As part of
Verve's 60th Anniversary, the storied imprint is set to release the complete
U.S. Jazz at the Philharmonic performances of celebrated vocalist Ella
Fitzgerald. This classic material, which has previously been released on
various albums, will be released for the first time in one dynamic live set
featuring the original 12-track vinyl LP album cover from 1983. The re-mastered
22-track CD and digital audio collection, with an essay by author Will Friedwald,
features a wide spectrum of A-list musicians including Hank Jones, Herb Ellis,
Ray Brown, Charlie Parker, Lester Young, and more.
Jazz at the
Philharmonic: The Ella Fitzgerald Set was recorded through various performances
between 1949 and 1954, with all original recordings being supervised by the
historic label's founder and Fitzgerald's longtime manager, Norman Granz.
Highlights include jaw-dropping interpretations of "Old Mother
Hubbard," "Oh, Lady Be Good!," "Lullaby of Birdland,"
and the all-star jam session, "Flying Home."
In 1944,
Granz launched the historic Jazz at the Philharmonic series in Los Angeles,
which would last 40 years. In the formative years of JATP, Granz invited the
vocal icon to join some of the greatest musicians in the world, following in
the JATP tradition of Nat King Cole, Billie Holiday, and Helen Humes. It wasn't
until 1953, when JATP was on tour in Japan that Granz talked to Fitzgerald
about managing her career when the singer's contract with Moe Gale at
Associated Booking Corporation ran up at the end of the year. She was hesitant
at first, but after telling her that it was a matter of pride, the two joined
for a historic partnership that lasted more than four decades. With a
soon-to-be-ending contract with Decca, Granz launched Verve and announced
Fitzgerald as their inaugural signing while they continued work on the JATP
series.
The crown
jewel of Jazz at the Philharmonic: The Ella Fitzgerald Set was the September
1949 performance at the famed Carnegie Hall-the engagement provides more than
45-minutes of music for this historic release. Granz opens that performance and
this release with a special introduction of "the greatest thing in jazz
today," Ella Fitzgerald. Two other introductions of the illustrious vocalist
appear on the box as well-another from Granz, and one from Dizzy Gillespie.
Throughout
three heavy-hitting tracks, Fitzgerald receives support from an all-star JATP
horn section featuring trumpeter Roy Eldridge, trombonist Tommy Turk, and
saxophonists Charlie Parker, Flip Phillips, and Lester Young. "Flying
Home" showcases remarkable scatting from Fitzgerald and features a
Phillips solo. "How High the Moon" shows a new take on the classic
chorus while switching back and forth between horn players, and
"Perdido" hands the reins to the brass players for the melody, with
each player taking a solo while Fitzgerald replaces the published lyrics with
fervent scatting.
Some of the
vocalist's classic tunes appear in this performance as well. She infuses the
1800's nursery rhyme "Old Mother Hubbard" with modern jazz chord
progressions and a number of outside melodies, and also performs her trademark
tune, "A-Tisket, A-Tasket." Fitzgerald visits two soulful ballads as
well, including "A New Shade of Blues" and "Black Coffee,"
a signature tune for Peggy Lee later on.
Having
produced an entire album in homage to Gershwin, it's fitting that the singer
includes two of the venerable pianist's tunes. "Oh, Lady Be Good!"
has a breakneck tempo that also appears on Ella Sings Gershwin, while
"Somebody Loves Me" has a snappy up-tempo that did not appear on her
previous Gershwin record. Fitzgerald also explores recordings from Sir Charles
Thompson ("Robbins Nest"), Duke Ellington ("I'm Just a Lucky
So-And-So"), and Spencer Williams ("Basin Street Blues").
The rest of
the release comes from two performances, a year apart, at Bushnell Memorial
Hall in Hartford, Connecticut with support from pianist Raymond Tunia,
guitarist Herb Ellis, bassist Ray Brown, and drummer J.C. Heard. In 1953, Granz
captures two rare songs from Fitzgerald: a moving performance of Jerome Kern's
"Bill," and a blues-heavy version of Peggy Lee's tour-de-force
"Why Don't You Do Right."
The final
five tracks were recorded just a year later. The 1954 performances start off
with Gershwin's songbook-standard "A Foggy Day," and move on to
showcase compelling contemporary hits. By the time she performed "Lullaby
of Birdland" in Hartford, it had already become a success from a recording
made just a few months earlier. A beautiful rendition of "The Man That Got
Away" is a calm and deliberate recording, while "Hernando's
Hideaway" contrasts as a comedy and dance number from The Pajama Game with
lyrics exclusive to performance (a 1962 recording of this track did not include
this one-time chorus). The set closes with "Later," which elegantly
displays Fitzgerald's seamless blend of R&B, pop, bebop, and swing.
The
remarkable relationship between an American jazz impresario and the First Lady
of Song stands alone as a historically important release and is equally as
crucial to celebrating the 60th Anniversary of Verve. Granz produced many
consequential performances, however the dynamic live recordings heard on Jazz
at the Philharmonic: The Ella Fitzgerald Set are in a league of their own.
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