Gerardo Frisina & Toco Reunite for New EP Deixa Passar / Ilê

Schema Records kicks off 2025 with the highly anticipated release of Deixa Passar / Ilê, a collaborative EP from jazz-electronic innovator Gerardo Frisina and Brazilian singer-songwriter Toco, featuring Luzia Dvorek. This digital release drops January 24, followed by a 12” vinyl on February 14.

Five Years in the Making

The EP marks the duo’s first collaboration since their acclaimed Frisina Meets Toco project, reuniting them for two brand-new tracks, Deixa Passar and Ilê. Each track is presented in both original and reworked versions, delivering a rich fusion of samba, jazz, and electronic music.

A Musical & Cultural Celebration

Frisina’s intricate compositions provide the perfect foundation for Toco’s Portuguese-language melodies and lyrics. Toco’s duet with Luzia Dvorek strikes a balance between depth and playfulness, creating an engaging contrast that resonates throughout the EP.

The instrumentation is equally compelling, featuring some of today’s most celebrated musicians:

• Gianluca Petrella on trombone,
• Eduardo Taufic on piano (Deixa Passar) and Fender Rhodes (Ilê), and
• Edu Moreno on flute (Ilê).

The blend of acoustic instrumentation and electronic textures creates a dynamic interplay of tradition and modernity, honoring Brazilian musical roots while venturing into new sonic territories.

Themes & Inspirations

• Deixa Passar captures the effervescent spirit of Rio de Janeiro’s Carnival, offering a temporary reprieve from life’s challenges.
• Ilê pays tribute to Salvador de Bahia’s bloco afro, Ilê Aiyê, celebrating the enduring legacy of Afro-Brazilian culture.

The EP also reflects Brazil’s heritage through its striking visual elements, including cover art inspired by Rio’s iconic Copacabana pavement design.

Release Dates

• Digital: January 24, 2025
• 12” Vinyl: February 14, 2025

With its blend of Brazilian samba, jazz, and electronic music, Deixa Passar / Ilê is set to captivate audiences worldwide, reaffirming Frisina and Toco’s status as pioneers in their respective genres.

Saxophonist Chase Huna Sets the Stage for Jazz Evolution with “Just Right” Single and Upcoming Album “Heart and Soul

As a teenager, saxophonist Chase Huna made records under the tutelage of two-time GRAMMY winner Paul Brown and Billboard chart-topper Steve Oliver, learning how to produce and focus on developing his songwriting skills. He’s also shared the stage with contemporary jazz royalty over the last decade. Having cultivated his talents in and out of the studio, now at age 25, Huna feels that the time is right to take the next step as a young emerging artist on the contemporary jazz scene. On February 10, he’ll release “Just Right” as a single to preview his forthcoming “Heart and Soul” album, which he plans to release this summer on Mirage Records. 

Huna wrote and produced “Just Right,” a deep pocketed R&B groove constructed by bassist Darryl Williams and drummer Gorden Campbell. Keyboardist Carnell Harrell adds melodic shading that buttresses Huna’s tenor sax. Throughout the track, Huna’s impassioned play exhibits maturity and restraint. His horn work is cool and confident, soulful and sultry.     

“I’ve always felt that rhythm lives inside of me. One of my favorite ways to feel that is for me to play it out onstage or write it out in the studio. I knew there was something special about this song when I felt the need to dance to it in my studio every chance I got. I selected the song title thinking that every piece of this recording, from the saxes and instrumentation to writing the best song I could, had to be ‘just right,’” said the Palm Springs, California-born and bred Huna. 

“Heart and Soul” will be Huna’s fourth album and he’s crafting the collection with the intention of injecting a jolt of fresh energy, youth, and creativity into jazz. The set will showcase his amalgam of R&B, jazz, pop, and soul. Huna’s focus is on the song, serving and nurturing each one while exploring the unique nuance of every harmony and melody that make up his compositions. 

"This new album is so special to me, and I feel that the title says it all. It’s been a fulfilling experience writing and recording every song on this project and it all truly comes from the heart. I’m excited to share the new music. My hope is to share my passion and convey the same feeling I have when playing music with anyone who appreciates the joy music brings,” said Huna.

 

At fifteen, Huna released his Oliver-produced debut single, “On The Chase.” The cut ended up serving as the title track to Huna’s debut album, which dropped in 2017. A year later, Brown helmed Huna’s third single, “U Best Believe.” During those formative years, Huna focused on learning the art of record production. His first self-produced disc, “Life of the Party,” released in 2020 followed a year later by “Life of the Party Volume II.” Both projects spawned radio singles and airplay, which helped Huna’s audience multiply. The saxman continued to keep the company of genre stars by performing with Peter White, Rick Braun, Marc Antoine, Brian Simpson, and Eric Darius, and hit the stage at the Newport Beach Jazz Festival, Catalina JazzTrax Festival, and Brian Culbertson’s Napa Valley Jazz Getaway.

 

Outside of jazz, Huna frequently performs alongside folk/rock singer-songwriters Al Stewart, Ambrosia, John Ford Coley, and Walter Egan.

 

Yellowjackets Take Flight Again with Fasten Up: A Landmark in Jazz Fusion

The Yellowjackets, pioneers of jazz fusion, are back to dazzle audiences with their 27th studio album, Fasten Up. With over four decades of redefining the boundaries of contemporary jazz, the GRAMMY® Award-winning quartet proves they are as innovative and adventurous as ever. This latest offering showcases their genre-blending artistry, delivering a vibrant and fresh listening experience that’s steeped in the timeless qualities fans have come to love.

The Masters at Work

Comprised of keyboardist Russell Ferrante, saxophonist Bob Mintzer, bassist Dane Alderson, and drummer Will Kennedy, the Yellowjackets remain one of the most enduring and influential bands in the jazz world. Each member brings a unique voice to the group, creating a sound that’s both cohesive and exploratory. Over the years, the Yellowjackets have evolved their style, seamlessly weaving elements of funk, R&B, classical, and world music into their jazz framework.

On Fasten Up, the quartet continues to push the envelope, blending technical mastery with heartfelt expression. The album's 11 tracks showcase the band’s ability to balance complex arrangements with accessible grooves, making it a captivating journey for jazz aficionados and casual listeners alike.

The Tracklist: A Fusion of Originals and Classics

The Yellowjackets have always excelled at composing original material, and Fasten Up is no exception. Of the 11 tracks, 10 are original compositions that highlight the band’s creative synergy. The lone cover, Ben Tucker's "Comin' Home Baby," is reimagined with a lively, modern twist, paying homage to the classic while infusing it with the Yellowjackets’ signature energy.

A standout among the originals is “The Lion,” a track that features the unmistakable talents of singer-songwriter and guitarist Raul Midón. Known for his soulful voice and virtuosic guitar playing, Midón adds an additional layer of richness and depth to this already dynamic composition. With its pulsating rhythms and soaring melodies, “The Lion” epitomizes the Yellowjackets’ ability to innovate while staying true to their roots.

Other highlights include:

"Fasten Up": The titular track bursts with energy, setting the tone for the album’s adventurous spirit.

"Momentum": A driving groove that showcases the interplay between Alderson's bass and Kennedy's crisp drumming.

"Echoes of Rio": A nod to Brazilian jazz, featuring Mintzer’s lyrical saxophone lines and Ferrante’s lush harmonies.

"Skyline": A contemplative ballad that highlights the band’s emotive side.

Collaborative Genius

One of the defining aspects of the Yellowjackets’ music is their collaborative approach. Each member contributes not only as a performer but also as a composer, ensuring a diverse yet unified sound. On Fasten Up, this dynamic is evident in the intricate arrangements and the interplay between instruments. Alderson’s virtuosic bass lines provide a solid foundation, while Kennedy’s drumming injects rhythmic vitality. Ferrante’s keyboards weave harmonic textures, and Mintzer’s saxophone adds melodic and emotional depth.

The inclusion of Raul Midón on “The Lion” exemplifies the band’s openness to collaboration. Midón’s soulful vocals and dexterous guitar work blend seamlessly with the Yellowjackets’ sound, creating a track that feels both fresh and timeless.

