Friday, November 21, 2014

NEW RELEASES: GILBERTO GIL & GAL COSTA - LIVE IN LONDON NOVEMBER 1971; TOM ZE - VURA LATA NA VIA LACTEA; JAQUES MORELENBAUM CELLO SAMBA TRIO - SAUDADE DO FUTURO / FUTURO DA SAUDADE

GILBERTO GIL & GAL COSTA - LIVE IN LONDON NOVEMBER 1971

Really stunning stuff – a never-heard live performance from early 70s London – one that features Gilberto Gil in exile, working alongside the great Gal Costa! The album's got a lean, stripped-down feel – similar acoustic instrumentation to both Gilberto Gil and Caetano Veloso's London recordings – a mode that's an especially great change from some of Costa's more produced albums of the period – at a level that really lets us hear how warmly collaborative and high spirited she could be! Both Gal and Gilberto play guitar – and backing is by a group of bass, percussion, and drums – the last of which are played by Tutty Moreno – and the performance has the singers working solo and in duet – the latter of which is especially great! The set includes a few English language numbers – "Brand New Dream" and "One O'Clock Last Morning 20th April 1970" – plus versions of "Sgt Peppers Lonely Hearts Club Band" and "Up From The Skies". And other titles include "Sai Do Sereno", "Coracao Vagabundo", "Procissao", "Acaua", "Chuva Suor E Cerveja", "Viramundo", "Como Dois E Dois", and "Maria Bethania/Bota A Mao Nas Cadeiras".  ~ Dusty Groove
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TOM ZE - VURA LATA NA VIA LACTEA

A mighty record from the great Tom Ze – every bit as creative and experimental as ever, and maybe sounding better here than he has on the past few studio albums – even though we liked those releases an awful lot too! The record is heavy on vocal interplay – both Ze with himself, but also alongside contributions from Caetano Veloso, Milton Nascimento, and others – voices that are often set to relatively spare instrumentation that's quite rhythmic, but without any sort of obvious beats or drum parts either – usually more unusual grooves that are matched with creative elements on guitar, both acoustic and electric, and some sweet reed parts too – which almost have a bit of a Hermeto Pascoal quality. The whole thing's a great reminder that the passage of years has done nothing to dim the vitality of Tom Ze – and titles include "Mamon", "Banca De Jornal", "A Quantas Anda Voce", "Geracao Y", "Irara Ira La", "Papa Perdoa Tom Ze", and "A Boca Da Cabeca". ~ Dusty Groove

JAQUES MORELENBAUM CELLO SAMBA TRIO - SAUDADE DO FUTURO / FUTURO DA SAUDADE

A beautiful record that's exactly what's promised in the group's name – a samba trio that's heavy on cello – played by the great Jaques Morelenbaum, who we know from so many other great records! The style's a bit bossa jazz, but has a very different feel – as the use of the cello really brings out the bluer, more melancholy moments in the tunes – as Jacques bows his instrument with a great sense of expressiveness alongside acoustic guitar and percussion. Titles include "Eu Vim Da Bahia", "Coracoa Vagabundo", "Outra Vez", "Ar Livre", "Voce E Eu", "Maracatuesday", and "Tim Tim Por Tim Tim". ~ Dusty Groove




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