TOM WETMORE - THE DESIRED EFFECT

The buoyant grooves and graceful melodies heard on the forthcoming CD The Desired Effect serve to introduce a fresh new voice in jazz—Tom Wetmore, whose Crosstown Records will release the pianist/composer’s exceptional debut, The Desired Effect, on January 17. The 29-year-old Massachusetts native has been active on the New York scene since 2005, leading his own traditional jazz trio as well as his eclectic sextet. He’s also performed and/or recorded with Clark Terry, Slide Hampton, T.K. Blue, Bernard Purdie, and the fine contemporary players showcased on his new disc.

Its nine tracks feature a uniquely voiced frontline of alto saxophone and two lead guitars, with Wetmore playing electric Rhodes piano throughout, utilizing time signatures that shift frequently within each composition. “It’s really two lead guitars,” he says of the frontline. “There’s no rhythm guitar. When I compose I think of the guitars and sax as contrapuntal voices, and it really allows for some interesting explorations.” The nucleus of Wetmore’s sextet began forming during his graduate studies at William Paterson University, where he earned a master’s degree in Jazz Performance in 2007. He’s joined on The Desired Effect by alternating alto saxophonists Jaleel Shaw and Eric Neveloff, guitarists Brad Williams and Justin Sabaj, electric bassist Michael League, and drummer Garrett Brown. The CD title was inspired by a line from the song “P. Funk (Wants to Get Funked Up)” from Parliament’s Mothership Connection (1975): “The desired effect is what you get when you improve your interplanetary funksmanship.”

“It’s my odd little way of saying that this music isn’t about having a story, or meaning, or any type of grand idea,” explains the pianist. “It’s about the desired effect—which stands in for all the different kinds of beauty people could find.” Or as Wetmore writes in his liner notes: “This music is about being true—or, at the very least, striving to be true. It is about beauty, about being touched. When you allow yourself to be touched, The Desired Effect is what you get.”

As a teenage piano student, Wetmore was introduced to the music of Miles Davis and Herbie Hancock, and within months had landed a regular gig playing jazz standards at a local café. He went on to study physics and government at Cornell University, but before completing his undergrad work he took a semester off to study in Boston with legendary pianist and composer Ran Blake. “I’ve never really encountered anybody who has worked out a way to truly transcend style like Ran,” he says of studying with Blake. “I learned how to be true to improvising. Every note really comes from inside you, not from a pattern or a lick or from a solo you transcribed.”

Currently, Wetmore keeps a disciplined regimen of writing at least one new composition each day and posts the scores on http://www.tomstuneaday.com. In a “very natural next step for me,” he intends to pursue doctoral studies in jazz performance in the near future. “I prize myself as an instinctual natural performer and composer,” he says, “but I also believe in contributing to scholarship. I think that working toward a Ph.D. would create a solid balance between performance and scholarly pursuit, which would allow me to become a better jazz musician overall.”

Upcoming CD release shows for The Desired Effect include the Tea Lounge in Brooklyn, 1/19, and Somethin’ Jazz Club in Manhattan, 2/4. Wetmore will be playing electric piano, with guitarists Brad Williams and Justin Sabaj; bassist Matt Turowski, and drummer Garrett Brown. Alto saxophonist Jaleel Shaw is set to appear at the Tea Lounge show, Eric Neveloff at Somethin’ Jazz.

KNEW YOU WERE WAITING: THE BEST OF ARETHA FRANKLIN 1980-1998

The 70th birthday of Queen Of Soul Aretha Franklin, winner of 15 Grammy Awards® and the first female ever to be inducted into the Rock and Roll Hall Of Fame, will be celebrated on March 25, 2012. In honor of this momentous occasion, and also in advance of Black History Month in February, Knew You Were Waiting: The Best Of Aretha Franklin 1980-1998 will be available on January 31, 2012. Knew You Were Waiting puts the spotlight on Aretha's hitmaking years as an Arista Records artist, working closely with Arista founder and president Clive Davis. Davis served as executive producer of Knew You Were Waiting, which was compiled and produced by Leo Sacks, known for his work on last year's definitive box set, Take A Look: Aretha Franklin Complete on Columbia, as well as scores of historic Soul and R&B projects for Legacy Recordings over the past two decades.

The new chronologically-sequenced, 16-song collection is the first major U.S. release to focus on the nearly two-decades string of hits that marked Aretha's tenure at Arista. These range from her label debut, 1980's #3 comeback R&B smash "United Together" (her first Top 5 hit in over three and a half years), to 1998's iconic #5 R&B entry, "A Rose Is Still A Rose," written, produced and arranged by Lauryn Hill of the Fugees.

"When Aretha Franklin signed to Arista Records in 1980," writes Ernest Hardy in his liner notes to Knew You Were Waiting, "she had nothing left to prove… She had redefined the terms and reset the boundaries of both R&B and pop. She had sung jazz, gospel and blues, and erased the lines between them. She embodied the beauty that was Blackness while providing a soundtrack to the Civil Rights movement of the 1960s. She had worked with the very best songwriters, musicians, producers, arrangers and visionaries, and proved herself to be one of the best singers, songwriters, musicians and visionaries the music industry had ever seen." Hardy is an award-winning cultural critic and essayist based in Los Angeles.

Underscoring Hardy's point, Aretha's Arista years were indeed marked by a steady flow of successful collaborations with contemporary music's "very best songwriters, musicians, producers, arrangers and visionaries." Virtually every track on Knew You Were Waiting supports this, starting with "United Together," which was written and produced by Chuck Jackson (known for his career-making hits with Natalie Cole), and features Aretha's beloved Sweet Inspirations on backing vocals (the 'original' lineup of Cissy Houston, Myrna Smith, Sylvia Shenwell and Estelle Brown). Likewise, "Love All The Hurt Away," a duet with George Benson, was written by Sam Dees, and produced by the late Arif Mardin, the legendary producer who worked on so many of Aretha's early breakthrough '60s and '70s Atlantic LPs.

Lauryn Hill, Arif Mardin and Chuck Jackson are just three of the important producers with whom Aretha worked at Arista. In addition to tracks produced by Luther Vandross (with arrangements by Marcus Miller), Narada Michael Walden, and Kenneth 'Babyface' Edmonds, Knew You Were Waiting also includes tracks produced by Keith Richards of the Rolling Stones and Dave Stewart of the Eurythmics.

In addition to the collaborations above, Knew You Were Waiting contains many more A-list collaborations that have become cornerstones in the Aretha canon:

•"Freeway Of Love" (1985), featuring the late Clarence Clemons of the E Street Band on tenor saxophone, Randy Jackson on bass, and percussion by the Santana rhythm section, was a #1 R&B hit for 5 weeks, and went on to win the Grammy Award® for Best R&B Female Vocal;

•"Sisters Are Doin' It For Themselves" (1985), a Top 20 pop hit with the Eurythmics' Annie Lennox and Dave Stewart (who produced), also features [Tom Petty] Heartbreakers band members Benmont Tench (organ), Stan Lynch (drums), and Mike Campbell (lead guitar);

•"Jumpin' Jack Flash" (1986), a Top 20 R&B and pop crossover smash duet with Keith Richards (who produced and played lead guitar, along with fellow Rolling Stones guitarist Ron Wood), was the title song from the movie Jumpin' Jack Flash starring Whoopi Goldberg;

•"I Knew You Were Waiting (For Me)" (1986), a duet with George Michael, was another mega-hit, #1 pop for a fortnight and #5 R&B, and winner of the Grammy Award® for Best R&B Vocal Duo;

•"Through The Storm" (1989), a Top 20 R&B and pop crossover hit vocal duet with Elton John, is one of two Albert Hammond/Diane Warren compositions (among many!) that were brought to Aretha by Clive Davis;

•"It Isn't, It Wasn't, It Ain't Never Gonna Be" (1989), a #5 R&B hit duet with Whitney Houston, is the other Hammond/Warren composition here, from the same album (Through The Storm); and

•"Ever Changing Times" (1991), a Top 20 R&B hit vocal duet with Michael McDonald, written and produced by the hitmaking duo of Burt Bacharach and Carol Bayer Sager, in a mix previously unreleased on CD.