Redefining Jazz Fusion

Since their formation in 1977, the Yellowjackets have been synonymous with jazz fusion. Over the years, they’ve continually redefined the genre, blending jazz with elements of funk, rock, R&B, and world music. With Fasten Up, they reaffirm their status as trailblazers, offering a sound that’s both progressive and rooted in tradition.

What sets the Yellowjackets apart is their ability to evolve without losing their identity. Each album is a snapshot of where they are as artists, and Fasten Up is no different. It reflects their willingness to experiment while honoring the rich history of jazz fusion.

Legacy and Impact

The Yellowjackets’ influence on contemporary jazz cannot be overstated. Their innovative approach has inspired countless musicians and helped to expand the audience for jazz fusion. With 27 albums under their belt, they continue to be a vital force in the music world, pushing boundaries and setting new standards.

As they release Fasten Up, the Yellowjackets invite listeners to join them on a journey that celebrates the past, embraces the present, and looks to the future. Whether you’re a longtime fan or new to their music, this album is a testament to the enduring power of creativity and collaboration.

Conclusion: A Must-Listen Album

Fasten Up is more than just an album; it’s a statement of artistic resilience and innovation. With its blend of original compositions, a fresh take on a classic, and a stellar guest performance, the album encapsulates everything that makes the Yellowjackets legendary. It’s a must-listen for jazz enthusiasts and anyone who appreciates music that transcends boundaries.

So, buckle up and prepare to be amazed. The Yellowjackets are back, and they’re better than ever.

Tony Holiday Revives Memphis Soul-Blues with a Genre-Bending New Album, Keep Your Head Up

Tony Holiday has been at the center of a Memphis soul-blues revival anchored by a contingent of young, savvy, well-schooled musicians with a "family-like" attitude and a strong belief in one another.

Over the past couple of years, Holiday has been touring hard, taking spells in between to write and record with Producer Eric Corne in Memphis and Los Angeles. The result is the forthcoming album, Keep Your Head Up, out April 18, 2025, via Forty Below Records. Pre-order here. The album demonstrates an impressive command of styles, as Holiday leads his band fluidly through Texas, Chicago, and hill country blues with plenty of Memphis soul and even a touch of Afrobeat.

The album features a wide array of special guests, including Eddie 9V, Kevin Burt, Albert Castiglia, and Laura Chavez, last year's Blues Music Award winner for 'Guitarist of the Year' with Holiday shining throughout on vocals and harmonica.

The latest single, "Walk on the Water," was a surprise addition to the record. Another knock-out song by Eric Corne that was inspirational. "I think Walk On The Water will pleasantly surprise people as much as it surprised me." Pre-save here.

The album opens with the Freddie King classic "She's A Burglar," a gripping Texas Blues featuring good pal Eddie 9V on lead guitar and sharing vocal duties. Next is the intense Chicago blues-flavored "Twist My Fate," written by Corne, featuring Holiday's stellar harmonica work and shared vocal duties from the incomparable Kevin Burt. 

Holiday and Corne turn "A Woman Named Trouble" on its head with a fascinating Afrobeat flavor, including a riveting trumpet solo by occasional E Streeter Mark Pender before locking into some greasy Memphis soul compliments of regular collaborator AJ Fullerton on "Good Times."

Laura Chavez, last year's Blues Music Award winner for 'Guitarist of the Year' turns in a fabulous performance on the soulful, horn-laden "Shoulda Known Better" before the album shifts to a modern take on hill country blues with "Walk On The Water," written by Corne who also sings a bluegrass style harmony throughout, adding a unique flavor to the track.

Other album standouts include fan favorite Albert Castiglia joining Holiday with some spirited guitar and vocals on the playful Snooks Eaglin classic "Drive It Home," and Holiday shows why he's one of the finest harmonica players on the scene today, despite electing not to play the instrument on over half the songs on the album. 

The record closes with a brilliant surprise, a bittersweet country soul Americana song called "I Can Not Feel The Rain," written by Holiday with help from Corne and Jad Tariq, who plays the role of Steve Cropper throughout this record. 

There's something in the water in Memphis, and Tony Holiday has tapped into it to contribute to an exciting new chapter unfolding in this storied region.

Horace Silver's Groovy Transformation: A Spotlight on Serenade to a Soul Sister

Horace Silver's Groovy Transformation: A Spotlight on Serenade to a Soul Sister

By the late 1960s, pianist and composer Horace Silver had already cemented his reputation as one of the defining voices in hard bop. Yet, never one to rest on his laurels, Silver shifted toward a more groove-oriented sound, a move epitomized by his remarkable album Serenade to a Soul Sister. This project captures Silver at his innovative best, blending soulful melodies with dynamic rhythms to create a record that resonates deeply with both longtime fans and newcomers.

Released under the iconic Blue Note label, Serenade to a Soul Sister features two distinct quintets, both bringing Silver’s original compositions to life. From the high-octane funk of “Psychedelic Sally” to the tender and introspective ballad “Next Time I Fall in Love,” the album’s tracks showcase Silver’s range as a composer. The groove waltz of the title track stands out as a highlight, its infectious rhythm and lyrical beauty embodying the heart of Silver’s late-60s sound.

Each musician on the record contributes to its vibrant energy, with Silver’s masterful piano anchoring every track. The quintets seamlessly transition between fiery solos and cohesive interplay, making the album a true showcase of collective artistry. Serenade to a Soul Sister captures not just the evolution of Silver’s sound but also the spirit of an era defined by its bold experimentation and soulful expression.

For vinyl enthusiasts, the upcoming Blue Note Classic Vinyl Edition of Serenade to a Soul Sister is an essential addition to any collection. This stereo, all-analog release has been meticulously mastered by Kevin Gray from the original master tapes and pressed on 180g vinyl at Optimal. Scheduled for release on March 21, 2025, this edition promises to deliver Silver’s timeless grooves with unparalleled warmth and clarity.

Whether you’re discovering Horace Silver for the first time or revisiting his groundbreaking work, Serenade to a Soul Sister is a powerful reminder of his enduring legacy in jazz and beyond.

Lou Donaldson's Funky Legacy: A Spotlight on Say It Loud!

When saxophonist Lou Donaldson teamed up with legendary drummer Idris Muhammad for Alligator Bogaloo, it marked the beginning of an extraordinary run of groove-oriented albums. Known for his smooth, bluesy tone and impeccable timing, Donaldson’s work in this period captivated jazz and soul enthusiasts alike. Among these standout recordings is the deeply soulful Say It Loud!, a testament to Donaldson’s ability to blend the pulse of funk with the heart of jazz.

Released on the iconic Blue Note label, Say It Loud! brought together a stellar lineup featuring trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder. This ensemble’s chemistry is immediately evident on the album’s opening track, a vibrant and defiant cover of James Brown’s anthem “Say It Loud (I’m Black and I’m Proud).” The track channels the original’s fiery call for empowerment while infusing it with a rich, soulful jazz groove. Throughout the album, the players trade electrifying solos and lock into deep grooves, creating a sound that bridges jazz’s sophistication with funk’s irresistible rhythms.

Fans of vinyl and classic jazz recordings are in for a treat with the upcoming Blue Note Classic Vinyl Edition of Say It Loud!. This release, available starting March 21, 2025, is stereo, all-analog, and mastered by Kevin Gray from the original master tapes. Pressed on 180g vinyl at Optimal, this high-quality edition ensures that every note, from Donaldson’s saxophone flourishes to Muhammad’s funky drumbeats, comes through with clarity and warmth.

Whether you’re a longtime admirer of Lou Donaldson or a newcomer exploring the rich world of jazz-funk, Say It Loud! is a must-listen. It’s an album that celebrates the power of music to inspire and connect, as relevant today as it was when it first hit the scene.

