Marion Hayden Named 2025 Kresge Eminent Artist: Celebrating a Lifetime of Jazz Excellence

Award-winning jazz bassist, composer, educator, and mentor Marion Hayden has been named the 2025 Kresge Eminent Artist, an esteemed honor considered metro Detroit's highest arts recognition. This annual award, accompanied by a $100,000 prize, highlights individuals who have significantly impacted the region’s cultural community throughout their careers.

At 68, Marion Hayden is the 17th recipient of this prestigious award, established in 2008 to honor artists whose lifetime achievements have contributed to Detroit's rich cultural landscape. As the third jazz musician to receive the award, Hayden joins the ranks of the legendary Tribe members Wendell Harrison and the late Marcus Belgrave, both of whom Hayden has closely collaborated with and learned from throughout her career.

Hayden’s early rise to national prominence began as a co-founder of the groundbreaking, Grammy-nominated jazz group Straight Ahead. The all-female ensemble made waves in the late 1980s when they became the first all-female jazz group signed to Atlantic Records. Their success played a pivotal role in launching the career of violinist Regina Carter, a MacArthur Genius Grant recipient. Straight Ahead continues to perform around Detroit and beyond.

Over the years, Hayden has collaborated with an impressive roster of jazz and soul greats, including DeeDee Bridgewater, Kirk Lightsey, Steve Turre, Jon Faddis, Kamau Kenyatta, and Gregory Porter, among many others. Hayden’s remarkable versatility has earned her recognition not only in jazz circles but also in the broader music community.

In addition to her performance career, Hayden’s impact extends to education and mentorship. She serves as the Geri Allen Collegiate Lecturer at the University of Michigan's Department of Jazz and Contemporary Improvisation, a position named after the late Detroit musician Geri Allen. She also teaches at Oakland University, where she continues to inspire the next generation of jazz artists.

As part of her 2025 Kresge Eminent Artist Award, a short film celebrating Hayden’s legacy will premiere on the Detroit PBS affiliate on March 31, 2025. Additionally, a monograph detailing her contributions to Detroit's cultural scene will be distributed to the public free of charge. Hayden’s impact on Detroit’s jazz scene and beyond is undeniable, and her lifetime of achievement continues to inspire musicians and music lovers alike.

Darryl Evan Jones Celebrates African Legacy with Powerful New Single "Mi Antilles"

Darryl Evan Jones, the dynamic flutist and instrumental soul artist, has solidified his place as a global force in contemporary jazz. Known as the "Ambassador of Instrumental Soul," the Bronx-born musician's journey began with a notable appearance on Showtime At The Apollo in the late 1990s. From there, Jones founded JonesStar Entertainment LLC and went on to release chart-topping albums like On My Own (2000), Dream (2006), Relentless (2013), and his latest Resilient (2024). His collaboration with artists like Jim Woodlyn, Adam Hawley, and Wayne Garrick has earned him recognition on smooth jazz charts such as Radio Wave Groove Jazz, SJ Network, and Smoothjazz.club.

A recognized talent, Jones has opened for iconic artists like Boney James, Howard Hewett, and Jeff Lorber, and he recently won the 2024 “Made In New York Jazz Competition” Solo Instrumental Category.

Now, Darryl Evan Jones takes a bold detour from his Resilient album with the release of a deeply evocative single titled Mi Antilles. Released in honor of Black History Month, Mi Antilles pays tribute to the African ancestors who were brought to the Caribbean to work on plantations. With rich Afro-Caribbean influences, Jones creates a stirring instrumental piece that honors the legacy of these individuals, celebrating their strength and resilience.

The highly anticipated single will be available for digital download and streaming worldwide starting January 31, 2025. Mi Antilles is already making waves, capturing the hearts of music lovers worldwide through its powerful YouTube preview.

Manu Dibango’s Lost Live Performance from 1982 Released: "Dibango 82"

Wewantsounds is releasing Dibango 82 an unreleased live recording by Manu Dibango taped in Marseille, Dec 1982. The electrifying live performance features the African legend alongside his stellar 8-piece group, blending funk, jazz, and African rhythms. Highlights include “Africa Boogie” and “Waka Juju.” This album released in partnership with INA and Soul Makossa, Dibango’s label captures the African legend at the top of his game. Remastered from the original tapes with liner notes (Eng/Fr) by Graeme Ewens  and concert organiser Christian Ducasse, both present at the gig, it features a front cover shot by key African Paris-based photographer Bill Akwa Bétotè

Manu Dibango, who passed away five years ago at 86, is one of the most celebrated African musicians alongside Fela, Miriam Makeba and Youssou N’dour. In a career spanning six decades, Dibango revolutionised African music and had a worldwide hit in the process in the form “Soul Makossa” in 1972. This live album, recorded during a French tour in 1982 came at a critical time when France, after the election of Francois Mitterrand, was embracing its multi-ethnic sensitivity. Through the rise of FM radios such as Radio Nova, an offshoot of cult magazine Actuel, the French music scene suddenly got much more opened. The “Sono Mondiale” as Nova would call World music, was born.

Organised by French producer Martin Meissonnier, the sold-out tour created a stir in France bringing together two legends, Manu Dibango and his group plus iconic jazz traveller Don Cherry, which Meissonnier had closely worked with in the late 70s (Cherry doesn’t appear on this set but will soon in a 2nd volume)

Captured on December 22, 1982, at the Théâtre La Criée in Marseille, Dibango 82 delivers an electrifying concert of African rhythms, jazz, and funk mastery, with a pinch of Latin music, led by Dibango accompanied by a stellar ensemble of musicians: Congolese guitarist Jerry “Bokilo” Malekani, drummer Brice Wassy, percussionist Valery Lobe, three of his most trusted partners, together with Jean-Pierre Coco on percussion, Hary Gofin on bass, pianist Del Rabenja from Madagascar and two superb background singers, Florence ‘Titty’ Dimbeng and Sissy Dipoko. The set opens with a traditional Cameroonian song “Migilbawe” sung by the two female singers a-capella before moving on to three Dibango classics stretched out here for maximum pleasure: “African Boogie” featuring a superb solo by Bokilo Malekani and Hary Gofin, “Ashiko Oumba” and the vibrant “Waka Juju” featuring a jaw-dropping percussion solo. As Graeme Ewens, who was on the tour, noted in his liner notes, “Manu's African Sound is a strong rhythmic and melodic unit. Super-polyrhythms, jazz-funky bass and keyboards, Congolese guitar provide a physically moving accompaniment to his own horn playing.”

The audio from the French INA archives has been remastered from master tapes and the album’s liner notes by Graeme Ewens are augmented by an introduction from French photographer Christian Ducasse who organised the concert. Last but not least the front cover features a superb shot by cult Paris-based Bill Akwa Bétotè who documented the Paris 80s African music scene making Dibango 82 an event for all Manu Dibango and African music fans.

Tracklist

A1. Migilbawe  1.15

A2. Africa Boogie  11.04

A3. Ashiko Oumba  9.53

B4. Waka Juju pt 1  3.55

B5. Waka Juju pt 2  4.24

B6. Waka Juju pt 3  6.50

Recorded Live 22nd Dec. 1982 at Théâtre la Criée, Marseille France

• Manu Dibango - Sax, Vocal
• Jerry "Bokilo" Malekani: Guitar
• Hary Gofin: Bass
• Del Rabenja: Keyboards, Fender Rhodes
• Brice Wassy: Drums
• Valery Lobe: Percussion
• Jean Pierre Coco: Percussion
• Florence Titty Dimbeng: Vocals
• Sissy Dipoko: Vocals

Keepers of the Eastern Door: Chris Cheek's Homage to Harmony and Heritage

As European settlers pushed westward from the Atlantic coast, the Mohawk people, the easternmost tribe of the Iroquois Confederacy, earned the title “Keepers of the Eastern Door” for their role in protecting their lands from encroaching colonizers. This historical struggle between those who live in harmony with nature and those who exploit it remains ever-relevant.

