It’s the quirkiest song on
Monkey House’s new album, “Friday,” and the genre-blurring band pulled out a
big gun to tell the story visually. The Academy Award-winning producer of “The
Shape of Water,” J. Miles Dale, a huge Monkey House fan, directed the
idiosyncratic “Shotgun” video. They’ll pull the trigger on the premiere this
Friday on Vevo and YouTube (http://vevo.ly/tE969H).
Most of “Friday” serves a cosmopolitan cocktail of
sophisticated R&B, contemporary jazz progressions and funk-rock grooves
penned with a nighttime vibe from an outsider’s perspective that Monkey House
songwriter Don Breithaupt describes as someone “who is way down the rabbit
hole.” But Breithaupt shifts gears on “Shotgun,” unadulteratedly indulging his
fancy for pop and lightening the lyrical theme to someone crushing at first
sight. The bouncy rhythm and vibrant hook offer a playful taste of fading
summer, calling for a colorful video treatment. Getting Dale to direct the clip
was an unexpected and very welcome circumstance. Monkey House coproducer and
ALMA Records chief Peter Cardinali goes way back with Dale. Knowing that he’s a
fan, Cardinali invited the Oscar winner into the studio as the band tracked
horns for “Friday.” Dale hung out for hours and when he heard Cardinali express
the desire to shoot a video for “Shotgun,” he offered to direct.
“(Dale directing) is one of those wonderful things that
falls into your lap. His fanship is genuine. He recently came to our debut live
gig. Before we went on stage, he said to me, ‘If you forget the lyrics, look
over at me. I’ll be singing right along,’” recalled Breithaupt, who produced
the last two Monkey House albums with Cardinali.
The video was lensed in Toronto at Pinewood Studios, a
world-class facility. “Miles called in his A team – lighting, cinematography,
wardrobe, makeup, gaffers, etc. – that happened to be available. It was a
massive crew. We had no idea the scale of what Miles was putting together until
we showed up on the set. Initially, we thought the crew was there for a
different shoot. Then we realized this big production was for us. That was kind
of cool. But even then, the magic of what Miles captured on film is the spirit
and energy of the song, which is pretty self-evident,” said Breithaupt.
Dale said, “The way this came together was fated.
Unbeknownst to anyone, I was pretty much the #1 Monkey House fan out there.
When I realized my old friend, Peter Cardinali, was producing their records, I
asked to come into the studio to hang, listen, and meet Don (Breithaupt) and
the band. When Peter told me he wanted to do a video for ‘Shotgun,’ I
volunteered on the spot. Would not have missed the chance!”
Monkey House’s fifth album, “Friday” debuted at No. 1 on the
iTunes chart in Canada, Norway and several other territories, No. 4 in the
United States and No. 5 on the pop charts in Germany when it dropped on July
26. The album also entered the Billboard chart at No. 11.
With Breithaupt handling piano, keyboards, organ, and lead
and backing vocals, the core band that has been together for 25 years consists
of guitarist Justin Abedin, drummer and percussionist Mark Kelso and bassist
Pat Kilbride. Supplementing the sound is a horn section consisting of
trumpeters William Sperandei and Tony Carlucci, alto saxophonist Vern Dorge,
tenor saxophonist John Johnson and trombonist William Carn; along with
percussionist Art Avalos and background vocalist Lucy Woodward.
“We opted to use a small horn section on this album because
I wanted it to feel more like a jazz gig, something more spare,” said
Breithaupt. “After playing together for 25 years, now that I know my core band
members so well, I can write things specific for each player. For instance,
take the bassline on ‘10,000 Hours.’ Picturing Pat, I knew he’d be amazing on
it. I tend to be very specific like that when I write. I then live with the
bass, drum, guitar and keyboard tracks for a while before doing vocals and
adding horns and percussion.”
Among the noteworthy guests on “Friday” is legendary Grammy
winners Manhattan Transfer who ply their trademark voices to illumine “The Jazz
Life.” Snarky Puppy guitarist Mark Lettieri shreds in the solo spotlight on the
album opener, “10,000 Hours.” Drew Zingg (Boz Scaggs) delivers a timely guitar
solo on “Nine O’clock Friday.” Michael Leonhart (Steely Dan) is featured
blowing a regal muted trumpet throughout the amorous ode to New York City,
adding warmth to “Island Off The Coast Of America.”
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