The Rabbit and the Fallen Sycamore, the third album in a
trilogy by singer-songwriter Kristo Rodzevski and his group of jazz
progressives, will be released by Much Prefer Records on May 25, 2018.
Mixed by
celebrated producer Bill Laswell, "The Rabbit..." represents the
fulfillment of a musically adventurous idea: Assemble seven world-class
improvisers in a studio, establish an environment for pure music-making, and
capture all on tape. Such is the essence
- and beauty - of "The Rabbit..."
By
partnering with core collaborators Mary Halvorson (guitar), Tomas Fujiwara
(drums) and Michael Blanco (bass), then inviting contributions from Kris Davis
(piano), Ingrid Laubrock (saxophone) and Brian Drye (trombone), Kristo
fermented an intoxicating brew. The bubbling inventions are spontaneous
performances without overdubs.
Once the
group selected the best material, Laswell was called in to shape all. In a
great sense, Laswell's touch (and ears) provide the sonic and musical template
for the album. He is celebrated as a lover of musical hybrids and
cross-pollinations. His legendary work with Herbie Hancock, Iggy Pop, John Zorn
and Motörhead, among others, attests to his wide-angle views.
"The
Rabbit..." boasts a melding of seemingly disparate influences, all living
together sweetly - Eastern European folk, free jazz, punk and song-form
narrative. Heard, too, is Kristo's
affinity for the music of Tom Waits, Burt Bacharach and Jim O'Rourke.
Critic Chris Brazier calls it "collision music."
Thematically,
the album continues themes established in Kristo's earlier efforts, Batania
(2015) and Bitter Almonds (2017). While those trilogy installments examined the
deep feelings for his Macedonian grandmother and mother, "The
Rabbit..." explores a transition - the fading significance of his past to
his life in the USA.
Kristo's
songs resonate in that gray area between nostalgia and expectation. There is
passion here, tapping the most human of emotions, desire and suffering. The
cover design by Ikue Mori (DNA) provides a visual analog to this provocative
music.
Kristo
Rodzevski is Macedonian-born vocalist, guitarist, and composer, based in New
York City since 1999. He began as a street musician in Europe in the early
1990s. He was a founding member of an influential group of Macedonian musicians
who would go on to form the bands Foltin and Ljubojna and perform at festivals
throughout Europe.
Kristo's
debut album, Batania, received positive reviews by the Wire, All About Jazz,
Jazz Right Now, etc., and won plaudits as the best single of 2015, and was
voted the second best album of that
year by the Macedonian Kanal 103.
His second
album, Bitter Almonds, features two songs soon to appear on Bikini Moon, a feature film by Academy-Award-nominated
(director, writer, and visual artist Milcho Manchevski). [Video Here.]
Kristo has
appeared on other film soundtracks, including Shadows (by Milcho Manchevski),
To the Hilt (by Academy Award nominated director Stole Popov) and The War is
Over (by Mitko Panov, a Palme d 'Or winner at the Cannes Film Festival).
He has had
solo performances at Joe's Pub and Merkin Hall, and has performed as soloist
with the Macedonian Philharmonic Orchestra, at the Macedonian Opera and Ballet,
New York City's Carnegie Hall.
Kristo's singing style has been described as
"effortless," "velvety," and with "a masterful control
of vocal micro-dynamics and access to emotional depth.
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