Knew You Were Waiting as Hardy concludes, "makes clear that Aretha Franklin was a vibrant, soulful, stretching, creative, forceful artist at Arista Records. She kept her fingers on the pulse of the world around her while sating old fans and scoring new ones. Her music at the label was about a place that exists behind and beyond mere words... No one expresses joy the way she does. No one conveys grief or loss with anywhere near her force or heartbreaking precision. She burns right through the words she sings, taking you straight to the core. That is her unmatched genius."

Knew You Were Waiting: The Best Of Aretha Franklin 1980-1998
Tracklist
1. United Together (from Aretha, 1980)
2. Love All The Hurt Away - duet w/George Benson(from Love All The Hurt Away, 1981)
3. Jump To It (from Jump To It, 1982)
4. Get It Right (from Get It Right, 1983)
5. Freeway Of Love (from Who's Zoomin' Who?, 1985)
6. Who's Zoomin' Who (from Who's Zoomin' Who?, 1985)
7. Sisters Are Doin' It For Themselves - duet w/The Eurythmics (from Who's Zoomin' Who?, 1985)

8. Another Night (Who's Zoomin' Who?, 1985) 

9. Jumpin' Jack Flash (from Aretha, 1986)
10. Jimmy Lee (from Aretha, 1986) 

11. I Knew You Were Waiting (For Me) - duet w/George Michael (from Aretha, 1986) 

12. Through The Storm  - duet w/Elton John (from Through The Storm, 1989) 

13. It Isn't, It Wasn't, It Ain't Never Gonna Be - duet w/Whitney Houston (from Through The Storm, 1989) 

14. Ever Changing Times - duet w/Michael McDonald (from What You See Is What You Sweat, 1991) 

15. Willing To Forgive (from Greatest Hits (1980-1994), 1994)

16. A Rose Is Still A Rose (from A Rose Is Still A Rose, 1998)

CESARIA EVORA: 1941-2011

Cesaria Evora's death was announced by her managers. She had a stroke in 2008 and a heart attack in 2010. After another stroke this year, she announced her retirement.

Évora’s music was in a style called morna, which is sung in taverns on the Cape Verde islands: slow, pensive ballads with an underlying lilt, suffused with sodade, the Cape Verdean creole term for a nostalgic longing that pervades music across Portugal (where the word is saudade) and its former empire.

Évora was born on 27 August 1941 in Mindelo, Sao Vicente, Cape Verde. When she was seven years old her father died, and at age ten she was placed in an orphanage, as her mother could not raise all six children. In the 1960s, she started singing on Portuguese cruise ships stopping at Mindelo as well as on the local radio. It was only in 1985 when at the invitation of Cape Verdean singer Bana she went to perform in Portugal. In 1988 a Cape Verdean producer based in France, José da Silva, brought Ms. Évora to Paris to make an album. She sang about love, sorrow and history, including slavery, in a husky, dignified, unhurried contralto that brought warmth and gravity to songs by Cape Verde’s leading poets. She also sang in her country’s more upbeat styles, coladeira and funaná, but her serenely sorrowful mornas were her legacy. She always performed barefoot, a gesture of solidarity with poor women. A concert review in The New York Times described her as “a Yoda of melancholy” onstage.

Évora's international success came only in 1988 with the release of her first studio album La Dive Aux Pieds Nus recorded in France, which fused morna and coladeira with Caribbean, Brazilian and European pop.  Évora drew a following among Cape Verdean expatriates in Europe, but it was not until she returned to unembellished morna with her third album, Mar Azúl — a 1991 collection recorded with acoustic instruments — that her music began to reach a broader audience. Her 1992 album Miss Perfumado sold over 300,000 copies worldwide. Her 1995 album Cesaria brought her broader international success and the first Grammy Award nomination. In 1997, she won the KORA All African Music Awards in three categories: Best Artist of West Africa, Best Album and Merit of the Jury. In 2004, her album Voz d’Amour was awarded a Grammy in the world music category.

Évora toured the world through the 1990s and 2000s, expanding her repertory with Cuban and Brazilian songs on Café Atlántico in 1999, and collaborating with Bonnie Raitt, Caetano Veloso and the Cuban musicians Chucho Valdés and the Orquesta Aragón on her 2001 album São Vicente di Longe. Her final studio album, Nha Sentimento in 2009, introduced tinges of Arabic pop to her music from the Egyptian composer and arranger Fathy Salama.

When Évora announced her retirement this year, she told the French newspaper Le Monde: “I have no strength, no energy. I’m sorry, but now I must rest.” She died on December 17th at the age of 70, and is survived by her children, Eduardo and Fernanda, and two grandchildren. The government in Cape Verde declared two days of national mourning in her honor.

WILLIAM JOHNSON - FLOR DE VIDA

William Johnson has returned with his new Latin jazz & world fusion project Flor de Vida, and explores the textures of jazz, world music, rock, and contemporary with percussion leading the charge. Flor de Vida is a spirit and rhythm filled album that combines the strength of Grammy award winning musicians along with several internationally accomplished musicians from all over the world.

Having spent nearly eight years in the Air Force, William Johnson traveled extensively across the globe and developed a love for diverse forms of music. Drawing upon his Latin heritage, and being inspired by such musicians as Sheila E., William began to study the congas and bongos. This passion for global cultures, people, and music led him to study African, Middle Eastern, and classical forms of Indian music. William has studied classical tabla (small kettle drums from India) under Nikhil Tikkekar from Mumbai, India. In 2009 William started a percussion instruction podcast that has grown to reach thousands across the globe. The Heartbeat for Worship was established in 2007 and since has grown to receive notable press and attention from all over the world including Grammy award winning artists.

In 2009 William released his first solo project Freedom... Joybeat, a meditation album centered around world percussion. The Heartbeat for Worship DVD was recorded & released in 2010. It is a two hour DVD recorded in high definition and stereo surround sound, featuring seven drummers, violin, guitar, vocals, keys, and intense worship. Currently William is working on a film documentary of the Heartbeat for Worship including interviews and performances by world class drummers Luis Conte, Lou Santiago Jr., Al Sergel (of Key of David/ Jason Upton, and more), and more.

107.3 THE WAVE RETURNS TO CLEVELAND

Cleveland is about to get a new radio station soon as a Rubber City Radio has begun the process of restoring “107.3 The Wave.” The station’s new website at 1073TheWave.net is up and teasing a “Smooth Jazz Christmas” and ‘Smooth AC Coming Soon,” The station has dropped the remnants of the Album Adult Alternative format and has begin stunting with Smooth Christmas music before actually launching its brand new format on Wednesday, January 4. It was back in October that WNWV owner Elyria-Lorain Broadcasting Co. announced plans to sell the station to the Akron, Ohio based Rubber City Radio Group, Inc.for $6.5 million. The deal was completed that December 16 at 5:00 p.m., with Rubber City Radio Group formally announcing a return to the station's prior "Wave" name[ but with an updated smooth adult contemporary format on January 4, 2012 (in a music style similar to San Diego outlet KIFM). The station serves the Cleveland radio market and much of surrounding Northeast Ohio.

