DEE BROWN – BROWN SUGAR, HONEY COATED LOVE
dee Brown’s latest CD, “Brown Sugar, Honey Coated Love” on
Innervision Records is the reason I enjoy my job in music programming.
Following up on the heels of his debut CD, “No Time To Waste” (2006) and “A
Little Elbow Room” (2009), dee is back sounding sweeter than ever with his
tasty melodies, smooth grooves that vibe perfectly with his unforgettable
title, “Brown Sugar, Honey Coated Love.” F Foundationally inspired by Proverbs
27:7 which says, “A satisfied soul loathes the honeycomb, but to a hungry soul
every bitter thing is sweet.” dee’s
stated purpose of this new release is to promote unity, appreciation,
togetherness and sharing. Possessing a solid musical background, dee has
performed with artists such as: Paul Taylor,
Darren Rahn, Tim Bowman, Randy Scott, Gail Jhonson, Nate Harasim, Aretha
Franklin, Michael and BeBe Winans, just to name a few. All songs with the
exception of one track are composed by dee Brown and his fellow talented
musicians, Valdez Brantley, Chip Dixon and Shaunia Edwards. Set includes a
classic remake of the song, "I'll Always Love My Mama;” originally
recorded by the Intruders. The track includes some special guest appearances by
Winzell Kelly on vocals and Kern Brantley on Bass and Valdez Brantley on keys
and produced.
R.L. WALER – FROM SUNSET TO SUNRISE
With a title like From Sunset To Sunrise, saxophonist R.L.
Walker sets the tone for some sensual and romantic late night magic on his
latest album. Creating easy, laid back grooves behind his passionate dreamy
lead horn melodies, he creates the perfect Smooth Jazz chill album, opening
doors into a dreamy, atmosphere rich realm full of lush, powerful moods and a
relaxing flow. While many artists simply gather a bunch of their best tunes,
Walker’s idea was to invite listeners into a deep, memorable experience. Over
ten tantalizing tracks filled with sweet soul and passionate emotion, he allows
listeners to experience a “Sexy-Saxy” musical escape... From Sunset To Sunrise,
you’ll have this one on repeat! ~ Jonathan Widran
HENRY WOLKING SALT LAKE CUTY JAZZ ORCHESTRA - IN SEA
Its evident from hearing the jazz big band works of composer, arranger, conductor and trombonist Henry Wolking’s debut album on Big Round Records, In Sea, that he effectively mixes complexity with simplicity in his jazz harmonies and colorful orchestrations that make for an exciting and memorable listening experience. The inspired solo work of band members and guest artists add to the sincere and fresh cosmopolitan character of the recording Performed by the Salt Lake City Jazz Orchestra (SLCJO) and conducted by Wolking, the works on this album represent Wolking’s clear direction of fusing together a number of different styles, from classical and rock to Latin and swing. Pieces such as the title track In Sea, and Sumo Mix, honor and pay tribute to iconic jazz composers and musicians of the past, including Bob Brookmeyer and Thad Jones, influential to Wolking’s compositional style. Claude Debussy’s impressionistic approach becomes a foundational element in some of these works, which Wolking interprets deftly with jazz harmonies and syncopated rhythms in pieces such as Jimbo’s Lullaby, A Piece of Cake, and Claire De Lune.
Its evident from hearing the jazz big band works of composer, arranger, conductor and trombonist Henry Wolking’s debut album on Big Round Records, In Sea, that he effectively mixes complexity with simplicity in his jazz harmonies and colorful orchestrations that make for an exciting and memorable listening experience. The inspired solo work of band members and guest artists add to the sincere and fresh cosmopolitan character of the recording Performed by the Salt Lake City Jazz Orchestra (SLCJO) and conducted by Wolking, the works on this album represent Wolking’s clear direction of fusing together a number of different styles, from classical and rock to Latin and swing. Pieces such as the title track In Sea, and Sumo Mix, honor and pay tribute to iconic jazz composers and musicians of the past, including Bob Brookmeyer and Thad Jones, influential to Wolking’s compositional style. Claude Debussy’s impressionistic approach becomes a foundational element in some of these works, which Wolking interprets deftly with jazz harmonies and syncopated rhythms in pieces such as Jimbo’s Lullaby, A Piece of Cake, and Claire De Lune.
Visit THE JAZZ NETWORK WORLDWIDE "A GREAT PLACE TO
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