Exploring the Depths of Sound: A 14-Track Journey Through Vick Lavender's Musical Landscape

This masterful 14-track release showcases the diverse production skills of deep house veteran Vick, as he navigates the vast spectrum of musical genres with finesse and artistry.\

Disc One: A Fusion of Styles

Disc one is a vibrant exploration of eclectic influences. Highlights include the Bossa Nova-inspired “Again” featuring the soulful vocals of New York’s AMMAWHAT, and the smooth, R&B-tinged “Nothing Broken” with Detroit’s ANGEL-A. Jazz makes its mark with tracks like “411” and “Reminisce” featuring the silky contributions of Chicago’s SPIKE REBEL, creating a blend of rhythmic sophistication and heartfelt melody.

Disc Two: Deep House Roots and Rhythmic Innovation

Disc two delves into the core of Vick’s identity, focusing on the deep, eclectic house sound that has cemented his reputation across the global music scene. These four tracks pay homage to his roots in jazz and Afro-Latin rhythms, crafted alongside the talented JUSTIN DILLARD.

Tracks like “Herbie” and “Rise I Rise” are poised to become instant deep house classics, blending intricate grooves with soulful depth. The electrifying “Play” channels Johnny Hammond vibes into a relentless heater that’s sure to ignite dancefloors worldwide. Meanwhile, “Flame” reflects Vick’s enduring love for R&B, enriched with touches of jazz fusion for an irresistible listening experience.

Listen and Immerse Yourself

This release isn’t just an album—it’s an auditory journey that demands to be experienced. Crank the volume, let the beats resonate, and play it on repeat. From vibrant jazz influences to Afro-Latin grooves and deep house jams, Vick’s latest offering promises to captivate listeners and dancers alike.

Jazz Pioneer Marshall Allen, 100, Unveils Debut Solo Album New Dawn

Two days after celebrating his 100th birthday, avant-garde jazz legend Marshall Allen embarks on a groundbreaking new journey with New Dawn, his debut solo album, set to release on February 14, 2025. A revered member of The Sun Ra Arkestra since 1958 and its leader since Sun Ra’s departure, Allen’s career spans nearly seven decades. Yet, remarkably, New Dawn marks the first time this trailblazing saxophonist releases a record under his own name.

Rather than closing the book on his illustrious career, New Dawn opens a new chapter. It’s a love letter to spacetime, channeling a century of musical exploration into seven transcendent tracks that balance legacy and discovery.

A Cosmic Journey Through Time and Sound

Marshall Allen’s contributions to jazz and avant-garde music are legendary, often described as "Johnny Hodges from outer space." His pioneering sound and deep spiritual resonance have long been central to the Arkestra’s cosmic ethos. With New Dawn, Allen steps into a more intimate spotlight, showcasing a reflective yet adventurous side of his artistry.

Recorded in Philadelphia in May 2024, the album was a collaborative effort with fellow Arkestra member Knoel Scott, a lifelong friend who helped guide the project’s vision. Together, Allen and Scott combed through archives of unrecorded compositions, carefully curating material that captures the vast spectrum of Allen’s musical range. Producer Jan Lankisch notes, “Knoel’s energy was instrumental, ensuring the album stayed true to Marshall’s voice while highlighting his versatility.”

Though deeply informed by the philosophy and teachings of Sun Ra, New Dawn represents a striking moment of artistic independence for Allen. The album traverses genres and emotions, blending serene, transdimensional textures with bursts of boppy big band energy. It’s both a testament to Allen’s cosmic imagination and a deeply personal reflection on his lifelong journey through music.

Collaborative Brilliance

The recording sessions for New Dawn brought together a stellar ensemble of jazz luminaries, including Philadelphia jazz greats and Arkestra veterans. Among the contributors were Michael Ray and Cecil Brooks (trumpet), Jamaaladeen Tacuma (bass), Bruce Edwards (guitar), and George Gray (drums). This collective effort created a dynamic space for Allen’s compositions to evolve organically, with improvisation at the core of every track.

The Title Track: “New Dawn”

The album’s title track, “New Dawn,” is a standout moment that underscores Allen’s ability to meld the past and future. Featuring the unmistakable voice of Neneh Cherry, the track transitions from serene introspection to bold, explosive statements, encapsulating the spirit of the album. Cherry’s vocal performance adds a layer of emotional depth, creating a mesmerizing fusion of complexity and clarity.

Jan Lankisch describes the track as “a perfect embodiment of Marshall’s artistry: a delicate balance of spontaneity and precision, channeling decades of wisdom into every note.”

A Legacy That Transcends Time

New Dawn is more than an album; it’s a profound celebration of a century of musical innovation. For fans of jazz, avant-garde, and cosmic soundscapes, this record offers a rare glimpse into the boundless creativity of a true pioneer.

Funk Icons Rufus & Chaka Khan Celebrated in New 2-CD Set Featuring Final Albums and Bonus Tracks

Fans of funk legends Rufus and Chaka Khan have something special to look forward to this year. Robinsongs is set to release a deluxe two-for-one collection on March 14, 2025, chronicling the band's final works. The set includes their 1983 studio album Seal in Red and the electrifying Stompin' At The Savoy – Live, along with three bonus tracks. The collection features new liner notes by Lois Wilson of MOJO.

Among the bonus tracks are single versions of "Take It to the Top" and the iconic "Ain’t Nobody", as well as a rare remix of the latter by legendary producer Frankie Knuckles, originally released in 1989.

A Storied Career’s Final Chapter

Rufus made waves in the '70s with funk classics like "Tell Me Something Good", "Sweet Thing", and "Do You Love What You Feel". However, by the late '70s, tensions arose as Chaka Khan’s burgeoning solo career outshone the group’s collective efforts. The band carried on with albums like Numbers (1979) and Party ‘Til You’re Broke (1980) without Khan’s involvement, eventually recording Seal in Red in 1983.

Produced by George Duke, Seal in Red featured an impressive lineup of collaborators, including Ivan Neville on vocals, Patti Austin, Paulinho da Costa, Ernie Watts, and Chicago’s Jimmy Pankow. Despite its rich roster, the album underperformed commercially, with lead single "Take It to the Top" failing to chart and the album itself missing the Billboard 200. Nevertheless, the LP contained moments of brilliance that captured the band's twilight creativity.

A Final Bow at The Savoy

Rufus decided to go out in style, reuniting with Chaka Khan for a three-night stint at New York’s legendary Savoy club in February 1983. The performances were captured for the live/studio hybrid album Stompin' At The Savoy – Live. Featuring a powerhouse lineup of musicians, including guitarist David Williams, percussionist Lenny Castro, and an extraordinary horn section, the album showcased Rufus at their peak, delivering electrifying renditions of their greatest hits.

Highlights included live performances of "Tell Me Something Good", "Sweet Thing", "You Got the Love", and a stunning take on Khan’s solo hit "What Cha’ Gonna Do For Me". The album concluded with a side of studio tracks, including the standout "Ain’t Nobody". Written by band member David "Hawk" Wolinski, the song became a chart success, peaking at No. 22 on the Billboard Hot 100 and later inspiring Khan’s solo career-defining hit, "I Feel for You" (1984).

In 1989, "Ain’t Nobody" enjoyed a resurgence in the U.K., thanks to Frankie Knuckles’ hypnotic “Hallucinogenic Remix,” which now joins this collection as a bonus track.

Track Listing:

Disc 1: Stompin' At The Savoy – Live

1. You Got the Love
2. Once You Get Started
3. Dance Wit Me
4. Sweet Thing
5. Tell Me Something Good
6. Stop On By
7. Pack’d My Bags
8. I’m a Woman (I’m a Backbone)
9. At Midnight (My Love Will Lift You Up)
10. Ain’t That Peculiar
11. Stay
12. What Cha’ Gonna Do For Me
13. Do You Love What You Feel
14. Ain’t Nobody
15. One Million Kisses
16. Try a Little Understanding
17. Don’t Go to Strangers
    (Tracks 1-13 recorded live at The Savoy; Tracks 14-17 are studio recordings.)

