We all have it: that nagging list of things we’ve been
meaning to get to, projects we’ve been thinking about for years, goals that we
just keep putting off for another day. With The Time Is Now, pianist/composer
David Hazeltine decides to finally seize the moment and bring one of his
long-delayed dream projects to fruition. The new album, available now on Smoke
Sessions Records, finds one of the top pianists of his generation forging an
impeccably swinging partnership with two other masters: bassist Ron Carter and
drummer Al Foster.
As usual, it took a heady dose of reality to inspire
Hazeltine to take this trio outing off of the back burner and bring it to life.
Nearing his 60th birthday (which will coincide with the release of the new
record), Hazeltine faced a health scare that forced a change in perspective.
Realizing that there’s no time like the present, he insisted on finding a time
in three very busy schedules when these great artists could share some time in
the studio.
These men all come directly from the straight-ahead jazz
tradition; though Hazeltine is a generation younger than his two bandmates, he
spent many years working with such giants of the music as Sonny Stitt, Chet
Baker, Eddie Harris, and Buddy Montgomery. He’s since become one of the leading
torchbearers for that estimable standard, both on his own and through his work
with the swinging super-group One For All. His efforts have made him one of the
most-streamed straight-ahead jazz artists alive today, and he’s passing his
knowledge onto new generations through his teaching, clinics and online
workshops.
On this occasion, Hazeltine had no interest in reinventing
the wheel, but set out to create amazing music from familiar ingredients – just
as Carter and Foster have done throughout their remarkable careers. “I’ve
always thought of creating music – and perhaps all art – as a way to impose
order on a chaotic world,” he says. “It’s an opportunity to make beautiful the
not always beautiful human condition, and I was so happy to finally have Ron
and Al to do it with me!”
Those qualities are on full display throughout The Time Is
Now, from the tasteful elegance of Hazeltine’s title track through the
blistering closer “Signals,” a showcase for Foster’s crisp attack and mighty
sound. While he had spent countless hours listening to both men’s work, and had
a good deal of experience playing with Foster, Hazeltine faced a daunting task
in writing for the trio – the three had, after all, never worked together as a
band, and he’d only shared the studio with Carter on one other occasion.
“I wanted to do something new and push myself out of my
comfort zone when composing and arranging for this recording,” he says. “I’d
never recorded trio with Ron and Al and I knew that I wanted the music to be
above all beautiful, swinging, and harmonically interesting, yet not overly
arranged. That would allow the three of us to do what we do best: creating and
improvising on a framework.”
Finally having the chance to hear these three masterful
musicians conversing together, one may regret that it hasn’t happened sooner,
or more often. But in the hands of such visionary and skilled artists, The Time
Is Now is a notion that’s always true – no matter the time.
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