Tuesday, February 20, 2018



Sensitive storytelling, in the opinion of many, is the most significant test of a singer. If that is the case, then a song has found a friend in Robin Grant. A native of Chattanooga TN, Robin has been delighting local audiences for many years. With the upcoming radio release of her first CD, 'Good Girls' there's no doubt she is about to garner international acclaim. Good Girls is a collection of original jazz songs reminscent of the all-time great standards but with a modern flair. Robin's soulful stylings may take her listeners back to the great Tinpan Alley days of the 1920's 30's and 40's, but it's with an edgy delivery and sizzle that resonates with the youthful in body & spirit. Her live shows showcase her flaming vocals  throughout her diverse repertoire of all-time-favorites mixed with her popular original compositions. Robin began her music career at an early age. She developed her performance ability through classical training, by earning her degree in Vocal Performance and by embracing musical theater.  She later transitioned into jazz with the help of her mentor, bassist Wilfred Middlebrooks. Middlebrooks is also a native of Chattanooga and toured for many years with Ella Fitzgerald. Robin's meticulously phrased singing and controlled but inescapable intensity is supported by her talented band, The Standard. Over and over they have proven their ability to captivate and move any audience.


A new release from jazz visionary Jan Sturiale entitled "Roadmaps" which features 6 original songs performed by an outstanding band. "It was a privilege working with pianist Marko Churnchectz, saxophone player Jure Pukl and Miha Koren and Klemens Marktl as rhythm section. We recorded all my new music in 1 day at the Bunker Studios in Brooklyn, N.Y. a fantastic studio owned by John Davis. The record has been mastered by Alex De Turk at Strange Weather studio in Brooklyn. I started playing with Jure back in 2011 and we did lot of gigs together in these years so I decided to put together a band with him and go into the studio. I wrote a few new compositions and adding a few covers we've played live. I'm talking about Peter Gabriel's Mercy Street and Frank Zappa's Blessed Relief. For me music it's all about enviroment and creating relationship with other musicians...it's a huge aspect that's why I try to stay as active as possibile and challenge my self as much as I can. The record is out from December 23rd 2017 on all digital sellers." - Jan Sturiale


Recognized as “one of the most prolific cultural influencers to come out of Nashville” (Bright Revolution), Grammy® award-winning record producer Charlie Peacock adds another chapter to his diverse musical story – When Light Flashes, his 4th jazz recording (2/16/18). The album features saxophonist Jeff Coffin (Dave Matthews Band, Bela Fleck & The Flecktones), Jim Black collaborator Hilmar Jensson on guitar, bassist Felix Pastorius, drummer Ben Perowsky and trumpeter Matthew White. As the sonic architect behind best-selling music duo The Civil Wars, Peacock is largely known for his deft and moving productions, including “Misery Chain” by the late Chris Cornell from the soundtrack of Twelve Years a Slave and “Hush,” the title theme to the AMC drama Turn: Washington’s Spies featuring Joy Williams and The National’s Matt Berninger. Peacock’s special guests on When Light Flashes include Nashville neighbors Jeff Taylor on accordion (The Time Jumpers, Elvis Costello), fiddler/mandolinist Andy Leftwich (Ricky Skaggs) and A-Team session phenom Jerry McPherson on electric guitar. Bassists Matt Wigton and Scott Mulvahill, synthesist Tony Miracle and drummer Jordan Perlson also contribute. In honor of his northern California roots, When Light Flashes includes a Peacock composition titled “Automatt” dedicated to producer David Rubinson and pianist Herbie Hancock. The Automatt was a Rubinson-owned studio in San Francisco where Hancock was based for several years. Peacock gives a nod to his mid-south Nashville roots, too, with “Wendell Berry in the Fields at Night,” a tribute to the celebrated southern agrarian-poet of the same name. Six more songs round out the collection including two covers, “Still Water” by Daniel Lanois and “Masters of War” by Bob Dylan.

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