Michael Pedicin As It
Should Be With the April 21 release of As It Should Be: Ballads 2, tenor and
soprano saxophonist Michael Pedicin continues to spread the message of
acceptance and justice he eloquently shared on his critically acclaimed 2011
album Ballads ... searching for peace. "I'm one of those diehard '60s kids
that grew up concerned about peace and togetherness," Pedicin explains.
"I think about that every day of my life. We're all one."
In addition to covers of John Coltrane's
"Crescent" and Paul Simon's "Bridge Over Troubled Water,"
the album, his 14th as a leader, features eight ballads by longtime
collaborator guitarist Johnnie Valentino. Pedicin and Valentino are joined on
the recording by Frank Strauss on keyboards, bassist Mike Boone, drummer Justin
Faulkner (of Branford Marsalis's band), and percussionist Alex Acuña. With the
exception of Acuña, all are either from, still live in, or have roots in
Philadelphia.
Ballads showcasing the exquisitely lyrical aspects of
Pedicin's playing are the focus of the album, but several songs were treated to
somewhat brighter grooves than had been originally intended after the musicians
got to the recording studio, particularly "From Afar," which was
double-timed at a bossa-nova-like clip by Faulkner and Acuña.
Michael Pedicin in the studio
L. to r.: Mike Boone, bass; Frank Strauss, piano; Michael
Pedicin, tenor and soprano saxophones; Vic Stevens, engineer; Johnnie
Valentino, guitar; Justin Faulkner, drums.
A second-generation saxophonist, Michael Pedicin is the son
of alto saxophonist and singer Mike Pedicin, a hugely popular entertainer and
bandleader in the Philadelphia area for more than six decades until his
retirement at age 80. When the younger Pedicin was 13, his father took him to
the Harlem Club in Atlantic City to hear and meet the bluesy jazz saxophonist
Willis "Gator Tail" Jackson, who became his hero on the horn. Then he
heard records by John Coltrane and Cannonball Adderley, and he knew what he
wanted to do for the rest of his life: play the saxophone.
Michael Pedicin Pedicin studied theory with guitarist Dennis
Sandole and saxophone with Philadelphia Orchestra clarinetist Mike Guerra, both
of whom had once taught Coltrane, as well as with onetime Woody Herman
saxophonist Buddy Savitt. While attending Philadelphia's University of the Arts
(UArts), where he majored in composition, he began competing at -- and winning
-- collegiate jazz festivals around the country.
Switching from alto to tenor as his main instrument at age
20, Pedicin supported himself throughout the 1970s as a member of the horn
section at Philadelphia's Sigma Sound Studios. Working for producers Kenny
Gamble, Leon Huff, and Thom Bell, he played on countless sessions by the likes
of the Spinners, O'Jays, and Lou Rawls even as he continued to tour with
Maynard Ferguson, the O'Jays, Rawls, Stevie Wonder, and David Bowie. Michael
Pedicin Jr., his first album, was released in 1980 on Gamble & Huff's
Philadelphia International label.
From 1976 to 1981 Pedicin taught at UArts, and during much
of the '80s, he juggled teaching duties at Philadelphia's Temple University and
two years of touring with Dave Brubeck. Besides leading his own quintet, he
toured from 2003 to 2006 with Pat Martino and in early 2011 with the Dave
Brubeck Quartet with Darius Brubeck filling in for his ailing father.
Pedicin also continued his non-musical education, earning a
Ph.D in Psychology from the Philadelphia College of Osteopathic Medicine/International
University for Graduate Studies in 2002. The shingle above his office in
Linwood, NJ, reads "Dr. Michael Pedicino" as he recently changed his
last name back to the one taken away from his grandfather in 1906 when he
arrived at Ellis Island from Foggia, Italy. While Pedicin has no plans to
change his name in the world of music, he is in the process of obtaining dual
American-Italian citizenship.
The new album is just the latest chapter in this master
musician's ongoing quest to help make Philadelphia's sobriquet as the City of
Brotherly Love a reality for human beings of all races, ethnicities, and
nationalities through sweet melodies and gentle improvisations. "My goal
with this CD," Pedicin explains, "was to create some pretty and
accessible jazz in ballad form. This is not about revolutionizing the art form
we so love, but providing a soft and relaxing platform on which to enjoy
it."
Michael Pedicin will celebrate the release of As It Should
Be: Ballads 2 at the following engagements: 4/16 Smalls, NYC; 4/22 Exit Zero
Jazz Festival, Cape May, NJ (for which Pedicin is Artist in Residence); 5/12
Trumpets, Montclair, NJ; and 5/13 Chris' Jazz Café, Philadelphia. Personnel is
the same as on the new CD, minus Alex Acuña and with drummer Anwar Marshall
subbing for Justin Faulkner.
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