Bob Merrill Cheerin'
Up the Universe Trumpeter/vocalist Bob Merrill has had an amazingly varied
career in and around music -- mentored by his late father-in-law Joe Bushkin,
Jaki Byard, and Red Rodney; starting and operating Hip Pocket Recording Studios
in New York City; and recording as a leader himself. Cheerin' Up the Universe,
his new CD and fourth to date, is being released September 4 by Accurate
Records, which has also reissued two of Merrill's earlier albums (Catch As
Catch Can, Got a Bran' New Suit).
In the great tradition of trumpeter-singers, going back to
Louis Armstrong, Dizzy Gillespie, Chet Baker, and Louis Prima, Merrill is both
a carefree entertainer who wants to lift up his audience and a serious artist
who pays the deepest respect to jazz tradition with his mastery of forms.
On previous albums, the New York-based artist mined the jazz
mainstream, sometimes with a stylish Rat Pack-era sound, sometimes with a
deeper blend of late swing and hard bop -- and always, says Accurate Records
honcho Russ Gershon, who has known Merrill since they were classmates at
Harvard, with real jazz and real blues feeling. "He has a passionate
attachment to the real thing," said Gershon, leader of Either/Orchestra,
who lends his saxophone skills to the album.
Backed by such one-of-a-kind guest players as trombone great
Roswell Rudd and keyboardist John Medeski, Merrill indulges himself-and anyone
who has grown up loving the likes of James Taylor ("The Secret o'
Life"), Steely Dan ("IGY [What a Beautiful World]"), Burt Bacharach
("I Say a Little Prayer"), and Stevie Wonder ("Overjoyed")
-- by applying his personal touch to a selection of pop hits that in spirit and
title promote happiness. For a little icing on the cake, he covers Pharrell's
inescapable "Happy," with the lyrical bassist Nicki Parrott
harmonizing and a touch of Lee Morgan's infectious "Sidewinder"
informing the bridge. The title track, a fetching Merrill original, aims to
cheer up the universe "one star at a time."
Merrill has deep history with the musicians on the date:
guitarist Drew Zingg was a grade school classmate; his friendship with drummer
George Schuller dates back to boarding school; keyboardist/arranger John Van
Eps first connected with Merrill at the New England Conservatory.
John Medeski, who contributes to four tracks on piano and
two on organ, met Merrill in 1989, when the keyboardist was hired, at Gershon's
suggestion, for a gig in Cambridge. "Russ also suggested some bass players
who were all booked," Merrill explains. "But my last call was to
Chris Wood, who was free. It was on that gig that Medeski met Wood, and they
later added Martin -- the rest is history."
Bob MerrillBob
Merrill has had similar encounters with kismet throughout his life, which began
in 1958 in Manhattan. He grew up in the Upper East Side building where Benny
Goodman lived, and once he'd heard Goodman's "Sing, Sing, Sing,"
young Bob was hooked on jazz. After his head was turned by Doc Severinsen's
trumpet playing during a Tonight Show taping his father took him to, Bob
devoted himself to the horn. He took lessons and played gigs with local trumpet
guru Felix Sangenito and also studied with William Vacchiano, first trumpet
chair at the New York Philharmonic.
While attending Phillips Academy in Andover, Massachusetts,
he jammed with saxophonist Thomas Chapin. Accepted at Harvard, Merrill deferred
for a year to study jazz at the New England Conservatory of Music, where his
teachers included George Russell and Jaki Byard. He formed a group with drummer
George Schuller, son of the late Gunther Schuller, then president of NEC.
Merrill began singing, he says, when he played wedding gigs
and discovered that attractive women on the dance floor turned to hear what someone
on stage was singing more than they ever turned to hear what someone was
playing. His relaxed vocals add an important dimension to his art. He modestly
says that his understated style is a concession to his vocal limitations. But
with his Mel Tormé-influenced smoothness and Kurt Elling-like articulation, he
is an appealing and distinctive interpreter of the Great American Songbook.
After marrying Christina Bushkin in 1991, Merrill coaxed her
father, the fabled swing pianist Joe Bushkin, out of retirement. One of their
first gigs was a memorable run at Tavern on the Green in Central Park with a
group featuring bass immortal Milt Hinton, who credited Bushkin for bringing
him to New York in the early '50s for an extended run at the Embers with Jo
Jones. Merrill produced CD reissues of Joe Bushkin's classic LPs, and they
played the jazz festival circuit until the pianist's death in 2004.
The release of Cheerin' Up the Universe opens a new chapter
in Merrill's musical life. "We now embark on the process of cheering up
the universe in various venues, until we reach Pluto," says Bob. He'll be
appearing in support of the new album at the following: 9/17 Caffe Vivaldi,
NYC; 9/24 Oak Room Tavern, Sea Cliff, NY; 10/22 Treme, Islip, NY. Additional
dates are in the works.