For a bit of history…it was back in December 2009, that it was announced that "The Wave" would be changing formats after 22 years of bringing smooth jazz to Northeast Ohio. WNWV switched to an adult album alternative format featuring a mix of alternative and classic rock. The station at the time cited the nationwide downturn for the smooth jazz format as the reason for the change, despite "The Wave" being a perennially strong ratings performer in Cleveland. Now it appears that the station is comfortable in adopting the smooth jazz/smooth adult contemporary format, which features a hybrid of smooth jazz instrumentals (30%)with adult contemporary vocals (70%). In other words, a smooth jazz format with less smooth jazz thrown in.

MAXI PRIEST - FLY HIGH

Grammy Award nominated pop singer Maxi Priest released a new reggae single, titled Fly High. The song, a romantic R&B-flavored love serenade, is currently featured within the iTunes Top 200 Reggae Singles Chart, stemming from brisk digital sales of the song from Kemar 'Flava' McGregor's Cool and Deadly Riddim album, released November 1, on iTunes. Maxi Priest's Fly High is the second single released from the Cool and Deadly Riddim album, which currently is ranked among the top 100 reggae albums downloaded from iTunes.

Maxi Priest is one of the most successful reggae/fusion artists of all time. He was nominated for the "Best Reggae Album" category at the 1994 Grammy Awards for his sixth album, Fe Real (1992). His seventh album, The Man With The Fun (1996) was nominated for "Best Reggae Album" at the 1997 Grammy Awards. His fourth album, Bonafide (1990), was certified gold by the Recording Industry Association of America, from which the hit single, "Close To You," was ranked number one on the Billboard Hot 100 and number two on the Billboard R&B chart.

Other top-selling artistes featured on Cool and Deadly Riddim include: Grammy Award-winner Buju Banton; Jamaican reggae celebrities Marcia Griffiths and Ce'Cile as well as Canadian reggae phenom Tony Anthony. Also featured on the project are British Lovers Rock legends Janet Kay, Carroll Thompson and Peter Hunnigale. American reggae luminaries Sanchez, Sadiki, Jovi Rockwell, Kashief Lindo and Nikesha Lindo as well as rising British reggae sensations Adele Harley and Lady Lex also have tracks on the project.

CHUCHO VALDES WINTER TOUR WITH AFRO CUBAN MESSENGERS

Chucho Valdés is one of Cuba's most famous pianists, bandleaders, composers and arrangers. Perhaps best known for founding the famous Latin jazz band Irakere in 1972, Chucho's illustrious career has also garnered him 6 Grammy wins and 16 nominations over the past three decades. His most recent win, a 2009 Latin Grammy for the record Juntos para Siempre, saw him collaborate with his father, Bebo Valdés, a major player on the Cuban jazz scene in his own right. Chucho Valdés has recorded over 80 CDs and performed with everybody who is anybody in the world of jazz; from Herbie Hancock and Dizzy Gillespie, to Wynton Marsalis and Chick Corea. His reputation as one of the greatest living Cuban jazz pianists has earned him appearances on the great stages in music, including Carnegie Hall, The Kennedy Center and The Hollywood Bowl.

Chucho Valdés will embark on a U.S. tour with the Afro-Cuban Messengers in January and February, featuring performances from his Grammy-winning album, Chucho’s Steps. Dates are below.

January 20 - McCarter Theatre Princeton, NJ
January 22 - Prudential Hall Newark, NJ
January 24 - American Theatre Hampton, VA
January 26 - Merriam Theater Philadelphia, PA
January 27-28 - Jorgensen Auditorium Storrs, CT
January 29 - Staller Center for The Arts Stony Brook, NY
January 31 - Eisenhower Auditorium University Park, PA
February 1 - Camp Concert Hall Richmond, VA
February 3 - Center for the Arts Concert Hall Fairfax, VA
February 4 - Fairfield University’s Quick Center Fairfield, CT
February 7 - Music Hall Center for Performing Arts Detroit, MI
February 8 - Gartner Auditorium Cleveland, OH
February 10 - The Englert Theatre Iowa City, IA
February 11 - Sheldon Concert Hall St. Louis, MO
February 12 - Missouri Theatre Columbia, MO
February 14 - Gates Concert Hall Denver, CO
February 16 - Walt Disney Concert Hall Los Angeles, CA
February 18 - Barbara K. and W. Turrentine Jackson Hall Davis, CA
February 19 - Dinkelspiel Auditorium Stanford, CA 
February 20 - Herbst Theatre San Francisco, CA

DON RAY - THE GARDEN OF LOVE

Raymond Donnez emerged in the late 1960s as an arranger and musical director for the likes of Françoise Hardy and Serge Gainsbourg, but he became the engineer of the unique French disco sound of the late 70s when he arranged the milestone disco record Love in C Minor by Cerrone and Alec R. Costandinos. Both producers would use the skills of Donnez - or Don Ray as his artist name was - on numerous records the following years. Having just conducted the French 1977 Eurovision Song Contest victory Marie Myriam's"L'oiseau et l'enfant", he also arranged French disco sensation Santa Esmeralda's million-selling debut album Don't Let Me Be Misunderstood.

Cerrone produced Don Ray's one and only solo album, The Garden Of Love. Although all the vocals were done by session singers, Don Ray co-wrote all the songs with Cerrone. One of the coolest club projects of the 70s – a set of tracks based around the keyboards of Don Ray, but handled with lots of electronic disco touches from Cerrone! The pair are great arrangers on their own, but together they really make some magic – kind of a leaner take on the extended Cerrone groove – honed to a "t" in the studio, and sometimes given a nice punch with chorus vocals too. The tracks are shorter than you'd normally get from Cerrone, but still filled with all those freewheeling clubby grooves – warmly soulful undercurrents that make a great platform for the more electronic keyboards – never too cold at all, and a fair bit more personal than the sorts of keys we're used to hearing from the European scene.

"Got To Have Loving" and "Standing In The Rain" went on to become huge club hits. The album was only followed by a 1980 release, the single "Simplify / Stop Your Runnin'", before Don Ray withdrew behind the scene again. He co-wrote and arranged more Cerrone albums 1980-83, and also arranged the 1982 musical "Abbacadabra" with Frida and Daniel Balavoine a.o. Mainly working with French chanson singers, he revisited his glory disco days as a co-writer and arranger of Cerrone's 2002 comeback album Hysteria which included a re-make of his 1978 disco hit, "Got To Have Loving", this time featuring Nile Rodgers on rhythm guitar. Song titles include "Garden Of Love", "My Desire", "Body & Soul", "Got To Have Loving", and "Standing In The Rain".

PAOLO DI SABATINO TRIO WITH HORNS - LUNA DEL SUD

A great balance between piano trio energy and larger group musings – a set that features the core combo of pianist Paolo DiSabatino on all tracks, but also adds in some great reeds and trumpet on others, too! DiSabatino's work on the keys would be more than enough to draw us in – warm, lyrical, and plenty darn soulful – gliding with this graceful approach to the music that's really wonderful – filled with life and joy, and always with a fresh, personal quality that set's the record apart from others of its nature. But throw in the horns, and things really start to take off – tenor from Gianni DiBenedetto, trumpet from Andrea Sabatino, and soprano and baritone from Javier Girotto – working together in tight formation on the heads, then stretching out with their own inflections to really broaden the sound of the record. Trio members include Glauco DiSabatino on drums, Marco Siniscalo on bass, and a horn section consisting of Javier Girotto. Among the best songs songs here are breezy "Shadows" , a convincing "The Nearness of You", the beautiful orchestration of "Giant Steps" from Coltrane, and the delicate melody of "Wendy" by Paul Desmond.