Disc 2: Seal in Red

1. Take It to the Top
2. The Time is Right
3. When I Get Over You
4. You Turn Me All Around
5. You, the Night and the Music
6. Blinded by the Boogie
7. I’m Saving This Love Song
8. You’re Really Out of Line
9. Distant Lovers
10. No Regrets
11. Take It to the Top (7" Version)
12. Ain’t Nobody (7" Version)
13. Ain’t Nobody (Hallucinogenic Remix)

Cinema Royal Debuts with “The True North” – A Daring Blend of Modern Classical, Jazz, and Ambient

Renowned artists Rejoicer and Nitai Hershkovits, both celebrated members of the innovative group Apifera, unveil their new project, Cinema Royal. Their self-titled debut album, releasing on March 14, 2025, is a concept piece that delicately fuses modern classical, ambient, and jazz influences into a seamless, cinematic listening experience. The album’s first single, The True North, arrives on January 16, 2025, via Rhythm Section International.

Cinema Royal was born from years of collaboration and a shared vision. The duo’s mastery of improvisation and innovative composition brings together a dizzying array of global sounds. From East Asian zithers to Afrobeat-inspired drums and Ethio-jazz piano, every track is an intricate tapestry. Synthesizers blend effortlessly with orchestral strings, while funky drum machine patterns provide a restrained yet irresistible groove.

The album channels the energy of a film score, inspired by legends like Ennio Morricone, Nino Rota, and Emahoy Tsegué-Maryam Guèbrou. “This project began with a simple drum loop and a single piano take,” said Nitai Hershkovits. “We wanted to craft music that felt cinematic, something that whispers to the listener and draws them closer.”

The first single, The True North, exemplifies this vision with its delicate yet audacious blend of piano-led melodies, lush instrumentation, and subtle rhythmic layers.

Rejoicer, a Stones Throw alumnus, and Nitai Hershkovits have a longstanding history of collaboration, previously creating groundbreaking works for labels like Raw Tapes. Their synergy, honed over years of creative exploration, is the cornerstone of Cinema Royal.

Holly Cole Returns with Dark Moon: A Fresh Take on Jazz and Pop Standards

Renowned Canadian and international vocalist Holly Cole will release her highly anticipated 13th studio album, Dark Moon, on January 24, 2025. The album, available via Rumpus Room/Universal Music Canada, features Cole collaborating with her long-time live performance partners and additional standout musicians to create an ensemble-driven masterpiece that showcases her signature style and versatility.

“I really wanted this album to embrace the spirit of spontaneity. At the same time, a quintessential part of the sound of my music is in the arrangements. We did very little rehearsal in advance, so the songs were incredibly fresh for us in the studio. What we end up hearing on this record is the moment when we discover what we love about the song and its essence,” shared Cole.

Known for her sultry voice and imaginative arrangements, Holly Cole defies categorization, blending elements of jazz, pop, and country. On Dark Moon, she reimagines classics from the New American Songbook by writers like Marty Balin, Peggy Lee, Hal David, Burt Bacharach, and Johnny Mercer.

The ensemble features long-time collaborators Aaron Davis (piano), George Koller (bass), Davide Direnzo (drums), and John Johnson (saxophone). The album also includes contributions from guitar virtuoso Kevin Breit, harmonica legend Howard Levy, and the harmony-rich vocals of the Good Lovelies. Together, they bring a unique richness to the album’s sound.

The lead single, "No Moon at All," is an up-tempo, sultry interpretation of the Peggy Lee classic, highlighted by a dazzling harmonica solo from Howard Levy, a two-time Grammy winner and original member of Béla Fleck and the Flecktones.

Dark Moon will be available on CD, 180-gram black vinyl, and in digital Hi-Res and ATMOS formats.

Track Listing:
Side 1

1. Steppin' Out with My Baby
2. Where Flamingoes Fly
3. Moon River
4. No Moon at All
5. Message to Michael

Side 2
6. The Exciting Life
7. Dark Moon
8. Comin’ Back to Me
9. Kiss Me Quick
10. Walk Away Renée
11. Johnny Guitar

Tour Dates:

• March 7, 8, 10, 11: Tokyo, Japan – Blue Note
• April 27: Peterborough, ON – Market Hall Performance Art Centre
• July 2: Montreal, QC – Théâtre Jean Duceppe, Place des Arts
• Summer Festival appearances in Canada – Announcements coming soon
• Germany/US/Western Canada – Late Summer/Fall 2025

Holly Cole, a celebrated Canadian jazz singer, launched her career in 1989 with the EP Christmas Blues. Over the years, she has achieved multi-platinum sales, won two Juno Awards, two Gemini Awards, and international accolades, including the Ella Fitzgerald Award from the Montreal Jazz Festival. Known for her chart-topping hits like “Calling You” and “I Can See Clearly Now,” Cole continues to redefine traditional genres with her unique style.

Groove Through Time: The Soultrend Orchestra’s Journey of Jazz, Funk, and Disco Revival

The Soultrend Orchestra: A Musical Odyssey

The Soultrend Orchestra is a remarkable side project led by renowned producer and musician Nerio “Papik” Poggi. Best known for his groundbreaking work under the Papik moniker, Poggi has cemented his reputation as one of Italy’s foremost producers in the Nu Jazz Lounge scene. Over the past decade, his creative vision has given rise to approximately 40 albums, spanning collaborations with solo artists and curated collections such as the celebrated ‘Cocktail’ series.

With The Soultrend Orchestra, Poggi delves deeply into the realms of Soul Jazz and Disco, drawing inspiration from the iconic sounds of the 70s and 80s. Influenced by legends like Roy Ayers, George Benson, and Donald Byrd, Poggi’s work also nods to the Acid Jazz movement spearheaded by groups such as Incognito and The Brand New Heavies.

A Glimpse into the Past: Albums That Define an Era

The Soultrend Orchestra debuted in 2017 with 84 King Street, a vibrant homage to the golden age of Disco. The album’s title references the legendary Paradise Garage, the New York club where DJs like David Mancuso and Larry Levan propelled Disco into a global phenomenon during the late 70s.

In 2022, the release of Live For Funk marked a pivot toward Soul and Jazz influences, as exemplified by tracks like “About Love,” which pays tribute to the timeless sound of Roy Ayers. This album showcased Poggi’s evolving artistry and his commitment to exploring diverse sonic landscapes.

Looking Ahead: Non Imagine (2025)

The forthcoming album, Non Imagine, is set to release in early 2025. Produced in collaboration with Peter De Girolamo (aka P.A. Jeron), the project continues Poggi’s exploration of Soul Jazz and Disco, blending nostalgia with innovation. The album features contributions from long-time collaborators such as Alfredo Bochicchio, Massimo Guerra, and Simone “Federicuccio” Talone, alongside vocalists Laura Lanzillo, Erika Scherlin, and Anna Fondi.

Adding to its allure, Non Imagine boasts guest appearances by an impressive roster of vocal talent, including Wendy D. Lewis, Ely Bruna, Nadyne Rush, Filippo Perbellini, Stevie Biondi, and Nicole Magolie. Notable covers include a reimagined version of Chic’s Disco classic “Lost In Music,” made famous by Sister Sledge, and Kool & The Gang’s ethereal “Summer Madness,” brought to life by De Girolamo’s lush keyboards and Fondi’s captivating vocals.

A Celebration of Timeless Sounds

The Soultrend Orchestra stands as a testament to Nerio Poggi’s unwavering passion for music. With Non Imagine, he invites listeners on a journey that celebrates the rich tapestry of Jazz, Funk, and Disco, proving once again that great music transcends time and genre.

Joe Fiedler Trio 2.0 w/Pete McVann & Michael Sarin

Joe Fiedler Trio 2.0, comprised of the imaginative, adventurous and prodigious trombonist, composer and bandleader, Joe Fiedler, first-call guitarist Pete McCann and uber-creative drummer Michael Sarin, proudly present an expressive tour-de-force, which finds these three co-conspirators stretching their melodic and harmonic range, traversing sundry rhythmic trails, and generally sticking their necks out musically, resulting in the singular new album, Dragon Suite (available on Multiphonics Music on March 14, 2025).

