the great elements we've always loved in Rhonda's previous records – that warm, rich vocal style that's rooted in jazz, and which makes Thomas one of the strongest soul singers in the contemporary underground – and production this time around is by Daz-I-Kue of Bugz In The Attic – who's nicely restrained, and really respectful of Rhonda's lead – yet still finds a way to make the whole thing bristle with the kind of energy we've come to expect form his own music. The result may well be the strongest album we've ever heard from Thomas – and titles include "Reach", "Castles Made Of Sand", "I Won't Tell", "Let's Go", "Show Me How To Love You", and "When You Know You Know". ~ Dusty Groove


HYSEAR DON WALKER - COMPLETE EXPRESSIONS

A landmark album of electric piano grooves from Hysear Don Walker – the keyboardist on some of Young-Holt Unlimited's best albums! This album's much more in a jazz vein than some of the Young-Holt titles – with Walker playing electric keys on slower funky numbers that burn along at a sweet Kudu or CTI-styled pace – kicking back and letting the keys really open up as the tunes progress – putting equal emphasis on rhythm and solo space as Walker goes for the groove in an amazing way! All tracks are originals, save for one nicely placed Beatles cover – and titles include "Hydel", "Fat Flower, Skinny Stalk", "Durham Queen", "Inner Face", and "Jade Silhouettes". ~ Dusty Groove


ALBUMS YOU NEED TO HEAR: CHINA MOSES & RAPHAEL LEMONNIER - THIS ONE'S FOR DINAH; KYOTO JAZZ SEXTET – MISSION; DOUG WEBB - TRIPLE 3 PLAY

CHINA MOSES & RAPHAEL LEMONNIER - THIS ONE'S FOR DINAH

It could never be said that China Moses and Raphaël Lemonnier were fated to join forces on a project, given their rather different career paths and the seeming absence of any compelling reason for the two artists to meet. It was Dinah Washington, their mutual idol. So why not put together a show devoted to Dinah Washington? Known as The Queen of The Blues, Dinah Washington was one of the most important female singers during the 1950s and 1960s. The disc was recorded in the old style: all the musicians performed together and the best take was used in its entirety for the actual release. So the bar was set quite high for China, who had the artistic intelligence and good taste to pay tribute to Dinah by emphasizing spirit over form—in other words, by relying on her own talent. Thoroughly immersed in Dinah’s world, she sings the blues with a lovely authority highlighted in Dinah’s Blues, one of China’s own compositions. And it’s a good thing too, because with songs like “Evil Gal Blues”, “Fat Daddy” and “Fine Fine Daddy“, a close approximation won’t do. China is also a remarkable interpreter of standards, as seen in her clever handling of “Cry Me A River” and “Goodbye“, whose arrangements show off her voice to such impressive effect, and in the authentic emotion that emerges from “Mad About The Boy” and “Teach Me Tonight“, performed with great sensitivity and restraint. It’s the beautiful tribute that Dinah deserved. ~ chinamoses.com


KYOTO JAZZ SEXTET – MISSION

Kyoto Jazz Massive is on a soulful mission this time around – stepping out on Blue Note with a wonderful tribute to the rich legacy of the label! The music is directed by Shuya Okino, and played by a super-sharp quintet who really recall the genius of Blue Note in the 60s – especially that time when the label was perfectly balanced between modern and hardbop modes, as evidenced by the selection of compositions here by Lee Morgan, Hank Mobley, Wayne Shorter, Herbie Hancock, and Joe Henderson! None of the tracks are straight remakes, and there's definitely a fresh, acoustic spin on the rhythms – played by a lineup that includes trumpet, tenor, piano, bass, and drums – plus some guest instrumentation as well. Tracks include the group's own "Eclipse" – plus "Search For The New Land", "Succotash", "The Melting Pot", "Mr Jin", "Jinrikisha", "Up A Step", and "Speak No Evil".  ~ Dusty Groove

DOUG WEBB - TRIPLE 3 PLAY

A triple-tenor powerhouse – as Doug Webb invites Walt Weiskopf and Joel Frahm in for the sessions – and things really begin to cook! The trio get this raw, spare accompaniment from Brian Charette on Hammond and Rudy Royston on drums – which leaves the tenors plenty of room to open up, stretch out, and really do their thing – coming together as unified voices on the heads, then breaking out into really well-crafted, well-defined individual solos. The feel is a bit like some of those great Don Patterson albums of the 60s, but even more modern – and titles include "Jazz Car", ~ , Dusty Groove


HU VIBRATIONAL'S The Epic Botanical Beat Suite is a mix of deep African rhyths and Afro-jazz elements

Hu Vibrational's new album mixes deep percussive African rhythms and Afro-jazz with elements of hip-hop and electronica. Recorded and mixed at Bill Laswell's state of the art studio, this is the fourth album by Hu Vibrational and for those who bought the previous 3 releases this will not disappoint! 

