Lampen Announces New Album 'Halogen' – A Deep Sonic Journey into Contemporary Jazz

Finnish duo Lampen is set to release their highly anticipated second album, Halogen, on September 20, 2024, via We Jazz Records. The pair, consisting of Kalle Kalima on guitar and Tatu Rönkkö on percussion and sampler, crafts a sound that transcends conventional boundaries. With bases in both Helsinki and Berlin—where Kalima resides—their music effortlessly bridges the two cities, drawing from a vast array of influences.

Lampen's sound is often compared to the wide, meditative landscapes of Earth and The Necks, but it charts its own path, carving out a unique space in contemporary jazz. Their music delves into deep, meditative territory, combining elements that extend well beyond the jazz genre. This results in a subtly intense, low-key sonic experience where ideas unfold naturally over time, allowing for unexpected yet cohesive moments of musical eruption.

The duo is set to bring Halogen to audiences on tour, including a performance at the We Jazz Festival in Helsinki, where they’ll share the stage with the legendary The Necks.

Halogen will be available in both LP and digital formats, offering a chance to experience Lampen's captivating fusion of meditative, post-jazz elements. Be sure to catch the album and the duo on tour this fall.

Release Date: September 20, 2024

Label: We Jazz Records

Format: LP / Digital

Tags: jazz / post-jazz / meditative / deep

Record Store Day 2025: A Trio of Essential Releases from Far Out Recordings

                 

Record Store Day 2025 is shaping up to be a monumental occasion for vinyl collectors, with a series of exclusive releases that are sure to excite music lovers across the globe. Far Out Recordings, renowned for its commitment to preserving and celebrating some of the finest global grooves, is offering three exceptional releases that span diverse genres and musical eras. From Brazilian bossa nova to cosmic disco and sophisticated Italian library music, these limited edition records represent some of the most exciting and essential releases of the year.

Sabrina Malheiros - Equilibria (Limited Edition Gold Vinyl) Release Date: 12th April 2025 | Format: Vinyl LP (Gold Colour Vinyl) | Cat No: FARO092LPX

Sabrina Malheiros’ debut album Equilibria is a timeless masterpiece that captures the essence of Brazil’s musical soul. Originally released in 2005, Equilibria earned immediate acclaim and launched Sabrina, the daughter of legendary Azymuth bassist Alex Malheiros, into international stardom. Now, in celebration of its 20th anniversary, the album will see its first-ever vinyl pressing, available exclusively for Record Store Day 2025 in a stunning limited edition gold vinyl.

Equilibria blends traditional Brazilian samba and bossa nova with modern production, thanks to the impeccable touch of Far Out mainstay Daniel Maunick. The album features some of Brazil's finest musicians, including members of Azymuth, alongside Jean-Paul ‘Bluey’ Maunick, the frontman of the influential band Incognito. A beautifully crafted album, Equilibria offers a perfect fusion of classic Brazilian songwriting and contemporary production, transporting listeners into a world of elegant rhythms and hypnotic melodies. As one reviewer described it, the album is “guaranteed to turn your limbs to liquid… Prepare to be swept away.”

This first-ever vinyl pressing of Equilibria is a must-have for both collectors and newcomers alike, capturing a pivotal moment in modern Brazilian music.

Far Out Monster Disco Orchestra - Black Sun (Joe Claussell Remixes) Release Date: 12th April 2025 | Format: Vinyl 12” | Cat No: FOMDO16

For fans of disco, house, and dance music, Black Sun (Joe Claussell Remixes) is set to be a highlight of Record Store Day 2025. New York house music hero Joe Claussell takes on the Far Out Monster Disco Orchestra’s iconic Black Sun album, transforming the track into an emotionally charged and ecstatic odyssey.

Claussell’s remix is a testament to his deep understanding of dance music’s spiritual power. By reworking the title track, he elevates the already powerful vocal performance of Heidi Vogel to new heights, creating a mesmerizing, otherworldly vibe that is bound to light up dance floors. Known for his ability to mix deep, soulful rhythms with a trance-like atmosphere, Claussell’s remix of Black Sun is an expansive and immersive experience, delivering a truly transcendent journey for the listener.

This exclusive Record Store Day 12” pressing offers a fresh and exciting perspective on the Far Out Monster Disco Orchestra's legacy, making it a must-have for fans of Claussell’s work and the broader disco and house music scene.

Alessandroni e Il Suo Complesso – L'Ora del Cocktail (Record Store Day Reissue)Release Date: 12th April 2025 | Format: Vinyl LP | Cat No: FARLIB001

Far Out Recordings is also bringing back a rare gem from Italy’s golden age of library music with a special reissue of L’Ora del Cocktail by Alessandro Alessandroni. Originally released in the 1970s, this album is a sonic masterpiece that encapsulates the elegance of mid-century cocktail culture. Alessandroni, best known for his collaborations with Ennio Morricone on Spaghetti Western soundtracks, channels his signature flair for melody and innovative arrangement on this stunning album.

Blending elements of jazz, bossa nova, and lounge music, L’Ora del Cocktail is a sophisticated, mood-setting collection that highlights Alessandroni’s exceptional musicianship, particularly his guitar, piano, and mandolincello performances. The album features his iconic wordless vocal arrangements and lush orchestration, transporting listeners to a cosmopolitan world of cocktail parties, smoky jazz bars, and lounge rooms filled with cool elegance.

For the Record Store Day 2025 release, L’Ora del Cocktail has been remastered from the original tapes, offering crystal-clear fidelity while maintaining the warm, analog charm of the original pressing. This reissue is a must-have for collectors of soundtrack music, library music aficionados, and anyone who appreciates timeless lounge grooves.

Far Out Recordings’ trio of Record Store Day 2025 releases represents a thrilling cross-section of global sounds, from the sophisticated rhythms of Sabrina Malheiros’ Equilibria to the cosmic grooves of Joe Claussell’s Black Sun remixes, and the lush, jazz-inflected charm of Alessandro Alessandroni’s L’Ora del Cocktail. With limited edition pressings, stunning remastering, and the ability to transcend time and place, these records are essential for any vinyl enthusiast looking to enrich their collection.

Be sure to mark your calendars for 12th April 2025, and head to participating stores to secure your copies of these unmissable releases.

Brian Culbertson Announces Release of The Trilogy Tour Live Audio CD

Mid-March 2025 will see the highly anticipated release of The Trilogy Tour Live Audio CD from renowned jazz artist Brian Culbertson. This new product allows fans to experience the magic of Culbertson’s live performances, featuring music from his captivating concert tour. While the audio CD excludes the 4K Ultra HD + Blu-ray video content, it offers an immersive, high-quality listening experience from one of the most dynamic artists in contemporary jazz.

Culbertson, known for his masterful ability to blend jazz, funk, and R&B, brings a special energy to his live shows, and this audio CD captures the essence of his The Trilogy Tour. The two-disc set showcases a selection of fan-favorite tracks as well as newer compositions that have become highlights of his performances.

Disc 1: A Journey of Emotion and Groove

The first disc opens with the tranquil "Prelude," setting the stage for a night filled with rhythmic magic. From there, Culbertson takes listeners on an emotional and musical journey, with standout tracks like "Stars" and "Summer Hideaway." These tracks perfectly blend smooth jazz with rich melodies, showcasing Culbertson’s signature style. "The Hangout" and "Sandcastles" exude a relaxed, feel-good energy, while "Time Flies" brings a sense of urgency and excitement to the album.

The first half of the CD concludes with "Feel The Love" and "Let’s Go," which bring the energy of the live concert to life, capturing the enthusiastic atmosphere and groove-filled rhythms that have become synonymous with Culbertson’s shows. “Always Remember” adds a deeper, reflective tone, leaving listeners with a sense of warmth and nostalgia.