After almost two decades of leading his various trios (documented on I’m In, Plays The Music of Albert Mangelsdorff, The Crab and Sacred Chrome Orb), Fiedler finds the format still bears fruit, and remains a configuration which enables him and his collaborators to fully explore and express themselves through Fiedler’s compositions. With Fiedler, we are treated to more of his extended techniques on trombone, not to mention his inviting open and muted sounds. Dragon Suite offers up nine new Fiedler compositions with a twist, a foray into the bass-less trio world.

Fiedler has always been intrigued by bass-less ensembles, especially trios, and relished the challenge the musicians face without that sonic foundation and pulse; each player taking on a much greater role within the music. "Over the years I have been drawn to bass-less trios led by notables such as Paul Motion, Ray Anderson and Ron Miles. I love to study the creative strategies employed for their unique line-ups. However, the trio that really made me want to add my name to the list was Dave Douglas’ Tiny Bell Trio," explains Fiedler. "For me, the biggest difference was in that it wasn’t just amazing improvisors playing a tune together, but a fully orchestrated ensemble with specific arrangements - yet leaving room for each personality to insert their individual musical identity."

When setting out to write this music for Dragon Suite, Tiny Bell Trio, became somewhat of a template for Fiedler. And given that each player would need to carry a larger load - especially with this very challenging music, Fiedler composed every note specifically for his cohorts in The Joe Fiedler Trio 2.0, guitarist Pete McCann, and drummer Michael Sarin. "Both incredible musicians, but somewhat more importantly for this project, trusted friends," stated Fiedler.

Joe Fiedler on Pete McCann: Pete was the very first person to come to mind for Dragon Suite. I have played with him in many different bands for more than twenty years and his creativity and virtuosity are second to none, not to mention the sense of humor and positivity that he brings to the bandstand/studio/hang.

Joe Fiedler on Michael Sarin: Michael Sarin is my all-time favorite drummer and a long-time collaborator and friend. At the outset of this project I briefly thought of using another drummer - for no other reason but to just to change things up, but the more I thought about the complexity of the music that I wanted to compose, I realized that Michael would be the perfect fit. He always is thinking like a composer and he has a unique ability to balance groove, texture and color in real time which was hugely beneficial to this project.

Believers Trio Releases Genre-Defying Album "Hard Believer" on March 7, 2025

 Hard Believer is the captivating second album by Believers, a world-influenced jazz/fusion trio featuring guitarist Brad Shepik, percussionist John Hadfield, and bassist Sam Minaie, out March 7, 2025 on Shifting Paradigm Records. Showcasing a dynamic range of styles and moods, the album weaves jazz, rock, and blues with influences from Balkan, South Indian, and Armenian traditions. Blending fiery improvisation, bold grooves, and an expansive sonic palette, Hard Believer delivers a riveting musical journey that redefines the boundaries of jazz and global fusion.

Guitarist Brad Shepik is grounded in jazz and blues, having performed with Paul Motian, Charlie Haden, and Carla Bley, among a long list of others. His work is also enriched by global influences from the Balkans, Middle East, and South Asia, having worked with Yuri Yunakov, Simon Shaheen, and kanjira virtuoso Swaminathan Selvaganesh. Sam Minaie is an Iranian-American electric and upright bassist, producer, and recording engineer based in New York City, well-known for his versatility and unique style of playing and production across many genres. He has performed with numerous bands and artists worldwide, including Tigran Hamasyan, Kneebody, Donny McCaslin, Tim Miller, and others. Composer, drummer, and percussionist John Hadfield has worked with a broad range of artists such as the Saturday Night Live Band on NBC, The Jazz at Lincoln Center Orchestra, Yo-Yo Ma, Abel Selaocoe and the Seattle Symphony and the Silk Road Ensemble. He has released four albums and has composed for many collaborative projects, including Heard By Others, a duo project with Lenny Pickett; Speaking in Tongues, a duo project with Rachel Eckroth; and For James, a duo with Ron Blake.

For guitarist Shepik, this trio offers a dynamic outlet and a chance to explore new musical terrain. “Both John and Sam have such unique voices on their instruments and deep approaches; it makes playing in this trio a wide-open field of possibility. I’m also really inspired and challenged by the music they bring into the band. Personally, it makes performing so much more rewarding because we are each contributing to a wider shared vision.”

Bassist and engineer Minaie adds, “For me, this record is the product of where our lives have taken us throughout the years. Brad is one of my favorite musicians and composers, and much of my musical journey has had his sound in my mind. John is an incredible and versatile player, and a brilliant production mind. The three of us have been collaborating now for years, and this record is the meeting place of all of our influences. As the mixing and mastering engineer, I used that history to make this record into a very different one. There is not one style on this record, and the mix reflects that, from jazz to electronic and metal. Each song has a different sound and production technique, from very natural and acoustic to very aggressive post-production. I'm excited for the world to hear this record.”

Hadfield states, “Believers is truly one of the most enjoyable groups that I am a part of. I had been a fan of both Brad and Sam for a long time before the formation of this group. I knew Brad’s playing as someone to check out when I moved to New York. Once I moved to NYC, I heard how great Sam was, and he was part of the younger musicians from the West Coast who moved to NYC. As a drummer and percussionist, it is such a joy to play with Brad and Sam. Rhythmically, they are so advanced that there is this contradiction created by the fact that we are so tight and rhythmically locked that it opens a sense of “loose freedom” where we can explore and manipulate time without limits. It allows me to function differently than just being the timekeeper.”

The album opens with “Hard Believer,” a piece that took Shepik considerable time to perfect. He shares that finding the right combination of vibe, meter, and tempo was a challenge “but after playing it with Sam and John it fell right into place.” Hadfield's “Broken English” crafts an intricate and uneasy soundscape, built around a rhythmic puzzle in 13/8. Hadfield explains that “the shifting groupings over a four-bar phrase aim to create a sense of unease and disorientation,” keeping listeners engaged and intrigued.

“In the Weeds” emerged organically during its initial session. Shepik says that the song felt natural from the first beat of Hadfield’s ocean drum, allowing the composition to flow seamlessly. Minaie's “Corduroy” offers a contrasting mood, described as carrying a sense of brooding optimism, weaving subtle yet powerful emotions into the album’s texture.

One of Shepik’s personal highlights is “Falling Grace,” which he names as one of his all-time favorite songs, adding, “The harmony and circular form are an inspiration and a fun challenge to play 9/8.” Shepik’s composition “Ranglin” was written as an homage to legendary Jamaican guitarist Ernest Ranglin.

The album concludes with two notable pieces: “Pilgrimage,” an early composition that Shepik revisits, revitalized by Hadfield and Minaie’s contributions, and “Rocinante,” written by Minaie. The latter takes its name from Don Quixote’s loyal steed, reflecting both endurance and strength—a fitting metaphor for the closing track of a deeply collaborative and richly textured record.

Hard Believer is a testament to the creative synergy and global influences that define Believers as a trio. With contributions from each member, the album seamlessly bridges diverse musical traditions, from jazz and rock to Balkan, South Indian, and Armenian sounds. The collaboration between Shepik, Hadfield, and Minaie not only highlights their individual artistry but also reflects years of shared musical exploration and innovation. As they push the boundaries of jazz and fusion, Hard Believer stands as a vivid and compelling addition to the contemporary jazz landscape.

 

Chet Baker: Re:imagined

Chet Baker Re:Imagined, a collection of songs recorded by a varied selection of international talent to celebrate the legacy of one of the most unique, charismatic and influential figures in the history of jazz. Released to mark the 70th anniversary of seminal album Chet Baker Sings, the 15-track compilation presents modern reworkings of the trumpeter and singer’s repertoire and underscores the enduring influence of one of 20th century music’s most creative artists.