In his upcoming album Keepers of the Eastern Door, acclaimed saxophonist and composer Chris Cheek channels this dynamic. The album's cover, featuring Edward Curtis' photograph The Kutenai Duck Hunter, evokes these themes of balance, as a lone canoeist gazes toward an uncertain future in the reflection of the water.

Cheek’s musical exploration, set for release on May 23, 2025 via Analog Tone Factory, delves deep into this cultural and ecological tension. The album features a remarkable quartet, with Cheek joined by guitar legend Bill Frisell, bassist Tony Scherr, and drummer Rudy Royston. Together, they craft a sonic journey that spans captivating originals alongside covers from diverse artists, including The Beatles, Henry Purcell, and Olivier Messiaen.

The concept for Keepers of the Eastern Door was inspired by another Curtis photograph of Native Americans in Canyon de Chelly. Cheek, who grew up in St. Louis, felt a profound connection to the natural world and the tension between it and the industrialized society he later inhabited. The album's title reflects this dichotomy, as Cheek explores the idea of preserving traditional ways of life that are deeply in tune with nature.

Recorded live to analog tape at New York’s Power Station studio, the album perfectly embodies the modernist/traditional balance it seeks to capture. With Frisell’s unique sound and Cheek’s lyrical saxophone, the quartet explores the richness of the natural world through a blend of classical, jazz, and contemporary influences. Masterfully recorded by James Farber and mastered by the legendary Bernie Grundman, the album’s analog warmth and depth echo its thematic soul.

Cheek’s three original compositions, including the opener Kino’s Canoe, provide a window into his creative process, mirroring popular melodies to create fresh, intricate works. The album offers a sense of spiritual communion with nature and a reflection on how we’ve lost touch with it. Cheek sums it up, “I think it’s a parallel world that supports the one we can touch but can’t always describe.”

About Chris Cheek:

Chris Cheek is widely regarded as one of the most innovative and expressive saxophonists in contemporary jazz. Born in St. Louis, Missouri, in 1968, Cheek has played alongside legendary musicians such as Paul Motian, Charlie Haden, Steve Swallow, and Bill Frisell, earning a reputation for his lyrical playing, distinctive sound, and deep emotional resonance.

Known for his ability to subvert expectations, Cheek combines a graceful lyricism with moments of unexpected intensity, capturing a wide range of emotional expression. His work as both a sideman and leader has made a lasting impact on the modern jazz scene. With a discography that includes albums such as Saturday Songs, I Wish I Knew, and Blues Cruise, Cheek’s music blends the traditions of jazz with a forward-thinking, almost spiritual approach.

A long-time member of Paul Motian's groups and co-leader of bands like Rudder, The Bloomdaddies, and Reeds Ramble, Cheek has proven to be a versatile force in the jazz world. He has also performed and recorded with prominent big bands, including those of Dafnis Prieto, Alan Ferber, and Miguel Zenon. His playing has been described as both gentle and deeply subversive—just when the listener feels comforted by the melody, Cheek introduces a twist that challenges expectations.

Cheek’s approach to music goes beyond technique—he believes in the emotional connection to sound and how it can resonate with listeners on a deeper, almost spiritual level. This connection is evident throughout his latest project, Keepers of the Eastern Door, which finds him exploring themes of nature, culture, and the balance between the two through a deeply personal and expressive musical journey.

Kellylee Evans Receives 2025 JUNO Award Nomination for Winter Song – A Heartfelt Celebration of Jazz and the Holidays

Acclaimed jazz vocalist Kellylee Evans has earned a well-deserved 2025 JUNO Award nomination for Vocal Jazz Album of the Year for her latest release, Winter Song. This marks Evans' fourth JUNO nomination, following her 2011 win for Nina in the same category. The recognition reinforces her reputation as one of Canada’s most celebrated and innovative jazz artists.

A Career Steeped in Excellence

Evans' JUNO nomination for Winter Song adds to her long-standing history of recognition within the Canadian music community. Here is a snapshot of her JUNO history:

2025 Nominee – Winter Song (Vocal Jazz Album of the Year)

2018 Nominee – Come On (Vocal Jazz Album of the Year)

2011 WINNER – Nina (Vocal Jazz Album of the Year)

2007 Nominee – Fight or Flight? (Vocal Jazz Album of the Year)

Her career has been marked by a continuous blend of jazz, soul, R&B, and evocative storytelling, with each release showcasing her unparalleled vocal talent and emotional depth.

Winter Song: A Soulful Tribute to the Season

Evans’ latest album, Winter Song, is a heartfelt collection of holiday classics and original tracks that reflect the emotional richness of the winter season. The album stands out for its intimate tone, featuring her soothing title track "Winter Song," which beautifully captures both the solitude and the joy that the season brings.

“I had a sense of longing for the idealized images of family life I saw in holiday movies,” Evans shares. “But as an adult, I realize family is what we make all around us.” Her reflections on family and belonging are woven into the emotional fabric of the album, which resonates with listeners well beyond the holiday season.

Co-produced by Evans and Steve Foley (known for his work with J-Cole, Chad Kroeger, and Carly Rae Jepsen), Winter Song is an evocative mix of timeless holiday favorites, such as Joni Mitchell’s "River", Mariah Carey’s "All I Want For Christmas Is You", and John Lennon’s "Imagine", along with her own original compositions. The album’s modern arrangements breathe new life into these classic tunes while Evans’ voice brings a fresh layer of warmth and intimacy to each song.

Resilience and Artistry

Evans’ music has always been a reflection of her personal journey. In addition to her JUNO-winning career, Evans is a survivor of a 2013 lightning strike, an experience that deeply influenced her outlook on life and her music. She has since used her platform to discuss the importance of resilience, mental health, and self-care in public engagements, offering her listeners a message of strength and hope.

Her collaborations over the years with legends such as Willie Nelson, John Legend, and George Benson have cemented her place among the best in the industry. Evans continues to reach new heights with Winter Song, blending jazz traditions with her unique voice, all while embracing the power of storytelling through song.

A Tour Through Quebec and Ontario

As Evans gears up for a tour through Quebec and Ontario, her music promises to inspire and connect with audiences far beyond the holiday season. Winter Song serves as a reminder of the warmth, love, and emotional depth that music can offer.

For Kellylee Evans, the 2025 JUNO nomination is yet another milestone in a career that continues to evolve and inspire. Whether it’s through the heartfelt lyrics of Winter Song or her powerful live performances, Evans remains one of the shining stars of the Canadian jazz scene.

Remembering Roberta Flack: A Legacy of Soul, Jazz, and Timeless Music

With great sadness, the world mourns the passing of legendary singer and songwriter Roberta Flack, who recently passed away at the age of 88. Renowned for her emotive voice, musical versatility, and unforgettable ballads, Flack’s career spanned over five decades and left an indelible mark on the music industry. As fans around the globe reflect on her incredible contributions to soul, jazz, and R&B, her legacy remains one of unparalleled artistry and grace.

Early Life and Musical Beginnings

Born on February 10, 1937, in Black Mountain, North Carolina, Roberta Cleopatra Flack displayed an early interest in music. Her classical piano training began at an early age, and by the time she was a teenager, she was already impressing audiences with her remarkable vocal ability. Flack later studied music education at Howard University in Washington, D.C., where her talent for both classical music and jazz began to shine.