Produced and mixed by Adam Rudolph together with longtime Laswell engineer James Dellatacoma, the album features 7 world music percussionists along several special guests including Bill Laswell hitting the deep pockets on bass plus Norwegian guitar whiz Eivind Aarset creating ethereal electronic palettes. Joining Rudolph in the groove department are the percussionists from his Go: Organic Orchestra project, Brahim Fribgane, James Hurt, Matt Kilmer, Tim Kieper, Keita Ogawa and Tripp Dudley. Each of these great drummers has performed extensively worldwide; here they perform Rudolph's rhythm compositions on a wide variety of world percussion. 

Adam Rudolph is known for his work with Don Cherry, Pharoah Sanders and other great jazz artists, as well as his 25-year partnership with the legendary Yusef Lateef. He currently leads his Moving Pictures Octet and the 36-piece Go: Organic Orchestra. Almost 10 years after the last Hu Vibrational release, Boonghee Music, Rudolph turns his creative energies back to HU by creating a deep groove masterpiece - indeed; a vision of future dance music.  As Tommy Chong so aptly puts it,  "When you hit a groove, it's not you; it's the spirit world."

The tracks were electronically processed and transformed in the mixes into a true ancient to future expression; a dance music style Hu calls "Boonghee Music." With 2 acclaimed releases on Soul Jazz Records (Beautiful and Universal Mother) and Scott Heren's (Prefuse 73), Eastern developments label, Hu Vibrational's deep spiritual music draws on the links between Africa, jazz music and avant-garde hip-hop. 

TRACKS
1. Akete 6:08
2. Charas 4:14
3. Soma 5:21
4. Hikuli 4:36
5. Kwa-Shi 5:00
6. Agobi 5:08
7. Ya-Jey 4:38
8. Akete (Remix) 9:22


Jazz / Fusion Guitarist RON BOSSE Releases AFTERBURNER

Jazz/fusion guitarist Ron Bosse has released his brand new music video for “Afterburner”, the first single from his upcoming solo album. To view the video, visit his YouTube channel.

The original track was written in September, 2014 by Bosse & features many of his diverse musical influences which include Miles Davis, John Coltrane, Led Zeppelin, Pat Metheny, Wayne Shorter, Mike Stern, Gov’t Mule, Soundgarden and Alice in Chains. The song has a weighty, grunge/metal vibe while maintaining a distinct jazz structure that begins with a brief melody evolving into an extended solo section.

The video is set amidst a dramatic, sparsely lit background that slowly reveals Bosse’s full-throttle guitar playing. Filmed at Ron’s production studio, Bosse Studios, the video features dynamic video footage through the use of cranes, ladders and glide-cams.

Grammy nominated guitarist and journalist Jim Ferguson of Jazz Times Magazine calls Bosse “A Berklee College alum with considerable guitar chops”. Lee Prosser of the Jazz Review says “Bosse is the definition of jazz guitar genius.” Seth Rogovoy of Berkshires Week says “Bosse uses his axe as an atmospheric paintbrush”.

A resident of Weymouth, MA., guitarist and composer Ron Bosse has performed throughout the United States and Canada with jazz greats Dave Liebman, George Garzone, Jerry Bergonzi and Bob Mintzer. Ron has been praised for his work in Jazz Times, Downbeat, Jazz Now, Guitar Player, the Boston Globe and the New York Times; and has performed at top venues and festivals including, the Litchfield Jazz Festival, Symphony Hall, Regattabar, the Knitting Factory, Chris's Jazz Cafe, Zanzibar Blue, Upstairs and Cheney Hall. Ron is the owner and founder of Bosse School of Music and Bosse Studios in Weymouth, MA.




SLY & THE FAMILY STONE—LIVE AT THE FILLMORE EAST OCTOBER 4th & 5th 1968, a four-disc set of previously unreleased live shows set for release on July 17

Epic/Legacy has announced the debut release of SLY & THE FAMILY STONE—LIVE AT THE FILLMORE EAST OCTOBER 4th & 5th 1968, a four-disc set of previously unreleased live shows recorded during the band's rise at New York City's legendary venue. The set is scheduled to be released on Friday, July 17.

Sly & The Family Stone's reputation as one of the most influential bands of the 1960s has rarely been in denial. The group effortlessly combined upbeat, funky melodies with socially conscious lyrics, which would paint a vivid picture of the sociopolitical landscape of the '60s while also creating a road map for pop music in the decades to come. This four-disc anthology presents a lesser-known side of the band: not the dominant soul-funk-pop juggernaut of the late 1960s, but an up-and-coming ensemble whose onstage energy could not be contained.

On October 4th and 5th, 1968, shortly after the release of the band's third album Life, Sly & The Family Stone took the stage at Bill Graham's legendary Fillmore East in New York City. Along with the success of Dance To The Music, which was released earlier that year and spun off the Top 10 hit of the same name, Sly & The Family Stone were making a name for themselves on the concert circuit, with their dynamic, high energy live performances.

Epic Records, the group's record company, recorded all four of these concerts (two shows per night) with plans to release a live album that would consist of selections from these performances. But the release was shelved after the release of the single "Everyday People," which topped the Billboard Hot 100 in 1969 and anticipated the band's breakthrough year, with the acclaimed album Stand! and an increasing spotlight in the public eye culminating in an appearance at Woodstock that summer.