Featuring an array of international artists spanning R&B, pop, soul and jazz. British artists dodie, Matt Maltese, Matilda Mann, Joel Culpepper, Ife Ogunjobi, Hohnen Ford, Eloise and Puma Blue line up alongside Benny Sings from the Netherlands, Canada’s Stacey Ryan, American artists Delaney Bailey and Mxmtoon, South Korean Sara Kang and Australian-Filipino grentperez. These musicians, singers, songwriters and beat-makers all sit within a fast-emerging scene and together they cast Baker’s sublime.Chet Baker, born Chesney Henry Baker Jr. on December 23, 1929, in Yale, Oklahoma, was a defining figure of the West Coast jazz movement. Renowned for his hauntingly lyrical trumpet playing and smooth, understated vocals, Baker’s artistry captured the essence of "cool jazz." His talent, charisma, and tragic personal struggles made him one of jazz’s most fascinating and enduring legends.

Baker’s father was a professional guitarist, and his mother encouraged his musical pursuits from a young age. Starting with the trombone, Baker eventually transitioned to the trumpet, which became his signature instrument. After dropping out of high school, he briefly studied music theory before enlisting in the Army, where he played in military bands.

Following his discharge, Baker moved to Los Angeles and immersed himself in the thriving jazz scene of the 1950s. His breakthrough came in 1952 when he joined Charlie Parker for a series of West Coast performances. This opportunity brought him to the attention of bandleader Gerry Mulligan.

Baker’s collaboration with baritone saxophonist Gerry Mulligan in the Gerry Mulligan Quartet marked a turning point in his career. The group’s 1952 hit “My Funny Valentine” became a signature piece for Baker and a standard in the jazz repertoire. His lyrical, melodic trumpet playing stood out for its clarity and emotion, a departure from the bebop-driven virtuosity of contemporaries like Dizzy Gillespie.

Baker’s matinee-idol looks and introspective style earned him widespread popularity beyond the jazz world, making him a crossover star in the 1950s.

In 1954, Baker began showcasing his vocal abilities. His singing was soft, intimate, and vulnerable, capturing listeners with songs like “I Fall in Love Too Easily” and “Let’s Get Lost.” These tracks, paired with his trumpet, solidified his status as one of the era’s most beloved jazz artists.

As a solo artist, Baker toured extensively and recorded prolifically, producing albums that remain classics, such as Chet Baker Sings and Chet. His work exemplified the West Coast jazz aesthetic, with its emphasis on melody, restraint, and cool sophistication.

Despite his success, Baker’s life was marred by personal struggles, particularly with drug addiction. His battles with heroin began in the mid-1950s, leading to arrests, incarcerations, and setbacks in his career. A violent altercation in the 1960s left him with severe dental injuries, threatening his ability to play the trumpet. However, Baker demonstrated remarkable resilience, relearning his embouchure and returning to music with renewed determination.

In the 1970s and 1980s, Baker found a new audience in Europe, where he lived and performed extensively. During this period, he collaborated with a variety of musicians, blending elements of bebop, post-bop, and free jazz. His later recordings, such as Chet Baker in Tokyo and Chet Baker Quartet: No Problem, reveal a depth and maturity born of years of hardship and artistic growth.

On May 13, 1988, Baker died tragically in Amsterdam after falling from a hotel window under mysterious circumstances. His death marked the end of a tumultuous life, but his influence on jazz remains profound.

Chet Baker’s legacy is defined by his ability to convey deep emotion through his music. His trumpet playing and vocals continue to resonate with new generations of listeners, inspiring artists across genres. From his cool jazz classics to his late-career explorations, Baker’s contributions to music are timeless, reminding us of the beauty and fragility of his artistry.

Blues Legend Charlie Musselwhite Joins Forty Below Records: New Single 'Storm Warning' Drops January 10th

Forty Below Records is thrilled to announce the signing of the legendary Blues musician Charlie Musselwhite. On January 10th, Charlie will unveil "Storm Warning," the first single from his forthcoming Spring release. 

Charlie Musselwhite is an American icon whose story is entangled in a mix of Delta, Chicago Blues, and Memphis Soul. He's been tracing its highways and entertaining its audiences, and those abroad, for nearly six decades. He's a prolific songwriter who writes organic, compelling stories with ease. There is real emotional depth at the core of his songs.

More than any other harmonica player of his generation, Charlie Musselwhite can rightfully lay claim to inheriting the mantle of many of the great harp players that came before him with music as dark as Mississippi mud and uplifting as California's blue skies. In an era when the term legendary gets applied to auto-tuned pop stars, this singular blues harp player, singer, songwriter, and guitarist has earned and deserves to be honored as a true master of American classic vernacular music.

Recorded at Kid Andersen's Greaseland Studio in San Jose, California, it's the first time Charlie has recorded with his long-time touring band, comprised of guitarist Matt Stubbs (GA-20), drummer June Core (Robert Lockwood Jr.) and bassist Randy Burmudes (James Cotton), along with Andersen who has been in and out of the band for many years. Their chemistry and command are abundantly clear from the opening notes. "We finished a gig at The Iridium in New York City and flew straight to California to record," Charlie effuses.

About the single "Storm Warning," Musselwhite explains, "The beat came from an old Gospel tune, and I just had it rolling around in my head until I caught the scent and found the trail that led to the melody and lyrics." The groove is all business, hypnotizing like the white lines of the highway. The vocal is soulful and plaintive, and the harmonica playing is ferocious, as you'd expect.

Charlie Musselwhite has received 13 Grammy nominations throughout his illustrious career, including his last release, Mississippi Son, and 33 Blues Music Awards. In 2014 his collaboration with Ben Harper Get Up won a Grammy and in 2010 he was inducted into the Blues Hall of Fame. 

Charlie's career took off quickly soon after arriving in Chicago in the early sixties, where he was an integral part of the blues renaissance along with The Paul Butterfield Blues Band, both genuine proteges of Little Walter, Muddy Waters, and Howlin' Wolf. In 1967, at just 22 years of age, he released his debut album, Stand Back! , which garnered significant critical acclaim.

On a whim, Musselwhite relocated to San Francisco that same year. Contemporaries like Butterfield and Mike Bloomfield followed suit and were welcomed into the counterculture scene around the Fillmore West as authentic purveyors of real-deal blues.

Charlie has also collaborated with an eclectic list of incredible artists over the years, including Ben Harper, Cyndi Lauper, Eddie Vedder, Tom Waits, Bonnie Raitt, The Blind Boys of Alabama, Gov't Mule, INXS, Mickey Hart, and Japan's Kodo Drummers, George Thorogood, Eliades Ochoa, Cat Stevens, Elvin Bishop and, close friend and best man at his wedding John Lee Hooker. In 2023, Musselwhite was cast in Martin Scorsese's film Killers of the Flower Moon.

Musselwhite's sixty-year journey has taken him from Mississippi to Memphis, Chicago, and California. He is living proof that great music only gets better with age. Sixty years of nonstop touring, 20 albums, 1 Grammy, and 13 Blues Music Awards later, his depth of expression as a singer and an instrumentalist grew more profound with each passing year.

Forty Below Records, based in Los Angeles and helmed by Eric Corne, is proud to be Charlie's new home. Corne declared, "Working with an artist of Charlie's caliber is an honor and privilege. He's one of the most iconic Blues musicians working today. And we look forward to taking his legacy to the next level."

TOKYO BLISS - JAPANESE FUNK, BOOGIE & CITY POP SELECTED BY DJ NOTOYA

Following the success of the 'Tokyo Glow' and 'Funk Tide' sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of Funk and Boogie recorded in Japan for King Records in the 70s and 80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram's Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris. 

For Tokyo Bliss, Japanese Funk expert DJ Notoya has picked a diverse selection of great Funk, Boogie and City Pop tracks recorded between 1974 and 1988 for King Records, one of the most venerable record labels in Japan. These tracks - which are in demand on the Japanese groove scene - are mostly new to international ears and showcase the breadth and quality of Nippon music recorded during the 70s and 80s. 