It was at Howard University that Flack’s career took its first major step forward. Her first major break came when she was invited to perform at a club in Washington, D.C., where she was discovered by jazz saxophonist and bandleader, Cannonball Adderley. This led to her signing with Atlantic Records in the 1960s.

A Career That Defined Multiple Genres

Flack's music was always marked by an effortless blend of soul, jazz, and R&B, creating a sound that was all her own. However, it was in the early 1970s that Flack would become a household name. Her breakthrough came with the release of her 1973 album Killing Me Softly, which featured the iconic title track. The song, written by Lori Lieberman and later made famous by Flack, became an instant classic. Flack’s deeply emotional interpretation of the song—coupled with her beautiful, tender delivery—cemented her status as one of the most powerful voices in American music.

Her rendition of Killing Me Softly went on to become one of her biggest hits, winning the Grammy Award for Record of the Year in 1974. It topped the charts for weeks and remains one of her most beloved songs. The power of this song was not only in the lyrics but also in Flack’s ability to connect with the listener on a deeply emotional level.

Flack’s musical versatility was also demonstrated through her 1972 hit, The First Time Ever I Saw Your Face, a breathtaking ballad that she brought to life with unparalleled tenderness. Originally written by Ewan MacColl, Flack’s version became a chart-topping smash, earning her the Grammy Award for Song of the Year in 1973.

Her deep, soulful voice also graced other hits like Where Is the Love? (a collaboration with Donny Hathaway), Feel Like Makin' Love, and If I Ever See You Again. Each of these songs further showcased Flack’s ability to blend the nuances of jazz with the emotional depth of soul and R&B.

An Advocate for Social Change

Beyond her musical talent, Flack was also a passionate advocate for civil rights and social justice. She used her platform to speak out against inequality and discrimination and was deeply committed to empowering women and minorities. Her influence extended far beyond her musical career, as she became a symbol of strength and grace for those advocating for change.

Flack’s philanthropic work included support for education and causes that elevated marginalized voices in the arts. She believed in the power of music to inspire, heal, and unite, and she devoted herself to sharing that belief throughout her life.

Lasting Impact and Legacy

Flack’s musical legacy continues to resonate with new generations of listeners. Her timeless songs remain a staple of jazz, soul, and R&B playlists, and her artistry continues to inspire countless musicians across the world. Even as she transitioned to fewer performances in her later years due to health complications, Flack’s music never lost its power to captivate and move audiences.

In addition to her Grammy wins, Flack received numerous honors over her career, including being inducted into the North Carolina Music Hall of Fame and the Grammy Hall of Fame. Her songs will forever be remembered for their depth, emotion, and elegance.

Flack’s passing marks the end of an era in American music, but her voice, her influence, and her enduring contributions to music will never be forgotten. As fans around the world grieve her loss, they are also left with a remarkable catalog of songs that showcase her unparalleled ability to turn music into something timeless and extraordinary.

A Lasting Goodbye

Roberta Flack leaves behind a legacy that will continue to resonate through the ages. Whether she was delivering heart-wrenching ballads, timeless love songs, or soul-infused melodies, Flack’s music will always be a reminder of her artistry, her commitment to her craft, and the power of her voice to touch lives.

Rest in peace, Roberta Flack. Your music will live on, forever echoing in the hearts of fans and music lovers worldwide.

Charles A. Kelly Releases Phase II – A Transformative Album of Spiritual and Musical Growth

R&B/Jazz keyboardist Charles A. Kelly pushes the boundaries of contemporary jazz with his sophomore album Phase II, released on February 21. A deeply spiritual and transformative work, it marks the second chapter in a planned trilogy. Kelly wrote, produced, and arranged ten tracks that explore personal growth, innovation, and connection. The third single, Raindrops Under Glass, blends classical orchestrations, African rhythms, and movie score melodies, and was also released on Friday.

Kelly’s 2022 debut, You’re Not Alone, laid the groundwork for the trilogy, establishing the present moment in contemporary jazz. Phase II serves as a bridge, pushing the genre’s boundaries and offering an experimental exploration of its potential future. The final chapter, a double album, will further evolve the genre.

"My mission for this album is to stretch the current boundaries of contemporary jazz," said Kelly. "For the music to grow, we must boldly create songs that reach and connect with a wider audience."

Phase II opens with the energetic "That Groove," featuring a horn-powered groove driven by bassist Jerome Randall and drummer Billy “Shoes” Johnson. Other highlights include SunSeeker, a joyful and travel-inspired track that peaked at No. 4 on the charts, and City Night, which reflects Kelly's experiences performing in Philadelphia's nightclubs. Bring It to Compliance incorporates fusion, adding electric guitar and intense rhythms, while Feathers In Flight draws inspiration from the film American Beauty, symbolizing the beauty found in life's simplest moments.

The album also features the bold and empowering Amanirenas, named after a powerful queen from the Kingdom of Kush, and I Only Want You, a song inspired by love, faith, and the protection of God. When We Are One, set to release as the fourth single on April 15, explores the deep connection in relationships, and the final track, Song For Sharlise, is a deeply personal solo piano composition written in memory of Kelly’s late daughter.

Other contributing musicians include GRAMMY-winning percussionist Munyungo Jackson, drummers Tony Moore and Land Richards, and guitarist James Greene.

Kelly, a seasoned artist who has worked with Stevie Wonder, Elton John, and CeCe Winans, continues to make his mark with this evolving musical trilogy. For more information on Phase II, visit www.charlesakelly.com.

Janiva Magness Releases Powerful 17th Album Back for Me with Collaborator Dave Darling

Renowned blues artist Janiva Magness has unveiled her highly anticipated 17th album, Back for Me, produced by her longtime collaborator and friend, Dave Darling. This emotionally rich album reaffirms her unparalleled ability to connect with the heart of the blues while continuing to redefine her iconic sound.

Back for Me features a collection of carefully chosen, lesser-known songs by notable artists such as Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson, and Irma Thomas. As Magness herself notes, “I have always been into the B-sides. There’s a freshness to doing a B-side rather than a well-known hit. I absolutely love the idea of shining a light on material that people are not familiar with.” This fresh approach highlights the deep emotions embodied in Magness' captivating voice and music, making it a must-listen for her devoted fans.

Janiva Magness’ Back for Me – A Journey Through Blues, Soul, and R&B

With her signature emotional delivery, Magness brings a dynamic range of music, from the Chicago-via-Texas grit of “Masterpiece” (featuring a searing guitar solo from Joe Bonamassa), to the gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh,” and the haunting resignation in Doyle Bramhall’s “November.” The album also features powerful contributions from guest artists such as ace guitarists Sue Foley, Jesse Dayton, and the unmistakable guitar work of Bonamassa.

Back for Me marks a milestone in Magness’ career, following the success of her Grammy-nominated album Love Wins Again and her seven Blues Music Awards, including the 2009 B.B. King Artist of the Year Award. Her poignant memoir, Weeds Like Us, which recounts the traumas of her youth and her hard-earned triumphs, also further solidified her place as a resilient and celebrated artist.

Back for Me’s Stellar Band and Collaboration

Produced by Dave Darling, the album’s core band includes drummer W.F. Quinn Smith, bassist Ian Walker, keyboardists Sasha Smith and Phil Parlapiano, and guitarists John Schroeder and Robert “Chalo” Ortiz. Other standout guest musicians on the album include blues harp player TJ Norton and the aforementioned guest guitarists, making this a powerhouse of talent.

