Famed for her clear diction, crisp phrasing, and declamatory
delivery, Dinah Washington (1924-1963), like Billie Holiday before her,
possessed an immediately recognisable singing voice. A 1993 inductee in to the
Rock And Roll Hall Of Fame, Washington was born Ruth Lee Jones in Tuscaloosa,
Alabama, and first recorded during the 1940s, serving up risqué blues songs. In
the 1950s, Washington - who called herself the "Queen of the Blues" -
recorded a clutch of classic albums for the Mercury subsidiary, Emarcy, that
revealed her to be a sophisticated song stylist who could sing blues, jazz, and
pop with consummate ease. The Divine Miss Dinah box set begins with After Hours With
Miss D, a superb 1954 session with legendary horn players, Clark Terry and
Eddie "Lockjaw" Davis, in attendance. A finger-clicking "Blue
Skies" is one of many standouts. The electrifying Dinah Jams, recorded
live in front of a studio audience in 1954, has a looser, improvisational
flavor and features bebop trumpet legend Clifford Brown. Mellower and more
overtly romantic is 1955's For Those In Love, which contains one of
Washington's most popular tunes, "Blue Gardenia," and finds the
singer backed by a small ensemble that includes future Miles Davis Kind Of Blue
band members, pianist, Wynton Kelly, and drummer, Jimmy Cobb. In sharp contrast, 1957's The Swingin' Miss D, has
Washington collaborating with the then rising arranger/conductor Quincy Jones
and his orchestra. Packed with effervescent big band uptempo tunes (such as
"Caravan") and stylish heart-rending ballads ("You're
Crying"), it proves to be an inspired and exquisite pairing of talents
that oozes pizzazz.
Two years later in 1959, Washington scored a Top 10 US pop
hit and grabbed a Grammy award with her striking remake of the Dorsey Brothers'
1934 smash, "What A Diff'rence A Day Makes," which featured on her
album with the same title. What A Diff'rence A Day Makes! also spotlighted
future Weather Report co-founder, Joe Zawinul, on piano, and found Washington,
augmented by a lush string orchestra, putting her own spin on standards like
"Cry Me A River," and "Manhattan."
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