The selection kicks off with the group Buzz, a folk duet formed in the early 70s by Hiroshi Koide and Masakazu Togo who released a handful of albums for King during the 70s. The track "Garasumado" (Glass Window) is from the 1974 album "Requiem The City" which was produced by Nobuyuki Takahashi, the older brother of future YMO superstar Yukihiro Takahashi who's playing drums here seconded by Ray Ohara's formidable bass line. At the time both were members of cult group Sadistic Mika Band. 

Next comes the synth boogie sound of singer Mami Ayukawa, who was active on the Japanese music scene in the mid 80s, followed by drummer Johnny Yoshinaga's 1978 hard funk "The Rain" featuring great keyboards action from Hiroyuki Namba one of Tatsuro Yamashita's key musicians, present on the latter's cult album "For You." Keiko Toda's mid tempo delight "Fade In" was released in 1983 and adds a touch of class to the ensemble with its languid rhythm and synth riffs. For the anecdote Toda is also a well known voice actress famous for being the voice of Anpanman, one of Japan's most famous anime cartoons.

The rest of Tokyo Bliss alternate between the stylish funk-folk floater "Bokura no Date" by Koji Kobayashi from 1978 and the 80s funk bomb "Your Love's Away" by Kumiko Sawada, produced by prolific guitarist Kazuo Takeda with his group Creation who is backing Sawada here.

The selection closes with the superb Moog and Fender Rhodes-led space funk instrumental "Paper Machine" released in 1977 by Fujimaru Band and which ends the set on a perfect note.  To quote DJ Notoya from his liner notes - Tokyo Bliss is "a perfect snapshot of the cool Tokyo sound from the 1970s and ‘80s" and which Wewantsounds it delighted to release.

Nanami Haruta’s The Vibe: Jazz Trombone’s New Voice Takes Center Stage

With her debut album, The Vibe, Japanese-born, Michigan-based trombonist Nanami Haruta establishes herself as a remarkable new force in the jazz world. Slated for release on February 28, 2025, via Origin Records, this exhilarating debut brings together Haruta’s stunning artistry with an all-star lineup of jazz heavyweights, including her mentor and producer, Michael Dease.

The album’s dynamic sound, inspired by the iconic Kai Winding and J.J. Johnson frontline, features a rhythm section of pianist Xavier Davis, bassist Rodney Whitaker, and drummer Ulysses Owens Jr., providing a powerhouse foundation for Haruta’s creative voice. Dease, who switches to baritone sax on select tracks, praises Haruta’s artistry:

“Nanami’s ethereal deftness on trombone makes you forget how challenging it is to play. She has the fire of Detroit’s Curtis Fuller mingled with the charm of Japan’s Sapporo countryside. She’s poised to lead her generation on this instrument.”

A Global Journey to Jazz Stardom

Haruta’s path to jazz began in her hometown of Sapporo, Japan, where she started on classical piano before discovering the trombone at eight. The instrument’s human-like expressiveness sparked a love for jazz, which offered creative freedom and variety beyond her classical training.

Her talents soon gained recognition, earning accolades like the Most Outstanding Student Award at the 2019 Seiko Summer Jazz Camp in Tokyo. There, she connected with Dease, whose mentorship eventually brought her to Michigan State University (MSU) in 2023 after a detour through Tokyo’s vibrant jazz scene.

At MSU, Haruta flourished under the guidance of Dease, Whitaker, and Davis. Her burgeoning reputation is underscored by honors like the Yamaha Young Performing Artist Award, the Michigan Jazz Festival Award, and top placement in the Carl Fontana Jazz Trombone Soloist Competition.

The Vibe: A Diverse and Compelling Collection

Haruta’s debut showcases her versatility with an eclectic repertoire. From Curtis Fuller’s classic “Algonquin” to contemporary works like Renee Rosnes’ “Girlie’s World” and Christian McBride’s “Sister Rosa,” the album spans the breadth of jazz traditions. Haruta’s own compositions shine equally bright:

• “Toshi”: A buoyant tribute to her first mentor, pianist Toshiaki Yamada.
• “Heartstrings”: A tender serenade to her partner.
• “Woodpecker”: A lively bop inspired by the rhythmic persistence of its avian namesake.

Dease’s ballad “How It Goes” and Whitaker’s graceful “Jamerson’s Lullaby” further enrich the album’s tapestry, while The Vibe concludes with a soulful rendition of “Unchained Melody,” featuring Haruta alongside Whitaker and guitarist Chris Minami.

Looking Ahead

As Haruta plants her flag in the jazz world, her debut album signals the arrival of a transformative voice on the trombone. The Vibe not only pays homage to her influences but also cements her place in the lineage of modern jazz innovators.

KYN: A Sonic Odyssey Where Global Voices and Avant-Garde Harmony Collide

In the vibrant world of contemporary music, few groups dare to blend the eclectic and the emotional with the fearless creativity of KYN. This transcontinental vocal trio—featuring the talents of Yoon Sun Choi, Hanna Schörken, and Noa Fort—transcends borders, genres, and expectations. Their debut album, releasing January 24, 2025, on the independent label ears&eyes Records, is a masterclass in musical storytelling, defying categorization and challenging listeners to rethink the possibilities of sound.

Hailing from three corners of the world—Korea, Germany, and Israel—KYN weaves the rich textures of their diverse cultural and musical backgrounds into a kaleidoscopic tapestry. Yoon Sun Choi’s evolution from classical pianist to jazz vocalist adds a touch of virtuosity, while Hanna Schörken’s experimental improvisation injects bold unpredictability. Noa Fort, rooted in jazz and the healing arts, offers emotional depth and a nuanced sensitivity that ties their sound together.

The KYN Experience

The trio’s live performances have already captured critical acclaim. Their unforgettable show at Brooklyn's Main Drag was celebrated as one of the Musical Path Contemporary Music Magazine’s best improvised music performances of 2023. Salt Peanuts, a leading pan-Nordic journal of improvised music, hailed their debut album as “a joyful and talkative meeting of opinionated and eccentric extraterrestrial pixies...beautiful, sensual, unpredictable, and funny.”

Each track on the album is a sonic adventure. From the playful hooks of "One Stop Pop" (2:11) to the eerie, meditative depths of "Spelunking" (5:44), and the rhythmic incantations of "Wicca Dance" (4:33), KYN keeps listeners on their toes. Their ability to oscillate between humor, sensuality, and intellectual exploration is nothing short of mesmerizing.

A Testament to Unity

At its heart, KYN is more than music; it’s a celebration of connection. Despite geographical distance—Hanna resides in Germany while Yoon Sun and Noa are based in Brooklyn—the trio’s chemistry is undeniable. Each rare reunion becomes a fertile ground for uninhibited creativity, as their voices harmonize across time zones, genres, and life experiences.

Their music not only reflects their collective artistry but also speaks to the power of global collaboration in a world often divided by borders. KYN reminds us that creativity has no limits and harmony can emerge from the most unexpected intersections of identity.

Join the Journey

KYN’s debut album, with standout tracks like "Resign the Throne" (3:33) and "Landing Inside" (3:18), offers a front-row seat to this unparalleled creative journey. Whether you're a fan of jazz, experimental music, or simply enjoy a good story told through sound, this album is a must-listen.

For music lovers and bloggers, this is your chance to spotlight one of 2025’s most exciting releases. Exclusive single and full-album streams are available for review, making it easy to join the conversation about a group redefining what it means to make music in the 21st century.

Don’t miss out—step into KYN’s world and let their boundary-breaking artistry leave an indelible mark.

Tatiana Eva-Marie's Latest Album: Djangology

Tatiana Eva-Marie’s latest project, Djangology, celebrates the music of Django Reinhardt, the trailblazing guitarist and pioneer of Gypsy jazz (jazz Manouche). This album represents her journey to reconnect with her Gypsy heritage and reinterpret Reinhardt’s compositions through original lyrics and arrangements. Rather than focusing on Reinhardt’s iconic playing style, Djangology highlights his brilliance as a composer, bringing his music to life with Tatiana’s unique storytelling.

