It's been a year since Kat Hawley released her empowering debut single, “Keep On, Keepin’ On,” a churning R&B groove bolstered by guest star Steve Cole’s soul-powered tenor sax affirmations. The single began the yearlong process of recording “X-IX-VIII,” and it served notice that Kat Hawley was more than merely a background singer.
“I wanted my debut single to be a stamp on the scene that left no doubt about my abilities as a vocalist and songwriter. The track sounds very edgy and modern, but I wanted to give my vocals a contrast by making them have a late 80s/early 90s sound,” said Kat Hawley, who performs this weekend with Adam Hawley at the Elkhart Jazz Festival in Indiana on Friday followed by a Saturday night gig at BLU Jazz+ in Akron, Ohio.
Love and romance are frequent muses for Kat Hawley’s songs on “X-IX-VIII.” Sensual vibes permeate “No Chill,” an R&B joint augmented by Judah Sealy’s sultry sax, a tune “about being completely head over heels when you’re in love or lust.” Adam Hawley uses his exquisite nylon guitar play to add ambience to “Love Me Tonight (A Lover’s Duet)” while Kat Hawley’s desirous voice turns up the heat.
“The goal for this song was to create a very seductive and hypnotic sound with the instruments and the vocals to envelope the listener. I really wanted the listener to be drawn in and feel like they were in the room with me seeing and feeling exactly what I was writing and recording so, I made my vocals smooth, very long and stretched out notes so the listener would hang on my every word – seduced and hypnotized,” explained Kat Hawley.
The tempo picks up on “Can We Dance,” designed for the dance floor.
“We definitely wanted a dance song, a steppers song that people could really move and groove to. As I was recording the vocals, for some reason I was envisioning myself on a light-filled dance floor with fans blowing my hair and clothes while I’m dancing my heart out. I wanted the listener to experience the same feeling,” Kat Hawley enthused.
Last January, the second single, “Never Too Busy,” was issued halfway through the album recording process.
“We live such a busy modern-day lifestyle of never having enough hours in the day. Everyone has to check their calendars in the same household just to see who has what and when, and when we can schedule family time or time with friends. This song is about making time for who and/or what is most important,” said Kat Hawley.
Adam Hawley’s evocative nylon string guitar illumines “Summer Breeze,” paired gorgeously with Kat Hawley’s impassioned vocals. Her vivid longing lyrics were penned last winter in the midst of a prolonged period of cold and wet weather in Southern California where the couple lives.
“Lazy Afternoon” was recorded to memorialize the late Cecil Ramirez, a Bay Area pianist and friend of the Hawley’s. Greg Manning plays poignantly in place of Ramirez on this track.
“Cecil was an amazing musician whom we got to perform with many times at Brian Culbertson’s Napa Valley Jazz Getaway. He brought this song to me to sing on our live internet show that Adam and I did. It was for the three of us to perform together. Initially, I wasn’t too sure or comfortable singing the song, but Cecil reassured me, telling me that I sounded great singing it. We performed it and it was in fact perfect. Sadly, shortly after that live internet performance, Cecil passed away in early 2021 due to cancer. I wanted to remember Cecil and pay tribute to him not only on my record but also in my live shows. This song allows me to carry on his memory as the person and musician that he was,” stated Kat Hawley.
The third single from the album, “Rather Be,” began collecting radio and Spotify playlist adds on June 24. It’s a devotional pledge from wife to husband.
“Adam and I are like two peas in a pod. We are literally always together. That may be strange to a lot of people but, we’ve spent so many years with large spans of time being apart because he was out on world concert tours with other artists. We’re simply better together. No matter where we are individually or together, I’d rather be with him,” said Kat Hawley who has been with Adam for sixteen years.
The album title comes from their son Adam Jr.’s (A.J.) birthday: 10/9/08. Kat Hawley wrote the ethereal “Moonlight” for A.J., which she hopes will serve as a timeless testament to her love for him and the pride she feels in being his mother.
“‘Moonlight’ is not even a fraction of the emotions that I have when I think of A.J. The love for your child can never really be described in words. I wanted the song to have a spacey and eclectic sound that captures these emotions via the sounds, the arrangement of the song and how the lyrics are sung. I wanted to make sure I was writing A.J. a letter rather than a song. Something that after I’m no longer living, he can read and understand and feel my words as if I am speaking directly to him along with the song and music itself. It will be something he can hold and read as well as listen to and experience all the feelings that were made exclusively for him,” conveyed Kat Hawley.
To close the album, Kat Hawley delivers a stripped-down acoustic version of Adele’s “Chasing Pavements.” The occasion allows her to tap into her roots singing gospel and Christian music in church.
“X-IX-VIII” includes performances by saxophonist Fabian Chavez, keyboardists Carnell Harrell, Kasey Square and Caleb Middleton; trumpeter Michael Stever, bassist Tim Bailey, drummer Eric Valentine and percussionist Ramon Islas.
Kat Hawley has sung on all six of Adam Hawley’s albums. She performs with him at festivals, theaters and clubs around the world and has shared the stage with Dave Koz, Marcus Anderson, Julian Vaughn, Jazmin Ghent and Marqueal Jordan, among others.
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