The original
Rio beach boy returns in style, with a new record of unabashedly feel-good
Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible
for some of Brazil’s all-time funkiest low-end licks), a horn section including
Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal,
Sempre has all the masterful composition, exceptional musicality, and
forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher
than a fruity caipirinha in the Copacabana sunshine.
Updating
Marcos Valle’s seminal boogie-era sound, the album spans ecstatic disco, cosmic
samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s
late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an
ode to the joy of exercise, has become one of the biggest Brazilian disco hits
of all time. But lyrically the new album is more closely reminiscent of Valle’s
progressive early seventies’ releases. Heralding love, tolerance and living in
the present, while satirising political corruption, the new release recalls a
time in which Valle, together with his brother Paulo Sergio, was writing subtly
subversive lyrics in order to bypass the censorship imposed by the military
dictatorship, which ruled over Brazil between 1964 and 1985.
Translating
as ‘Ever’, Sempre is a testament to the continual drive for development and
reinvention that has defined Marcos Valle’s astounding six-decade career. Ever
changing, ever moving forward, he began as one of the second-wave of early
bossa nova composers in the sixties, writing the world famous bossa standard
‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief
stint in the States, Valle returned to Brazil, and the early ’70s saw the
release of four ground-breaking Valle albums which incorporated progressive
rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These
albums would see Valle work alongside a number of hugely influential Brazilian
bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock
band O Terco and jazz-funk legends Azymuth. Returning back to the US in ‘75,
Valle resided in LA, writing music for the likes of Eumir Deodato, Airto
Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once
more, where after releasing a handful of hit pop records, he took a hiatus from
recording.
Since the
mid-nineties, Marcos Valle has been experiencing a renaissance with the Far Out recording label,
where his approach to music has remained, as always; decidedly open to new
influences, possibilities and technologies. Sempre is Valle’s fifth album for
the label, following 2010’s critically acclaimed Estatica.
Just in time for summer, Sempre will be released on
Vinyl LP, CD and digitally 28th June 2019.
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