There’s an epic soundclash taking place North of the Border.
Toronto-based group the Battle of Santiago combines classic Afro-Cuban rhythms
and vocals with a distinctly Canadian post-rock spirit and sensibility. The
result is a wholly unique sound that tells a universal 21st Century story,
transcending borders while staying rooted in one city’s immigrant experience.
“There are a couple of different Battles of Santiago’s to
choose from,” explains the group’s founder Michael Owen. “There were a few in
Cuba, mostly during the Spanish-American War, and there was even an infamous
World Cup match in Chile that’s been given the name, too. So you can take your
pick. We liked that ambiguity. It reflects how our music can change and take on
different vibes. The name also implies some kind of soundclash, which works for
us since the band has both a Latino and non-Latino section, and that dynamic
can create a really exciting creative tension.”
While Canada is well-known for its thriving indie rock and
electronic scenes, with acts as diverse as Grimes and God Speed You Black
Emperor, the country is seldom thought of as a Latin music hotbed. But Toronto
hosts many thriving immigrant communities — including one of the largest Cuban
expat communities in North America — and the Battle of Santiago is strongly
rooted in the city’s wealth of Cuban musical talent.
“The group has always had a strong Afro-Cuban base,” Owen
explains. “In the beginning we had a much more pan-Latin mix, with members from
Chile, Venezuela and Mexico. But as the band evolved we added more and more
Cuban members until we reached a critical mass, and our sound has taken on a
much stronger Cuban flavour as a result.”
Founded in 2011, The Battle of Santiago has been marked by
this restless, transnational experimentalism since the beginning. The group has
evolved from an exploration of experimental rock grounded in drummer-less Latin
percussion, to an instrumental groove machine, to the tight Afro-Cuban
post-rock outfit that it is today.
That evolution can be heard on the band’s two full-length
albums, 2012’s Full Colour and 2013’sFollowed by Thousands. Now, with the
addition of vocals, the Battle of Santiago is poised to break new ground in
2016 with their new EP.
Set for a 2016 release on the band’s own Made With Pencil
Crayons label, this EP release dives deep into Afro-Cuban waters, mixing
Afro-Cuban Yourba chants with subtle electronica (“Barasu-Ayo”) and rumbas with
post-rock experimentalism (“Asi Vengo Yo”). The sound is more than just
Radiohead meets Irakere, though: there’s cumbia tinged with dub (“Cimmaron”),
anthemic Latin rock (“Pa Bailar”) and even the smooth funk of “Complica”.
The Battle of Santiago doesn’t skimp on their live show,
either. Their Revolucion Perpetua multimedia show, developed with chilean-born
artist/designer Patricio Davila,
integrates digital visual art, live musical performance and audience
interaction. The result is a one-of-a-kind organic audio / visual installation
not to be missed.
US Tour Dates:
July 7 @ ArtsRoit, Burlington, VT
July 8 @ Rockwood Music Hall, NYC, NY
July 9 @ Joe Pub, NYC, NY
Facebook - www.facebook.com/thebattleofsantiago
Twitter - www.twitter.com/Battle_Santiago
Soundcloud - soundcloud.com/the-battle-of-santiago
Bandcamp - http://thebattleofsantiago.bandcamp.com/
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