Swedish-born and longtime Boston resident bassist and
composer Bruno Raberg is releasing his tenth CD as a leader, Tailwind. The
music consists of mainly original compositions by Raberg along with interpretations
of the jazz repertoire. Raberg says, "It's been a dream of mine for a long
time to be able to play with both Bruce and Adam. Bruce and I used to play with
the Boston based large ensemble, Orange Then Blue, and it's been really great
to reconnect with him. Adam is a new acquaintance and the way he completes the
trio is just amazing." The music on Tailwind moves freely from hard
swinging to the more lyrical and atmospheric, always with heart and soul.
Tailwind - for me this is the feeling of being gently pushed
ahead, having my intentions and dreams amplified by a collective effort, in
this case making music together as a group. When playing with great musicians
such as Bruce and Adam I get the sense of being lifted and carried along; the
music flowing effortlessly, yet deeply.
The embryo of the opening track was written between classes
while teaching at the Berklee Global Jazz Institute. I recorded it on my phone,
e-mailed it to myself, and it came through as Message XII. This song was very
much written for this trio with Bruce and Adam and was, like most of the songs
on this CD, premiered during the recording sessions.
I've had a melodic fragment stuck in my head for years not
knowing where it came from until I recently heard Eric Dolphy's "Outward
Bound" and the composition "245". My Song for Dolphy came out of
that melodic fragment.
A Closer Look is a ballad that was written for Melissa, my
future wife, back in 1985. Bruce and I were sharing an apartment at the time
and we used to play this song in those early days.
Le Candide II (and Le Candide I - bonus track) are two quite
different takes of the same composition. For take two Adam suggested that we
start with an explosion and work our way from there. Le Candide is one of my
very first compositions and was written during my first year at the New England
Conservatory. Bruce and I used to play it with Orange Then Blue, which included
George Schuller, Adam Kolker, Matt Darriau, among others. It was with the
encouragement of Bruce that I got to record both this and "A Closer
Look". The song has a very strong sense of forward motion as well.
Paris Window was also written in part between classes while
teaching at the Berklee Global Jazz Institute. Being engulfed in this highly
creative environment helps me to live in the moment. It was finished at home
where I have a picture that I took of my wife Melissa sitting in a window in
Paris.
I often drive by a small plot of conservation land in
Belmont, MA called Lone Tree Hill. On this particular day I started hearing
music that would go with that title.
Swedish trombonist Eje Thelin first introduced me to Jimmy
Van Heusen's, Here's That Rainy Day, when playing in his group. It has stayed
with me and I much enjoy listening to all the different interpretations of the
song. This is my arrangement and I choose to play the melody with Arco bass
since that's the closest I can get to the human voice without actually singing.
The into vamp ended up being the foundation for an original, Rainy Day
Farewell, which is the closer of this program.
Bruno Råberg is an internationally renowned bass player and
composer and a mainstay on the Boston music scene. Since coming to the US from
his native Sweden he has created 10 recordings as a leader, has appeared on
more than 30 as a sideman, and has performed with numerous world-class artists,
including Donny McCaslin, Chris Cheek, Kenny Werner, George Garzone, Bob Moses,
Mick Goodrick, Ben Monder, Bruce Barth, Jim Black, Matt Wilson, Ted Poor and
Mike Mainieri. Tours have taken Råberg throughout Europe, Scandinavia, USA,
Japan, India, Africa, and Central America, and to jazz festivals such as Pori,
Umbria, Monterey, Nancy, Bologna, Graz, Stockholm, Boston, and Cape Town. As an
educator, Råberg stands out. He is a professor at Berklee College of Music in
Boston where he teaches in the prestigious Berklee Global Jazz Institute's
Masters Program, lead by the legendary Danilo Perez. He has traveled to Spain,
Poland, Czech Republic, Italy, Mexico, Brazil, Ecuador, Dominican Republic,
Japan and Costa Rica as a clinician and performer for Berklee.
Jazz pianist and composer Bruce Barth has been sharing his
music with listeners the world over for more than two decades. Deeply rooted in
the jazz tradition, his music reflects both the depth and breadth of his life
and musical experiences.Barth arrived on the New York jazz scene in 1988, and
soon joined the great tenor saxophonist Stanley Turrentine; their musical
collaboration spanned a decade. Barth has since been a member of the Terence
Blanchard Quintet, touring extensively, recording six CDs and numerous movie
soundtracks including Spike Lee's, "Malcolm X". He has toured and
recorded with Nat Adderley, Steve Wilson, Terell Stafford, David Sanchez, and
has performed with James Moody, Tony Bennett, Phil Woods, Freddie Hubbard, Tom
Harrell, Branford Marsalis, Art Farmer, John Patitucci and the Mingus Big Band.
Drummer, composer, and educator Adam Cruz was born in New
York City and has been a vital creative force on the international jazz scene
for the last three decades. He leads his own group, and regularly works with
artists such as Tom Harrell, The Mingus Big Band, Joey Calderazzo, Chris
Potter, Steve Wilson and Edward Simon. Cruz currently teaches at CCNY and the
Berklee Global Jazz Institute. The drummer first emerged professionally in the
early 1990's, performing and recording extensively with saxophonist David
Sanchez and the Charles Mingus Big Band. He toured with pianist Chick Corea
with whom he recorded "Origin - A Week at the Blue Note". Since 2000
Cruz has been an integral part of renowned pianist Danilo Perez's trio
alongside bassist Ben Street.
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