Disc 2: Funk, Romance, and Heartfelt Moments

Disc 2 kicks off with "Eyes Closed," a track that introduces a slightly more introspective vibe before building to the joyful "Dance With Me Tonight." It’s evident that Culbertson’s musical diversity continues to shine through, effortlessly moving between styles and emotions. "A Love Lost" brings a heartfelt touch, followed by "You Are My Everything," a tender tribute to love and connection.

The infectious rhythm of "Colors Of Love" brings the energy back up, paving the way for the funky "Funkin’ Like My Father," which channels a celebratory, danceable spirit. "Play That Funky Music" takes the energy even higher, with a vibrant, funky groove that’s impossible to ignore. The disc and album close with a reprise of "Stars," bringing the entire concert experience full circle and leaving fans satisfied with a sense of musical completeness.

A Celebration of Brian Culbertson’s Legacy

The Trilogy Tour Live Audio CD is a testament to Brian Culbertson’s unwavering commitment to his craft and his ability to connect with his audience through his music. It’s more than just a collection of live tracks; it’s a carefully curated experience that captures the essence of his dynamic performances. With a mix of funk, jazz, romance, and groove, this album is sure to resonate with both long-time fans and newcomers to his music.

For those who missed out on seeing The Trilogy Tour in person or simply want to relive the magic, this audio CD offers a chance to bring that live concert energy into your own home.

Adrian Galante to Release Debut Album Introducing Adrian Galante on April 25

Australian-born clarinetist Adrian Galante is set to captivate jazz audiences worldwide with his debut album, Introducing Adrian Galante (Zoho Music), releasing on April 25. The 28-year-old talent joins an exceptional Los Angeles-based quintet featuring pianist Tamir Hendelman, guitarist Larry Koonse, bassist Alex Frank, and drummer Joe LaBarbera, on a collection of eight timeless pieces from the Great American Songbook.

Despite the clarinet being a less commonly featured instrument in modern jazz, Galante has embraced its most influential voices and combined them with his own unique approach. Drawing inspiration from the jazz vocal tradition, Galante likens his intimate clarinet sound to how Bing Crosby revolutionized vocal delivery. "I remember hearing Tony Bennett talk about how Crosby’s closeness to the microphone created a more intimate sound," Galante explains. "I like to approach the clarinet in the same way."

This connection to vocal intimacy shines through in his music, where he masterfully navigates a wide emotional range. As music critic Will Friedwald points out in the album’s liner notes, “When most musicians play a song, they’re content to play only the music. Adrian, however, plays the whole song.”

Galante’s deep understanding of his instrument is evident in his renditions of classic jazz songs. On tracks like Cy Coleman and David Zippel’s “With Every Breath I Take,” he brings a touch of melancholy, while his version of Cole Porter’s “It’s Alright with Me” showcases his haunting tone. He also brings a unique twist to Mancini and Bricusse’s “Two for the Road,” using his clarinet to evoke a sense of romance and adventure, while his version of “You’re All the World to Me” showcases his ability to swing with a vibrant and bold edge.

It’s rare to encounter a new jazz musician with such a distinct and fully developed voice—particularly on an instrument like the clarinet. Introducing Adrian Galante marks a promising beginning for a bright future in jazz, earning a place in collections of discerning listeners.

Born in Perth, Western Australia, on October 24, 1996, Galante was raised in a classical music family, with a grandfather who was an opera singer. Though his parents loved pop music, it was jazz’s lively rhythms that caught his attention early on. At age seven, Galante was drawn to the clarinet and started lessons. By 15, he was already performing professionally.

Galante’s musical journey led him to the West Australian Academy of Performing Arts, where his studies eventually took him to New York University’s summer program. In 2022, he made the permanent move to New York, seeking to further his jazz career in the heart of the genre’s scene.

In August 2022, Galante performed with Tamir Hendelman in Seattle, leading to further collaboration. Hendelman recruited top Los Angeles musicians Larry Koonse, Alex Frank, and Joe LaBarbera to join Galante in recording his debut album, with Galante serving as producer.

The result is Introducing Adrian Galante, a stunning introduction to what promises to be a remarkable career for this young clarinetist. To celebrate the album release, Galante will perform at Birdland in New York City on Sunday, June 1, at 5:30 PM.

Carlos Santana Announces Upcoming Retrospective Album ‘Sentient’

Legendary guitarist and multi-Grammy Award winner Carlos Santana has unveiled his upcoming retrospective album, Sentient, set for release on March 28 via Candid Records. Available for pre-order now, the album’s soulful first single, a reimagined version of Smokey Robinson’s “Please Don’t Take Your Love,” is out today.

Sentient features 11 mesmerizing tracks, including three previously unreleased pieces, handpicked by Santana himself. The tracks, remastered and expertly sequenced, come together to reveal a fresh and compelling narrative. “I'm always driven by passion, emotion, and inner instinct,” Santana shares. “When I heard these songs around the house, I thought, ‘Let’s put them all together in one place.’”

The songs on Sentient transcend genre, weaving together pop, cosmic jazz, and everything in between. Collaborations with musical legends like Michael Jackson, Smokey Robinson, Miles Davis, Paolo Rustichelli, Darryl "DMC" McDaniels, and Cindy Blackman Santana highlight the album. “From Stravinsky to James Brown, it’s all the same song,” Santana explains, referencing the unifying theme of humanity and connection that runs through the album.

The first single offers a fresh take on Robinson's classic, with Santana delivering a captivating guitar performance that pairs beautifully with Robinson’s soulful vocals. The new version of the song features a unique guitar interpretation, blending takes to create something special. Santana reflects on the process: "I did my thing in the studio, and Smokey loved both versions, so we combined them. The version on Sentient is the first take."

Additionally, Santana will release a live instrumental cover of Michael Jackson's "Stranger In Moscow" on March 14, recorded with producer Narada Michael Walden’s band in 2007. Santana’s soulful, poetic guitar work shines throughout this unforgettable rendition, capturing the essence of Jackson's haunting ballad.

On March 17, the album’s track “Get On,” a jazz-groove masterpiece featuring Miles Davis and Paolo Rustichelli, will be released to radio for the first time, giving listeners a rare glimpse into this iconic collaboration.

Excited about the project, Grammy-winning executive John Burk comments: “Carlos Santana’s ability to transcend genres and unite artists from all backgrounds is on full display here. This album celebrates his unique musicality and spirit.”

Santana’s Oneness tour will kick off on April 16 at Yaamava’ Resort & Casino in Highland, California, and will visit cities including Phoenix, Albuquerque, and Nashville before heading to Europe in June.

Over five decades, Carlos Santana has revolutionized music, blending Afro-Latin, blues, and rock styles to create a unique sound that resonates across generations. With ten Grammy Awards, three Latin Grammys, and induction into the Rock and Roll Hall of Fame, Santana’s legacy continues to evolve. His recent works include collaborations with Rob Thomas, Chris Stapleton, and Steve Winwood, and his 2023 documentary, Carlos, is now available to stream worldwide.

Paul Taylor to Release New Album "It's A Brand New Day" on February 28, 2025

On February 28, 2025, saxophonist Paul Taylor will release his highly anticipated new album It's A Brand New Day via Shanachie Entertainment. The album marks Taylor’s thirteenth studio release as a leader, a milestone he embraces with both excitement and a sense of new beginnings. The number thirteen, often regarded as both unlucky and auspicious, symbolizes the start of a fresh cycle for Taylor. He reflects, “This album in some ways signifies a new cycle for me, as this is my first new recording in three years. The title speaks to my desire to give my fans an optimistic outlook as we approach every brand new day.”

Paul Taylor has enjoyed a remarkable career, earning numerous Billboard #1 hits and collaborating with an array of celebrated artists across multiple genres. His musical partnerships have included Regina Belle, Maxi Priest, Peabo Bryson, Keiko Matsui, The Rippingtons, Peter White, Euge Groove, Michael Lington, Jamie Jones, and Marion Meadows. Taylor's smooth saxophone and undeniable artistry have made him one of the top contemporary jazz saxophonists of his generation.