Sly & The Family Stone—Live At The Fillmore East October 4th & 5th 1968 features all four of these energetic shows, which mark not only the first release of these sets but the first official release primarily highlighting live material from the group. The collection will be preceded by a double-vinyl 'best-of' featuring highlights from all four shows compiled by "Captain" Kirk Douglas, guitarist for The Roots. This special package will be exclusively available at participating independent record retailers on Record Store Day (April 18, 2015).
"Captain" Kirk Douglas, guitarist for The Roots states, "This performance is living breathing evidence of how much of a force of nature Sly & the Family Stone were at this point of their career. Every member of the group shines in a way that I can only describe as a revelation. It was enjoyable listening to the band break free from the studio arrangements of the songs we know and love to find new interpretations. And to think they did this twice in one evening! The heaviest of rock and the funkiest of soul jumps out of the speakers combined with a message just as relevant today as the day it was recorded. This deserves to be played LOUD!"

The complete SLY & THE FAMILY STONE—LIVE AT THE FILLMORE EAST OCTOBER 4th & 5th 1968 track listing is below:

CD 1 (Recorded Live at the Fillmore East, NYC, October 4, 1968-Early Show)
1. Are You Ready
2. Color Me True
3. Won't Be Long
4. We Love All (Freedom)
5. MEDLEY: Turn Me Loose / I Can't Turn You Loose
6. Chicken
7. Love City

CD 2 (Recorded Live at the Fillmore East, NYC, October 4, 1968 -Late Show)
1. M' Lady
2. Don't Burn Baby
3. Color Me True 
4. Won't Be Long
5. St. James Infirmary|
6. MEDLEY: Turn Me Loose / I Can't Turn You Loose
7. Are You Ready
8. Dance To The Music
9. Music Lover
10. MEDLEY: Life / Music Lover

CD 3 (Recorded Live at the Fillmore East, NYC, October 5, 1968-Early Show)
1. Life 
2. Color Me True  
3. Won't Be Long 
4. Are You Ready 
5. Dance To The Music
6. Music Lover 
7. M' Lady

CD 4 (Recorded Live at the Fillmore East, NYC, October 5, 1968-Late Show)
1. M' Lady
2. Life 
3. Are You Ready 
4. Won't Be Long 
5. Color Me True  
6. Dance To The Music 
7. Music Lover 
8. Love City MEDLEY: 
9. Turn Me Loose / I Can't Turn You Loose
10. The Riffs 

The SLY & THE FAMILY STONE—LIVE AT THE FILLMORE EAST 2LP track listing is below:

SIDE ONE: M' Lady ;  Life ;  Are You Ready SIDE TWO: Won't Be Long ; Color Me True ; We Love All (Freedom) SIDE THREE: Dance To The Music ; Music Lover SIDE FOUR: Love City ; MEDLEY: Turn Me Loose / I Can't Turn You Loose ; The Riffs



Tuesday, April 14, 2015

NEW RELEASES: APOLLO 5 – WITH A SONG IN MY HEART; ELINA DUNI QUARTET - DALLENDYSHE; WES MONTGOMERY – IN THE BEGINNING

APOLLO 5 – WITH A SONG IN MY HEART

'With A Song In My Heart' is the debut album from the dynamic British a cappella quintet, Apollo5. The group performs a repertoire ranging from retro jazz, pop and classical arrangements to Christmas a cappella and has been praised for its engaging and entertaining performances. Performances in London have included St Martin-in-the-Fields, the Royal Albert Hall, the Troxy, Café de Paris, the Houses of Parliament, Pizza Express Jazz Club Soho, The Crazy Coqs and Kings Place. Recent UK festivals include The City of London Festival, The London A Cappella Festival and the Petworth Festival. Apollo5 is part of the VCM Foundation, and is involved in its innovative education programme aiming to inspire creativity through music. The programme, led by VOCES8, reaches 20,000 young people annually, working in over 200 schools in the UK, France, Sweden, the USA and Asia. The foundation has its home at the Gresham Centre, at St Anne and St Agnes Church in the heart of the City of London. In partnership with the Diocese of London, VCM is establishing a hub for excellence in education, outreach and the performance of vocal music. The album brings together some of Apollo5's favourite songs, arrangements of favourites ranging from spirituals, folk, jazz, soul and pop. Most are arranged by Matt Greenwood, who has written for the group for several years. ~ Amazon