Tracklisting:

1. Calypso (P. Di Sabatino)
2. Piccolino / Lullaby for Louis (P. Di Sabatino)
3. Night And Day (C. Porter)
4. Shadows (P. Di Sabatino)
5. The Nearness Of You (H. Carmichael-N. Washington)
6. Floating (P. Di Sabatino)

7. Giant Steps (J. Coltrane)

8. Wendy (P. Desmond)

9. South of the Moon (P. Di Sabatino)

10. Pick yourself up (J. Kern-D. Fields)

Musicians:

Paolo Di Sabatino - piano

Marco Siniscalco - bass

Glauco Di Sabatino - drums

Javier Girotto - soprano sax and baritone

Andrew Sabatino - trumpet and flugelhorn

Gianni Di Benedetto - tenor sax

PILC MOUTIN HOENIG - THREEDOM

Jean-Michel Pilc, François Moutin, and Ari Hoenig, reunited this year under the collective name, Pilc Moutin Hoenig to record a much anticipated comeback project and to re-launch their touring career as a trio. Recorded in a completely improvised stream of single studio takes,Threedom documents the unique trio’s singular and completely unpredictable synchronicity. An enhanced CD, the disc also includes an exclusive video - shot live in the studio - which vividly reveals the method to their improvisational madness.

“Albert Einstein once said, 'Behind anything that can be experienced, there is something that our minds cannot grasp whose beauty and sublimity reaches us only indirectly.' This is exactly the way I feel about this trio,” explains pianist Jean-Michel Pilc, “François, Ari, and I have no choice but to surrender to that 'something' and let it create a brand new piece of music every time we play together.”

“We approached this record much like a family reunion,” reveals Hoenig, in his artist notes for the project. “Threedom incorporates new ideas as if to say, ‘this is what I’ve been up to since the last time we hung out.”

Moutin summarizes the 'PMH effect' this way: “Each time Ari, Jean-Michel, and I play together, I experience the feeling of being one cell of some utterly unpredictable, although beautifully coherent, living musical creature. This beast' s psyche escapes any of our individual control. It boosts our group's creativity by immersing all of us into a common landscape of emotions.”

Since their explosive touring days as The Jean-Michel Pilc Trio, each group member has grown considerably in stature both as leaders and sidemen. Pilc permanently moved to New York City in 1994, continuing his steady rise as a major pianist on the European and Canadian circuits, while also gaining a reputation in America as one of the most exciting and unpredictable pianist/composers in jazz. This is the second Motéma release for the pianist, who's March solo release, Essential has been hailed by the Washington Post as a “musical genius at work” and by the New York City Jazz Record as “…easily one of the pianist’s best recordings.”

Bassist François Moutin has since applied his lush tone, astonishing virtuosity, and intelligent musicality in a host of settings, most notably as co-leader of The Moutin Reunion Quartet, a group which has successfully toured Europe and the United States to much acclaim in recent years. A popular artist on the scene, Moutin was voted onto both the Bassist and Rising Star Bassist shortlists in this year's Downbeat Critics Poll.

The skilled and iconoclastic Ari Hoenig, self-defined as a ‘punk-jazz’ artist’, has made several solo records in the ensuing years, and is often in the press for his intense musical antics both as a leader and sideman. The importance of his artistic presence in New York City was recently profiled in Time Out New York's cover feature: The 25 Essential New York City Jazz Icons of 2011.

Throughout the years, Pilc, Moutin, and Hoenig have continued to play together as a live act now and then, but Threedom is their first new recording together since 2003's Welcome Home, and represents the official regrouping of the trio as a touring act. Armed with intense virtuosity, a highly unconventional musical sensibility, and their signature fearless commitment to creating in the moment, the trio is thrilled to be back together and well primed to hit the road.

Of the 18 tracks on Threedom, half are standards and the rest are improvisations ‘composed’ by the group in one take in the studio. The standards take on myriad new forms as the group reinterprets these familiar melodies through their seemingly impossible musical intimacy. Their music simultaneously radiates the confidence of three men who have played together for almost 13 years, while also retaining an unpredictable freshness that one might expect more from a first time meeting of masters in the studio.

Pilc Moutin Hoenig bring a welcome dose of magic to their jazz interpretations and typically elicit standing ovations at their concerts. Of their recent 2011 Montreal Jazzfest date, the Ottawa Citizen confirms, “the trio kept the audience and each other riveted with intense, uninhibited, continually surprising music."

THE COLLECTION SERIES - SPECIAL DIGITAL BOX SET OFFERING COMPLETE ALBUM CATALOGS - NOW AVAILABLE!

Legacy Recordings, the catalog division of Sony Music Entertainment, is bringing the box set experience to music lovers of all ages and tastes this holiday season with the release of incredible value-packed career-spanning collections available in both the physical and digital realms at special holiday-only prices. SME/Legacy, the world's foremost catalog music label, has long pioneered and championed the box set concept with Grammy Award-winning releases and ongoing popular and critical successes. Whether a simple collection of career-encompassing album titles or a specifically curated selection of tracks, the box set offers listeners a chance to evaluate the depth and complexity of an artist's output, presenting an experience which amplifies and extends the thrill and immediacy of the latest single. For artists who've created a lasting body of work, a well-designed box set is an invaluable experience, for old and new fans alike.

This holiday season, SME/Legacy is bringing the box set to the digital realm with THE COLLECTION available on the iTunes Store, a "multi-disc" one-click digital bundle of albums presenting an artist's album catalog at an incredible holiday-only price. Artists in THE COLLECTION include Alicia Keys (5 titles), Billy Joel (15 titles), Brad Paisley (9 titles), Britney Spears (7 titles), Chevelle (4 titles), Christina Aguilera (6 titles) , Foo Fighters (7 titles), Incubus (6 titles), John Mayer (5 titles), Kings Of Leon (5 titles), Leonard Cohen (11 titles), Sarah McLachlan (8 titles) and Three Days Grace (3 titles).

THE COLLECTION series will include iTunes LPs containing the original artwork and liner notes for each album. Offering new value and convenience to the box set experience, THE COLLECTION will be available online on iTunes beginning Tuesday, December 13. In addition to THE COLLECTION digital offerings, Legacy Recordings and Sony Music Entertainment is offering great holiday music values in the physical realm with box sets from the world's most iconic and enduring artists. As digital technology helps restore and archive larger portions of the catalogs of Sony Music's artists, it becomes possible to release rare and previously unreleased material from long-established artists.

Here's a listing of this season's most luxurious must-have box sets from SME/Legacy:

Tony Bennett - The Complete Collection chronicles the entire career of the great American pop vocalist as documented in the albums and singles he's made for Columbia Records (beginning in 1952 through the present), as well as his recordings for Roulette (an historic encounter with Count Basie and Orchestra in 1959), MGM (1972-73), Improv (Bennett's own label from 1973-76) and Fantasy (a pair of sublime titles with pianist Bill Evans, released in 1975-76) on 73 CDs and 3 DVDs.

Elvis Presley - Young Man with the Big Beat - The Complete '56 Elvis Presley Recordings is a super deluxe 5-CD, 12-inch square box set (with an amazing 80-page book with timeline) focusing on Elvis's studio recordings, from hits to outtakes, alongside live performances and interviews from 1956, the year Elvis (and Rock itself) broke into the pop mainstream. The collection was recently nominated for the year's Best Historical Album Grammy Award.