Taylor’s passion for music began early, when his parents enrolled him in a youth band in his hometown of Denver. It was his band director who, somewhat clairvoyantly, chose the saxophone for him, a decision that would shape Taylor’s destiny. “In the '70s, my first influences were Grover Washington Jr., Earth, Wind & Fire, Patrice Rushen, and Quincy Jones,” Taylor recalls. “Later it was the Brecker Brothers and David Sanborn, but from the very beginning, I wanted to be like Grover Washington Jr. I wanted to record my own music, tour, and be a star in the industry.”

Taylor’s career trajectory has certainly fulfilled that childhood dream. He is now widely regarded as one of the most accomplished and beloved saxophonists in contemporary jazz. “I simply love creating and making my own music. I am the happiest when I am doing just this. It never gets old,” Taylor shares.

Danny Weiss, Vice President of Jazz A&R at Shanachie, praises Taylor’s artistry: “I’ve been an admirer of Paul’s brilliant work dating back to his very first recordings. His superb tone and phrasing are second to none. Paul Taylor is a true icon whose status is well deserved.”

As It’s A Brand New Day prepares to make its debut, Taylor reflects on his long-lasting career with gratitude: “I am grateful for my fans, and I’m blessed to be playing music for as long as I have. It’s incredible to have a career where I get to work on my craft every day.”

Paul Taylor is a renowned contemporary jazz saxophonist whose career spans more than three decades. A native of Denver, Taylor’s early influences were rooted in the sounds of Grover Washington Jr. and the iconic bands of the '70s. Throughout his career, Taylor has released multiple albums, many of which have topped the Billboard charts. His collaborations have crossed genres, working with artists such as Regina Belle, Peabo Bryson, and The Rippingtons. Known for his rich tone, smooth phrasing, and emotional depth, Taylor continues to inspire fans around the world with his music and dedication to his craft.

Bob James and Dave Koz Announce “Just Us” Album and Spring Tour

Two of instrumental music’s most iconic figures, Bob James and Dave Koz, will be embarking on a U.S. tour this spring in support of their upcoming duet album, Just Us, set for release on March 7 via Just Koz Entertainment. The “Just Us” tour will feature an intimate performance of piano and saxophone, showcasing the raw, acoustic beauty of their collaboration. The tour kicks off in James’s hometown of Traverse City, MI, on March 13 at The Alluvion and will include a performance at Lincoln Center in New York City on March 20, wrapping up on April 1 at Seattle’s Jazz Alley. See full tour itinerary below.

The album was recorded in Traverse City, MI, where James and Koz stripped away all the bells and whistles of a traditional studio setting, leaving only the purest form of music: just the piano and saxophone. Koz, known for his smooth saxophone stylings and mastery of contemporary jazz, shared his enthusiasm about the project: “Recording this album with Bob James was one of the greatest life (and music) experiences for me – I learned so much from this treasure of a man. This duet project is just acoustic piano and saxophone, in all their raw beauty. Talk about being vulnerable! But with Bob at the piano, all concern goes away…like playing on a bed of clouds. I can’t wait to perform these songs with him in front of a live audience.”

James, a jazz legend and influential figure in instrumental music, also reflected on the experience: “This is a totally unplugged and, as partner Dave points out, vulnerable set. Both he and I have had the good fortune to record many times with great rhythm sections and sophisticated production. This time out all that is stripped away, and it’s just us. We hope the intimacy of these musical one-to-one conversations conveys the spirit we both felt. It was a unique opportunity for me to collaborate and be inspired by the passionate romanticism of my duo partner.”

Bob James is a Grammy-winning pianist, composer, and arranger known for his groundbreaking work in jazz and smooth jazz. His influence on the genre has been far-reaching, with over 30 albums to his name. James is renowned for his distinctive blend of jazz, classical, and R&B, and he has collaborated with an impressive roster of artists, including Grover Washington Jr., Earl Klugh, and David Sanborn. His composition Angela, the theme song for the television show Taxi, remains one of his signature pieces. James’s music has shaped the sound of contemporary jazz, earning him both commercial and critical acclaim.

Dave Koz is a celebrated saxophonist and one of the defining figures of contemporary jazz. Known for his smooth, melodic playing, Koz has released over a dozen albums and earned multiple Grammy nominations throughout his career. His collaborations with top artists such as Luther Vandross, Barry White, and Kenny Loggins have further solidified his status as one of the genre's most beloved performers. Koz's warm, expressive sound has made him a favorite on the contemporary jazz scene, and his tours have reached audiences worldwide.

"Just Us" Tour Dates:

3/13 – Traverse City, MI – The Alluvion

3/15 – Mesa, AZ – Mesa Arts Center

3/20 – New York, NY – Lincoln Center

3/22 – Chicago, IL – Studebaker Theatre

3/25 – Minneapolis, MN – The Parkway

4/1 – Seattle, WA – Jazz Alley

Greg Manning Launches EQuity Records to Spotlight Unsung Sidemen, Starting with Patches Stewart’s "Soul Serenade"

After ten years of touring the globe as a keyboardist for GRAMMY® winners, nominees, and Billboard chart-toppers, Greg Manning made the bold transition from sideman to solo artist and producer. Having crafted over a dozen Billboard No. 1 hits and contributed to two GRAMMY-nominated albums, Manning has now turned his focus to empowering fellow sidemen and sidewomen with his new indie label, EQuity Records. Launched on Valentine’s Day, the label’s debut single is trumpeter Patches Stewart’s “Soul Serenade,” which Manning co-wrote and produced. The jazzy, midtempo instrumental groove debuted as the No. 1 most added new single on the Smooth Jazz Network chart.

EQuity Records is Manning’s way of giving long-time sidemen like Stewart, who has played with legends like Quincy Jones and Al Jarreau, the opportunity to shine as solo artists. Manning’s own chart success, including his recent No. 1 hit “Patches’ Groove” for guitarist Les Sabler, aligns serendipitously with Stewart’s single release.

In addition to Stewart, Manning’s label is also home to new artists like Japanese saxophonist Wakana and harmonica player Patrick Bettison, with their debut releases expected later this year. Manning, a Berklee College of Music alumnus born in Nigeria and raised in Switzerland, has extensive international experience, having toured with notable artists such as Kirk Whalum and Will Downing. His own recording career began with the 2010 album The Calling, and his work has earned multiple Billboard No. 1 hits, including for Blake Aaron, Cindy Bradley, and Herb Alpert.

Manning’s enthusiasm for EQuity Records is evident: “I’m excited to start this new chapter and expand the boundaries of contemporary jazz while giving artists the freedom to explore their creativity.”

"On View At The Five Spot Café" – The Complete 1959 Kenny Burrell Masters

Announcing the April 11 release of On View At The Five Spot Café: The Complete Masters, a special Tone Poet Vinyl Edition of guitarist Kenny Burrell’s 1959 hard bop summit with drummer Art Blakey. The expanded 3-LP, 2-CD & digital sets present the complete recorded performances for the first time in any format including 6 previously unissued tracks.

Burrell had already achieved rising star status with several stellar Blue Note albums to his name when he entered the storied NYC jazz club The Five Spot Café on August 25, 1959, for his first live recording date as a leader. The band Burrell assembled for the gig was stacked with top talent: Blakey on drums, Tina Brooks on tenor saxophone, Roland Hanna & Bobby Timmons on piano & Ben Tucker on bass. The mood was relaxed & soulful, but the music was red hot & the grooves were deep on that steamy summer evening of hard bop bliss.

Kenny Burrell is an influential American jazz guitarist, composer, and educator, widely recognized for his smooth, melodic playing and his mastery of a variety of jazz styles. Born on July 31, 1931, in Detroit, Michigan, Burrell grew up in a musically rich environment and was exposed to jazz at an early age. He began his formal study of music at the University of Detroit and later continued his education at the Manhattan School of Music.