ELINA DUNI QUARTET - DALLENDYSHE

On 'Dallendyshe' ("The Swallow"), her second ECM album, Elina Duni sings songs of love and exile. The troubled history of the Balkan regions has inspired many such songs and the pieces here, primarily from Albanian traditional sources, are interpreted with intensity and insight by Elina and her band. The Tirana-born and Swiss-raised singer has become an exceptional musical storyteller embodying the songs' narratives, in a way that transcends genre definitions and language limitations. "This time there is a sense of lightness to the feeling and energy of the album," says Duni. "Even though we are dealing with tragic themes of exile it is not as dark as 'Matane Malit' [her ECM debut]. One of the fascinating things about music of the Balkans, in a lot of the folk music, is the idea that the pain has to be sung. And in singing you go beyond it. That's what the blues is about, of course, and you find a similar sensibility in these Albanian songs about exile and lost love." Duni's journey to the emotional centre of Albanian song began a decade ago, when she and pianist Colin Vallon were students at Berne's Hochschule der Kunste. Looking at Albanian folk music rather than jazz standards as an improvisational resource led them to a whole range of discoveries. Elina found her own voice in the old songs, and in reclaiming them could also free them: the quartet's experimental yet pure acoustic versions have been received with gratitude in Albania where folk themes were once harnessed for propaganda purposes. ~ Amazon

WES MONTGOMERY – IN THE BEGINNING


'In the Beginning' features rare previously unreleased recordings by jazz guitar icon Wes Montgomery spanning the years 1949 to 1958. This deluxe 2-CD set includes 26 newly discovered live and studio recordings. The set includes a complete 1955 Epic Records session produced by Quincy Jones, newly discovered 78 RPM sides with Wes as a sideman recorded for Spire Records (1949), a live recording from the home of Ervena Montgomery, Indianapolis (1956), live recordings from the Turf Club (1956), the Missile Lounge (1958) in Indianapolis, and the C&C Music Lounge in Chicago (1957). 'In the Beginning' features extensive liner notes, and meticulously designed artwork that have become Resonance Records' trademarks. The 2-CD version includes a 55-page booklet of liner notes by journalist and noted jazz historian and biographer Ashley Kahn, legendary producer Quincy Jones, guitarist Pete Townshend of The Who, alongside rare never-before-published photos from The Montgomery Estate and friends in Montgomery's native Indianapolis. Since Wes Montgomery's passing in 1968, only two other albums of predominantly unreleased material have been released - 'Willow Weep for Me' (Verve, 1968) and 'Echoes of Indiana Avenue' (Resonance, 2012). Resonance Records is pleased to introduce the third such archival offering with 'In the Beginning'. ~ Amazon


NEW RELEASES: FRANK SINATRA – ULTIMATE SINATRA; PORTICO – LIVIING FIELDS; STEVE GADD BAND – 70 STRONG

FRANK SINATRA – ULTIMATE SINATRA

The defining voice of the 20th century, Frank Sinatra enjoyed a legendary recording career that spanned six decades, beginning with his earliest session in 1939 and culminating with his last in 1993, for his world-renowned, multi-platinum Duets and Duets II albums. Ultimate Sinatra presents key recordings spanning the Chairman of the Board s recordings for Columbia, Capitol and Reprise, together for the first time. Ultimate Sinatra opens with 'All Or Nothing At All,' recorded with Harry James and his Orchestra on August 31, 1939 during Sinatra's first studio session. Ultimate Sinatra's 4CD edition boasts 100 tracks celebrating 100 years (plus a never before released bonus track), including many more luminous recordings that reinforce Sinatra's well-deserved moniker, The Voice. The chronological collection dives deeper into Sinatra's musical world of iconic recordings, before closing with a previously unreleased rehearsal version of 'The Surrey With The Fringe On Top' recorded in 1979. The deluxe edition also features an 80-page booklet with a new essay by Sinatra historian and author Charles Pignone, as well as rare photos and quotes from Frank Sinatra and his children, Nancy, Tina and Frank Jr., as well as Nelson Riddle, Billy May, Quincy Jones, and others. ~ Amazon

PORTICO – LIVIING FIELDS

Where do you start talking about a suite of recordings so concerned with the commonalities between beginnings and ends? You could start by saying that 'Living Fields' is an album of catharsis and  redefinition, born of a desire to create newness out of loss and change. You could also say that the band Portico themselves have undergone a process of ending and re-beginning, but none of this quite captures what you will hear. The best thing you can do is listen. Portico make music which moves forward towards distant places while offering rare intimacy as well, arriving somewhere between structured pop songs and a disintegrating ambience, a unique blend of the sublunary and the celestial. Reverb drenched piano meshes with swathes of studio noise while vocals float high above a world of textural atmosphere. Drum machines crisply puncture the air around shimmering arpeggios of synth and electric bass.You can be untethered, detached in space only for a moment of detail to rush into focus. Melancholia and euphoria sunk into each other. The effect is profoundly emotional without ever needing to emote. Portico are Duncan Bellamy, Milo Fitzpatrick and Jack Wyllie. Previously they were three-quarters of the highly successful and critically-acclaimed Portico Quartet. But 'Living Fields' is no continuation under a shortened name. As far as the band are concerned this is a debut. There are three remarkable singers on this record: Jono McCleery, Joe Newman (Alt-J) and Jamie Woon. These are not just guest performances and it shows. Woon shared a house with Portico in East London when they were writing and recording the album that would become Isla and he was working on "Mirrorwriting." Joe Newman is a childhood friend of Wyllie's and Jono McCleery was introduced to Portico by Jamie Woon and has opened for them in the past. These existing relationships allowed for a consistency of thought and expression which makes this a truly remarkable record. ~ Amazon

