For several
years now vibraphonist, composer and bandleader Joe Locke has had two musical
purposes: one, to speak in a vernacular which reaches people, and two, to
continue challenging himself as a player, writer and arranger. In 2013 Locke
released Lay Down My Heart (Blues & Ballads, Vol. 1), which dealt with the
first directive. Then in 2015 he completed the astounding Love Is a Pendulum, a
suite in 5 movements, which addressed the second. Now, on his newest release,
Subtle Disguise (available on Origin Records, November 16, 2018), both of these
impulses have been integrated into one recording. "For me, this album is
the fruition of a long journey of self discovery as an artist, where I no
longer see the different aspects of my musical personality as separate or at
odds with one another. I have discovered my own lingua franca, connecting the
seemingly disparate styles I enjoy playing," says Locke.
Subtle
Disguise would not have come to actualization were it not for Locke's
collaborators: Locke states that, "Raul Midón's contribution was essential
to the project. His vast musical knowledge combined with his deep understanding
of the Blues make him a unique artist. The same can be said of guitarist Adam
Rogers; he dips into a lot of different stylistic territory on this album, and
he's always brilliant, honest and deeply communicative. David Binney brings the
fire, pure and simple. His contributions raise the bar on the tracks he graces.
All three of these musicians are people I've been looking to work with for a
long time. Having them together here made this project even more special for
me," explained Locke. "Jim Ridl, Lorin Cohen and Samvel Sarkisyan,
who form the core of this band, have been hugely important to the development
of this project since its inception. Each a formidable musician in his own
right, together they function as a tight-knit unit of kindred spirits. This is
the quartet I have wanted for a long time. I'm grateful to them for their
unflagging commitment to this music."
While some
of the music on Subtle Disguise is personal in nature, there is a political
thread that runs through much of the album. From Red Cloud, a paean to the
great Oglala Sioux leader, to Blind Willie Johnson's spotlight on our youngest
embattled citizens, Motherless Children, "It's obvious that on this
recording I felt the need to address some wrongs, both historic and
present", says Locke. Although Who Killed Davey Moore?, Bob Dylan's song
about passing the buck, was written in 1963, Locke's composition Rogues of
America speaks to a more current manifestation of callous indifference. Locke
explains that the title song, "is about the masks we all wear, for various
reasons. Many good souls feel the need to disguise their vulnerabilities, while
others wear a smiling mask to hide a malevolent agenda. Whatever the reason,
these disguises are hard to shed. The song is also so named because it's based
on a disguised version of a Miles Davis song from the 1950s. Make Me Feel Like
It's Raining is Locke's tribute to Bobby Hutcherson, who passed away in August,
2016. Locke elaborates, "Bobby was the bellwether of contemporary
vibraphone. He was also my personal touchstone. Bobby was once asked in an
interview what he wanted as a listener. He responded, 'Jerk me around! Jerk my
soul around! Make me smile and laugh. Make me sad. Make me feel like it's
raining.' His musical impact and the light of his humanity will be felt for a
long time to come. Blondie Roundabout is a dedication to Locke's manager, Nadja
von Massow, around whom there is a constant flow of creative traffic. Safe and
Sound (At The Edge of the Milky Way) was inspired by a line spoken by Albert
Finney in the film adaptation of Lyle Kessler's play, Orphans. "I like the
paradox of all of us being safe and sound in such a precarious place in the
universe", says Locke. A Little More Each Day, the vocal version of this
song, serves as the album's closer, with Locke on piano, David Binney on alto
and Alina Engibaryan interpreting the lyric beautifully.
More on Joe
Locke: It bears repeating - Joe Locke is a musician's musician, an artist for
the ages whose immense talent and uplifting spirit enhances every musical
situation he graces. Locke is a man who has gathered no moss as he has evolved
into a communicator, a conceptualist, a composer, and a modern virtuoso who
defies categorization. He has worked in numerous formats, from small group to
symphony orchestra, and with artists as diverse as Cecil Taylor and The Beastie
Boys.
Derk
Richardson said of Locke in The San Francisco Bay Guardian that, "not only
has he mastered an instrument that has catapulted only a handful of players to
the forefront of modern jazz - but he has done so in a way that transcends mere
technique and establishes him as a unique and adventurous musical voice."
With more than thirty acclaimed recordings to his credit, it is no wonder The
Times (London) proclaimed that, "there seems little doubt that Locke, with
his ability to play cool and funky, heady and relaxed, is set to become the
pre-eminent vibraphonist in jazz." In a four and a half star review in
DownBeat Magazine, journalist Ken Micallef called Love Is a Pendulum, "a
thematic work that embraces a cerebral vision and empowers it song after
song," and elaborated that, "Love Is A Pendulum honors the listener's
intelligence in artfully realized song-craft." And, Mike Hobart stated in
The Financial Times that, "Joe Locke's clean lines, crystalline tone and
shimmering vibrato recall the great US vibraphonists Milt Jackson and Bobby Hutcherson,
but their fellow American boosts his technically assured modernism with
emotional commitment and compositional flair."
This
sampling of praise is in no small part due to his recent solo projects, notably
the three distinct albums he has released since 2011, which display his immense
stylistic versatility and ability to create artistic depth in a variety of
contexts: Signing (2012, the long awaited follow-up studio album of Live In
Seattle), Wish Upon A Star (2012, Locke's first ever symphonic project,
featuring Locke's Quartet with the Symphony Orchestra of Lincoln, Nebraska),
and Lay Down My Heart (2013, jazz radio chart's #1 Blues & Ballads album).
Locke's previous release, Love Is A Pendulum, was hailed as the most important
work of his career. Other notable recordings in Locke's extensive discography
(more than thirty albums as a leader) include, Four Walls of Freedom, a six
movement suite featuring the late tenor saxophonist Bob Berg; Live in Seattle
by The Joe Locke/Geoffrey Keezer Group, which won the 2006 Ear Shot award for
Concert of the Year, and his eloquent and vibrant quartet recording, Force Of
Four. Not to mention his newest crowning achievement, Subtle Disguise (out on
Origin, November 16, 2018).
Locke is a
five-time recipient of the Jazz Journalists Association's "Mallet
Instrumentalist of the Year" Award, has received the 2013 Hot House NYC
Jazz Awards for Best Vibes Player and keeps topping critics and readers polls.
In 2016 he was honoured with the induction into the Music Hall of Fame of his
hometown Rochester, NY. He is an active clinician and educator in the United
States and in Europe and has been the International Vibraphone Consultant at
the Royal Academy Of Music, London, on a visiting basis since 2008, holding the
title of Honorary Associate of the Royal Academy Of Music (Hon ARAM) since
2013. Joe is also on the faculty of the Manhattan School of Music in NYC.
Joe Locke
endorses Malletech instruments, and Love Is A Pendulum was the first recording
to feature the innovative OmegaVibe (also endorsed by Stefon Harris, Tony
Miceli and Warren Wolf).
Joe Locke -
Subtle Disguise
All
compositions by Joe Locke, except "Who Killed Davey Moore?"-Bob
Dylan, and "Motherless Children"-Blind Willie Johnson
1. Red
Cloud
2. Who
Killed Davey Moore?
3. Subtle
Disguise
4. Make Me
Feel Like It's Raining
5. Rogues of
America
6.
Motherless Children
7. Safe and
Sound (At the Edge of the Milky Way)
8. Blondie
Roundabout
9. A Little
More Each Day
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