Jimi Hendrix - Live at Winterland, a four-disc set drawn from six stellar shows recorded over three days (October 10, 11 and 12, 1968) at San Francisco's historic Winterland Ballroom. "Hendrix was a casual slash-and-burn bluesman, a shredder, a gunner, a riffer, a slinger of elevated sustained lines, a feedback screamer and a rhythm guitarist whose chords sang on their own," wrote Jon Pareles in The New York Times 2011 holiday box set round-up. "These are prime performances, spontaneous and searing."

Miles Davis Quintet - Live In Europe 1967: The Bootleg Series, Vol. 1, a 3 CD + DVD set culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, spanning five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material.

Phil Spector Presents The Philles Album Collection, a 7 CD box set representing the most expansive collection ever to celebrate Phil Spector's Wall Of Sound productions, "Tomorrow's Sound Today." Released in commemoration of the 50th anniversary of the Philles Records label (1961-2011), this new box set eclipses all previous collections in its scope, gathering in mini-replica LP sleeves the first six original Philles albums from 1962-1964 (five by the Crystals, the Ronettes, and Bob B. Soxx and the Blue Jeans, plus the timeless Today's Hits), and a brand-new CD of Spector's never-before-collected instrumental B-sides. Legacy Recordings has also released The Essential Phil Spector, a brand-new 35-song, double-CD collection gathering Spector's game-changing recordings from his peak hit-making years from the Teddy Bears' "To Know Him Is to Love Him" through the litany of 23 hits on the Philles label.

Other SME/Legacy Recordings Box Sets for 2011 include:
WYNTON MARSALIS - Swinging Into The 21st - 11-Disc set / Price: $ 79.99
Available at Popmarket.com and WyntonMarsalis.org

LEONARD COHEN - The Complete Columbia Albums Collection
17-Disc set / Price: $ 139.99
Available Exclusively at Popmarket.com

ALICIA KEYS - Songs In A Minor: 10th Anniversary Edition
2-CD, 1-DVD set / Price: $29.99

ROBERT JOHNSON - The Complete Original Masters: Centennial Edition
12-Vinyl, 4-CD, 1-DVD + book / Price: $349.00

ARETHA FRANKLIN - Take A Look: Aretha Franklin Complete on Columbia
11-CD, 1-DVD set / Price: $129.99

GEORGE MICHAEL - Faith: Deluxe Edition
2-CD, 1-LP, 1-DVD set / Price: $173.92 (Amazon)

SMOKEY ROBINSON - THE SOLO ALBUMS VOL. 6: WARM THOUGHTS / BEING WITH YOU

A pair of overlooked gems from Smokey Robinson – the 6th chapter in his great solo career for Motown! Warm Thoughts is first, and has equally warm vocals – thanks to the legendary Smokey Robinson, who's still sounding great here at the start of the 80s! The record's surprisingly charming – and has the laidback, mellow-going sort of sound that Robinson first crafted on Quiet Storm – but delivered here with a style that's even more personal and intimate, too. Things are quite stripped-down, especially given the overblown styles other singers were reaching for at the time – and titles include "Let Me Be The Clock", "Into Each Rain Some Life Must Fall", 'Wine, Women & Song", 'What's In Your Life For Me", and "I Want To Be Your Love". Being With You is a great vehicle for the Smokey Robinson sound in the 80s – and a record that helped Smokey kick off the decade with a really massive hit! "Being With You" still let Smokey stay in an older style of soul-based vocals, without slipping into the adult contemporary sound that would hurt so many other artists of the time – and most of the record has Smokey still stepping around some mellow grooves arranged by Sonny Burke, of the sort that let his sweetly cracking voice come to the forefront. Titles include "Being With You", "You Are Forever", "Can't Fight Love", "As You Do", "If You Wanna Make Love", "Food For Thought", and "Who's Sad".  Source: Dusty Groove America

DAVE McMURRAY – I KNOW ABOUT LOVE

Dave McMurray is an amazing musician who is known by his previous diverse albums - Piece If Mind,  Soul Searching, Area Reservada 2, and The David McMurray Show. Others will remember his collaboration with the group Mirror-Mirror (Sax, Beats and Meditations") or in an earlier time with the group Was (Not Was). He also played with such great artists as for example Gerald Alston ("First Class Only"), Mark Isham, The B-52's ("Good Stuff"), Tim Bowman ("Smile"), Herbie Hancock or Bob James ("Joyride"). Dave has now just released his first CD in 3 years, entitled I Know About Love. It's a collection of dark, hypnotic grooves, that pull you in and never lets you go. The first song is an exotic original named “Time #4”. Next is a song called “The First Night In Africa” featuring master bassist Marcus Miller. Dave also did a cover of KEM’s first hit “Love Calls” that features KEM. Next is “I’m Coming Up, a stepper that features George Duke. The CD also features Bob James, Sweet Pea Atkinson, Herschel Boone, Eminem’s keyboardist Luis Resto, and stunning vocalist Jessica Wagner-Cowan.

Tracklist:
01. Time #4 [5:38]
02. I Luv You Like Jazz [2:57]
03. First Night In Africa [5:04]
04. Precious Memories [4:27]

05. I'm Coming Up [4:04]

06. Love Calls [4:38]

07. Waba Doo Bop [4:06]

08. One Night In Paris [4:04]

09. I Know About Love [4:30]

10. Radio Days [4:04]

11. Inherit The Wind [4:04]

12. Beautiful You [4:58]

13. Naked [4:33]

14. Break It Down [4:18]

15. Ma's Song [1:39]

16. I Luv You Like Jazz / Rollin [2:53]

RICHARD ELLIOT - IN THE ZONE

Soul-jazz saxman Richard Elliot has been blowing up radio with the funky single “Boom Town,” which has taken command of Billboard’s BDSradio.com smooth jazz national airplay chart for the past four weeks. The track, produced by Elliot and fusion pioneer Jeff Lorber, is the debut single from Elliot’s October release, In The Zone, and the latest of more than a dozen #1 singles registered by the genre-defining Artistry Music recording artist. Elliot’s 16th solo collection, In The Zone salutes the seminal instrumentalists that most influenced the saxophonist in his formative years of the 1970s and ‘80s including Grover Washington Jr., Bob James and David Sanborn. Elliot and Lorber penned the nine original songs that comprise the disc as well as dishing up a sweltering version of the gritty Marvin Gaye classic, “Inner City Blues (Makes Me Wanna Holler).”

Concert dates are presently being booked for next spring and summer for Elliot to reteam with trumpeter Rick Braun to tour as RnR, a dynamic duo that held the #1 spot captive on the radio airplay charts for an astonishing 15 weeks with the self-titled, title track from their 2007 album collaboration. In addition to sweeping the nation’s radio waves, In The Zone has been receiving critical praise. Smooth Jazz Magazine selected it as the #1 album of 2011. Below are highlights from some reviews.

All Music Guide: “Elliot's sense of time when soloing is deadly. The melody is as infectious and celebratory as it is sexy…”

Digital Jazz News: “Richard Elliot lives his passion. A uniquely personal release and a natural progression and follow up to Rock Steady (Artistry, 2009), Richard Elliot shares his own soulful musical statement with In The Zone…Elliot is an incredibly lyrical instrumentalist with improvisational chops to work on the fly while having that nice fat tenor sound of a Hank Mobley throw-back player…Contemporary jazz has taken some hits over the past year for lacking originality, spontaneity and passion. A perfect ebb and flow on this release provides all three from an artist with a sincere desire to be known as someone that can play from the heart not just the head. Musical honesty and integrity is rare commodity these days but it is clear that it is Richard Elliot's passion that has him ‘In The Zone’ and with one of the finest contemporary releases of the year!”