STEVE GADD BAND – 70 STRONG


The follow-up to the same group’s Gadditude , this release celebrates drums master Steve Gadd s 70th birthday. The other members of this phenomenal instrumental dream quintet, with enviable CVs, are trumpeter Walt Fowler (Frank Zappa, Buddy Rich, George Duke, Billy Cobham), guitarist Michael Landau (Ray Charles, Joni Mitchell, Miles Davis, Pink Floyd), keyboardist Larry Goldings (Michael Brecker, Jack DeJohnette, Maceo Parker, Jim Hall) and pioneering 5 string bassist Jimmy Johnson (Allan Holdsworth, Billy Childs, Stan Getz). A richly satisfying panoramic sound palette of groove and grace. Tracks include: Foam Home, Freedom Jazz Dance, Written in Stone, The Long Way Home, Sly Boots, Duke's Anthem, Elegant Squares, Desu, De Volta Ao Samba, Oh, Yeah?, and Blues For... ~ Amazon


NEW RELEASES: JANKO NILOVIC - SOUL IMPRESSIONS; DAVID AKE – LAKE EFFECT; ANDY SHEPPARD – SURROUNDED BY SEA

JANKO NILOVIC - SOUL IMPRESSIONS

One of the funkiest records ever cut by studio jazz genius Janko Nilovic! This set definitely earns the "soul" in the title – as Janko blends his usual mad mix of studio sounds with some heavier 70s elements – including a fair bit of fuzzy guitar, funky beats, and some nice horn fills. About half the tracks on the album benefit from this sort of approach – kind of a cross between blacksploitation soundtrack scoring and the tighter instrumental moods of work by The Duke of Burlington. The other half is more in Janko's usual bag – nicely groovy jazz numbers, some with a slinky 70s edge! Titles include "Hippocampus", "Open Country", "Crazy Enterprise", "Drug Song", "Soul Impressions", "Man Of Genius", "Push Push", and "Family Tree". ~ Dusty Groove

DAVID AKE – LAKE EFFECT


The lake effect here is a powerful one – a way of building up songs in these blocks of sound that relies heavily on the piano of David Ake, but also draws a lot from the well-crafted saxophone lines of Peter Epstein! Ake's approach is somewhat in the more contemporary school of jazz piano – that way of moving boldly with very carefully-chosen chords – but his work also has a darkness that's very unique, and a balanced sense of pacing that really makes the work of Epstein even more powerful than it might be in a more freewheeling setting. The group's completed by equally-thoughtful work on bass by Sam Minaie and drums by Mark Ferber – and titles include "Lone Pine", "The Cubs", "Tricycle", "Two Stones", "Silver Thaw", and "Palhaco".  ~ Dusty Groove

ANDY SHEPPARD – SURROUNDED BY SEA

Extending the range of his widely-praised Trio Libero project with French bassist Michel Benita and Scottish drummer Seb Rochford, Andy Sheppard adds the Norwegian guitarist and electronics wizard Eivind Aarset to his band for 'Surrounded by Sea'. With Aarset's ambient drones and electronic textures as a backdrop, Sheppard and co seem to have even more space to explore than on the saxophonist's acclaimed Trio Libero recording. The music embraced here includes new compositions by Sheppard, Benita and Rochford, open improvisations, the Elvis Costello tune "I Want To Vanish", and the Gaelic traditional ballad "Aoidh, Na Dean Cadal Idir" which appears in three variations, a thematic thread through the album. 'Surrounded by Sea' was recorded at Lugano in August-September 2014 with Manfred Eicher producing. The prodigiously gifted Andy Sheppard famously took up the saxophone at 19, inspired by Coltrane, and played his first gig with it three weeks later. After a period in Paris, he returned to the UK in the mid-80s, recording the album 'Andy Sheppard' with Steve Swallow as producer, the beginning of a long musical association. Since then he's recorded extensively and written trans-idiomatic music for ensembles of every size (his Saxophone Massive project has included 200 sax players) as well as for theatre, film, dance and mixed media. ~ Amazon


NEW RELEASES: CHRIS POTTER UNDERGROUND ORCHESTRA – IMAGINARY CITIES; CHARLES LLOYD – WILD MAN DANCE; BEN WOLFE – THE WHISPERER

CHRIS POTTER UNDERGROUND ORCHESTRA – IMAGINARY CITIES

Beautiful sounds from reedman Chris Potter – working here with an expanded string lineup, although one that's more of a string quartet added to the core combo – and maybe not the full orchestra you'd guess from the cover! Still, those subtle strings really add a lot to the record – creating this sonic balance that's really sublime, even before Potter comes into the mix on either tenor, soprano, or bass clarinet, depending on the track – and the quartet often shades in the tunes with a gentle introduction, before more familiar Potter associates come in and deepen the sound – including Craig Taborn on piano, Steve Nelson on vibes and marimba, and Adam Rogers on guitar. Titles include "Firefly", "Sky", "Shadow Self", "Lament", and the extended "Imaginary Cities" suite.  ~ Dusty Groove

