2017 saw Colin Curtis celebrate his 50th
anniversary as a DJ, a career that started out in his mid-teens at
Newcastle-Under-Lyme’s Crystal Ballroom, before making his all-nighter debut at
Stoke’s hallowed Golden Torch, one of Northern Soul’s foundation venues,
eventually becoming one of the scene’s leading figures as a result of his
legendary ‘70’s partnership with Ian Levine at the Blackpool Mecca. This is
Colin’s own story:
By 1979 the
development of Jazz rooms at major Soul / Funk Alldayers was providing a
much-needed outlet for the more discerning collectors and the fanatical Jazz
dancers. The UK Jazz Funk scene began for me in earnest in 1978 when I moved
from the Blackpool Mecca to Manchester’s Rafters nightclub on Oxford Street.
The clash of new imported Soul, Funk and Jazz music coming out in the USA and
being shared with a fresh new audience in clubs like Rafters Manchester,
Chaplains Birmingham, Locarno Birmingham, Rufus Manchester, Cassinellis
Standish Leeds Central and Nottingham Palais was creating a potpourri of music
fashion and dance styles.
I had
started to experiment with the jazzier side of dance tracks at Blackpool Mecca
in around 1976 with artists like Patrice Rushen, Bill Summers, Azar Lawrence,
Charles Earland, Johnny Hammond, Donald Byrd etc, all artists I had discovered
using the inner sleeves of Blue Note, Fantasy, Prestige and Mercury labels. As
a collector of all styles of black music including Soul, Funk and Jazz my
interest was being drawn more to albums and particularly Jazz albums as my
brain, as proven with 60’s and 70’s soul, had an unquenchable appetite for
knowledge and unearthing new music. I was thriving on searching out more of
this amalgamation of Jazz styles adding fusion, percussion, vocals and tempo to
this burgeoning genre.
As the Jazz
room identity increased within this environment for me Birmingham, Nottingham,
Leeds, Manchester all became prominent in their enthusiasm for Jazz Dance. The
fashion, passion and dance began to take on almost a religious aura combined
with the unique camaraderie and respect. Out of this grew a passion amongst
certain dj’s in the midlands and the north of England to start digging a lot
deeper for music in the Jazz Fusion / Dance category. Baz Fe Jazz, Chris Reed,
Shaun Williams, Simon Mansell, Jonathan Woodliffe, Paul Murphy, Eric &
Floyd, Hewan Clarke and many others were willing to push the barriers. This
Jazz Dance explosion spread across the country with Dj’s like Dr Bob Jones,
Colin Parnell & Boo Sylvester adding to the London connection via clubs
like The Electric Ballroom and The Horseshoe. This scene thrived for me
featuring club nights devoted to Jazz Dance and an increase of Jazz rooms and
Jazz breaks on the AllDayer circuits drawing in both interest in the music and
the voyeurism of watching the dancers and their individual interpretations.
So this compilation
acts as an introduction to this electric, cool and uplifting music that was
affecting so many enthusiastic dancers and Dj / collectors. All the tracks on
here are taken from one of the most prolific and emerging labels for this genre
Muse Records that offered the complete spectrum of styles to fit in with this
emerging scene crossing over with Jazz Fusion, Be Bop, vocals, electric
keyboards, and percussion.
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