The Smooth Jazz Ride: “…the iconic saxophonist with the distinctly soulful touch turns it on with jazzy runs, soulful rhythms, memorable melodies, and tight, catchy hooks…Full of sweet grooves, spunk, and slick but not frenzied drive.”

Sounds of Timeless Jazz: “Elliot brings his informed knowledge of such great musicians as Grover Washington, Jr., David Sanborn and Bob James and his own great saxophonics to this inspired project…innovative music that will just blow you away.”

The Urban Music Scene: “It’s a Winner!!...In The Zone is a 10 song horn oriented delight… In The Zone again proves why Richard Elliot is such a joy to listen and see in concert...”

Smooth Jazz Daily: “With In The Zone Richard Elliot garners anew the Triple A of smooth jazz. Eclectic music with a well-crafted musicianship on every track that attracts all music lovers.”

KIRK WHALUM & KEVIN WHALUM - ROMANCE LANGUAGE

Most artists would be daunted at the thought of remaking a classic work of art made by legends, but not Grammy winner Kirk Whalum. The multidimensional saxophonist adeptly steps into the role of John Coltrane and tapped his brother, vocalist Kevin Whalum, to fill the shoes of Johnny Hartman on an unabashedly romantic collection of duets originally recorded in 1963 by the seminal artists. Romance Language, due to be released on Valentine’s Day by Rendezvous Music, consists of all six songs that comprise the Coltrane/Hartman recording along with a handful of modern ballads to complete the disc produced by Kirk Whalum and John Stoddart.

In addition to the traditional CD and digital version, an extended and enhanced digital version of Romance Language will be released as the world’s first complete LiveAudio optimized album for JAMBOX by JAWBONE, a leader in personal mobile technology devices. LiveAudio allows music to be enjoyed in a 3D-like, surround sound experience from a single, small Bluetooth wireless speaker. This one-of-a-kind version of Romance Language will be available exclusively at www.kirkwhalum.com/JAMBOX.

In conjunction with the album release, Kirk & Kevin Whalum will perform a Valentine’s Day concert at the Hilton Portland Downtown in Oregon that will stream live to a global audience through Kirk Whalum’s website, http://www.kirkwhalum.com/.

The Whalum brothers approached the half-dozen standards from the original recording with admiration and veneration. Kirk Whalum and Stoddart crafted fresh arrangements that place the time-tested songs such as Irving Berlin’s “They Say It’s Wonderful,” Sammy Cahn’s “Dedicated To You,” Billy Strayhorn’s “Lush Life” and Richard Rodgers’ “You Are Too Beautiful” in present day R&B-adult pop and jazz settings. The newer songs – including renderings of contemporary hits written by Terry Lewis & James “Jimmy Jam” Harris, Eric Benet, and Joe (Thomas) - maintain the mood, feel and ambience of the storied set. Throughout Romance Language, Kevin Whalum’s suave, velvety voice is cool and in command while Kirk Whalum’s sax solos and fills are inspired, warm and nuanced etchings. The amorous album unfolds with the grace of an intimate hand-penned love letter - seductively sweet, genuinely heartfelt, and poetically passionate. Recorded “live” at Dark Horse recording studios in Nashville with very little overdubbing, the musicians accompanying the Whalum’s were John Stoddart (piano, keyboards, organ, backing vocals), Marcus Finnie (drums), Braylon Lacy (bass), Kevin Turner (electric guitar), Michael “Nomad” Ripoll (acoustic guitar), Ralph Lofton (organ), George Tidwell (flugelhorn, trumpet), and percussionists Bashiri Johnson and Javier Solis. Kirk & Kevin Whalum’s 83 years-young uncle, Hugh “Peanuts” Whalum, poured his distinctive, emotion-charged voice into the broken-hearted “Almost Doesn’t Count” and the poignant bonus track, “You Are So Beautiful.”

“Romance Language, now so elegantly completed, absolutely qualifies for my bucket list. Having been a fan of Kevin's luscious voice for over 30 years and a fan of the Coltrane/Hartman recording for at least that long, this project is more of a consummation than just serendipity. Every time I listened to the Coltrane/Hartman recording, I thought of Kevin and mused at the idea of redoing the whole album with my little brother. Kevin caressed each and every note. My other ‘brother,’ John Stoddart ‘dined’ with me on these arrangements. My touring band embraced each performance as we recorded ‘live’ in the studio––virtually no overdubs, over-takes or over-production. Just sheer joy and love, respect and reverence for the original recording as well as these amazing compositions,” said Memphis native Kirk Whalum, who will tour with Kevin in the spring to support Romance Language. “Oh... and boy is this album romantic. I invite you to take it on a test drive. Drive slow.”

Romance Language is Kirk Whalum’s 19th album as a front man since his 1985 solo debut, Floppy Disk. He topped the Billboard contemporary jazz album charts twice (And You Know That! and Cache) and amassed 11 Grammy nominations. Whalum took home a coveted Grammy earlier this year for a duet with Lalah Hathaway that appeared on his The Gospel According to Jazz: Chapter III. An ordained minister who earned a Master’s degree in the Art of Religion, Kirk Whalum has forged an unparalleled career path in both the secular and the non-secular music words, garnering hits, awards and accolades for his jazz, R&B and gospel recordings. His soulfully expressive tenor sax voice is unique and has appeared on literally hundreds of recordings by Barbara Streisand, Quincy Jones, Whitney Houston, Luther Vandross, George Benson, Al Jarreau, Michael McDonald, Stanley Clarke, George Duke, and Larry Carlton as well as on collaborative albums with Bob James, Rick Braun and Norman Brown. When not recording or performing, he educates and mentors the next generation of musicians in his role as president/CEO of the STAX Music Academy and the STAX Museum of American Soul Music. Additional information is available at http://www.kirkwhalum.com/.

The songs contained on Kirk Whalum’s Romance Language are:

“They Say It’s Wonderful”

“Dedicated To You”

“My One and Only Love”

“Lush Life”

“You Are Too Beautiful”

“Autumn Serenade”

“Almost Doesn’t Count”

“I Wish I Wasn’t”

“I Wanna Know”

“Spend My Life With You”

“You Are So Beautiful” (bonus track)

ANTHONY DAVID - #LOCATIONLOCATIONLOCATION

Soul artist Anthony David is a singer/songwriter from Atlanta, Georgia. His single, "Words" featuring India Arie from his album Acey Duey, was nominated in 2008 for a Grammy and several NAACP image awards. He is currently preparing for the release of his new album #LocationLocationLocation. The album includes 6 tracks previously released on his live EP, The Setup, 3 remixes from David’s last studio album, As Above, So Below and 3 new songs. This compilation will certainly quench your needs for soulful melodies well into the new year.

David recently performed at the Give Africa Hope benefit concert in Dallas in September, after which he went to Africa to help distribute supplies in Kenya. He is also involved with the award winning AWOL (All Walks Of Live) Youth Program in his hometown, Savannah, GA. The program’s mission is to promote and provide self-awareness through the use of Poetry, Hip-Hop and Life by providing youth with high quality arts and humanities programs during after school hours.

