Andrea Brachfeld If
Not Now When The "incredible clarity of purpose" flutist-composer
Andrea Brachfeld gained after spending 2016 in deep introspection about her
life and music generated the nine original compositions on her exhilarating new
album If Not Now, When?, which is set for May 18 release by Jazzheads Records.
The quartet outing, featuring the dynamic rhythm section of pianist, arranger,
co-composer, and co-producer Bill O'Connell, a longtime collaborator, as well
as bassist Harvie S and drummer Jason Tiemann, is an uncompromising
manifestation of music Brachfeld recalls came to her on a cold day in January
2017.
"It seems that music always chooses me, and I very
politely acquiesce to its energy. This has been my journey throughout my life
and If Not Now, When? is no exception," she explains. "Of all my
projects, this recording is the closest yet to my heart. Every note felt good
in my body."
The album's song titles, which include "The Listening
Song," "Creating Space," "The Silence," "Anima
Mea," "Deeply I Live," and "Moving Forward," allude to
the year Brachfeld spent on an inner journey meditating as opposed to
composing, an experience that was clearly cathartic. "The way I composed
all of the songs was like taking a huge block of marble and chopping away until
I got the image inside the marble," she says. "It was about seeing
what melodies came out and working on them until they felt right."
A grant from Chamber Music America and the Doris Duke
Charitable Foundation for the CD -- "a wonderful affirmation" --
assured Brachfeld she was on the right path. "In the end," she says,
"it's all about your voice, your journey to find your voice."
Brachfeld's flute playing has what the late New York Times
critic John S. Wilson described as a "vigorously dark, gutty
quality." It's no wonder the first jazz flutist to turn her head was free
jazz pioneer Eric Dolphy. In her music, that energy she described can pour out
to bruising effect. "If you want to play jazz, you have to be able to get
the articulation of Charlie Parker, to make the instrument sound like a trumpet
or saxophone," says Brachfeld. "With a lot of flute players, I don't
hear those articulations."
Andrea Brachfeld was born May 3, 1954 in Utica, NY and
raised in New York City. She began playing piano at age six and flute at 10. In
1969, she enrolled at the High School of Music & Art, and, at 16, got her
first jazz gig, playing her own pieces with her quartet at an "All Night
Soul" presentation at St. Peter's Church. She attended Saturday morning
Jazzmobile workshops; Jimmy Heath was one of her flute instructors.
She went on to study flute at the Manhattan School of Music,
where her fellow students included Kenny Kirkland, Fred Hersch, and Angela
Bofill. After connecting with the Charanga band Tipica New York, Brachfeld
recorded with the legendary band Charanga '76, which catapulted her to fame as
the first woman to play flute with a Charanga band in the United States.
Andrea Brachfeld Brachfeld recorded her first album, Andrea
(1978), with Tito Puente percussionist José Madera producing. A year later, she
accepted an invitation to perform in Venezuela and ended up staying for two and
a half years, during which time she led her own group, opening for such
visiting luminaries as GaryBurton, Chick Corea, and Paco de Lucia.
When she returned home to New York in 1981, she devoted
herself to her family and attended graduate school, acquiring a Master's in
education. For nearly 25 years, she taught ESL and bilingual education while
maintaining a local profile as a musician.
Then, in 1998, Brachfeld approached acclaimed jazz flutist
(and former high school classmate) Dave Valentin with material she had written
and asked if he wanted to record any of it. "His response was, 'I want you
to record it.'" That she did, acting as her own producer on 2002's
Latin-tinged Remembered Dreams (Spirit Nectar). Over the next decade and a half
she would release a half dozen albums, eventually moving away from Latin music
and back toward her first love, bebop.
Andrea Brachfeld will be performing at the following venues
(all dates with Insight -- Bill O'Connell, piano; Harvie S, bass; Jason
Tiemann, drums -- except as indicated): 4/28 The Jazz Loft, Stony Brook, NY;
4/29 An Die Musik, Baltimore; 5/18 Trumpets, Montclair, NJ; 6/18 Triad Theater,
NYC; 8/10 Pavillion Café, National Gallery of Art, Washington, DC (with Bill
O'Connell, piano; Lincoln Goines, bass; Robby Ameen, drums); 8/25 Long Branch
(NJ) Jazz & Blues Festival; 10/4-7 La Cote Flute Festival, Gland, Switzerland;
10/12 Flushing (NY) Town Hall.
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