Magness credits the band’s chemistry for helping bring a unique and intimate feel to the album. “We tracked together live,” she says. “That’s one of the reasons that it sounds as solid as it does. These guys have worked together on other albums with Dave and other projects, so there’s an automatic intimacy to the backbone of the songs.”

Track Listing for Back for Me:

• Masterpiece (featuring Joe Bonamassa)
• Back for Me
• The Same Love That Made Me Laugh
• November
• Holes (featuring Sue Foley)
• I Was Good to You Baby
• You Can Bring Me Flowers
• Down So Low
• Do I Need You
• Hittin’ on Nothin’ (featuring Jesse Dayton)

Janiva Magness 2025 Tour Dates

• Feb 19-23 – Montreal, Quebec @ FAI
• Mar 19 – Pawling, NY @ Daryl’s House
• Mar 20 – Philadelphia, PA @ World Café Live
• Mar 21 – Rochester, NY @ Mountain Stage
• Mar 23 – Syracuse, NY @ 443 Social Club – SOLD OUT
• Mar 23 – Syracuse, NY @ 443 Social Club – Matinee
• Mar 26 – Petaluma, CA @ Music Theater – Krush on the Road
• Mar 27 – Bakersfield, CA @ World Records Live
• Mar 28 – San Francisco, CA @ Biscuits & Blues
• Mar 29 – Santa Monica, CA @ McCabe’s
• Apr 2 – Seattle, WA @ The Triple Door
• Apr 4 – Derry, NH @ Tupelo Music Hall

Nels Cline Drops New Single "Slipping into Something" from Upcoming Album Consentrik Quartet

Acclaimed guitarist and Wilco member Nels Cline has released “Slipping into Something,” the third single from his highly anticipated album Consentrik Quartet. Set to be released on March 14 through Blue Note Records, this album marks the debut of his new ensemble, Consentrik Quartet, featuring saxophonist Ingrid Laubrock, bassist Chris Lightcap, and drummer Tom Rainey.

Blending elements of swinging, grooving, and mesmerizing soundscapes, Consentrik Quartet showcases the deep musical chemistry among its members, while highlighting Cline’s incredible versatility as a guitarist and composer. 

This spring, Cline will be touring with the Consentrik Quartet across the Northeast, including an April 14 performance at Le Poisson Rouge in New York City. The band will also perform at the Big Ears Festival in Knoxville, Tennessee, on March 30. Cline will make four festival appearances in total this year, including performances with eucademix (March 28), Jenny Scheinman (March 29), and the expanded version of The Nels Cline Singers (March 28), marking their first live show since the 2020 release of Share The Wealth. For more tour information, visit nelscline.com/shows

Cline’s musical range has been widely recognized, from his iconic contributions to Wilco to his acclaimed solo albums with Blue Note Records. His prior releases, such as Lovers and Share The Wealth, have highlighted his prowess in both mood music and sonic innovation. Consentrik Quartet offers a new chapter in his exploration of improvised music, blending Cline’s influences from jazz legends like John Scofield and Eric Dolphy with his own experimental approach to composition.

A deep dive into Cline’s eclectic influences, Consentrik Quartet also reflects his dedication to improvised music, with echoes of the guitar-saxophone collaborations from the John Scofield/Joe Lovano quartets and the introspective improvisation of the Jimmy Giuffre 3. This album represents a return to his roots in the Brooklyn improvised-music scene, where he became a pivotal player over a decade ago.

Despite the challenges of the pandemic, Cline found time to write much of the album’s material during lockdown, allowing him to refine his vision and sonic palette. The album’s composition offers a unique blend of traditional and modern influences, demonstrating his unparalleled ability to create fresh sounds within the jazz world.

Consentrik Quartet is a testament to Cline’s commitment to pushing musical boundaries while maintaining a deep connection to his roots. The release serves not only as a creative milestone but as a love letter to the vibrant Brooklyn music scene that shaped his career.

Full Spring 2025 Tour Dates:

• March 30 – Knoxville, TN @ Big Ears Festival
• April 7 – Portsmouth, NH @ The Press Room
• April 8 – Northampton, MA @ Iron Horse
• April 9 – Hamden, CT @ Space Ballroom
• April 10 – Nashua, NH @ Nashua Center for the Arts
• April 11 – Marlboro, NY @ The Falcon
• April 12 – Philadelphia, PA @ Solar Myth
• April 14 – New York, NY @ Le Poisson Rouge

Taj Mahal and Keb’ Mo’ Reunite for ‘Room On The Porch’: A Historic Collaboration in Blues and Americana

Iconic American blues artists Taj Mahal and Keb’ Mo’ are set to release their highly anticipated collaborative album Room On The Porch on May 23, 2025, via Concord Records. This marks the first studio album from the duo in eight years, following their GRAMMY-winning debut TajMo in 2017. The new ten-track album sees these two legends of American music coming together once again to blend their distinct sounds of blues, folk, soul, and Americana.

A Legacy of Musical Collaboration

TajMo, a powerful partnership that merges two generations of music masters, is ready to reclaim the spotlight. Room On The Porch is a deeply personal collection of songs written and co-produced by both Taj Mahal and Keb’ Mo’. Their chemistry is undeniable, and the album brings out the best in both artists. The album showcases a range of emotions, from the uplifting title track, "Room On The Porch" (featuring and co-written with 2x Song of the Year GRAMMY nominee Ruby Amanfu), to soul-searching ballads.

In a joint statement, Taj Mahal remarked, “We’re just trying to keep the culture moving forward,” a sentiment that echoes throughout the album and continues to drive their mission in the modern music landscape.

Keb' Mo’ reflected on the reunion, saying, “That first album turned out so great that part of me wondered if maybe we just got lucky. But when we got back into the studio together, I felt that same magic again, and I realized it wasn’t luck at all.”

A Track to Bring People Together

The album’s title track, Room On The Porch, beautifully exemplifies the duo’s philosophy of inclusivity and togetherness. With lyrics like “Stay as long as you like / That’s alright… Come on up / There’s room on the porch for everyone,” this track captures a message of hope, community, and friendship at a time when those values are more needed than ever.

Sonically Diverse and Rooted in Tradition

Room On The Porch isn’t just a reunion; it’s an exploration of musical evolution. Taj Mahal and Keb’ Mo’ embrace a wide variety of sounds in this record, proving why each artist is considered a standard-bearer in the genre-bending world of blues, soul, and Americana. With influences ranging from folk and soul to modern blues, the album highlights their shared cultural and musical roots. Taj Mahal, who recently received the Recording Academy’s prestigious Lifetime Achievement Award, emphasized the importance of African influences on Western music, stating, "If you take the African imprint out of Western music for the last 500 years, there’s almost nothing left."

Room On The Porch Tracklist

• Room On The Porch ft. Ruby Amanfu
• My Darling My Dear
• Nobody Knows You When You’re Down and Out
• She Keeps Me Movin’
• Make Up Your Mind
• Thicker Than Mud
• Junkyard Dog
• Blues’ll Give You Back Your Soul
• Better Than Ever ft. Wendy Moten
• Rough Time Blues

Tour Announcement

Fans will be able to see Taj Mahal and Keb’ Mo’ live in 2025, as they take their Room On The Porch show across the United States. The duo will kick off their tour with a special performance at the Grand Ole Opry on May 23 and continue to tour in cities such as New York, Detroit, and Grand Rapids. 