Upcoming appearances:
12/09/11 – Atlanta, GA, Bar One
12/10/11 – Atlanta, GA, The Ferst Center For The Arts
12/18/11 - Columbus, GA - River Mill Event Center
12/31/11 - Dallas, TX - The Park Inn Love Field

02/11/12 - Akron, OH - EJ Thomas Performing Arts Hall

#LocationLocationLocation Tracklisting:

1. Rolling Mojo

2. The Further We Go (feat. Giovanca)

3. Body Language (Wangout Remix)

4. 4Evermore (DJ Kemit Deep House Remix)

5. Reach Ya (Masheen Remix)

6. Let Me In (Live)

7. Find Your Love (Live)

8. Kinfolk/Georgia Peaches (Live)

9. Cold Turkey (Live)

ROY AYERS - KING OF THE VIBES

Roy Ayers could very well be the best jazz/R&B artist around and in his 40-plus years as a vibraphonist, he has produced a string of soul and funk classics, like “We Live In Brooklyn Baby” and “Everybody Loves the Sunshine,” that has arguably made him the second-most sampled musician in hip-hop, after James Brown. You may have heard snippets of his music in songs by 50 Cent protégé Tony Yayo (“Fake Love”) or A Tribe Called Quest (“Bonita Applebum”). But while the exposure of his extensive catalogue is enough to boost any man’s ego, the 68-year-old Ayers remains humble and busy. On his latest release, King Of The Vibes, it’s a set that’s got a warm, soulful groove – kind of a contemporary extension of the styles that Roy first laid down on Polydor and Columbia, handled with just the right sort of poise, class, and balance to keep the Ayers legacy strong! If you've heard any of Roy's other recent work, you'll find plenty to love here, too – as Ayers is one of the few who can keep putting out great music of this nature, without falling prey to any contemporary cliches at all. Titles include "Neo Soul Groove", "Virgin Vibes", "Obama Say", "E Funk", "Feel Me", and "Get Some Money".

King Of The Vibes Tracklist

1. Feel Me

2. Obama Say

3. E. Funk

4. Oochi Koochi Koo

5. Emani

6. Virgin Vibes

7. Neo Soul Groove

8. It's A Better Way

9. Everybody's Groovin'

10. B B Bill

11. King Of The Vibes

12. Get Some Money

CHARLES XAVIER - XMAS VIBE

Happy Note Records has just released Charles Xavier’s Xmas Vibe DVD in 5.1 surround sound, allowing listeners to enjoy rich layered, 3D audio sensations. The new age Christmas music album, which was released in stereo last year, is an eclectic and hip perspective on classic and contemporary holiday music.

Captivatingly jazzy and relaxing, Xavier’s Christmas album is a mix of vibrant vocals, rock guitar riffs, piano, iridescent vibes, as well as a technology sampling of chimes and bells. Called enchanting, mystical, and abstract, Xmas Vibe takes the listener on a creative harmonious musical journey through a magical winter landscape in style. "I wanted to create music that uplifts the soul and brings new dimension to the holiday season," said Xavier. “It's not a typical approach to Christmas music, but I think it's innovative. I approached these songs with the intent of doing something new."

Reviews are positive. Longtime DownBeat columnist Frank-John Hadley has reported, “Playing vibes, keyboards, and drums, joined by guitarist Russell Golub and Tina Murray on vocals, Xavier fills his wassail bowl with electronic sounds, samplings, Gary Burton-like abstractions, elements of world-music, quirky allusions to, maybe Gong’s vibes player Pierre Moerlen. A dozen carols and holiday favorites drift together as one trippy soundscape. Recommended.” DownBeat has elsewhere called Charles Xavier a “Rara Avis,” which is Latin for rare bird. Music of our Heart blogger Edward David Jennings called Xmas Vibe “a total sensory experience that immerse audience members in layers of textured sound, allowing the mind to escape to new realms of serenity.”

Lee Mergner of JazzTimes wrote “Xmas Vibe features eclectic and creative interpretations of many traditional and contemporary Christmas songs, such as of John Lennon’s Happy Xmas (The War is Over) and the classic God Rest Ye Merry Gentleman.” Happy Note Records will donate some of the proceeds from the DVD and CD sales to benefit the Bread & Roses Community Fund, KCSM Jazz Public Radio, and The Boys and Girls Clubs of America. “Through my music and performances, I hope to encourage others to get involved in their communities to help others rise up to their potential,” said Xavier.

MICHAEL BUBLE TOPS THE CHARTS ONCE AGAIN!

Michael Bublé is having a holly jolly holiday season as sales for his Christmas CD have exploded this week to a staggering 292, 501 units (up 29%), keeping the Bublé franchise at No. 1 for a second straight week on Billboard's Top 200 Chart. Sales have now surged past the one million mark. With major TV appearances this week on 60 Minutes and Bublé's Holiday special on NBC as well as his upcoming December 17th appearance on SNL as the musical guest and a co hosting stint on Live! with Kelly on December 15th and 16th, sales are expected to surge through the end of the year. The multi-Grammy winning Canadian superstar has five songs from "Christmas" currently on the radio including "All I Want For Christmas Is You" which remains in the No. 1 spot for a second week. Global sales on Bublé's Christmas have surpassed five million. Though Bublé has had five consecutive multi-platinum CDs since he burst onto the music scene nine years ago, "Christmas" is Bublé's fastest selling album to date. On the international front Bublé has the No. 1 spot in Canada, Australia, Ireland, New Zealand and South Africa, the No. 2 CD in the UK and is Top Five in many major markets. Fans will receive more good cheer from Michael later this month via Zynga's CityVille in their version of "Monopoly Meets Main Street" -- the most popular game on Facebook with 50 million players each month according to AppData.com. The Michael Bublé photo book "Michael Bublé onstage offstage," which includes accompanying text by the artist with photography by Dean Freeman, is currently available in bookstores nationwide.

PHILADELPHIA INTERNATIONAL: THE RE-EDITS

This upcoming compilation includes 21 of the hottest Philadelphia Internaitional Records (PIR) re-edits which have been done by PIR enthusiasts from around the world. All fully approved by Kenny Gamble & Leon Huff. This set is due for release in January 2012. To coin a phrase from a PIR hit "Statisfaction Guaranteed" is a great way to summerize this collection of classy Philly tracks, here in re-edited and remixed versions by various people from around the globe. Most of your favorite Philly acts and songs are there, but in new upliftning versions you never heard before while still keeping them true to the originals.

Disc 1 - Uptempo Good Time Philly
1. Statisfaction Guaranteed - Harold Melvin & the Blue Notes [Morning Star Re-Edit]
2. Only The Strong Survive - Billy Paul [J*Ski Re-Edit]
3. Save A Place - the Trammps [J*Ski Extended Re-Edit]
4. Free Love - Jean Carn [Victor Rosario Re-Edit]
5. Do It Any Way You Wanna - People's Choice [Keep Schtum Re-Edit]
6. Life On Mars - Dexter Wansel [DJ Mila Re-Edit]
7. Mysteries Of The World - MFSB [J*Ski Extended Re-Edit]
8. Ain't No Stopping Us Now - McFadden & Whitehead [The Noodleman Re-Work]
9 Dance Turned Into Romance - the Jones Girls [DJ Friction Re-Edit]
10. Be For Real - Harold Melvin & the Blue Notes [Tim MacAllister Re-Edit]
11. Message In Our Music - the O'Jays [Jimmy the Twin Re-Edit] Disc 2 - Mellow Slinky Philly
12. If You Wanna Go Back - Jean Carn [Morning Star Re-Edit]
13. Darlin' Darlin' Baby - the O'Jays [Deep&Disco Re-Work]
14. You're Gonna Make Me Love Somebody Else - the Jones Girls [Henry Greenwood Re-Edit]
15. Strategy - Archie Bell & the Drells [Touchsoul Re-Edit]
16. Let The Dollar Circulate - Billy Paul [ScratchNSniff Extended Re-Rub]
17. Easy Money - Dee Dee Sharp Gamble [Todd Terje 2004 Re-Edit]
18. Was That All It Was - Jean Carn [Morning Star Re-Edit]
19. Night Over Egypt - the Jones Girls [Womack & TOT Re-Edit]
20. Don't Let Love Get You Down - Archie Bell & the Drells [Ed Zone Re-Edit]
21. Wake Up Everybody - Harold Melvin & the Blue Notes [DJ Apt One Re-Edit]

