In a time when people need to come together more than ever,
Big Mean Sound Machine is spreading positivity through communal dance by
creating music that moves people of all ages and backgrounds. On April 7th, the
ten piece band breaks new sonic ground and creates a unique flavor of
instrumental music with their fourth full-length studio album, Runnin’ for the
Ghost, co-released by Peace & Rhythm and Blank Slate Records; pre-orders
available on Bandcamp.
While on tour, Big Mean opened a new chapter when the band
had the honor of meeting and playing with master drummer Tony Allen (pioneer
and co-creator of afrobeat with Fela Kuti and the Africa 70). His dream of
seeing afrobeat music spread globally to become bigger than any one person or
any one group motivated Big Mean to carry the torch of original dance music
into the 21st century. Though traditional afrobeat has had a major influence on
Big Mean Sound Machine, the music on Runnin’ for the Ghost reaches far beyond
tradition and pushes the band’s sound in new ways through the mixing and
blending of many genres, keeping with the spirit that inspired Allen and Kuti
to create their own style in the first place.
On Runnin’ for the Ghost, Big Mean continues to harness
their collective creativity as the majority of the conception, arrangement and
production came from within the band. Bassist and band leader Angelo Peters led
the charge in producing the new record while recruiting Matt Saccuccimorano (of
Big Mean's previous release Contraband) to engineer the first live studio
session. Later, Peters engineered and mixed the rest of the album at Big Mean
Studios with additional recording and production from bandmates Dan Barker,
Andrew Klein and Lucas Ashby. Big Mean’s synth wizard Dana Billings added the
final touches in mastering the album, completing the process.
To push forward into new creative territory, while recording
Runnin’ for the Ghost the band tried a different approach than usual by
learning, arranging and recording certain tracks in a single day, crafting the
music spontaneously in the studio. This
new collaborative approach shines through on the standout track “Van
Chatter.” The song delves into the realm
of West African Highlife and Central African Soukous with articulate and fast
moving guitar sounds alongside a call and response horn melody, creating a
lively conversation between tradition and innovation.
Another highlight is the lead single, “Seeing The Bigger
Picture,” which incorporates Afro-Cuban percussion patterns and a driving,
melodic bass groove that support an uplifting horn melody and a swirling analog
synthesizer solo. Each band member’s unique musical voice serves as a thread in
a seamlessly intertwined fabric of sound, creating an anthem for Big Mean’s
mission to move people. It premiered on
Live for Live Music and kicked off the band’s successful, fan-driven
#JoinTheMachine Kickstarter campaign. The premiere of the music video for
“Seeing The Bigger Picture” will coincide with the album release.
Big Mean Sound Machine has toured relentlessly for the past
three years, often with only a few days off between runs. They recently wrapped
up an East Coast Tour that included a week long residency in Miami as part of
the Grassroots Festival of Music and Dance. The band is currently on tour in
support of the new album.
Track List:
Return of the March
Seeing The Bigger Picture
Van Chatter
Runnin’ for the Ghost
Hired Gun
Burning Van
Kang’s Lament
Triple Bacon
The G
Sahara Cell Phones
Another Grain of Sand
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