TajMo 2025 Tour Dates:

• 5/23 - Nashville, TN - The Grand Ole Opry
• 5/28 - New York, NY - The Town Hall
• 5/30 - Sidney, ME - Bowl In The Pines
• 5/31 - Hammondsport, NY - The Pavilion at Point of the Bluff Vineyards 
• 6/1 – Hyannis, MA – Cape Cod Melody Tent
• 6/3 – Concord, NH – Capitol Center for the Arts – Chubb Theatre
• 6/4 - South Deerfield, MA - Summer Stage at Tree House Brewing
• 6/6 - Bensalem, PA - Xcite Center at Parx Casino
• 6/7 - Selbyville, DE - Freeman Arts Pavilion 
• 6/8 - Vienna, VA - Wolf Trap, Filene Center 
• 6/10 - Huber Heights, OH - Rose Music Center at The Heights
• 6/12 - Grand Rapids, MI - Frederik Meijer Gardens & Sculpture Park 
• 6/13 - Interlochen, MI - Interlochen Center for the Arts 
• 6/14 - Highland Park, IL - Ravinia Festival 
• 6/15 - Detroit, MI - Masonic Cathedral Theatre

About Taj Mahal:

Taj Mahal is a legendary figure in American blues music, blending folk, blues, and world influences to create a sound uniquely his own. Over his five-decade career, Taj has earned multiple Grammy Awards, including a Lifetime Achievement Award from the Recording Academy. Known for his diverse musical range, Mahal is revered as one of the most innovative and influential blues musicians of his generation.

About Keb’ Mo’:

Keb’ Mo’, a three-time Grammy Award-winning artist, has spent over 30 years redefining blues and Americana. His music is a fusion of roots, folk, and contemporary blues that resonates with listeners worldwide. Known for his soulful voice and masterful guitar skills, Keb’ Mo’ has cemented his place as a modern-day blues icon.

Pray Sue: A Timeless Journey Through Memory, Emotion, and Sound

Ari Joshua’s Pray Sue is a composition that intertwines memory, place, and ancestral motifs, evoking a profound connection to the past. This work sits at the intersection of classical and jazz, drawing from both traditions to craft a sound that is distinctly its own. Inspired by Joshua’s late grandfather and the enigmatic town of Przysucha, the piece unfolds as a cinematic journey through time and space. At its core, Pray Sue channels a classical sensibility, reimagined through a modern lens, creating a unique sonic landscape where orchestral strings, vintage magnetic tape-driven keyboards, and organs merge to create a deeply ethereal experience.

The rhythmic foundation of the composition is anchored by the formidable drumming of Billy Martin, whose intricate percussive work adds depth and complexity. John Medeski’s electric organ textures elevate the composition further, adding layers of analog warmth and color. Recorded at the legendary Applehead Studio in Woodstock, New York, Pray Sue encapsulates the essence of a bygone era when music was crafted with meticulous attention to detail.

The artwork for the release, created by artist Mark Henson, complements the music’s ethereal nature. As Henson describes it, his visual work portrays "winged beings flying to the source," resonating with the sense of journey and transcendence that the composition evokes.

Credits:

Produced by: Ari Joshua

Ari Joshua – Guitar (Electric)

John Medeski – Electric Organ

Billy Martin – Drums

Jason Fraticelli – Upright Bass

Phillip Peterson – Cello

Petro Krysa – Violin

Strings by: Phillip Peterson, House of Breaking Glass

Production Team:

Producer: Ari Joshua

Engineered by: Chris Bittner, Applehead Recording Studios

Mixed by: Chris Bittner, Applehead Recording Studios | Pierre Grill, Rendez-Vous Studios

Mastered by: Pierre Grill, Rendez-Vous Studios

Art: Mark Henson

Design: Monte Mitchell and Forest Shore

Engineered by Chris Bittner, the recording preserves the intimacy and authenticity of the performances, capturing the nuances of each instrument. The subsequent mixes by Pierre Grill at Rendez-Vous Studios expand the soundstage, inviting listeners into a full sensory experience.

The soulful guitar of Ari Joshua weaves through Pray Sue, bridging the personal and the universal. The dialogue between the guitar and orchestral elements is both delicate and powerful, creating an intimate yet expansive sonic conversation. The track opens with a two-minute prelude, a meditation anchored by Fraticelli’s resonant upright bass, enveloping the listener in delicate textures that evoke a sense of serene isolation. The melodic minor mode infuses the opening with melancholic beauty, resembling a solitary desert landscape.

At the two-minute mark, the music swells as the orchestral strings join the bassline, creating a lush tapestry of sound. The composition builds and ascends, with intricate musical interplay between Joshua and Medeski at the four-minute mark—a particularly electrifying moment that mirrors the intensity of a celestial fireworks display. As the piece draws to a close, the melody undergoes a transformative shift, returning to its introspective beginnings, enriched by the journey undertaken.

The result is a deeply immersive listening experience—one that evokes reflection, connection, and peace.

In a personal note, Ari Joshua reflects on the inspiration behind Pray Sue: “It’s one of those songs that came like a prayer in the wind. I wrote it as part of a batch of songs for John and Billy, but it came after thinking about music I imagine our ancestors would have sung when they wanted to connect to the source. The title comes from the town my ancestors lived in before the Second World War. It’s not a sad song—it’s a minor key, but it is a song for peace.”

Ari Joshua’s Musical Legacy

Joshua’s collaborations with John Medeski and Billy Martin have produced five key releases, including Meeting of the Minds, a meditative, improvisational album; Elephant Walk, a cinematic boogaloo; Dragons Layer, an angular, suspenseful sonic journey; Country Stroll, a laid-back country-infused jazz track; and Let’s Do It Right Now, a tribute to Elvin Jones. These works showcase the trio’s synergy, demonstrating a diverse range of soundscapes and creative depth.

Lampen Announces New Album 'Halogen' – A Deep Sonic Journey into Contemporary Jazz

Finnish duo Lampen is set to release their highly anticipated second album, Halogen, on September 20, 2024, via We Jazz Records. The pair, consisting of Kalle Kalima on guitar and Tatu Rönkkö on percussion and sampler, crafts a sound that transcends conventional boundaries. With bases in both Helsinki and Berlin—where Kalima resides—their music effortlessly bridges the two cities, drawing from a vast array of influences.

Lampen's sound is often compared to the wide, meditative landscapes of Earth and The Necks, but it charts its own path, carving out a unique space in contemporary jazz. Their music delves into deep, meditative territory, combining elements that extend well beyond the jazz genre. This results in a subtly intense, low-key sonic experience where ideas unfold naturally over time, allowing for unexpected yet cohesive moments of musical eruption.

The duo is set to bring Halogen to audiences on tour, including a performance at the We Jazz Festival in Helsinki, where they’ll share the stage with the legendary The Necks.

Halogen will be available in both LP and digital formats, offering a chance to experience Lampen's captivating fusion of meditative, post-jazz elements. Be sure to catch the album and the duo on tour this fall.

Release Date: September 20, 2024

Label: We Jazz Records

Format: LP / Digital

Tags: jazz / post-jazz / meditative / deep

Record Store Day 2025: A Trio of Essential Releases from Far Out Recordings

                 

Record Store Day 2025 is shaping up to be a monumental occasion for vinyl collectors, with a series of exclusive releases that are sure to excite music lovers across the globe. Far Out Recordings, renowned for its commitment to preserving and celebrating some of the finest global grooves, is offering three exceptional releases that span diverse genres and musical eras. From Brazilian bossa nova to cosmic disco and sophisticated Italian library music, these limited edition records represent some of the most exciting and essential releases of the year.

