Marking sixty years of Bossa Nova, and twenty years since
Marcos Valle’s first release for Far Out Recordings, what better time to bring
back this era-defining classic from the Brazilian master composer?
Throughout his astounding six-decade career, infiltrating
pop, bossa nova, samba, delicate psychedelia, jazz and funk, Marcos Valle has
consistently shown a dogged determination to transcend the traditions and
structures of bossa nova, whilst never veering away from the movement’s
fundamental spirit. To some extent, his epithet ‘the original Rio beach boy’ is
a handy one: it reflects the origin and character of his often sun-soaked
sound, but expounding his importance in the lineage of Brazilian music, he is more
discerningly known as ‘the renaissance man of Brazilian pop’.
Up until Nova Bossa Nova, Marcos Valle hadn’t released an
album for well over a decade. After 1983, he resented the way the music
industry had changed with commercialisation and new demands curtailing his
creative freedom. This was until 1994 when Marcos met Far Out boss Joe Davis
and they recorded a track for Far Out’s first Friends From Rio album. This new
collaborative partnership resulted in a new solo album, which commenced
recording in 1996.
Nova Bossa Nova brought Marcos bouncing back into the 90s, slotting
nicely in place alongside the acid jazz movement as well as a voracious new
demand for Brazilian music on dancefloors from London to Tokyo. Unveiled at the
peak of the Brazilian movement, the record would also prove to be something of
a revolution, inspiring a new generation of artists like Bebel Gilberto,
Sabrina Malheiros, Da Lata and Bossacucanova, who continued to fuse Brazilian
influences with modern electronic sounds.
Twenty years since the original release, the album remains a
landmark for Far Out Recordings and Brazilian music in general. It is yet
another example of Marcos Valle’s ability to transcend musical limitations and
explore new musical ground, as he has done so passionately for the last sixty
years.
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