On February 16, Craft Recordings will release a deluxe edition of one of the most iconic and enduring records in jazz. Celebrating the 60th anniversary of the recording session in 2017 and the 60th anniversary of the first stereo release of the album in 2018, Way Out West, alongside Saxophone Colossus, cements Sonny Rollins’ status as one of the top tenor saxophonists of all-time. This meticulously compiled package pays appropriate tribute to the importance of the landmark recording with an audiophile-quality pressing of the original album and a second LP of bonus material featuring rare and previously unreleased tracks from the legendary 3 A.M. session with bassist Ray Brown and drummer Shelly Manne. Both records are pressed at Quality Record Pressings (QRP) on 180-gram vinyl from lacquers cut by George Horn at Fantasy Studios. GRAMMY® Award-winning writer Neil Tesser contributes liner notes, which include excerpts from a recent interview he conducted with Rollins especially for this release. Rare photos by famed jazz photographer William Claxton round out the collection, which comes housed in a handsome, hinged box. More info below on the album and Rollins.
Way Out West (Deluxe Edition) will also be available at streaming outlets, mastered for iTunes, and in Hi-Res digital (96/24 and 192/24) on street date. Pre-order Way Out West (Deluxe Edition) on Amazon.
Disc One - Original Way Out West Album
A1. I’m an Old Cowhand
A3. Come, Gone
B1. Wagon Wheels
B2. There Is No Greater Love
B3. Way Out West
Disc Two - Bonus Tracks from the Way Out West Recording Session
A1. Monologue: You Gotta Dig the Lyrics (previously unreleased)
A2. I’m An Old Cowhand (alternate version)
A3. Dialogue: Titling “Come, Gone” (previously unreleased)
A4. Come, Gone (alternate version)
B1. There Is No Greater Love (alternate version, previously unreleased)
B2. Way Out West (take 1, previously unreleased)
B3. Way Out West (alternate version)
Over his long and distinguished career, Sonny Rollins has made many dozens of albums. Among those recorded during the ’50s -- Prestige's Saxophone Colossus, Blue Note's A Night at the Village Vanguard, Riverside's The Sound of Sonny and especially Way Out West, originally recorded for the Contemporary label -- qualify as all-time Rollins classics. The session for Way Out West, Rollins' first-ever in California, was called for at 3 a.m. to accommodate personnel's busy schedules and included bassist Ray Brown and drummer Shelly Manne. Sonny, who could never be accused of overstatement, announced after four hours of recording, “I’m hot now.” What transpired on the date was nothing less than magic, with Brown and Manne effortlessly supporting Rollins and pushing him to new peaks on “I'm an Old Cowhand,” "Way out West,” “There Is No Greater Love” and “Come, Gone,” the latter a cookin’ take on the timeless ballad “After You’ve Gone.” This deluxe edition celebrates this landmark album in Rollins’ career with a full second LP of rare and previously unreleased bonus material, deluxe packaging, new liner notes by Grammy®-winning writer Neil Tesser and rare photos by famed jazz photographer William Claxton.
Theodore Walter Rollins was born on September 7, 1930 in New York City. He grew up in Harlem not far from the Savoy Ballroom, the Apollo Theatre and the doorstep of his idol, Coleman Hawkins. After early discovery of Fats Waller and Louis Armstrong, he started out on alto saxophone, inspired by Louis Jordan. At the age of thirteen, he switched to tenor and fell under the spell of the musical revolution that surrounded him, Bebop. He began to follow Charlie Parker, and soon came under the wing of Thelonious Monk, who became his musical mentor and guru. Sonny quickly separated himself from the pack, working and recording with Babs Gonzales, J.J. Johnson, Bud Powell and Miles Davis before he turned twenty. “Of course, these people are there to be called on because I think I represent them in a way,” Rollins said recently of his peers and mentors. “They’re not here now so I feel like I’m sort of representing all of them, all of the guys. Remember, I’m one of the last guys left, as I’m constantly being told, so I feel a holy obligation sometimes to evoke these people.”
Rollins throughout his long and decorated career released a series of landmark recordings, several of which would change the shape of jazz: “Valse Hot” introduced the practice, now common, of playing bop in 3/4 meter; “St. Thomas” initiated his explorations of calypso patterns; and “Blue 7” was hailed by Gunther Schuller as demonstrating a new manner of “thematic improvisation,” in which the soloist develops motifs extracted from his theme. Way Out West (1957), Rollins’ first album using a trio of saxophone, double bass and drums, offered a solution to his longstanding difficulties with incompatible pianists. During the years 1956 to 1958, Rollins was widely regarded as the most talented and innovative tenor saxophonist in jazz.
He has since gone on to win numerous awards, including his first performance GRAMMY for This Is What I Do (2000), and his second for 2004’s Without a Song (The 9/11 Concert), in the Best Jazz Instrumental Solo category (for “Why Was I Born”). In addition, Sonny received a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 2004. His continued advocacy for jazz music has earned him recognition of the highest order throughout his exemplary career, including induction into the Academy of Achievement (2006), the Austrian Cross of Honor for Science and Art, First Class (2009), membership in the American Academy of Arts and Sciences (2010), the Edward MacDowell Medal (2010) and the Medal of Arts (2011), which was bestowed upon him by President Barack Obama in a White House ceremony. Rollins accepted the award, the nation’s highest honor for artistic excellence, “on behalf of the gods of our music.”
On December 3, 2011, Sonny Rollins received Kennedy Center honors, alongside actress Meryl Streep, singer Barbara Cook, singer/songwriter Neil Diamond and cellist Yo-Yo Ma. Rollins said of the honor, “I am deeply appreciative of this great honor. In honoring me, the Kennedy Center honors jazz, America’s classical music. For that, I am very grateful.”