Meshing the outsized gifts of violinist and mandolinist
Jason Anick and pianist Jason Yeager, United (to be released March 10, 2017 on saxophonist
and jazz visionary Greg Osby's Inner Circle Music label) demonstrates how
effectively today's most creative musical artists bloom outside the
constrictions of genre and idiom. Rejecting the confining roles of strict
categorization, the album draws on the wide swath of musical interests of its
co-leaders, blending straight-ahead and post-bop jazz, world music, funk and
pop, eagerly embracing what Anick and Yeager have defined as "jazz without
borders." Displaying the virtuosic talents of both of these formidable
instrumentalists, United also makes a thoroughly convincing claim for their
roles as imaginative composers and inclusive conceptualists.
Where Anick may be best known as a lynchpin of the acclaimed
neo-Gypsy Jazz ensemble, Rhythm Future Quartet, and Yeager is a recognized
exemplar of post-bop and third stream piano, their first project as co-leaders
doesn't place either in strictly familiar roles. Primarily utilizing bassist
Greg Loughman and drummer Mike Connors, as well as valued guests including the
saxophonists George Garzone and Clay Lyons, trumpeter Jason Palmer, bassist
John Lockwood and percussionist Jerry Leake, United is a shining example of how
the two Jasons engage the jazz tradition while gleefully expanding its purview.
The album roams freely among musical idioms, utilizing
Israeli-inspired rhythms for the propulsive "Achi" and making vivid
use of the Argentine chacarera beat for "La Segunda"; waxing a
lyrical homage to Billy Strayhorn ("Sweet Pea"); training a
rhythmically shifting gaze on George Harrison's "Something"; romping
on the new jazz tribute to Joshua Redman, "Well Red"; duetting on a
loping version of the Miles Davis standard, "All Blues"; and essaying
two post-bop excursions by the innovative Polish jazz violinist Zbigniew
Seifert (one of which, "Turbulent Power," features the saxophone
avatar George Garzone.) This stylistic diversity frees the leaders, allowing
each to explore surprising and eminently satisfying aspects of their musical
personalities.
For Anick and Yeager-friends since their teenage years,
frequent collaborators, and now fellow Berklee instructors-United is both an
artistic culmination of a long personal association and a statement of a shared
musical aesthetic. "The album has been a great outlet for both of
us," says Anick. "We get to stretch our instrumental voices within
different contexts. We've always been in sync in terms of a creative vision
where melody is never sacrificed to the demands of improvisation. We both
believe that you can express yourself within the context of a song. There's a
chemistry between us that allows us to create very special sonic soundscapes
together."
"The album was also a means to honor and feature
trusted musical associates and Berklee colleagues," says Yeager. "Clay
Lyons, featured on "Bird's Eye View", Jerry Leake, and the third
Jason, Jason Palmer, as well as Greg Loughman, Mike Connors and John Lockwood
are all fantastic players who deserve wider recognition. For his part, George
Garzone is just a force of nature!"
Indeed, the project's Berklee ties are manifest: Recorded by Professor
Mark Wessel through a faculty grant at the college's state-of-the-art studios,
Garzone, Lockwood, Palmer and Leake are all Berklee professors, and alto
saxophonist Lyons is an alum.
Even with guests contributing so significantly to the
success of the project, it always came back to the creative symbiosis of the
co-leaders. "We were looking for different colors to add to the music,
says Yeager, "but it was the thread that exists between us, that held
United together."
One of the youngest instructors at Boston's Berklee College
of Music and an award winning composer, Jason Anick is a co-founder and a
featured member of the Rhythm Future Quartet, one of the preeminent neo-Gypsy
Jazz outfits; he also leads his own contemporary jazz ensemble, and performs
with the Grammy-winning guitarist John Jorgenson. With performances all over
the world and renowned venues like the Montreal Jazz Festival, Blue Note,
Scullers Jazz Club, Yoshi's Jazz Club, and TD Garden, Jason has proven himself
to be a leader in the ever-growing contemporary string world. Anick's
recordings as a leader include Sleepless, Tipping Point, and Travels.
Now based in New York City, Jason Yeager (whose own albums
include Ruminations and Affirmation) has considerable personal and professional
ties to the New England area where he was born and raised. Currently teaching
at Boston's Berklee College of Music, where he is also one of the college's
youngest faculty members, Yeager graduated with honors from a double degree
program at Tufts University and New England Conservatory. At NEC he was
mentored by such significant instrumentalists as Danilo Perez, Fred Hersch, Ran
Blake, Frank Carlberg, Jerry Bergonzi and John McNeil. He has performed across
the US and abroad in Argentina, South Africa, and Botswana. Among the artists
with whom Yeager has performed are Greg Osby, Rudresh Mahanthappa, Linda Oh,
Sara Serpa, Ayn Inserto and Ran Blake. He's also featured on Jason Anick's
Tipping Point.
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