Having amassed 20 Grammy nominations, four statues and three
Emmy wins, Gordon Goodwin is the most decorated big band leader in the 21st
century. After all six of his Big Phat Band albums have garnered Grammy
nominations or wins, he’s not elusive about why he trimmed his large 18-piece
ensemble for an outing as the 8-member
Little Phat Band, which will release their debut album, “An Elusive
Man,” on September 9 via the Music of Content
label.
“It
represents another side of my interest in jazz with more emphasis on
improvisation and letting the musicians explore things in a way that they can’t
do in a larger ensemble. The music I write for this band covers a wide range of
styles, from swing to Latin to funk and more. The seven musicians who join me
in making up the Little Phat Band are all members of the Big Phat Band and are,
to a man, the most accomplished and versatile musicians that I know,” said
Goodwin, who produced and arranged the date while composing eight new songs for
the ten-tune set.
Goodwin’s
Little Phat Band – Goodwin (piano and tenor sax), Wayne Bergeron (trumpet),
Eric Marienthal (alto and tenor sax), Andy Martin (trombone), Andrew Synowiec
(electric and acoustic guitar), Rick Shaw (electric and acoustic bass), Bernie
Dresel (drums) and Joey De Leon (percussion) – fills the diverse “An Elusive
Man” with regal swing, elegant be-bop and effulgent Latin jazz rhythms along
with soulful jazz funk jams. Throughout the collection adeptly balancing
serious and somber with playful fun and quirk, astute musicianship is on full
display with the players granted more room to bob and weave spontaneously than
in the tightly-scripted big band settings to which they are typically confined.
Goodwin’s communicative piano ruminations and probing tenor sax explorations
carve space to solo as do Marienthal’s roaring tenor and penetrating alto sax,
Bergeron’s commanding and eloquent trumpet, Martin’s character-rich trombone,
Shaw’s rock-steady bass and Synowiec’s adaptable electric guitar that pierces
tunes with expansive straight-ahead and contemporary jazz riffs as well as
country licks.
As for the
album’s title, Goodwin reveals, “It is a reference to people we all know who go
through life in fear and hide behind their jobs, their sense of humor or even
their skill sets, but never really reveal much about themselves. They present a
public persona, often a well-crafted one, but we never get to see who they are
inside.”
Breaking
into the industry while still a student at California State University
Northridge, Goodwin, a native of Wichita, Kansas, began by writing music for
various aspects of the Disneyland park, which eventually led to composing and
orchestration gigs in such films as “The Incredibles,” “Remember The Titans,”
“Armageddon,” “Get Smart,” “The Sorcerer’s Apprentice,” “National Treasure” and
“Gone in 60 Seconds.” His inventive scoring and orchestrations for television
garnered three Emmys while his resume boasts crafting music for Quincy Jones,
Christina Aguilera, Johnny Mathis, John Williams, Ray Charles, Natalie Cole,
Sarah Vaughan and Mel Torme. Longing to forge his own legacy, he formed the Big
Phat Band, which debuted in 2000 with “Swingin’ for the Fences,” nabbing a pair
of Grammy nominations. Each release that followed cemented the unit’s place as
the preeminent big band with Grammy nominations and wins for albums featuring
contributions from Eddie Daniels, Arturo Sandoval, David Sanborn, Brian McKnight,
Dianne Reeves, Take 6, Lee Ritenour, Patti Austin, Chick Corea, Dave Grusin,
Dave Koz, Gerald Albright and Marcus Miller. The group’s most recent offering,
2014’s “Life in the Bubble,” snared four nods along with the Grammy for Best
Large Jazz Ensemble Album. Goodwin shares his ardor for the big band sound that
first captured his imagination on “Phat Tracks with Gordon Goodwin,” a radio
show airing weekends on KJAZZ, America’s jazz and blues station. For more
information, please visit www.GordonGoodwin.com.
“An Elusive
Man” contains the following songs:
“The LP
Shuffle”
“Cot in the
Act”
“Behind You”
“An Elusive
Man”
“Samba Cya”
“Garaje
Gato”
“I Know You”
“Walkin’”
“In a
Sentimental Mood”
“Why We
Can’t Have Nice Things”
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