Sabrina Malheiros - Equilibria (Limited Edition Gold Vinyl) Release Date: 12th April 2025 | Format: Vinyl LP (Gold Colour Vinyl) | Cat No: FARO092LPX

Sabrina Malheiros’ debut album Equilibria is a timeless masterpiece that captures the essence of Brazil’s musical soul. Originally released in 2005, Equilibria earned immediate acclaim and launched Sabrina, the daughter of legendary Azymuth bassist Alex Malheiros, into international stardom. Now, in celebration of its 20th anniversary, the album will see its first-ever vinyl pressing, available exclusively for Record Store Day 2025 in a stunning limited edition gold vinyl.

Equilibria blends traditional Brazilian samba and bossa nova with modern production, thanks to the impeccable touch of Far Out mainstay Daniel Maunick. The album features some of Brazil's finest musicians, including members of Azymuth, alongside Jean-Paul ‘Bluey’ Maunick, the frontman of the influential band Incognito. A beautifully crafted album, Equilibria offers a perfect fusion of classic Brazilian songwriting and contemporary production, transporting listeners into a world of elegant rhythms and hypnotic melodies. As one reviewer described it, the album is “guaranteed to turn your limbs to liquid… Prepare to be swept away.”

This first-ever vinyl pressing of Equilibria is a must-have for both collectors and newcomers alike, capturing a pivotal moment in modern Brazilian music.

Far Out Monster Disco Orchestra - Black Sun (Joe Claussell Remixes) Release Date: 12th April 2025 | Format: Vinyl 12” | Cat No: FOMDO16

For fans of disco, house, and dance music, Black Sun (Joe Claussell Remixes) is set to be a highlight of Record Store Day 2025. New York house music hero Joe Claussell takes on the Far Out Monster Disco Orchestra’s iconic Black Sun album, transforming the track into an emotionally charged and ecstatic odyssey.

Claussell’s remix is a testament to his deep understanding of dance music’s spiritual power. By reworking the title track, he elevates the already powerful vocal performance of Heidi Vogel to new heights, creating a mesmerizing, otherworldly vibe that is bound to light up dance floors. Known for his ability to mix deep, soulful rhythms with a trance-like atmosphere, Claussell’s remix of Black Sun is an expansive and immersive experience, delivering a truly transcendent journey for the listener.

This exclusive Record Store Day 12” pressing offers a fresh and exciting perspective on the Far Out Monster Disco Orchestra's legacy, making it a must-have for fans of Claussell’s work and the broader disco and house music scene.

Alessandroni e Il Suo Complesso – L'Ora del Cocktail (Record Store Day Reissue)Release Date: 12th April 2025 | Format: Vinyl LP | Cat No: FARLIB001

Far Out Recordings is also bringing back a rare gem from Italy’s golden age of library music with a special reissue of L’Ora del Cocktail by Alessandro Alessandroni. Originally released in the 1970s, this album is a sonic masterpiece that encapsulates the elegance of mid-century cocktail culture. Alessandroni, best known for his collaborations with Ennio Morricone on Spaghetti Western soundtracks, channels his signature flair for melody and innovative arrangement on this stunning album.

Blending elements of jazz, bossa nova, and lounge music, L’Ora del Cocktail is a sophisticated, mood-setting collection that highlights Alessandroni’s exceptional musicianship, particularly his guitar, piano, and mandolincello performances. The album features his iconic wordless vocal arrangements and lush orchestration, transporting listeners to a cosmopolitan world of cocktail parties, smoky jazz bars, and lounge rooms filled with cool elegance.

For the Record Store Day 2025 release, L’Ora del Cocktail has been remastered from the original tapes, offering crystal-clear fidelity while maintaining the warm, analog charm of the original pressing. This reissue is a must-have for collectors of soundtrack music, library music aficionados, and anyone who appreciates timeless lounge grooves.

Far Out Recordings’ trio of Record Store Day 2025 releases represents a thrilling cross-section of global sounds, from the sophisticated rhythms of Sabrina Malheiros’ Equilibria to the cosmic grooves of Joe Claussell’s Black Sun remixes, and the lush, jazz-inflected charm of Alessandro Alessandroni’s L’Ora del Cocktail. With limited edition pressings, stunning remastering, and the ability to transcend time and place, these records are essential for any vinyl enthusiast looking to enrich their collection.

Be sure to mark your calendars for 12th April 2025, and head to participating stores to secure your copies of these unmissable releases.

Brian Culbertson Announces Release of The Trilogy Tour Live Audio CD

Mid-March 2025 will see the highly anticipated release of The Trilogy Tour Live Audio CD from renowned jazz artist Brian Culbertson. This new product allows fans to experience the magic of Culbertson’s live performances, featuring music from his captivating concert tour. While the audio CD excludes the 4K Ultra HD + Blu-ray video content, it offers an immersive, high-quality listening experience from one of the most dynamic artists in contemporary jazz.

Culbertson, known for his masterful ability to blend jazz, funk, and R&B, brings a special energy to his live shows, and this audio CD captures the essence of his The Trilogy Tour. The two-disc set showcases a selection of fan-favorite tracks as well as newer compositions that have become highlights of his performances.

Disc 1: A Journey of Emotion and Groove

The first disc opens with the tranquil "Prelude," setting the stage for a night filled with rhythmic magic. From there, Culbertson takes listeners on an emotional and musical journey, with standout tracks like "Stars" and "Summer Hideaway." These tracks perfectly blend smooth jazz with rich melodies, showcasing Culbertson’s signature style. "The Hangout" and "Sandcastles" exude a relaxed, feel-good energy, while "Time Flies" brings a sense of urgency and excitement to the album.

The first half of the CD concludes with "Feel The Love" and "Let’s Go," which bring the energy of the live concert to life, capturing the enthusiastic atmosphere and groove-filled rhythms that have become synonymous with Culbertson’s shows. “Always Remember” adds a deeper, reflective tone, leaving listeners with a sense of warmth and nostalgia.

Disc 2: Funk, Romance, and Heartfelt Moments

Disc 2 kicks off with "Eyes Closed," a track that introduces a slightly more introspective vibe before building to the joyful "Dance With Me Tonight." It’s evident that Culbertson’s musical diversity continues to shine through, effortlessly moving between styles and emotions. "A Love Lost" brings a heartfelt touch, followed by "You Are My Everything," a tender tribute to love and connection.

The infectious rhythm of "Colors Of Love" brings the energy back up, paving the way for the funky "Funkin’ Like My Father," which channels a celebratory, danceable spirit. "Play That Funky Music" takes the energy even higher, with a vibrant, funky groove that’s impossible to ignore. The disc and album close with a reprise of "Stars," bringing the entire concert experience full circle and leaving fans satisfied with a sense of musical completeness.

A Celebration of Brian Culbertson’s Legacy

The Trilogy Tour Live Audio CD is a testament to Brian Culbertson’s unwavering commitment to his craft and his ability to connect with his audience through his music. It’s more than just a collection of live tracks; it’s a carefully curated experience that captures the essence of his dynamic performances. With a mix of funk, jazz, romance, and groove, this album is sure to resonate with both long-time fans and newcomers to his music.

For those who missed out on seeing The Trilogy Tour in person or simply want to relive the magic, this audio CD offers a chance to bring that live concert energy into your own home.

Adrian Galante to Release Debut Album Introducing Adrian Galante on April 25

Australian-born clarinetist Adrian Galante is set to captivate jazz audiences worldwide with his debut album, Introducing Adrian Galante (Zoho Music), releasing on April 25. The 28-year-old talent joins an exceptional Los Angeles-based quintet featuring pianist Tamir Hendelman, guitarist Larry Koonse, bassist Alex Frank, and drummer Joe LaBarbera, on a collection of eight timeless pieces from the Great American Songbook.