Burrell’s career took off in the 1950s, where he became known for his unique blend of swing, bebop, blues, and Latin influences. He played with a number of jazz greats, including Miles Davis, John Coltrane, and Jimmy Smith, and was a prominent figure in the jazz world. His 1956 album Kenny Burrell and John Coltrane is a landmark collaboration that showcases his ability to blend effortlessly with other musicians while maintaining his distinct sound.

As a recording artist, Burrell is known for a large body of work, with his guitar style being smooth yet expressive, often rich with soulful bluesy licks. His tone is warm and rich, and his improvisational ability is noted for its sophistication and subtlety. Burrell has released a number of albums as a bandleader, including Midnight Blue (1963), which is considered one of his signature albums.

In addition to his performance career, Burrell is also a respected educator. He has taught at the University of California, Los Angeles (UCLA), where he is a professor in the music department, and has contributed to the development of jazz education through his lectures and workshops. His influence as a teacher is seen in his impact on generations of guitarists who follow his approach to jazz and improvisation.

Throughout his career, Burrell has received numerous accolades, including a National Endowment for the Arts Jazz Masters award. His contributions to jazz guitar and to the music world at large are immeasurable, and his legacy continues to inspire musicians of all genres.

Reverend Peyton's Big Damn Band Unveils New Album "Honeysuckle" Set for February 21, 2025 Release

The new album from Reverend Peyton's Big Damn Band, Honeysuckle, is scheduled for release on February 21, 2025, via Family Owned Records/Amplified Distribution.

Often called "the greatest front-porch blues band in the world," the Big Damn Band is led by Reverend Peyton, who is considered to be the premier finger picker playing today. Rev has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi, to study under such blues masters as T-Model Ford, Robert Belfour, and David "Honeyboy" Edwards. Reverend Peyton is accompanied by his wife, the washboard virtuoso, Washboard Breezy Peyton, and kept on time by the deep rhythms of Jacob "The Snakob" Powell. 

The new record, Honeysuckle, was produced and recorded by Reverend Peyton and mixed by six-time Grammy winner Vance Powell (Chris Stapleton, Jack White). The record features many special guests, including gospel music group The McCrary Sisters on the song "Manger," Blues Music Hall of Famer and Grammy-nominated harmonica player Billy Branch who plays on the Blind Lemon Jefferson song "Nell (Prison Cell Blues)," Grammy award-winning and IBMA's 10-time Fiddle Player of the Year Michael Cleveland plays on "Freeborn Man" and Colton Crawford from The Dead South plays banjo on "The Good Die Young." The album artwork features classic wet plate photography by Bill Steber, the legendary photographer who has documented blues culture in Mississippi for the last 30 years.

"This record is a bit of a return to my roots, a very personal mix of old and new songs that shaped me or that I'm currently shaping. It's the most acoustic record we've made in years, using all vintage equipment: microphones, guitars, and recording gear, and a lot of me and my National guitar. There is a smattering of Big Damn Band thrown into the mix to spice things up, and a short list of legends that I've always dreamed of collaborating with", said Reverend Peyton.

The first single/video, Honeysuckle, features Rev. Peyton solo acoustic on an old National Guitar. The video was shot in beautiful Brown County, IN by Tyler Zoller. The second single is “Looking For A Manger” and the video for this song will be released soon. Here is what Reverend Peyton had to say about the song, “I’m so honored to have my friends, The McCrary Sisters, singing on this song. They truly elevate it beyond what I had dreamed possible. When I was a kid, my Mom told me that sometimes strangers you encounter were angels in disguise. Inspired by that memory, and gospel songs like Blind Willie Johnson’s “Everybody Ought to Treat a Stranger Right,” I built the song up from a riff I had been working on. I had been doing walking bass lines on the low strings while keeping triplets on the high strings. I was so proud that the McCrary Sisters liked the song enough to be a part of it. They certainly sing like angels.”The Big Damn Band is going to be appearing on TalkShop Live Wednesday February 19 at 8PM ET. The internet based platform presents live interviews with artists and the chance for fans to ask questions and buy an autographed Honeysuckle, CD or LP. They have previously featured artists such as Ringo Starr, Dolly Parton, Kane Brown, Ed Sheeran, Kelly Clarkson, Def Leppard and many more. You can tune in here.

TOUR DATES

In Store Performances

• 2/20/25 Landlocked Music Bloomington, IN
• 2/21/25 Indy CD & Vinyl Indianapolis, IN
• 2/22/25 Shake It Record, Cincinnati, OH
• 2/23/25 Vintage Vinyl St. Louis, MO

See The Reverend Peyton's Big Damn Band Live Supporting Gaelic Storm

• 2/28/25 Dekalb, IL Egyptian Theatre
• 3/1/25 Dubuque, IA Diamond Jo Casino Dubuque
• 3/2/25 Northwood, IA Diamond Jo Casino & Hotel
• 3/3/25 Des Moines, IA Hoyt Sherman Place
• 3/5/25 Iowa City, IA The Englert Theatre
• 3/6/25 Omaha, NE Steelhouse Omaha
• 3/7/25 Minneapolis, MN Pantages Theatre
• 3/8/25 Madison, WI The Barrymore Theatre
• 3/9/25 Wassau, WI Grand Theater
• 3/12/25 Milwaukee, WI Pabst Theater
• 3/13/25 Menomonie, WI The Mable Tainter
• 3/14/25 Chicago, IL House of Blues
• 3/15/25 Chicago, IL House of Blues
• 3/16/25 Akron, OH The Goodyear Theater
• 3/23/25 WIlmington, DE The Grand Opera House
• 3/25/25 Harrisburg, PA XL LIVE
• 3/26/25 Northampton, MA Academy of Music Theatre
• 3/27/25 Boston, MA The Wilbur
• 3/28/25 Troy, NY Troy Savings Bank Music Hall
• 3/29/25 Patchogue, NY Patchogue Theatre for the Performing Arts
• 3/30/25 Alexandria, VA The Birchmere

Headlining

• 4/12-13 Clarksdale MS Juke Joint Festival
• 4/24 Lexington, KY Manchester Music Hall
• 4/25 Nashville, TN Exit/In
• 4/26/25 Cookeville, TN Spring Awakening 2025
• 5/2/25 Forest Park, IL Robert's Westside
• 5/3/25 Dubuque, Iowa Vintage Torque Fest
• 8/8 Duluth, MN Bayfront Blues Festival
• 8/23 Morgantown, IN Southern Indiana Blues Festival

European Tour

• 6/5 Bensheim, DE Musiktheater Rex
• 6/6 Karlsruhe, DE Kohi
• 6/7 Oud-Turnhout, BE Goezot in 't Hofke
• 6/8 Schöppingen, DE Grolsch Blues Festival
• 6/9 Raalte, NL Ribs & Blues
• 6/12 Bergen, NO Bergenfest
• 6/13 Lillehammer, NO Hunky Dory
• 6/14 Dokka, NO HÆLJ
• 6/15 Oslo, NO Cosmopolite
• 6/16 Malmö, SWE Annelundsgården
• 6/18 Heilbronn, DE Waldhaus
• 6/19 Düsseldorf, DE The Pitcher
• 6/20 Aschaffenburg, DE Colos Saal
• 6/21 Nijmegen, NL Kids ’n Billies Festival
• 6/22 Stembert, BE Fête de la Musique
• 6/24 Newcastle, UK Cluny
• 6/25 Glasgow, UK Mono
• 6/26 Leeds, UK Brudenell Social Club
• 6/27 London, UK The 100 Club
• 6/28 Norwich, UK Norwich Arts Centre
• 6/29 Sheffield, UK Greystones
• 7/2 Terneuzen, NL Porgy & Bess
• 7/3 Groningen, NL Vera
• 7/4 Rotterdam, NL Rotterdam Bluegrass Festival
• 7/5 Emmen, NL Roots Ribs & Brews

Arthur Thompson’s New Single “I’m Free” Inspires Self-Love and Empowerment Ahead of Debut Album Release

R&B/Jazz vocalist-drummer Arthur Thompson continues his commitment to spreading joy through music and to pay it forward with the release of his new single, “I’m Free.” Released on Valentine’s Day, the invigorating track that began collecting playlist adds on Monday (February 17) serves up an affirmational message of self-love and being unapologetically you. Thompson cowrote the song that he produced with two-time GRAMMY® winner Jon Gilutin. 

