At a time when jazz bandleaders from across the musical and
generational spectrums regularly lament the difficulty of keeping a band
together, it's all the more remarkable that a supergroup like One For All has
stuck it out for twenty years. But the impeccably swinging sextet, made up of
some of the most in-demand players in modern jazz, is not just celebrating past
achievements but charging forward into the future. The title of their latest
album, The Third Decade, sounds a confident note marking the dawn of the band's
next chapter.
"We're very optimistic," says pianist David
Hazeltine. "We're all serious musicians who are dedicated to preserving
that swinging feeling, so this band will always be together."
One For All's 16th release is its first in five years and
the first in its history to feature original compositions by all six members.
The Third Decade, available now via Smoke Sessions Records, brings together
once again tenor saxophonist Eric Alexander, trumpeter Jim Rotondi, trombonist
Steve Davis, pianist David Hazeltine, bassist John Webber, and drummer Joe
Farnsworth. As always, the fiery and soulful musicianship is only matched by
the warmth and spirit that results from a lifetime of musical friendships.
That camaraderie is captured by the band's name, which was
taken from the final studio album by Art Blakey's Jazz Messengers; which itself
featured a title track penned by Davis. The band was thus founded with a sense
of continuity with the past along with the focus on torch-passing renewal that
Blakey always expounded.
As Alexander puts it, "It was always our goal to write
and arrange music in such a way that we didn't sound like a cover band for Art
Blakey or Horace Silver or any of the other classic sextets that have made such
indelible marks on modern jazz music. I think we've done a good job of
achieving that objective. One For All has brought out aspects of each of our
musical personalities that we didn't know we had, or at least that we hadn't
explored in a very in-depth way prior to the band's founding."
The release of The Third Decade on the Smoke Sessions label
is also a significant homecoming for the sextet, which initially came together
on the stage of Smoke's predecessor, Augie's. Smoke has remained an important
hub for the band since, as well as being the site for the recording of its 2001
release Live at Smoke.
"The Third Decade" was recorded live in New York
at Sear Sound's Studio C
on a Sear-Avalon custom console at 96KHz/24bit and mixed to ½"
analog tape
using a Studer mastering deck. Available in audiophile HD
format.
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