The musical
world of Basso Profondissimo springs from the imagination of English bassist
and producer Richard Ford. The collection was conceived and played on bass,
creating a unique and surprising melding of sounds and adding some rough edges
to the genres of jazz, ambient, bossa nova and neoclassical.
Sharing some
of the same musical landscape as Sigur Rós, Lyle Mays, Bebel Gilberto, ECM
Records, and Bill Frisell, Basso Profondissimo employs a cinematic language,
often minimal and evocative. There are surprising moments, as when softer
passages burst into something rougher and edgier. In the neoclassical-leaning
pieces, unexpected elements surface, like floating transparencies revealed from
somewhere back in the scenery. Elsewhere, bubbling rhythms emerge, cracking
pieces open into exotic meters. This is not a work concerned with virtuosity
(though references to seminal bassists like Jaco Pastorius can be heard in
places). This collection is about evoking moods and character, not about flash.
Basso
Profondissimo was recorded in Venice, California in the spring and summer of
2018, rooted in Richard's preferred creative method: "I use my bass to chalk out ideas and
the music takes off naturally from there."
All of the
tracks were executed on basses, multi-tracked and treated. As Richard started
to experiment with vocals (specifically the addition of the amazing Costa Rican
vocalist Michelle Gonzalez) new possibilities emerged - including a full-blown,
fresh cover of George Duke's Brazilian-influenced 'Malibu', which features a
handful of world-class jazz musicians, among them renowned keyboardists Kait Dunton
and Peter Gabriel alumnus Simon Clark.
The seeds of
Basso Profondissimo were sown in late-80s New York, where Richard had begun
recording demos, exclusively with basses. He was soon playing concerts in
downtown performance spaces, both as a soloist and with his ‘Electric Bass
Quartet'. As he recalls, "There was
a certain freedom to working solely with bass - and also an imperative to be
sonically creative in new ways. The perceived limitations became inspiring
challenges."
The project
was put on hold when Richard moved to Los Angeles to work in film and film
music. In that role, he has been an important member of director Alexander
Payne's creative team since 1998, earning credit as Executive Music Producer on
their last three projects together (The Descendants, Nebraska and Downsizing).
As an Emmy-winning film music editor, he's played a role in many successful
productions, among them American History X, Training Day, Sideways, Argo, and
Hidden Figures.
Much of his
work in film has involved reconstructing and remixing the music of others.
While this has been creatively challenging, Richard felt "the itch to get
the basses out of the closet and create something that truly came from
me." Basso Profondissimo began to unfold.
Born in
London, Richard grew up in a musical family, immersed in the classics from an
early age. He began performing as a boy, in Andrew Lloyd Webber and Tim Rice's
choir. His love of music eventually led to the bass, and he developed into an
accomplished player. He has toured and recorded with many artists, including
the revered guitarist Bill Nelson (in his band Red Noise) and upon moving to
the US, singer-songwriter Joe Jackson.
In New York,
Richard discovered and embraced an ever-expanding world of music and culture -
perhaps most significantly through his study of African and Afro-Caribbean
music and dance. The rhythms he found there grew to become part of his musical
DNA.
These vast
and varied influences have informed all of Richard's work and shaped the rich
diversity evident in Basso Profondissimo. This signature collection is the
culmination of Richard Ford's extensive musical journey to date.
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