“I’m Free” in the fourth single from Thompson’s forthcoming debut album, “Arthurized Volume 1,” which is slated to arrive this summer. Each one of his singles – “Smile,” “We Can BEAT Cancer,” “Oasis,” and now “I’m Free” - has provided a positive, optimistic message with a purpose.

Written by Thompson, Fred Smith, and Jaconell Mouton, “I’m Free” is primarily a sunny instrumental groove riding a rhythm etched by Thompson’s drums and percussion and Kamaal Malak’s bass. Tenor saxophonist Tom Braxton dispenses lyrical leads amidst motivational melodies crafted by Gilutin’s piano and keyboards, David John’s guitar, and happy horn section parts played by the Monkey Fist Horns comprised of Rod Clark (trombone), Dave Johnson (trumpet), and Victor Anderson (saxophone). Thompson croons the choruses with glee in the company of backing vocalist Erin Stevenson.

“I had been going through some personal things that had me depressed and second guessing myself. Through meditation and prayer, I began to break through, and in doing that I was able to see myself, understand my worth and believe that all things are possible if you believe in yourself. ‘I’m Free’ is a self-awareness, feelgood song. It’s about learning to be happy with yourself, learning to walk in your own shoes, being unapologetic about who you are, and the things that you have overcome,” said Thompson, a Tulsa, Oklahoma native who is based in Nashville.

Last year, Thompson reimagined the uplifting “Oasis,” which was a number one hit for Roberta Flack. A single released to benefit and raise money for Breast Cancer Awareness Month, “We Can BEAT Cancer” featured 9-time GRAMMY® nominated saxophonist Dave Koz and Stevenson. Thompson’s second single spent four months on the national chart. His 2023 debut single, “Smile,” featured saxophonist Mindi Abair with whom Thompson regularly tours. The success of the latter two singles led to Thompson being named Breakout Artist of the Year from BEATS Magazine.

Thompson is an in-demand drummer who tours and performs with contemporary jazz luminaries. He’s a mission-based musician who advocates for multiple causes, from mental health awareness to creating educational programs and nonprofit organizations – Where Are You Now, Music & Math; Build a Life, Save A Life Foundation; and Drums Speak - designed to serve children and at-risk youth.

While Thompson continues to assemble the material for “Arthurized Volume 1,” he hopes to empower listeners with the message in “I’m Free.” 

“I hope this song makes you feel good and inspires you to believe in yourself and walk proud.”

 

Takuya Kuroda's EVERYDAY is a Masterful Blend of Modern Jazz, Hip-Hop, and Neo-Soul

Kobe-born, Brooklyn-based trumpeter Takuya Kuroda’s eight studio album, EVERYDAY is a stunning demonstration of his dedication and skill. Since the release of his soulful seventh album , 2022’s Midnight Crisp –– a record praised by PopMatters as a “future classic” –– Kuroda has not missed a beat. In his desire to achieve the “perfect blend of production and organic performance” the 45-year-old musician has continued to throw himself into his practice daily, nearly thirty years into his musical life. EVERYDAY builds on and dives ever deeper into the hip hop and neo-soul elements of his previous work. It is a triumph of genre-blending modern jazz. Kuroda’s playing is sure-footed and pure –– whether on the horn, synth, or Rhodes–– and he virtuosically dances among infectious rhythms of his own creation.

Kuroda’s twenty-one years in the United States have been fruitful. After studying composition at The New School, he began performing  with DJ Premier’s Badder Band, Jose James and Akoya Afrobeat, and has recorded as a sideman and bandleader for records on the likes of Blue Note and Concord. But as Kuroda himself says, “the only way to make the music that I want to make is to work hard, every day.” And so we have EVERYDAY, a title which reflects, as Kuroda puts it, “that simple message.”

There is a certain duality to the title that taps into something profound about this music. “Everyday” of course means both daily and commonplace. While Kuroda’s music is anything but average, there is something about the intrinsic and embedded nature of the day-to-day, the incidental rhythms of life, that is reflected and seductively expounded on here. Kuroda describes the process of recording Everyday like this: “Make tracks at home, bring them to the studio, add or replace sounds, invite musicians, repeat the process to polish the track –– as I hear it.” There is both a no-nonsense work ethic here and also a sort of embeddedness, an everydayness, that Kuroda achieves through this practice which perhaps cannot be accessed if one simply waits to get to the studio to begin work. Kuroda builds, tweaks, plays and polishes until what’s coming through the speakers matches what’s been playing in his head everyday. This is exactly what ensures Kuroda’s skillful synthesis of influences which Dean Van Nguyen noted while reviewing 2020’s Fly Moon Die Soon for Pitchfork. One is left with that sense that Kuroda has been tapping it all out everywhere he goes, drumming his fingers on the diner counter, shuffling his feet along the pathway in the park, manifesting the rhythms of his mind. “Groove,” Kuroda says, “is the foundation for all the tracks on EVERYDAY.”

And atop that strong foundation, brought to life by the energy of David Frazier’s drumming, Kuroda’s shimmering lyricism dances all over EVERYDAY. His trumpet playing pops and weaves and rings on the title track and his melodies are, as he puts it, “singable” –– profoundly so on the album closer, “Curiosity,” on which Kuroda trades trumpet for flugelhorn. Before that, “Bad Bye” is a glittering and classic sounding neo soul effort, featuring a stunning performance from vocalist FiJA. It’s as though Kuroda plucked this track from a dream of Mama’s Gun –– but, unmistakably, it’s Kuroda’s dream and so the song is Kuroda’s, entirely. Likewise with “Iron Giraffe,” in which Kuroda makes space for tenor saxophonist Craig Hill to weave a contemporary reverie of Night Music.

EVERYDAY is hyperaware of a panoply of old ideas and a pantheon of old gods but as Kuroda engages these tropes and personalities day in and day out, he turns it all around in a style that’s undeniably cool and personal. As Pitchfork put it, “Kuroda’s skill is not drawing influence from so many different forms, it’s radiating joy in doing so.” And as Kuroda puts it, “I’m still learning everyday and trying to express myself more clearly in the form of music that I love.” It’s this sterling dedication that makes Takuya Kuroda and EVERYDAY anything but commonplace.

Janiva Magness Announces New Single "Holes" and Tour Dates Ahead of Upcoming Album Back for Me

Janiva Magness is gearing up for the release of her new single "Holes" on February 14th, a collaboration with Grammy-nominated guitarist Sue Foley. Reflecting on the track, Janiva shared, “Careful y’all, this one might hurt… Owww! It’s that shock of finding out the hole we find ourselves in again… is the one we dug ourselves!” The single offers a punchy, groove-driven experience, with Foley's guitar work at the heart of the track’s bold energy.

"Holes" is the first taste of Magness' upcoming album Back for Me, which is set to drop on March 28, 2025 via Blue Élan Records. Produced by long-time collaborator Dave Darling, the album features a dynamic cast of musicians, including ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton. Magness dives deep into a treasure trove of lesser-known songs from artists such as Bill Withers, Ray LaMontagne, and Allen Toussaint, capturing raw, emotional blues with a fresh spin. The album, she says, is a tribute to her love for the B-sides, “there’s a freshness to doing a B-side rather than a well-known hit.”