A Personal and Cultural Revival

“I grew up in jazz Manouche circles dominated by guitarists—it’s not easy fitting in as a singer,” Tatiana shares. “I wanted to participate in the Django repertoire in my own way, so I wrote my own lyrics, told my stories, and reinvented his music in my image.” Through multilingual lyrics—English, French, Romanian, and Rromanes (the Gypsy language)—Tatiana shares her journey from the Latin Quarter’s shadowed streets to the elegant salons of New York City, blending humor, poetry, and heritage.

The album’s cover art, a deeply personal collage, was designed by Tatiana herself. It incorporates photos of century-old Gypsy dresses from her ancestors’ village in Romania, symbolizing her connection to history. “These fabrics still feel alive when I wear them,” she explains. “To me, this resonated with Django’s music, which remains fresh and adaptable today, taking on new forms without losing its essence.”

About Tatiana Eva-Marie

Born into a family of artists, Tatiana Eva-Marie began her career at just four years old, excelling as a singer, actress, and creative force. By her twenties, she had recorded numerous albums, starred in Parisian theater productions, and written two musicals—all while earning a Master’s degree in medieval literature from the Sorbonne University. Her fascination with the Renaissance Man archetype inspired her global artistic collaborations.

After moving to New York, Tatiana quickly became a celebrated figure in French swing, leading the Avalon Jazz Band, whose performances have garnered over 80 million YouTube views. Recognized as the international ambassador of “1930s Paris,” she has performed on prestigious stages worldwide.

In 2022, she starred in Swing Rendez-Vous, a feature film inspired by her life as a jazz singer. Tatiana has also written a “prohibition opera” (Eden Park), founded Shrine Magazine, and serves as lyricist, arranger, producer, and artistic director for her projects.

Currently, she is working on a Django songbook featuring her original lyrics, a second opera based on a Boris Vian novel, and her upcoming album A Whole New World, a collection of Disney songs in French set to release in April 2025 through Burton Avenue.

Dafnis Prieto Unveils New Book: What Are the Odds

After releasing 3 Sides of the Coin with the Dafnis Prieto Sí o Sí Quartet, you might expect drummer, composer, and educator Dafnis Prieto to take a creative pause. Instead, Prieto expands his artistic contributions with his third book, What Are the Odds.

This groundbreaking instructional work explores rhythm and meter, showcasing Prieto’s dedication to music education. Featuring 519 rhythmic examples, each paired with audio and video content, the book serves as a comprehensive guide for musicians seeking to deepen their rhythmic understanding.

About the Book

In What Are the Odds, Prieto focuses on fundamental rhythms in Latin music and beyond, drawing from the traditions of Cuba, the Dominican Republic, Puerto Rico, and Brazil. Each chapter develops these rhythms through basic variations and explores their transformations across meters, offering a fresh perspective on their anatomy and potential.

“This is a journey of rhythms and meters,” Prieto explains. “By the end of this book, you will have a deeper understanding of not only these rhythms but also the ability to apply these strategies to your own music. It’s about creativity, exploration, and empowerment.”

Prieto’s innovative approach challenges musicians to explore odd meters, including 4/4, 12/8, 5/4, 7/4, 15/8, and beyond. The book organizes examples by pulse, offering clarity on rhythmic distribution within each time signature.

Dafnis Prieto

A celebrated artist from Cuba, Dafnis Prieto has profoundly impacted the music world with his revolutionary drumming techniques and compositions. He is a MacArthur “Genius” Fellow, a GRAMMY Award winner for Back to the Sunset (2018), and has received numerous other accolades, including GRAMMY and Latin GRAMMY nominations.

Prieto’s work as a composer spans diverse mediums, from chamber music to big band arrangements. As an educator, he has inspired students worldwide through workshops, masterclasses, and teaching roles, including his tenure at the University of Miami’s Frost School of Music.

His earlier books, A World of Rhythmic Possibilities (2016) and Rhythmic Synchronicity (2020), have become essential resources for musicians. With What Are the Odds, Prieto continues to push the boundaries of rhythmic exploration, offering a valuable tool for musicians of all levels.

Paul Adams and Elizabeth Geyer Release A Journey of Dreams

Despite being separated by thousands of miles, award-winning multi-instrumentalist Paul Adams (United States) and award-winning pianist, flugelhorn player, and vocalist Elizabeth Geyer (Australia) have been creating extraordinary music together for years. Their artistic synergy, spanning oceans and continents, began with their debut collaboration, Imaginings, which won “Contemporary Instrumental Album of the Year” at the 2015 Zone Music Reporter Awards. This success was followed by Deeper Imaginings and Sanctuary, the latter being named New Age Music Guide's “Album of the Year” in 2022.

Their latest album, A Journey of Dreams, released on November 15, 2024, continues this legacy of creating timeless, spiritual, and emotionally resonant music. This project blends Adams’ inventive musicianship, featuring exotic world instruments and his handcrafted electric sitar, with Geyer’s delicate piano, evocative flugelhorn, and ethereal vocalizations.

A Beautiful Vision

Adams and Geyer’s collaboration has garnered over 138 million streams on Pandora and consistent airplay on SiriusXM Radio. With its release delayed following the success of the December 2023 single of the same name, A Journey of Dreams is a deeply personal and artistic response to a chaotic world. “We wanted to focus on beauty, especially as the world seems to be in such deep chaos,” said Adams. Geyer described the album as a safe, dreamlike space: “Imagine a place where you once came from, where you will go back to, and a place you sometimes visit in dreams.”

A Universal Message

Adams calls the album an exploration of humanity’s potential, blending exotic artistic sensibilities with chill ethnic impressions. “From the heinous to the sublime, it’s all right here on ‘circus Earth,’” he explained. “We felt a need to create something that might focus on the deep beauty we are all capable of. We believe God, nature, or whatever you call it, is challenging us to find the maturity and skills to work together in this rapidly changing world.”

Legacy and Collaboration

Elizabeth Geyer has been praised by Blue Note Records’ Bruce Lundvall as “a brilliant musician and songwriter,” and her solo projects reflect her nuanced artistry. Meanwhile, Paul Adams’ craftsmanship as a luthier and musician adds a layer of authenticity and depth to their shared projects. Together, their music transcends borders, creating a universal language of hope, sanctuary, and beauty.

With A Journey of Dreams, Adams and Geyer continue to redefine contemporary instrumental music, offering a compelling, heartfelt experience to listeners worldwide.

Seun Kuti & Egypt 80 to Perform at Coachella 2025, Presenting Heavier Yet (Lays the Crownless Head)

Afrobeat powerhouse Seun Kuti & Egypt 80 are set to light up the Coachella stage on April 11th and 18th, 2025, bringing their explosive energy and signature sound to one of the world’s most iconic music festivals. Held at the Empire Polo Club in Indio, California, the festival’s star-studded lineup includes Lady Gaga, Missy Elliott, Benson Boone, The Marias, Lisa, The Prodigy, and many others.

Seun Kuti & Egypt 80 will perform selections from their critically acclaimed album, Heavier Yet (Lays the Crownless Head), released globally on October 4, 2024, via the Milan-based label Record Kicks. 

Landmark Album

Executive produced by legendary artist Lenny Kravitz and original Afrobeat producer Sodi Marciszewer, Heavier Yet (Lays the Crownless Head) has received widespread acclaim from The Guardian, Le Monde, Mojo Magazine, Rolling Stone Africa, and others. Critics have hailed it as Seun’s most compelling album yet, blending socially conscious themes with the unmistakable rhythms of Afrobeat.

The Legacy of Seun Kuti

As the youngest son of Afrobeat pioneer Fela Kuti, Seun has dedicated his life to preserving and evolving his father’s legacy. Leading Egypt 80 since age 14, he has infused the band’s traditional sound with his own contemporary influences. Over the years, he has collaborated with artists such as Black Thought, Janelle Monáe, Talib Kweli, and Damian Marley, while releasing five studio albums to widespread acclaim.

Tour Highlights

Currently on a European tour, Seun Kuti & Egypt 80 will bring their electrifying stage presence to Coachella before continuing their global performances. Their appearance at Coachella promises to be an unforgettable showcase of Afrobeat's rich history and its vibrant future.