Nicholas Payton
Grammy award-winning Nicholas Payton -- one of the era's definitive artists --
has been quite busy this winter blowing with the all-star Monterey Jazz
Festival on a nationwide tour, putting the finishing touches on Textures, his
fifth release for his very own label, Paytone Records, as well as producing and
arranging Jane Monheit's latest project, The Songbook Sessions: Ella Fitzgerald.
As a multi-instrumentalist, improviser, composer,
bandleader, producer, arranger, and essayist, the New Orleans-born and -bred
Payton will debut his Afro-Caribbean Mixtape, a blazing new quintet featuring
bassist Vicente Archer, pianist Kevin Hays, percussionist Daniel Sadownick, and
rising New Orleans drummer Joe Dyson, at the 2016 New Orleans Jazz &
Heritage Festival.
Set to record this spring, the rhythmically encompassing
ensemble explores "how rhythms came from Africa and transmigrated throughout
the Caribbean to New Orleans, and affected popular music all over the
world," Payton says.
Nicholas Payton
Letters His latest album, 2015's Letters on Paytone Records, features his trio
with bassist Vicente Archer (an essential Payton collaborator for more than a
decade) and veteran drummer Bill Stewart. The two-disc album features 26
original Payton compositions that run from "A" to "Z," a
series of distilled motifs on which he moves gracefully from trumpet to piano,
Fender Rhodes, organ, and even vocals.
"It's largely uncharted territory and the landscape is
wide open," Payton says, referring to the unorthodox method of playing
both keyboards and trumpet simultaneously. "When I'm playing keys I'm
functioning more in the rhythm section and thinking of orchestration. These
pieces are springboards to get the creative energy flowing."
Payton's creative universe keeps expanding, and with each
new ensemble, project, and endeavor, the visionary artist redefines the
parameters of #BAM (Black American Music). A whirlwind of activity, he's in the
midst of a banner year marked by extraordinary new ensembles, new music, and
exquisite new collaborations.
In the process of mixing Textures, the latest in a series of
conceptual albums geared towards defining a neological lexicon of #BAM, Payton
has been composing using the Apple sequencing software Logic while
collaborating with New Orleans visual artist Anastasia Pelias. "We both
went into the studio not knowing what to expect, her with a blank canvas, and
me with a MIDI keyboard controller and a laptop," Payton says. "We
played off of each other and that first day I walked away from the studio with
a new composition and she with a new painting."
Nicholas Payton
Payton is also applying his expertise and creative vision in service of other
artists. He produced vocalist Jane Monheit's new album The Songbook Sessions:
Ella Fitzgerald (Emerald City Records), a project that revels in her glorious
sound while revealing unexpected facets of her musical personality.
"I love to hear the creative process, to bear witness
to how that manifests and unfolds from artist to artist," Payton says.
"For The Songbook Sessions I wanted to make a quintessential Jane Monheit
album, to find the timeless DNA of these melodies and lyrics while taking free
rein with rhythms and chord changes. I feel my job as producer is to make the
artist comfortable, but also uncomfortable, to push them into spaces they might
not go."
Payton's influence extends far beyond the studio and stage.
Payton, the polymath, is the creator of the #BAM movement. The conversation
he's leading extends far beyond terminology. Payton's #BAM is a statement about
social justice, self-definition, and refusing to allow one's creativity to be
bounded by other's rules, language, and expectations.
"I'm not the first person to talk about Black
music," Payton says. "The information has been there: Duke Ellington,
Louis Armstrong, and Sidney Bechet said it. So did Charlie Parker, Ahmad Jamal,
and the AACM [Association for the Advancement for Creative Musicians, Inc.].
I'm just here to deliver the message at this time. I've evolved and embrace the
fact that I do more than one thing. I'd expect the artistic community to be
open to that, but it's not always the case."
Born September 26, 1973 in New Orleans, Nicholas Payton is
the son of the late bassist and sousaphonist Walter Payton and former operatic
singer and pianist Maria Payton. A professional musician before reaching his
teens, he joined his first band at age 11 with the All Star Brass Band under
the leadership of James Andrews (Trombone Shorty's eldest brother), and landed
his first regular gig with legendary New Orleans guitarist/banjoist Danny
Barker at The Famous Door on Bourbon Street. Since his debut as a leader on
1994's From This Moment (Verve), Payton has released more than a dozen albums
under his own name, including the Grammy Award-winning Doc Cheatham &
Nicholas Payton (Verve).
Payton has toured and collaborated with many of the greatest
artists in music, including Roy Haynes, Joe Henderson, Dr. John, Elvin Jones,
Hank Jones, Stanley Jordan, Daniel Lanois, Zigaboo Modeliste, Marcus Roberts,
Jill Scott, Clark Terry, Allen Toussaint, Cassandra Wilson, and Dr. Michael
White.
Payton continues to maintain a busy touring schedule, with
the following dates booked through the summer:
March 11: College of DuPage, Glen Ellyn, IL
March 12: University of Illinois at Urbana-Champaign
March 13: City Winery, Chicago
April 7-10: Jazz Showcase, Chicago
April 28: One Eye Jack, New Orleans
April 29: New Orleans Jazz & Heritage Festival
April 30: Prime Example, New Orleans
May 1: New Orleans Jazz Festival
May 6: Motorco Music Hall Art of Cool Festival, Durham, NC
June 19: Miner Auditorium, SFJAZZ, San Francisco
June 22: Clifford Brown Festival, Wilmington, DE (special
guest)
June 23-24: Blues Alley, Washington, DC
June 27: Rochester (NY) International Festival
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