Janiva Magness has earned a distinguished reputation in the blues world, receiving seven Blues Music Awards, including the prestigious B.B. King Artist of the Year award in 2009. She was also nominated for a Grammy for her 2016 album Love Wins Again. Throughout her career, Janiva has demonstrated a rare combination of powerful vocal delivery and emotionally driven songwriting, which connects deeply with her audience. In 2019, she published her memoir, Weeds Like Us, which explores her traumatic childhood experiences—including the loss of both parents to suicide and her troubled years in the foster care system—alongside the hard-earned triumphs that shaped her career. Her resilience and authenticity have made her a beloved figure in the blues community, and she continues to evolve as an artist with each new project.

To accompany the new album, Magness will be hitting the road with a series of live performances. Check out the upcoming tour dates below to catch her live:

Tour Dates:

• Feb 19: Montreal, Quebec – FAI
• Mar 19: Pawling, NY – Daryl’s House
• Mar 20: Philadelphia, PA – World Café Live
• Mar 21: Rochester, NY – Mountain Stage
• Mar 23: Syracuse, NY – 443 Social Club (SOLD OUT)
• Mar 23: Syracuse, NY – 443 Social Club (Matinee)
• Mar 26: Petaluma, CA – Mustic Theater (Krush on the Road)
• Mar 27: Bakersfield, CA – World Records Live
• Mar 28: San Francisco, CA – Biscuits & Blues
• Mar 29: Santa Monica, CA – McCabe’s
• Apr 2: Seattle, WA – The Triple Door
• Apr 3: New York, NY – Cafe Wha
• Apr 4: Derry, NH – Tupelo Music Hall

Gerardo Frisina Unveils 'Mindoro' - First Track from Upcoming Project 'In Sight' Vol. 1

 Italian Latin jazz maestro Gerardo Frisina is back with a brand-new project, sharing the first track, "Mindoro," from his upcoming double EP In Sight, set for release in 2025. The track, driven by a dynamic percussive groove and infectious energy, showcases Frisina's signature Latin soul with congas evoking the spirit of Giovanni Hidalgo. Cuban trumpeter Gendrickson "Pucci" Mena channels the vibrant style of Arturo Sandoval, while the incisive piano rhythm keeps the dance floor alive. Mindoro promises to be a captivating prelude to the full project.

Gerardo Frisina is an acclaimed Italian jazz musician, composer, and producer, widely recognized for his work that blends jazz with Latin, Afro-Cuban, and world music influences. Born in Italy, Frisina's music spans a wide range of genres, showcasing his deep passion for jazz, traditional rhythms, and electronic elements. He has established himself as a significant figure in the Italian jazz scene, particularly for his innovative fusion of jazz with the vibrant sounds of Latin America.

Frisina’s musical journey began at an early age, and his interest in jazz grew during his studies at the conservatory. Over the years, he developed a distinctive style marked by his ability to integrate various musical traditions into his jazz compositions, creating a sound that resonates globally. His early works, notably his album “Gerardo Frisina” (1997), gained attention for its combination of jazz improvisation with rhythmic Latin elements, capturing the essence of both genres.

As a composer, Frisina’s versatility is evident in his diverse discography, which includes albums such as "Essenza" (2004) and "Ginseng Roots" (2014). His productions blend traditional jazz instrumentation with electronic beats, offering a dynamic sound that appeals to both jazz enthusiasts and a wider audience. His music is often described as warm, rhythmic, and smooth, with a deep respect for traditional jazz while pushing the boundaries of genre.

In addition to his music career, Frisina is known for his work as a producer and a prominent figure in the Italian jazz scene. He has collaborated with various musicians and ensembles, contributing to the growth of jazz culture in Italy and internationally. Through his label, Schema Records, he has been instrumental in bringing innovative sounds to the forefront of the jazz and electronic music scenes.

Gerardo Frisina continues to influence the world of jazz with his boundary-pushing approach, blending cultures, rhythms, and genres in ways that challenge listeners to experience music in new, exciting ways.

Rodney Jordan Pays Tribute to Memphis with "Memphis Blue," Coming March 14th

Rodney Jordan, born and raised in Memphis, the “Home of the Blues,” channels his city’s heritage on Memphis Blue, a deeply personal tribute to the soulful people of Memphis, set for release March 14th via Baxter Music Enterprises. Now residing in Tallahassee, Florida, Jordan is joined by fellow Memphian trumpeter Melvin Jones, along with top-tier collaborators: Louis Heriveaux on piano (Atlanta), Mark Sterbank on saxophone (Charleston), and Quentin E. Baxter on drums (Charleston).

The album includes original compositions by Jordan and Jones, as well as classic standards by Gigi Gryce, Johnny Mercer, and Mulgrew Miller. It captures the flavor and essence of the blues in a fresh and powerful way.

“Memphis Blue isn’t your typical blues album, but if you listen carefully, you’ll find the blues thread woven through every track,” says Jordan. “The optimism we bring to the music embodies the spirit of the blues.”

Jordan’s original compositions offer deep, emotional reflections: Melvin Jones’s “The Storm Will Pass” carries a hopeful mood, while Jordan’s own “Escapatoria” evokes sweetness and yearning. His track “The Art of Blakey” is a soulful celebration. These pieces convey the raw power of the blues, enhanced by a haunting rendition of “Autumn Leaves” that transforms the standard with a Bessie Smith or Robert Johnson-style, deconstructive arrangement.

The album also includes Mulgrew Miller’s “Small Portion,” a composition that infuses Miller’s blues and soul influence, and Gigi Gryce’s “Minority,” which provides ample room for the musicians to express their unique takes on the song.

The essence of Memphis blues, rooted in community, honesty, and plainspoken messages, shines through in this album. Jordan reflects, “We play without pretense. It’s always about the group, and the chemistry between us is something special. This album is a salute to Memphis.”

Jordan’s musical journey began in Memphis, where he played bass in church, participated in the Memphis Youth Symphony, and studied under legendary educators Charles Harris and Emerson Able. He later honed his craft while studying at Jackson State University in Mississippi, where he also became assistant principal bassist for the Mississippi Symphony Orchestra.

Jordan’s diverse education—blending classical music with the experimental spirit of jazz—helped shape his distinctive sound. He later became an educator, leading the string program at Dougherty County (Georgia) Public Schools and playing bass with the Albany Symphony Orchestra. His jazz career blossomed as a freelance bassist in Atlanta.

In 2001, Jordan moved to Tallahassee to join Florida State University’s Jazz Studies program as Professor of Jazz Bass and Coordinator of Jazz and Commercial Music. He became a member of the Marcus Roberts Trio, performing with drummer Jason Marsalis for over 15 years. Jordan also tours regularly with vocalist Rene Marie.

A composer in his own right, Jordan’s most recent work includes The Medgar Evers Suite, a 2024 commission. His debut album, Playing Jazz, was released in 2017, and Memphis Blue marks his second project as a bandleader.

Ultrablue’s “New York Stories” EP: A Soulful, Jazz-Infused Tribute to the Big Apple, Out March 21

New York City, a global hub of commerce, finance, technology, academia, and the arts, teems with millions of people and endless stories. For keyboardist, composer, and producer John Smatla—who records under the name Ultrablue—the city serves as an infinite source of inspiration. Drawing from his own experiences, Smatla has created a six-song EP titled New York Stories, set to release on March 21 via SRS Records. The EP blends contemporary jazz, soulful R&B grooves, Latin rhythms, and vibrant pop sensibilities, offering a musical snapshot of the city’s electric energy.

This marks Ultrablue’s third collection and its first in nineteen years. The EP’s foundation was laid with “Until We’re All Free,” a single released years ago, followed by three others that set the stage for the new project. The fifth single, “The Girl with the Sunflower Tattoo,” will be released on Valentine’s Day, featuring poetic piano melodies and strong, dynamic rhythms. Smatla’s layered instrumentation creates intricate textures and harmonies, with New York City’s energy as a vivid backdrop for the stories within. His piano and keyboard work serve as a guide to his musical journey.

