Concord Records Releases Grace on September 15, 2017
Lauded American singer Lizz Wright’s latest project, Grace,
reveals the web of deep-running roots of story and song that bind together the
vastly diverse traditions that are the soul of the American South. Wright
summons her Southern heritage and the spirit of the earth to usher us into a
nurturing space that pulses and hums with the unspoken suggestion that grace is
a cornerstone of our original state of being.
Produced by acclaimed singer and songwriter Joe Henry, Grace
is a stark reflection of Wright’s sense of place and belonging that’s deeply
woven into the cultural fabric of America. Grace is set for release on Concord
Records on Friday, September 15, 2017.
Grace was tracked live on Sunset Blvd in Los Angeles
alongside a standout cast of musicians at United Recording Studios – the
sessions feature her nearly 20-year collaboration with Atlanta-based pianist
and choir director Kenny Banks Sr., special guest guitarist Marc Ribot, bassist
David Piltch, guitarists Chris Bruce and Marvin Sewell, drummer Jay Bellerose,
and keyboardist Patrick Warren. An expansive collection of 10 songs and an
original co-write with Maia Sharp (“All the Way Here”), Grace is Wright’s
testament of devotion to speaking and embodying the fullness of her humanity
through music. Her most clear statement to date, Grace finds Wright standing
center stage in the complex dialogues of coexistence and interdependence between
all walks of life.
On Grace, the warm and weathered colors of her voice speak
with assurance that she is a tireless steward of freedom and change. Leaning
into curated classics and contemporary covers, Wright pierces form with gentle
and unfettered individuality. By virtue of the bold arrangements, Wright and
the musicians depict an unencumbered enclave where grace sparks a feeling of
exploration and leads to the discovery of an umbilical place of trust that must
be uncovered.
The vast landscapes portrayed on Grace are brimming with
Wright’s singular translations of music by Ray Charles, Allen Toussaint, Nina
Simone, Sister Rosetta Tharpe, k.d. lang, Bob Dylan, Frank Perkins and Mitchell
Parish, as well as emerging artists Rose Cousins and Birds of Chicago. From a
body of about 70 covers collected primarily by Joe Henry, 10 works were
selected that mirror Wright’s rural upbringing and the trail of stories and
songs that have brought her to the world stage. Having a strong sense of
intention to speak of grace from the inception of the project, Wright forwent
writing the title track after hearing “Grace” by Rose Cousins – the first title
track Wright didn’t compose from her catalogue of six studio recordings.
Grace opens with “Barley,” a song penned by Birds of Chicago
based on the traditional blues format of word repetition. With its sweeping
march and repeating phrases, “Barley” has Wright churning an ancestral force of
affirmation and encouragement.
Spanning the entire album, Wright culls inspiration from the
2015 documentary, What Happened, Miss Simone?, where Simone states in an
interview segment, “It’s the duty of an artist to respond to the times.” With
her rendition of “Seems I’m Never Tired Lovin’ You,” Wright renders a patient
and affectionate statement to reflect her life as an American in 2017.
For the Sister Rosetta Tharpe song, “Singing in My Soul,”
she channels Tharpe’s conviction that there’s an outpouring of song that can be
voiced in the world at any time and despite the times. Joe Henry’s years of
friendship and collaboration with Allen Toussaint brought “Southern Nights” to
the pre-studio listening session. Allen’s spirited trail of rural imagery made
“Southern Nights” the song that felt like home.
Ray Charles’ “What Would I Do” brings a swinging Georgia
gospel feel to Grace with Kenny Banks’ southern church piano work and bold
choir arrangements bolstering Lizz’s swelling vocals. “Stars Fell on Alabama”
is a romantic account of the spectacular Leonid meteor shower of 1833 and has
since been covered by over 100 artists. Wright uses the standard to relish in
the sentiment that it’s good to take your time when you’re lucky enough to be
in the right place at the right time.
Dylan’s “Every Grain of Sand” found Wright singing through
stacked frames of poetry where bliss and misery overlap to reveal the human
experience in a tender light. Wright’s interpretation of k.d. lang’s “Wash Me
Clean” is a portrayal of intimate communion, mixing the two worlds of sensuality
and prayer. Grace concludes with “All the Way Here,” Wright’s co-write with
Maia Sharp depicting how our names carry both the meaning of who we’ve been and
the story of what we have become.
“Lizz Wright and I have been friends for nearly fifteen years;
I’ve hungered for the chance to stand in service to her as she sang, so
powerful do I find the expression of her humanity,” says Joe Henry. “It was and
remains an honor to have been Lizz’s scout along the journey of Grace. And in
such dark times, we are all as musicians called to answer brutality with wild
and inclusive beauty. When Lizz now sings, I am allowed to feel by extension
that I am doing something of my part. What a gift that has been to me; what a
gift she offers all.”
Grace is a homecoming for Wright; a rite of passage that
traces the landscape between her Blue Ridge Mountains home and the storied
lands of her family in central and South Georgia and along the Georgia Sea
Islands.
For her return, Wright and photographer Jesse Kitt set out
on a seminal road trip. The two women course down rural pathways to chronicle a
myriad of the kinds of places and faces that encompass the album Grace. Kitt
beautifully documented Wright’s reunions with family members, neighbors,
mentors and encounters with strangers. In an effort to “hear the true voice of
the south at this moment” for themselves, they rambled along farmlands, back
porches, sandy beaches, and the bustling Atlanta streets as Wright conversed
with the people. She and Kenny Banks Sr. also recorded with a choir featuring
powerful singers from Atlanta’s local churches for three songs on Grace
(“Grace,” “What Would I Do,” “Seems I’m Never Tired Lovin’ You”).
Grace is a proclamation to unearth our fundamental kindness
and generosity. It sets forth a real invitation to openly contemplate our
humanity. In her commitment to foster a more courageous, equal and tolerant
society, Wright is plugged into several programs and endeavors that call for
her engagement as a song and essay writer, a board member and a storyteller.
From the experience of the humble country dinner with her friends and neighbors
in the mountains, Wright is reminded of the impact of simple acts of sharing
each other’s presence, without agenda. She realizes the meaningful and effective
work of just being a good neighbor. Within these small and common gestures is a
model of effectiveness for every large endeavor and project for social change.
“In this day it’s nearly a revolutionary act to stand deep
in unconditional love, to abide in fearless belonging and to embrace our
inescapable tenderness,” says Lizz Wright.
Lizz Wright and her band will tour in select North American
and international markets in the autumn of 2017, presenting a full multimedia
production of photographs captured by Jesse Kitt as a backdrop to the live
performance of Grace.
