There
are a number of reasons why Mosaic Records is one of the most revered labels in
the history of jazz. First and foremost, they present rich slices of the
glorious history of jazz through its most significant manifestation: the music
itself. Presented in vividly captured audio perfection, Mosaic offers
profoundly important music that has been either unavailable for decades or
almost impossible to gather by even the most dedicated fan. Mosaic sets present
the artistry of the music's greatest masters, equally focused upon the
recognized immortals alongside those who never enjoyed the popularity they
deserved, always delving into every recess of their unbridled creative output.
Lastly, they do it all with stunningly dignified packaging and explanatory
materials that make the listener feel that they are right in the midst of the
moment of the music's creative inception.
With the
newly released 9-disc set, The Complete Dial Modern Jazz Sessions, every one of
these qualities is hit square in the center of the bullseye. Overwhelmingly
crucial historical significance to one of the most important transformative
periods in jazz history; performances by artists ranging from the uppermost
reaches of the jazz pantheon to under-recorded giants; a vast amount of
material - 185 tracks - that would be virtually impossible to collect. Most
importantly, all of the music was created with the transcendence of supreme
artistry in central focus, with no concerns about commercial compromise for a
wider audience.
Of
course, the crown jewels of the collection are the immortal Charlie Parker
sessions, long esteemed as standing alongside Louis Armstrong's Hot Fives and
Sevens in the profound influence upon the development of jazz expression.
Signing exclusively with Dial under the promise of total artistic control of
his recordings, Bird's 1946-47 sessions are here with every note intact and in the
company of a who's who of the bop evangelists - Dizzy Gillespie, Miles Davis,
Howard McGee, Wardell Gray, J. J. Johnson, Duke Jordan, Teddy Edwards, Erroll
Garner, Tommy Potter, Max Roach and other fine purveyors of the form. In
addition, Parker and Dizzy (along with Flip Phillips and Teddy Wilson) are also
heard on the extremely rare 1945 Red Norvo sessions, recorded for Comet Records
a year before Dial came into being (and purchased some years later).
Another
saxophone heavyweight, Dexter Gordon is featured on three sessions. Recorded
during the time of his legendary all-night tenor battles on the L.A. scene, one
session features his main sparring partner, Wardell Gray; another
"battle" with Teddy Edwards; and the third features trombonist Melba
Liston. Howard McGhee has two sessions, one of which features James Moody, Milt
Jackson, Hank Jones and Ray Brown; the other co-led with pianist Dodo Marmarosa
(who also has his own trio date included) and Edwards on tenor. The piano
wizardry of Erroll Garner is represented by a brilliant solo date and a few
tracks with his trio; and Dizzy also has his own sextet session featuring Lucky
Thompson and Milt Jackson. The collection is rounded out with Fats Navarro and
vocalist Earl Coleman, and a Sonny Berman Big 8/Ralph Burns Quintet date that
includes Bill Harris, Flip Phillips and Serge Chaloff. Unequivocally, a
treasure trove of remarkable music.
Dial
Records, the brainchild of entrepreneur and jazz historian Ross Russell, was
spawned from his Tempo Music Shop, a West Coast Mecca for jazz lovers. It was a
masterpiece of timing, emerging shortly after the Musician's Union lifted its
recording ban, during which Bird, Diz and the other visionaries of bebop were
forging the new language outside of public view. With a post-war society aching
for something new and uplifting, the new music hit like a tidal wave and Dial
Records was riding its crest.
As the
industry reeled with the new post-strike regulations, it was an ideal time for
a smart business man to move forward, and for innovative musicians to join in.
With no hindrances to their artistic freedom and the euphoric atmosphere of
exploratory musicality and responsive audiences on hand, Dial Records made an
enormous contribution to the jazz legacy during its short life between 1946 and
1948. And now Mosaic has recaptured that time in posterity for jazz aficionados
throughout the world in its singularly spectacular manner with The Complete
Dial Modern Jazz Sessions.
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