Opening the EP, “New York Story” offers a musical homage to Manhattan’s architecture and mystique, inspired by Smatla’s Cleveland roots. The horn-heavy track, featuring David Mann and the New York Voices, nods to the theme songs of 1960s detective shows composed by Henry Mancini, Quincy Jones, and Oliver Nelson, with a retro twist.

Smatla’s “Until We’re All Free” was written during the social justice protests of 2022, capturing the passion of the movement. He explains, “In the absence of traditional lyrics, the harmonies and melody lines needed to convey a sense of resolution and determination.” The track features wordless vocals from Philip Hamilton (Pat Metheny Group), brass from James Hodsonhast, bass from Hubert Eaves IV, and drummer Joel Rosenblatt (Spyro Gyra).

On “Herbie,” Smatla pays tribute to jazz legend Herbie Hancock and his roots in New York’s jazz scene. Hancock’s drummer Trevor Lawrence guests on the track, which also features bassist Cornelius Mims, The Chop Horns, and a soprano saxophone solo by Eric Knight. Smatla explains, “I created funky riffs that could’ve come from Hancock’s 1970s albums, mixing contemporary jazz with his signature bluesy piano licks.”

“Maria in Blue” features expressive acoustic guitar by Bernd Schoenhart and Smatla’s sensual piano, telling the story of a passionate love affair with a woman from his past. “She was a statuesque beauty, wearing a blue dress one warm evening. Our eyes locked, and it was the start of something unforgettable,” recalls Smatla.

“We Were in Love” explores the bittersweet theme of lost romance. With seven-time Grammy winner Randy Brecker on flugelhorn, Grammy-nominated guitarist Chieli Minucci, and Brazilian guitarist Romero Lubambo, Smatla’s impassioned piano leads a tune that shifts from brooding to hopeful, with celestial vocalizations from Darmon Meader (New York Voices).

The EP concludes with the downtempo “The Girl with the Sunflower Tattoo,” featuring Minucci’s electric guitar and Mann’s horns over a taut rhythm section. The track is inspired by a real woman from a tough neighborhood, whose rough exterior hid a vulnerable side symbolized by her single sunflower tattoo.

Ultrablue debuted in 2003 with Dusk 2 Dawn, featuring performances by notable NYC musicians like Dave Stryker, Rachel Z, and Kevin Mahogany. The follow-up album peaked at No. 4 on Amazon’s bestsellers list, with the hit song “Shiver” leading to a growing fan base. Smatla continues to evolve as Ultrablue, planning live performances this summer with a revolving cast of musicians.

Strata-East Records Partners with Mack Avenue Music Group for Exciting 2025 Reissues & New Releases

Last month, Mack Avenue Music Group announced its partnership with Strata-East Records, the influential jazz label known for artistic freedom and high production standards founded in 1970 by Charles Tolliver and Stanley Cowell.

Following the digital-only anthology Strata-East: The Legacy Begins, available February 21, 2025, Strata-East will reissue Pharoah Sanders’ Izipho Zam (My Gifts) as a Record Store Day exclusive vinyl release on April 12, 2025. Pressed at Record Technology Inc. (RTI) on 180-gram vinyl and mastered by Kevin Gray at Cohearent Audio with audio transferred directly from the original analog tapes, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Harmony Holiday and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike. 

On April 25, 2025, Strata-East will release vinyl and CD reissues of Charlie Rouse’s Two Is One, Charles Tolliver’s Music Inc.’s Live at Slugs’, Vol. I & II, and Stanley Cowell’s Musa: Ancestral Streams, also pressed at RTI on 180-gram vinyl and mastered by Kevin Gray at Cohearent Audio with audio transferred directly from the original analog tapes. Pharoah Sanders’ Izipho Zam (My Gifts) will also be released on CD at this time and all 4 albums will be available digitally for the first time ever. 

Also April 25, 2025, Mack Avenue Music Group will digitally release, for the first time, 32 albums from the Strata-East catalog.

Strata-East: The Legacy Begins celebrates the revolutionary spirit of one of the most influential artist-owned independent jazz labels in history. This anthology brings together iconic tracks that embody Strata-East’s commitment to artistry and creative freedom. Featuring the explosive brilliance of Charles Tolliver and Stanley Cowell, the soulful expressions of The Heath Brothers, Charlie Rouse, Shamek Farrah, Pharoah Sanders, and more, the collection showcases cult classics from the label’s deep catalog while honoring the extraordinary artists who shaped its legacy.

This release not only marks the launch of the partnership between Strata-East and Mack Avenue Music Group but also delivers the label’s highest-quality audio anthology and is available digitally for the first time. A reflection of Strata-East’s dedication to spiritual jazz and social consciousness, this compilation invites listeners to rediscover classics or experience them anew. Strata-East: The Legacy Begins celebrates the timelessness of this music while marking the start of an exciting new chapter.  

"Strata-East Records is very proud to be partnering with Mack Avenue Music Group, whose passion, values, total commitment, and deep love for the music, mirror ours," Tolliver said. "This is an exciting time and together with Mack Avenue we can’t wait to bring you, our fans around the world, new essential high-quality masters of the Strata-East catalog. We’ve gone back to the origins so that you can totally immerse yourself in this great music, the emotions, artistic and creative freedom that exemplifies Strata-East. There is a lot more to come and to be announced, so stay tuned!”

Will Wakefield, Senior Director of A&R for Mack Avenue Music Group, said: "We are excited to partner with Charles, Ched, and the Strata-East team to bring this beloved music to the world with the highest quality audio and care taken to preserve its purest form. We can't wait for everyone to hear what we have coming."

Specializing in avant-garde and post-bop jazz, Strata-East’s notable albums include Tolliver's Music Inc, Cowell’s Musa: Ancestral Streams, Charlie Rouse’s Two is One and Billy Harper's Capra Black. Strata-East addressed social and political themes resonant with the Black Arts Movement. Its pioneering approach to artist rights has inspired generations of musicians and independent labels, cementing its place in jazz history.

Strata-East's roster featured timelessly influential musicians who intertwined music with spoken word in response to their cultural moment. This includes Sanders, known for his spiritual and avant-garde explorations that inspired a shift in mainstream jazz offerings.

Despite its short period of recorded music output, Strata-East's commitment to artistic freedom and high production standards earned it a revered place in jazz history. Its pioneering approach to artist rights and control has inspired generations of musicians and independent labels, contributing to a vibrant and diverse musical landscape.

More information on individual albums:

Pharoah Sanders | Izipho Zam (My Gifts)

Pharoah Sanders' Izipho Zam (My Gifts) is a groundbreaking jazz masterpiece. Recorded in 1969, two years after John Coltrane's passing, and released in 1973 on Strata-East, the album features a 13-member ensemble, including Sonny Sharrock, Lonnie Liston Smith, Cecil McBee, and Leon Thomas. Blending Eastern influences with expansive jazz, Sanders’ genius is highlighted with "Prince of Peace,” showcasing Thomas' unique vocals, and the 28-minute title track, offering an exploration of dissonance and harmony with West African percussion and meditative chants. For the first time ever, this seminal work from a legendary saxophonist will be available on CD and digital platforms, as well as on 180-gram vinyl. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Harmony Holiday and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Charles Tolliver | Live at Slugs’, Volume I & II

For the first time ever, Charles Tolliver’s Live at Slugs’, Volumes I & II will be released together in one set, presenting the full power of these historic performances in a unified collection. Recorded live in 1970 at the legendary Slugs' in New York City, the albums feature Tolliver’s fiery trumpet alongside an all-star lineup: Strata-East co-founder Stanley Cowell on piano, Cecil McBee on bass, and Jimmy Hopps on drums. These high-energy recordings capture the raw intensity and innovation of the Music Inc. quartet, showcasing their technical brilliance and cohesive interplay. Remastered in stunning detail, this release unites two of the most celebrated live albums in jazz history for the first time on CD and digital platforms, as well as on 180-gram vinyl. The digital release features 3 never-before-released bonus tracks, totaling 41 minutes of unreleased music. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Marcus J. Moore and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Stanley Cowell | Musa: Ancestral Streams