Disc 2 - Mellow Slinky Philly
1. If You Wanna Go Back - Jean Carn [Morning Star Re-Edit]
2. Darlin' Darlin' Baby - the O'Jays [Deep&Disco Re-Work]
3. You're Gonna Make Me Love Somebody Else - the Jones Girls [Henry Greenwood Re-Edit]
4. Strategy - Archie Bell & the Drells [Touchsoul Re-Edit]
5. Let The Dollar Circulate - Billy Paul [ScratchNSniff Extended Re-Rub]
6. Easy Money - Dee Dee Sharp Gamble [Todd Terje 2004 Re-Edit]
7. Was That All It Was - Jean Carn [Morning Star Re-Edit]
8. Night Over Egypt - the Jones Girls [Womack & TOT Re-Edit]
9. Don't Let Love Get You Down - Archie Bell & the Drells [Ed Zone Re-Edit]
10. Wake Up Everybody - Harold Melvin & the Blue Notes [DJ Apt One Re-Edit]

CLARENCE CLEMONS - THERE'S STILL CHRISTMAS

Two newly discovered Christmas songs recorded in 1981 by the late great saxophonist Clarence Clemons have arrived just in time for the holidays. The special CD entitled There's Still Christmas features Clarence singing tenderhearted lead vocals on the poignant title track "There's Still Christmas" (co-written by Dennis Bourke and the late Stevie Betts), while the second track showcases the Big Man on sax on the holiday classic "The Christmas Song (Chestnuts)." There's Still Christmas (Oceangate Records) is currently available on iTunes, Amazon.com and all premium online download destinations as well as through the websites https://bigmanchristmassong.com/ or http://www.backstreets.com/.

Producers Dennis Bourke and Jim Nuzzo helmed the recording session that produced the two never-before-released tracks. Armed with the support of the Clarence Clemons Trust and his son Clarence Clemons III (a.k.a. Nick Clemons), the producers are honored to be a part of this celebrated legacy with this unique release. Bourke and Nuzzo recall, "We were blessed to have the opportunity to share some time with Clarence and record these marvelous Christmas tunes. He poured himself into the project, wearing Santa gear and capturing the essence of the season.

"With his passing in June 2011, we were all saddened to lose this American rock icon. One of the beauties of recorded music is its eternal power to play on long after the artist is physically gone. Clarence has a parting Christmas gift to us all with these soon-to-be holiday classics. Open up your hearts and listen to the Big Man say Merry Christmas to the world."

The Nick Clemons Band recently headlined the sold-out "Clarence Clemons Christmas Songs" CD release party held at the Wonder Bar in Asbury Park on November 18, and will make two special appearances at the legendary Stone Pony, with a Christmas concert on Friday, Dec. 23, and the "Light Of Day" tribute concert for the "Asbury Angels" honoring the musicians and other members of the Asbury Park music scene who have passed on in recent years on Friday, January 13. Honorees include Clarence Clemons, Danny Federici, Kevin Kavanaugh, Donnie Bertleson and John Luraschi.

Best known for his contributions to Bruce Springsteen and the E Street Band, Clarence Clemons recorded with many other artists including Jackson Browne, Aretha Franklin and most recently Lady Gaga and released a number of solo musical projects over his illustrious career.

PROJECT GRAND SLAM RELEASES NEW COVER OF THE HOLLIES HIT, “HE AIN’T HEAVY, HE’S MY BROTHER” TO BENEFIT VICTIMS OF CHILD ABUSE

Project Grand Slam (PGS), the contemporary electric jazz group, has released their version of the classic Hollies hit, “He Ain’t Heavy, He’s My Brother”, with Special Guest Vocals by Joye Hennessey. The song is dedicated to the victims of child abuse, relating to the Penn State sexual abuse scandal. Like millions of people across the United States and the world, the members of PGS were horrified to learn of the sexual abuse allegations connected with Jerry Sandusky in the Penn State University football program. PGS was completing its new album when they realized that “He Ain’t Heavy, He’s My Brother” was particularly appropriate to the Penn State scandal. The song’s title was the motto for Father Flannigan’s Boys Town charity, which was created in the early 1900s to help disadvantaged and abused children. The song’s message of support for victims and the abused is consistent with Penn State’s healing efforts following the sexual abuse scandal. Therefore, PGS decided to immediately release “He Ain’t Heavy, He’s My Brother” as a single, and to donate proceeds from the song to benefit the victims of child abuse. 

The song is currently available for download on iTunes at 

http://itunes.apple.com/us/album/he-aint-heavy-hes-my-brother/id482770139. The song will also shortly be available for online streaming from Spotify, Napster, Amazon and others.

 

PGS’s debut album, Play, released in 2008, garnered rave critical reviews. A track from the album, “The Captain Of Her Heart”, with guest vocals by Judie Tzuke, was a Top 20 radio hit. In addition, PGS and five tracks from Play were prominently featured in an episode of the hit NBC series, “Lipstick Jungle”, starring Brooke Shields. The core members of PGS are Robert Miller (Electric Bass, Composer), Ron Thaler (Drums, Percussion), and Gilad Ronen (Saxophones, Composer). Each has significant and extensive musical credentials.

Robert Miller plays electric bass and composes. Robert has two albums as leader to his credit: Child's Play (Wildcat Records) and Prisoners of Love (32 Records), both of which received excellent reviews. The former album includes performances by Randy Brecker, Jon Lucien and Anton Fig. His band, The Robert Miller Group, played every major New York area club, graduating to the national festival circuit where they appeared with acts like Bruce Hornsby, Bela Fleck and Kenny Barron. In addition, as co-founder of 32 Records, Robert helped develop this celebrated record label that produced the acclaimed "Jazz For..." series, including "Jazz For A Rainy Afternoon", which dominated the Billboard Jazz Chart.

Ron Thaler plays drums and percussion. Ron is one of the most accomplished professionals in the business, having played on and/or produced more than 75 albums. His impressive credits include work with Al Di Meola, Hiram Bullock, Sarah McLachlan, Alicia Keys, Ashley Simpson, Debbie Gibson, Rob Thomas and Taj Mahal. Ron has also released three solo albums: …Works featuring Ray Anderson, Rufus Reid and Adam Rogers, Grain spotlighting Mike Stern, and Jazzed & Confused: The Led Zep Project including DJ Logic, Dweezil Zappa, and Hendrick Meurkens.

Gilad Ronen plays saxophones and is an accomplished master woodwind multi-instrumentalist and composer. He has recorded for numerous Hollywood films such as Anchorman and Raise Your Voice and the ABC series Eyes. Gilad had worked with some of the greatest living jazz legends of our time, such as Herbie Hancock, Jack De Johnette, Brian Blade, Dianne Reeves, and Kenny Barron to name just a few.







“He Ain’t Heavy” also features guest artists Mike Eckroth (Keyboards), Danny Lerman (Saxophones), Justin Smith (Strings) and Joye Hennessey (Special Guest Vocals). PGS’s follow up album containing “He Ain’t Heavy, He’s My Brother” and seven other original tunes, will be released in early 2012.

To find PGS on the web:

Official Website: http://www.projectgrandslam.com/

Facebook: http://www.facebook.com/projectgrandslam

Twitter: http://www.twitter.com/projectgrndslam