Despite the clarinet being a less commonly featured instrument in modern jazz, Galante has embraced its most influential voices and combined them with his own unique approach. Drawing inspiration from the jazz vocal tradition, Galante likens his intimate clarinet sound to how Bing Crosby revolutionized vocal delivery. "I remember hearing Tony Bennett talk about how Crosby’s closeness to the microphone created a more intimate sound," Galante explains. "I like to approach the clarinet in the same way."

This connection to vocal intimacy shines through in his music, where he masterfully navigates a wide emotional range. As music critic Will Friedwald points out in the album’s liner notes, “When most musicians play a song, they’re content to play only the music. Adrian, however, plays the whole song.”

Galante’s deep understanding of his instrument is evident in his renditions of classic jazz songs. On tracks like Cy Coleman and David Zippel’s “With Every Breath I Take,” he brings a touch of melancholy, while his version of Cole Porter’s “It’s Alright with Me” showcases his haunting tone. He also brings a unique twist to Mancini and Bricusse’s “Two for the Road,” using his clarinet to evoke a sense of romance and adventure, while his version of “You’re All the World to Me” showcases his ability to swing with a vibrant and bold edge.

It’s rare to encounter a new jazz musician with such a distinct and fully developed voice—particularly on an instrument like the clarinet. Introducing Adrian Galante marks a promising beginning for a bright future in jazz, earning a place in collections of discerning listeners.

Born in Perth, Western Australia, on October 24, 1996, Galante was raised in a classical music family, with a grandfather who was an opera singer. Though his parents loved pop music, it was jazz’s lively rhythms that caught his attention early on. At age seven, Galante was drawn to the clarinet and started lessons. By 15, he was already performing professionally.

Galante’s musical journey led him to the West Australian Academy of Performing Arts, where his studies eventually took him to New York University’s summer program. In 2022, he made the permanent move to New York, seeking to further his jazz career in the heart of the genre’s scene.

In August 2022, Galante performed with Tamir Hendelman in Seattle, leading to further collaboration. Hendelman recruited top Los Angeles musicians Larry Koonse, Alex Frank, and Joe LaBarbera to join Galante in recording his debut album, with Galante serving as producer.

The result is Introducing Adrian Galante, a stunning introduction to what promises to be a remarkable career for this young clarinetist. To celebrate the album release, Galante will perform at Birdland in New York City on Sunday, June 1, at 5:30 PM.

Carlos Santana Announces Upcoming Retrospective Album ‘Sentient’

Legendary guitarist and multi-Grammy Award winner Carlos Santana has unveiled his upcoming retrospective album, Sentient, set for release on March 28 via Candid Records. Available for pre-order now, the album’s soulful first single, a reimagined version of Smokey Robinson’s “Please Don’t Take Your Love,” is out today.

Sentient features 11 mesmerizing tracks, including three previously unreleased pieces, handpicked by Santana himself. The tracks, remastered and expertly sequenced, come together to reveal a fresh and compelling narrative. “I'm always driven by passion, emotion, and inner instinct,” Santana shares. “When I heard these songs around the house, I thought, ‘Let’s put them all together in one place.’”

The songs on Sentient transcend genre, weaving together pop, cosmic jazz, and everything in between. Collaborations with musical legends like Michael Jackson, Smokey Robinson, Miles Davis, Paolo Rustichelli, Darryl "DMC" McDaniels, and Cindy Blackman Santana highlight the album. “From Stravinsky to James Brown, it’s all the same song,” Santana explains, referencing the unifying theme of humanity and connection that runs through the album.

The first single offers a fresh take on Robinson's classic, with Santana delivering a captivating guitar performance that pairs beautifully with Robinson’s soulful vocals. The new version of the song features a unique guitar interpretation, blending takes to create something special. Santana reflects on the process: "I did my thing in the studio, and Smokey loved both versions, so we combined them. The version on Sentient is the first take."

Additionally, Santana will release a live instrumental cover of Michael Jackson's "Stranger In Moscow" on March 14, recorded with producer Narada Michael Walden’s band in 2007. Santana’s soulful, poetic guitar work shines throughout this unforgettable rendition, capturing the essence of Jackson's haunting ballad.

On March 17, the album’s track “Get On,” a jazz-groove masterpiece featuring Miles Davis and Paolo Rustichelli, will be released to radio for the first time, giving listeners a rare glimpse into this iconic collaboration.

Excited about the project, Grammy-winning executive John Burk comments: “Carlos Santana’s ability to transcend genres and unite artists from all backgrounds is on full display here. This album celebrates his unique musicality and spirit.”

Santana’s Oneness tour will kick off on April 16 at Yaamava’ Resort & Casino in Highland, California, and will visit cities including Phoenix, Albuquerque, and Nashville before heading to Europe in June.

Over five decades, Carlos Santana has revolutionized music, blending Afro-Latin, blues, and rock styles to create a unique sound that resonates across generations. With ten Grammy Awards, three Latin Grammys, and induction into the Rock and Roll Hall of Fame, Santana’s legacy continues to evolve. His recent works include collaborations with Rob Thomas, Chris Stapleton, and Steve Winwood, and his 2023 documentary, Carlos, is now available to stream worldwide.

Paul Taylor to Release New Album "It's A Brand New Day" on February 28, 2025

On February 28, 2025, saxophonist Paul Taylor will release his highly anticipated new album It's A Brand New Day via Shanachie Entertainment. The album marks Taylor’s thirteenth studio release as a leader, a milestone he embraces with both excitement and a sense of new beginnings. The number thirteen, often regarded as both unlucky and auspicious, symbolizes the start of a fresh cycle for Taylor. He reflects, “This album in some ways signifies a new cycle for me, as this is my first new recording in three years. The title speaks to my desire to give my fans an optimistic outlook as we approach every brand new day.”

Paul Taylor has enjoyed a remarkable career, earning numerous Billboard #1 hits and collaborating with an array of celebrated artists across multiple genres. His musical partnerships have included Regina Belle, Maxi Priest, Peabo Bryson, Keiko Matsui, The Rippingtons, Peter White, Euge Groove, Michael Lington, Jamie Jones, and Marion Meadows. Taylor's smooth saxophone and undeniable artistry have made him one of the top contemporary jazz saxophonists of his generation.

Taylor’s passion for music began early, when his parents enrolled him in a youth band in his hometown of Denver. It was his band director who, somewhat clairvoyantly, chose the saxophone for him, a decision that would shape Taylor’s destiny. “In the '70s, my first influences were Grover Washington Jr., Earth, Wind & Fire, Patrice Rushen, and Quincy Jones,” Taylor recalls. “Later it was the Brecker Brothers and David Sanborn, but from the very beginning, I wanted to be like Grover Washington Jr. I wanted to record my own music, tour, and be a star in the industry.”

Taylor’s career trajectory has certainly fulfilled that childhood dream. He is now widely regarded as one of the most accomplished and beloved saxophonists in contemporary jazz. “I simply love creating and making my own music. I am the happiest when I am doing just this. It never gets old,” Taylor shares.

Danny Weiss, Vice President of Jazz A&R at Shanachie, praises Taylor’s artistry: “I’ve been an admirer of Paul’s brilliant work dating back to his very first recordings. His superb tone and phrasing are second to none. Paul Taylor is a true icon whose status is well deserved.”

As It’s A Brand New Day prepares to make its debut, Taylor reflects on his long-lasting career with gratitude: “I am grateful for my fans, and I’m blessed to be playing music for as long as I have. It’s incredible to have a career where I get to work on my craft every day.”