CHARLES LLOYD – WILD MAN DANCE

Charles Lloyd makes a step over to Blue Note Records – and the result is one of his richest, most organic albums in years! The whole thing's a live performance from Poland – done as a suite of longer tracks that feature a core acoustic quartet with Lloyd on tenor, plus added cymbalom and lyra – both used very heavily, with these open, sonic properties that are especially great – almost a way of bringing in some of the exoticism of Lloyd's earlier recordings, but with less focus on the reeds. The group also features Gerald Clayton on piano – and both he and Lloyd can be airy one minute, powerful the next – as the tunes build up slowly, and form this wonderful painting in sound. Titles include "Gardner", "Lark", "River", "Wild Man Dance", "Invitation", and "Flying Over The Odra Valley".  ~ Dusty Groove

BEN WOLFE – THE WHISPERER


Bassist Ben Wolfe's first record for Posi-Tone is as strong as any headline sets we've heard from him to date! Wolfe is leading an excellent quartet session here for the most part – with the always great Orrin Evans on piano, Donald Edwards on drums and Stacy Dillard on saxes – plus a sharp guest appearance by trumpeter Josh Evans on one track. With the exception nice, nocturnal reading Jerome Kern's "All The Things You Are", it's all Wolfe originals – led strongly by Wolfe's prominent, but never overbearing bass and brilliant rhythmic interplay with Evans and Edwards, with plenty of room for Dillard to shine. Includes "Heroist", "Hat In Hand", "Community", "Love Is Near", "Chronos", "All The Things Yo Are","STFU" with Josh Evans, "The Whisperer", "Becoming Brothers", "The Balcony", "Camelot's Lean'", "Hat In Hand"" and "If Only".  ~ Dusty Groove


FORT KNOX FIVE ANNOUNCE NEW ALBUM - PRESSURIZE THE CABIN

Unbuckle your seatbelt. Keep the tray-table down. Dance in the aisle. It’s time to Pressurize The Cabin with Fort Knox Five, but there’s no way you’re sitting still. To create their latest album, Fort Knox Five—based in Washington, DC—has flown all over the globe, from the Shambhala Music Festival in British Columbia to the Volt Festival in Hungary to the Red Rocks Amphitheatre in Colorado. Across 5 continents and 30 countries, they’ve formed deep musical relationships with some of their favorite vocalists and musicians, some of whom are featured on Pressurize the Cabin.

San Diego’s Vokab Kompany is featured on the title track, which captures the upbeat, all-night-party vibe of the album. Legendary British trombonist and soul crooner Ashley Slater takes it back with a retro electro-swing groove, Fire In My Belly. The nonstop party continues with Ready Go, featuring Raashan Ahmad from Oakland’s Crown City Rockers, delivering a fresh true-school hip-hop sound. Sleepy Wonder from Thievery Corporation delivers his signature rapid-fire dancehall ska on 24 Hours To Set It Off.

Mustafa Akbar, a longtime friend of Fort Knox Five, is featured on two electro-funk tracks that will be lighting up dance floors worldwide, Whatcha Gonna Do and Keep it Poppin. Another DC favorite, Flex Mathews, is also featured on two tracks; his party-rocking lyrics are a perfect fit with the Fort Knox Five funk. Frankie Rosado and Felix Perez of the Empresarios can be heard on the anthemic Latin funk track Cinco To The Brinco. Rounding out the album is Mission to the Sitars, an instrumental track featuring Fort Knox Five’s own Rob ‘RPM3’ Myers — his sitar and guitar work have also been highlighted by Thievery Corporation and See-I.

Pressurize the Cabin is a true follow-up to 2008’s Radio Free DC. The earlier album focused on some of DC’s amazing vocalists and musicians, while Pressurize the Cabin has a global scope. Funk is the common denominator, tying it all together, but the grooves on this exciting new artist album range from Hip-Hop to Disco to Electro to Latin. So get on board and prepare for takeoff!


Fort Knox Recordings is the renegade funk n’ soul label from Washington DC. Established in 2003, our mission is to explore the funkier side of global music. Fort Knox is set to ‘Tell It Like It Is’ by smashing the artificial barriers established by the ‘System’ that keeps all ‘Good’ music down. Forget about tempos and genres – we want to take you back to the roots and reunite all music from our funk, dub and soul brothers – you dig? So stop being so serious, this is music, it’s supposed to be fun.