Featuring stunning solo piano work by Strata-East co-founder Stanley Cowell, Musa: Ancestral Streams is a landmark album in jazz, celebrated for its intimacy and innovation. Recorded in 1974, it stands as one of the most significant solo piano albums of its time, blending jazz with classical, African, and Eastern influences. Cowell’s pioneering use of both electric and acoustic piano expands the expressive range of the instrument, creating a deeply personal and spiritual experience. Musa: Ancestral Streams is a cornerstone of the Strata-East discography, reflecting the label’s commitment to artistic freedom and genre-defining works. It not only highlights Cowell’s extraordinary vision as a musician but also exemplifies Strata-East’s role in championing boundary-pushing, artist-produced records. For the first time ever, this pioneering solo work from the famed pianist will be available on CD and digital platforms, as well as on 180-gram vinyl. The digital release features an alternate take on the classic “Travelin’ Man” as well as 3 additional never-before-released bonus tracks. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Nate Chinen and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Charlie Rouse | Two Is One

Charlie Rouse’s groundbreaking album Two Is One is a funk-infused exploration of jazz that embodies the innovative spirit of Strata-East Records. Originally recorded in 1974 and transferred from the original analog tapes, Two Is One fuses sophisticated soul jazz with post-bop and spiritual influences while highlighting stellar collaborations with guitarists George Davis and Paul Metzke, Cal Scott on electrified cello, and the incomparable Stanley Clarke on electric bass. For the first time ever, this classic from a saxophone legend will be available on CD and digital platforms, as well as on 180-gram vinyl. Pressed at Record Technology Inc. (RTI) and mastered by Kevin Gray at Cohearent Audio, the vinyl edition comes in high-quality, glossy tip-on gatefold jackets. It also includes new liner notes by Syd Schwartz and never-before-seen photos, making this release a must-have for jazz enthusiasts and collectors alike.

Pasquale Grasso: Honoring the Past, Defining the Future of Jazz Guitar

Pasquale Grasso is quickly establishing himself as one of the most remarkable jazz guitarists of his generation. Born in Ariano Irpino, Italy, Grasso honed his craft with early influences from jazz legends and soon found himself making a pilgrimage to New York City to further his studies under the tutelage of Barry Harris. Drawing from the rich traditions of the 1940s and '50s jazz scene, Grasso has cultivated a sound that blends technical virtuosity with heartfelt emotion, paying homage to icons like Charlie Parker, Thelonious Monk, and Bud Powell. With a career that spans work with Grammy-winning vocalist Samara Joy and acclaimed albums dedicated to jazz titans, Grasso’s playing has earned him high praise from jazz greats, including Pat Metheny, who called him “the best guitar player I’ve heard in maybe my life.”

Now, with the release of Fervency on February 7, 2025, Grasso continues his exploration of the jazz tradition, diving into lesser-known gems alongside beloved standards. Recorded in 2021, Fervency showcases Grasso’s mastery alongside bassist Ari Roland and drummer Keith Balla, with whom he has worked since moving to New York in 2009. The album spans from classic tracks like Miles Davis' "Milestones" and “Cherokee” to original compositions like "A Trip with C.C." and the emotional title track, “Fervency,” inspired by the powerful emotions captured in jazz ballads.

Grasso’s playing is often recognized for its connection to piano greats, as he skillfully translates their complexities into his guitar work. His deep ear for music allows him to replicate the sounds of legends, but he also brings his own unique voice to every note. This dedication to jazz’s roots, while continuing to push its boundaries, has made him one of the most exciting young guitarists today.

Beyond his recording work, Grasso is an active performer. He will be performing at venues like Birdland and Mezzrow in NYC and appearing at SF Jazz in April 2025. Grasso is also set to tour various festivals this summer, bringing his virtuosic, emotion-filled performances to stages worldwide.

The Cookers: A Legacy of Jazz Mastery

Step into the unparalleled world of jazz with The Cookers! This all-star septet, featuring over 250 years of collective experience, leads you on a musical journey like no other. With jazz legends Eddie Henderson, David Weiss, Donald Harrison, George Cables, Cecil McBee, and Billy Hart, The Cookers redefine post-bop jazz.

Experience is key in jazz, and these musicians bring a depth of articulation through years of collaboration. Their work shines through in their six critically acclaimed albums, including Warriors, Cast the First Stone, Believe, Time and Time Again (iTunes Jazz CD of the Year 2014), The Call of the Wild and Peaceful Heart, and Look Out!. Their expansive post-bop originals embody the bold spirit of the '60s and demonstrate virtuosic playing and powerful improvisation.

The core of The Cookers emerged from the influential '60s era, with Henderson, McBee, Cables, and Hart playing pivotal roles in shaping jazz. Each was a member of iconic groups like Herbie Hancock’s Mwandishi, Charles Lloyd’s quartet, and Lee Morgan's ensemble. Meanwhile, younger members Weiss and Harrison bring their own expertise, having performed with jazz greats like Art Blakey, Roy Haynes, and Herbie Hancock.

While each member leads their own groups, it’s the powerful teamwork that defines The Cookers. Together, they combine over 250 years of experience and more than 1,000 recordings, delivering a unique and resonant sound that speaks to their collective history. The Cookers’ live performances, including headline shows at renowned festivals worldwide, showcase their seasoned artistry.

Now, after 17 years together, The Cookers have released their latest album, Look Out!, continuing to push boundaries with new, challenging music. This veteran septet continues to embody the commitment and passion that define their legendary status in jazz.

George Porter Jr. Unveils Porter’s Pocket—A Funk-Fueled Instrumental Journey with the Runnin’ Pardners

Celebrated New Orleans bassist George Porter Jr. has dropped his highly anticipated new instrumental album, Porter’s Pocket, available today via Color Red. Known for his foundational work with the legendary funk band The Meters, Porter Jr., now 77, continues to push the boundaries of music with his longstanding quartet, the Runnin’ Pardners. The album features Porter’s longtime musical collaborator, keyboardist Michael Lemmler (Jubilation, TriFunctA), drummer Terrence Houston (The Funky Meters, Toubab Krewe), and the newest addition to the group, guitarist Chris Adkins (Raphael Saadiq, Mark Broussard).

Porter’s Pocket is a vibrant return to the funky instrumental roots that made Porter a household name in the 60s and 70s. Renowned for his signature bass lines on iconic tracks like “Cissy Strut” and “Hey Pocky A-Way” with The Meters, Porter has firmly cemented his place as one of the architects of funk music. As a sought-after session musician, his impressive career spans collaborations with artists like Patti LaBelle, Robert Palmer, Warren Haynes, David Byrne, John Scofield, Tori Amos, and Devon Allman, among others. Even at 77, Porter’s enduring legacy continues to thrive through his prolific touring schedule, performing over 100 live shows a year at some of the world’s most prestigious venues and festivals.

On Porter’s Pocket, Porter and his bandmates revisit the raw, improvisational energy that originally defined his career. With eight instrumental tracks, the album returns to the free-flowing, groove-heavy funk that Porter pioneered with The Meters. The rhythm section, anchored by Porter and Houston, provides a powerful backbone for Adkins’ soulful guitar riffs and Lemmler’s colorful keyboard work. Tracks explore a variety of musical landscapes—from the quintessential New Orleans street beats to jazzy swing, and even the spacey, minimalistic blues of the album’s closing track, “Latenighter.”

The album’s freeform approach captures the essence of the New Orleans funk scene, paying homage to the roots of Porter’s sound while offering a fresh and contemporary take on it. Porter’s Pocket marks an exciting chapter in the bassist’s storied career, showcasing his timeless ability to craft unforgettable grooves while maintaining a deep sense of musical exploration.