Paul Taylor is a renowned contemporary jazz saxophonist whose career spans more than three decades. A native of Denver, Taylor’s early influences were rooted in the sounds of Grover Washington Jr. and the iconic bands of the '70s. Throughout his career, Taylor has released multiple albums, many of which have topped the Billboard charts. His collaborations have crossed genres, working with artists such as Regina Belle, Peabo Bryson, and The Rippingtons. Known for his rich tone, smooth phrasing, and emotional depth, Taylor continues to inspire fans around the world with his music and dedication to his craft.

Bob James and Dave Koz Announce “Just Us” Album and Spring Tour

Two of instrumental music’s most iconic figures, Bob James and Dave Koz, will be embarking on a U.S. tour this spring in support of their upcoming duet album, Just Us, set for release on March 7 via Just Koz Entertainment. The “Just Us” tour will feature an intimate performance of piano and saxophone, showcasing the raw, acoustic beauty of their collaboration. The tour kicks off in James’s hometown of Traverse City, MI, on March 13 at The Alluvion and will include a performance at Lincoln Center in New York City on March 20, wrapping up on April 1 at Seattle’s Jazz Alley. See full tour itinerary below.

The album was recorded in Traverse City, MI, where James and Koz stripped away all the bells and whistles of a traditional studio setting, leaving only the purest form of music: just the piano and saxophone. Koz, known for his smooth saxophone stylings and mastery of contemporary jazz, shared his enthusiasm about the project: “Recording this album with Bob James was one of the greatest life (and music) experiences for me – I learned so much from this treasure of a man. This duet project is just acoustic piano and saxophone, in all their raw beauty. Talk about being vulnerable! But with Bob at the piano, all concern goes away…like playing on a bed of clouds. I can’t wait to perform these songs with him in front of a live audience.”

James, a jazz legend and influential figure in instrumental music, also reflected on the experience: “This is a totally unplugged and, as partner Dave points out, vulnerable set. Both he and I have had the good fortune to record many times with great rhythm sections and sophisticated production. This time out all that is stripped away, and it’s just us. We hope the intimacy of these musical one-to-one conversations conveys the spirit we both felt. It was a unique opportunity for me to collaborate and be inspired by the passionate romanticism of my duo partner.”

Bob James is a Grammy-winning pianist, composer, and arranger known for his groundbreaking work in jazz and smooth jazz. His influence on the genre has been far-reaching, with over 30 albums to his name. James is renowned for his distinctive blend of jazz, classical, and R&B, and he has collaborated with an impressive roster of artists, including Grover Washington Jr., Earl Klugh, and David Sanborn. His composition Angela, the theme song for the television show Taxi, remains one of his signature pieces. James’s music has shaped the sound of contemporary jazz, earning him both commercial and critical acclaim.

Dave Koz is a celebrated saxophonist and one of the defining figures of contemporary jazz. Known for his smooth, melodic playing, Koz has released over a dozen albums and earned multiple Grammy nominations throughout his career. His collaborations with top artists such as Luther Vandross, Barry White, and Kenny Loggins have further solidified his status as one of the genre's most beloved performers. Koz's warm, expressive sound has made him a favorite on the contemporary jazz scene, and his tours have reached audiences worldwide.

"Just Us" Tour Dates:

3/13 – Traverse City, MI – The Alluvion

3/15 – Mesa, AZ – Mesa Arts Center

3/20 – New York, NY – Lincoln Center

3/22 – Chicago, IL – Studebaker Theatre

3/25 – Minneapolis, MN – The Parkway

4/1 – Seattle, WA – Jazz Alley

Greg Manning Launches EQuity Records to Spotlight Unsung Sidemen, Starting with Patches Stewart’s "Soul Serenade"

After ten years of touring the globe as a keyboardist for GRAMMY® winners, nominees, and Billboard chart-toppers, Greg Manning made the bold transition from sideman to solo artist and producer. Having crafted over a dozen Billboard No. 1 hits and contributed to two GRAMMY-nominated albums, Manning has now turned his focus to empowering fellow sidemen and sidewomen with his new indie label, EQuity Records. Launched on Valentine’s Day, the label’s debut single is trumpeter Patches Stewart’s “Soul Serenade,” which Manning co-wrote and produced. The jazzy, midtempo instrumental groove debuted as the No. 1 most added new single on the Smooth Jazz Network chart.

EQuity Records is Manning’s way of giving long-time sidemen like Stewart, who has played with legends like Quincy Jones and Al Jarreau, the opportunity to shine as solo artists. Manning’s own chart success, including his recent No. 1 hit “Patches’ Groove” for guitarist Les Sabler, aligns serendipitously with Stewart’s single release.

In addition to Stewart, Manning’s label is also home to new artists like Japanese saxophonist Wakana and harmonica player Patrick Bettison, with their debut releases expected later this year. Manning, a Berklee College of Music alumnus born in Nigeria and raised in Switzerland, has extensive international experience, having toured with notable artists such as Kirk Whalum and Will Downing. His own recording career began with the 2010 album The Calling, and his work has earned multiple Billboard No. 1 hits, including for Blake Aaron, Cindy Bradley, and Herb Alpert.

Manning’s enthusiasm for EQuity Records is evident: “I’m excited to start this new chapter and expand the boundaries of contemporary jazz while giving artists the freedom to explore their creativity.”

"On View At The Five Spot Café" – The Complete 1959 Kenny Burrell Masters

Announcing the April 11 release of On View At The Five Spot Café: The Complete Masters, a special Tone Poet Vinyl Edition of guitarist Kenny Burrell’s 1959 hard bop summit with drummer Art Blakey. The expanded 3-LP, 2-CD & digital sets present the complete recorded performances for the first time in any format including 6 previously unissued tracks.

Burrell had already achieved rising star status with several stellar Blue Note albums to his name when he entered the storied NYC jazz club The Five Spot Café on August 25, 1959, for his first live recording date as a leader. The band Burrell assembled for the gig was stacked with top talent: Blakey on drums, Tina Brooks on tenor saxophone, Roland Hanna & Bobby Timmons on piano & Ben Tucker on bass. The mood was relaxed & soulful, but the music was red hot & the grooves were deep on that steamy summer evening of hard bop bliss.

Kenny Burrell is an influential American jazz guitarist, composer, and educator, widely recognized for his smooth, melodic playing and his mastery of a variety of jazz styles. Born on July 31, 1931, in Detroit, Michigan, Burrell grew up in a musically rich environment and was exposed to jazz at an early age. He began his formal study of music at the University of Detroit and later continued his education at the Manhattan School of Music.

Burrell’s career took off in the 1950s, where he became known for his unique blend of swing, bebop, blues, and Latin influences. He played with a number of jazz greats, including Miles Davis, John Coltrane, and Jimmy Smith, and was a prominent figure in the jazz world. His 1956 album Kenny Burrell and John Coltrane is a landmark collaboration that showcases his ability to blend effortlessly with other musicians while maintaining his distinct sound.

As a recording artist, Burrell is known for a large body of work, with his guitar style being smooth yet expressive, often rich with soulful bluesy licks. His tone is warm and rich, and his improvisational ability is noted for its sophistication and subtlety. Burrell has released a number of albums as a bandleader, including Midnight Blue (1963), which is considered one of his signature albums.

In addition to his performance career, Burrell is also a respected educator. He has taught at the University of California, Los Angeles (UCLA), where he is a professor in the music department, and has contributed to the development of jazz education through his lectures and workshops. His influence as a teacher is seen in his impact on generations of guitarists who follow his approach to jazz and improvisation.

Throughout his career, Burrell has received numerous accolades, including a National Endowment for the Arts Jazz Masters award. His contributions to jazz guitar and to the music world at large are immeasurable, and his legacy continues to inspire musicians of all genres.