NEW RELEASES: PETER BRENDLER – OUTSIDE THE LINE; HAILEY NISWANGER – PDX SOUL; JON DAVIS – MOVING RIGHT ALONG

PETER BRENDLER - OUTSIDE THE LINE

Bassist Peter Brendler is at the helm of the set, but we're especially enamored of the trumpet work here – played by Peter Evans on both standard and piccolo trumpet – the latter of which has this wonderfully personal sound! Almost all tunes are originals from Brendler, who turns out to be a pretty great writer – and sets up these strong showcases for Evans' trumpet lines, which seem to leap right out front even before his solos – when he's still sharing the lead with tenorist Rich Perry. Perry's pretty great, too – but there's a freshness to Evans' phrasing that's really great – bold at some minutes, with lots of offbeat twists and turns – and more fragile and honest on the piccolo trumpet tunes. Drummer Vinnie Sperrazza completes the group – and titles include "Blackout Reunion", "Drop The Mittens", "The Darkness", "Blanket Statement", "Lawn Darts", and a surprisingly nice cover of "Walk On The Wild Side".  ~ Dusty Groove

HAILEY NISWANGER – PDX SOUL

Most artists, if they re lucky, wait many years to rack up the kind of rave reviews that Portland, Oregon-based alto and soprano saxophonist Hailey Niswanger already boasted in her teens. Nat Hentoff, one of the most renowned jazz critics of all-time, wrote that Hailey plays with remarkable authority and drive considering her relative youth, and with the élan and dynamics of an unmistakable pro, while the prestigious All About Jazz website, reviewing Confeddie, Niswanger s 2009 debut album, said she and her group bring the goods on a program refreshingly free of the typical chestnuts and brimming with melodic invention...Niswanger pulls no punches. Now, with the release of PDX Soul, Hailey Niswanger takes her artistry to the next level. Rich in funky rhythms, instantly hooky melodies and sophisticated songcraft several of its eight tracks are written and arranged by Niswanger and brimming with fine-tuned improvisational acumen, PDX Soul is the showcase that Hailey has been building toward. Working with a collective of superb players, Hailey moves beyond the rising star designation that s been affixed to her since she came on the scene and proves one of the most innovative and talented young musicians in contemporary jazz.

JON DAVIS – MOVING RIGHT ALONG

A great little album from pianist Jon Davis – a player who's got this way of cascading out notes with effortless ease – almost at a level that's thinking a few steps forward of the bass and drums in the trio, but never with a style that loses its groove at all! We love the way that new ideas continue to leap forward from Davis' piano – especially on the album's original tracks, which have this way of blocking sound and color together that's extremely tuneful, but in a very personal, unique sort of style. Bass is by Yasushi Nakamura and drums are by Shinnosuke Takahashi – but it's clear that Davis really directs the sound, with leaps and steps that are sometimes subtle, sometimes bold – and always pretty darn fresh! Titles include "Dania", "Just In Case", "Pensive Puff", "Moving Right Along", "Moment's Notice", and "Under The Stairway".  ~ Dusty Groove



NEW RELEASES: TOWER OF POWER – EAST BAY GREASE / BUMP CITY (ORIGINAL RECORDING MASTER LIMITED EDITION); TOM TALLITSCH – ALL TOGETHER NOW; TIM BERNE’S SNAKEOIL – YOU’VE BEEN WATCHING ME

TOWER OF POWER – EAST BAY GREASE / BUMP CITY (ORIGINAL RECORDING MASTER LIMITED EDITION)

For over four decades, Tower Of Power have been the one of the premier soul, funk and rock bands of our time. Captivating audiences all over the world, the mighty Bay Area ensemble continues to tour extensively and release great music but it all started with the two classic soul masterpieces you now have in your hand…1970’s East Bay Grease and 1972’s Bump City. East Bay Grease reigns as one of the most notable debuts in funk history. With six super long jams from the pens of founders Emilio Castillo (alto sax/vocals) and Stephen Kupka (baritone sax/vocals), the album was a perfect vehicle for the band to be one of the first artists to get signed to the late Bill Graham’s San Francisco Records label. It also did well on the underground radio format as well as r&b outlets across the country. Solid champions like Knock Yourself Out, Back On The Street Again and the soulful ballad groove of Sparkling In The Sand and the James Brown vibe of The Price made this album truly memorable. While only a member for this one Lp, Rufus Miller does a stellar job on vocals. Long time members David Garibaldi debuts his awesome TOP drum sound on this masterwork, along with the incredible five horn attack of Castillo and Kupka, with co-horts Greg Adams, Skip Mesquite and David Padron. Bump City was their debut release for the Warner Bros. label and it also included their first hit single You’re Still A Young Man. The band changed things up a bit for this fine album including a new lead singer with Rick Stevens as more success materialized for this hardworking band. Radio was more receptive as tunes like Down To The Nightclub and You Got To Funkifize made this the funk album of choice for many programmers in 1972. Frequent touring at larger venues and more exposure on major market radio stations and television made Tower Of Power a very popular entity in a very short time, which would reward their hard work with over forty years of success. Friday Music is no stranger to the soulful and funk sounds of the legendary superstars Tower Of Power. Therefore it is with much honor to continue our Tower Of Power & Friday Music Original Master Series with their first two albums in a first time two-fer collection East Bay Grease & Bump City (2 Lp’s on 1 CD). Impeccably mastered by Joe Reagoso (Tower Of Power, Isley Brothers) from the original San Francisco Records and Warner Bros. tapes, we’ve also included the original Lp cover graphics to further enhance your Tower Of Power experience. Knock Yourself Out! ~ Amazon

