A great look at the fresh energy that Miles Davis was bringing to his music in the 80s – and a set that's nicely different than some of the other albums issued in the "bootleg" series – in that two thirds of the collection features unissued studio material from the dates in the title! Those tracks are great – numbers that were recorded in the same sessions that gave the world the records Decoy, Star People, and You're Under Arrest – with work from players who include John Scofield and Mike Stern on guitars, Robert Irving III on keyboards, Bill Evans on tenor and soprano saxes, and the great Al Foster on drums. Miles even plays a bit of keyboards himself, but is also really focusing strong energy on his trumpet lines – more tightness than some of his 70s material, but not in a way that's slick or commercial either – still plenty of bite throughout. Studio titles include "Celestial Blues", "Minor Ninths", "Santana", "Freaky Deaky", "Hopscotch", "Never Loved Like This", and some alternates of Miles' versions of "Human Nature" and "Time After Time". The third component of the set is the Montreal 7/7/83 performance – early 80s live work from Miles Davis – done at a level that's a nice change from some of his studio work of the time! If you've ever heard Miles in a live setting like this from the decade, you know that such recordings are a great reminder of the way he can really deliver an extended solo with plenty of spirit and imagination – stretching out here on long tracks with a group that also features lots of great work from John Scofield on guitar, and up and coming saxophonist Bill Evans – who plays soprano, tenor, and flute! Miles also plays a bit of keyboards, and the rest of the group features Darryl Jones on bass, Al Foster on drums, and Mino Cinelu on percussion – on titles that include "Star On Cicely", "Hopscotch", "What It Is", "It Gets Better", "Speak", "Code 3", "Jean Pierre", "Star People", and "Creepin In". ~ Dusty Groove
The great guitarist Bobby Broom pays tribute to piano giants of the past – something you might guess from the album's title, and an aspect of the record that's really enforced by the work of pianist Justin Dillard in the group! Unlike some of Broom's trio set, this one's a nicely four-pointed record – still full of those warm chromes that we love so much from Bobby's handling of the guitar, but also given a nice sort of balance with Dillard's acoustic work on the piano – in a quartet that also features Dennis Carrol on bass and Kobie Watkins on drums. Titles include "Second Thoughts", "Hallucinations", "Scoochie", "Blues On The Corner", "Driftin", "Quicksilver", and "Misty". ~ Dusty Groove
There's way more than sufficient grace going on here – and a strongly soulful swing that really has the whole album coming together, right on the money! Maybe that's no surprise, though, given that the set's issued on the excellent WJ3 label from Willie Jones III, who plays drums at the core of the record, next to the bass of Sean Conly – while Tardy carves out all these wonderfully fluid, feeling lines next to the trumpet of Marcus Printup – who himself sounds better than usual, and makes for a perfect fit for Tardy. Keith Brown handles piano on the quintet session, all tunes are Tardy originals, and titles include "Tree & Its Fruit", "I Choose You", "For Deacon Rock", "The Omnipresent Cardiologist", "Janel's Love Song", and "Nick Hoot". ~ Dusty Groove
Maybe the most spiritual of the three albums recorded as part of the great Trios project from reedman Charles Lloyd – a set that was recorded at the legendary Lobero theater in Santa Barbara, but without an audience in place – which makes for a beautiful mix of wide space and intimate interplay! Lloyd is wonderful on reeds, especially flute – and the group also features Gerald Clayton on piano and Anthony Wilson on guitar – stretching out with Charles on these long tracks that allow for both exploratory solos, and this very easygoing interplay between the musicians. Tracks include "Jaramillo Blues", "Isa Wind", "Hagar & The Inuits", and "The Lonely One". ~ Dusty Groove
No comments:
Post a Comment