TOM TALLITSCH – ALL TOGETHER NOW

A great one from tenorist Tom Tallistch – a player we love more and more with each new record! Tom's not just a hell of a player, but a great writer too – and his compositions here are filled with a sense of life and soul that's much deeper than you might expect from the album's cover – that kind of subtle brilliance that's really making the Posi-tone label one of the best in contemporary jazz these days – especially with artists like Tallistch on their roster! The group also features work from other great labelmates – Mike DiRubbo on alto, Michael Dease on trombone, and Brian Charette on piano and organ – on a set of excellent tracks that include "Passages", "Slippery Rock", "Big Sky", "Border Crossing", "Curmudgeon", and "Dunes".  ~ Dusty Groove

TIM BERNE’S SNAKEOIL – YOU’VE BEEN WATCHING ME


Tim Berne really seems to have found his great energy of old while working with his Snakeoil group – that richly-expressive sense of tones and timings that made him such a powerful force at the start, and which has really gotten us listening to his music all over again these days! Berne's on alto, but that's only part of the equation here – as the group also features these amazing lines from Oscar Noriega on clarinet and bass clarinet – used at a sharper level, to bring out even more edge than Tim's instrument. The group also has some excellent piano from Matt Mitchell – whose acoustic lines are a masterpiece of space and strength – sometimes balanced by his own electronics, and use of vibes, timpani, and other percussion by Ches Smith, the group's drummer. The guitars of Ryan Ferreira are used selectively, but in a way that only increases their power – and titles include "Lost In Redding", "Angles", "You've Been Watching Me", "Semi-Self Detached", and "False Impressions".  ~ Dusty Groove


NEW RELEASES: KENNY LATTIMORE – ANATOMY OF A LOVE SONG; CONFUNKSHUN – MORE THAN LOVE; JERRY LAWSON – JUST A MORTAL MAN

KENNY LATTIMORE – ANATOMY OF A LOVE SONG

Hailed by the New York Times as a modern soul man, Grammy Award-nominated singer/songwriter Kenny Lattimore is climbing the charts once again with another hit in the making: Love Me Back. The simple feel-good track is the lead single from Lattimore s seventh solo album, Anatomy of a Love Song. The project is the first release from the singer s eOne Music-distributed Sincere Soul Records. Says Lattimore, whose signature For You became an instant top 10 hit: This project brings together all the musical elements of songs I have loved throughout the years. From breakup and makeup songs, to the highs and lows I wanted to make sure this album touched everyone on my journey back to love. Focused on Lattimore s mesmerizing skill set tender vocals and penetrating, honest lyrics Anatomy of a Love Song reflects a 21st century perspective of love and relationships. To weave a seamless balance between modern and classic R&B, Lattimore recruited a production team comprised of established hitmakers like Carvin and Ivan Barias, J.R. Hudson, Rico Love, Vidal Davis, as well as the hot new production team The Sauce Boys. The set also features the songwriting contributions of such next-generation talents as Wreh Jolla, Jenna Hughes Taylor and Jamal McCoy as well as Lattimore himself. ~ Amazon

CONFUNKSHUN – MORE THAN LOVE

ConFunkShun is one of the great self-contained funk bands; since their 1976 breakthrough they have scored 18 Top 40 R&B hits, with 8 Top 10 smashes including such classics as Ffun, Chase Me and Electric Lady; lead vocalist Michael Cooper went on to a successful solo career with several Top 10 hits of his own; the band has re-united with Cooper and original second lead vocalist/multi-instrumentalist and songwriter Felton Pilate leading the way, wowing concert-goers across the country. More Than Love culminates the re-emergence of ConFunkShun with a beguiling 13-song set that captures that band at the peak of their powers. Produced by the same team behind Charlie Wilson s recent albums, More Than Love retains the classic ConFunkShun sound but with tastefully contemporary production. ~ Amazon

JERRY LAWSON – JUST A MORTAL MAN

With a capella group The Persuasions, Jerry Lawson made album after album (22 over 40 years), blending R&B, soul, pop, psychedelic rock, standards, doo-wop, jazz, and folk with voices alone. The Persuasions sang with Ray Charles, Stevie Wonder, Joni Mitchell, Chuck Berry, Rod Stewart, and dozens more stars in the firmament of popular music - helping keep a cappella singing alive, while setting a new standard for the genre. Lawson's sweet and smoky lead baritone and his electrifying stage charisma defined the group s sound. Now, at age 71, Lawson is finally releasing an album of music under his own name: a solo debut, titled Just a Mortal Man, to be released on East Nashville label Red Beet Records. With the help of Grammy-nominated producer Eric Brace, Lawson transforms a selection of new and classic songs with his astonishingly rich voice. This is a chance for the world to hear one of the greatest singers ever, front and center, as he has never been heard before. "What Persuasions fans don't know is that all my life I've been wanting to record with instruments, says Lawson. Now I'm finally getting the chance." On Just a Mortal Man, Lawson covers songs recorded by soul greats David Ruffin and Bobby Blue Bland, as well as songs by Brace, Peter Cooper, Phil Lee, Ayo, Robert Hunter, and Paul Simon. The record features The McCrary Sisters and Jim Lauderdale as special guests. ~ Amazon




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