New Music Releases: Art Ensemble Of Chicago, William Hooker, Chick Corea

Art Ensemble Of Chicago - We Are On The Edge – 50th Anniversary Celebration

A tremendous tribute to the legendary Art Ensemble Of Chicago – a group who work here with only two of their surviving members, but with help from a constellation of jazz musicians inspired by their music! The group here is large, and includes AACM members and other younger talents – a fantastic lineup that mixes the core work of Famadou Don Moye on drums and percussion, and Roscoe Mitchell on reeds with work from Nicole Mitchell on flutes, Hugh Ragin and Fred Berry on trumpets, Tomeka Reid on cello, Jaribu Shahid and Junius Paul on basses, Enoch Williams and Titos Sompa on percussion, and Christina Wheeler on voice and a range of unusual electronic instruments! There's a very ambitious feel to the music – like some of Roscoe Mitchell's larger form creations, but with more of a spiritual jazz current that comes from the whole ensemble – and from vocal contributions from Moore Mother and Rodolfo Cordova Lebron. The double-length set features a studio album and a live album by the expanded group – and titles include "Bell Song", "We Are On The Edge", "Chi Congo 50", "Fanfare & Bell", "Odwalla/The Theme", "Tutankhamun", "Mama Koko", "Saturday Morning", and "Villa Tiamo".  ~ Dusty Groove

William Hooker - Symphonie Of Flowers

A great album as a leader from the legendary William Hooker – and a fantastic reminder of how wonderful he can be in the spotlight! The set begins with some solo drum work from Hooker, then moves into bolder improvisations with an unnamed saxophonist and pianist (odd that the label didn't give us this information) – the latter of whom plays some very cool Sun Ra-like electric piano at one point! Hooker is clearly the star of the show, though – and begins with some almost-funky lines, something we've never heard before – then moves into the more familiar mode of improvisation that's made his work on other albums so great over the years. Titles include "Jazz", "Soul", "Hieroglyphics", "Chain Gangs", "Freedom Riders", and "Rastafarian". ~ Dusty Groove

Chick Corea - Flying on the Wings of Creativity

A Christmas celebration from Chick & Friends, available exclusively from Chick's website. Hear arrangements of Christmas songs never heard on Earth or other parts of the galaxy: Pennies from Heaven; A Child is Born; Greensleeves; and The Christmas Song. With Chick on piano, Gayle Moran Corea (Return to Forever & Mahavishnu Orchestra) on vocals, Hans Glawischnig (Chick Corea & Billy Childs) on bass and Tom Brechtlein (Wayne Shorter & Robben Ford) on drums. This is an exclusive recording from Chick, not available in stores, meant to inspire throughout the holidays. 

Neneh Cherry Celebrates 30th Anniversary Of 'Raw Like Sushi' With Remasters And Super Deluxe Box Sets

Neneh Cherry continually draws inspiration from her surroundings. In the late '80s, she traversed between post-punk London nightlife and the burgeoning hip-hop movement in New York. Capturing these unique experiences, and also shaped by the influence of her musical family, she exploded onto the pop music landscape by closing out the '80s with her internationally acclaimed debut album, Raw Like Sushi. This melting pot of musical styles and streetwise lyrics that take on life and love with equal parts tenderness and toughness is set for a 30th Anniversary celebration befitting its global impact.

Raw Like Sushi has been remastered at London's Abbey Road Studios and will be released on January 31 in super deluxe format across 3CD and 3LP heavyweight vinyl box sets, as well as in special edition alternative gold vinyl and digital formats, and 1CD and 1LP formats. A limited-edition gold 1LP, plus signed prints with the first 500 preorders of 3CD and 3LP formats, will be available exclusively via uDiscover, Sound of Vinyl and recordstore.co.uk.

The box sets include a stunning 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features five of Neneh's biggest singles - including the worldwide smash hit single "Buffalo Stance" as well as hit singles "Manchild" produced by Massive Attack's Robert Del Naja, "Kisses On The Wind," "Heart" and "Inna City Mamma." It also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.

Since the release of Raw Like Sushi 30 years ago, Neneh Cherry has continued to define and redefine culture, style and music releasing five studio albums, including 2018's Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The New York Times, Rolling Stone, Pitchfork, The Guardian and The FADER. Neneh went on to tour the album throughout the world in 2019 including her largest-ever headline shows in New York and Los Angeles, and festival performances at Glastonbury, Art Basel Miami, Primavera, Pitchfork Chicago and more, culminating in a stand out performance in September at the iconic Hollywood Bowl, proving her music and message are more relevant than ever.

New Music Releases: Susan Alcorn / Joe McPhee / Ken Vandermark, Dopolarians, Mareike Wiening

Susan Alcorn / Joe McPhee / Ken Vandermark - Invitation To A Dream

Amazing sounds from three great improvisers – two of whom we've known and loved for years, one of whom we're just beginning to discover! The trio features Ken Vandermark on tenor and clarinet, Joe McPhee on soprano sax and pocket trumpet, and Susan Alcorn on pedal steel guitar – the last of which is an instrument that's used in very different, very unconventional ways – more like a subtle sonic element, but still with some musical qualities – which then seems to create the same sort of balance in McPhee and Vandermark, both of whom are more fragile, more sensitive here than we've heard them in years! There's still a few more fully-blown passages, but the real beauty of the record lies in the more subtle sonic interplay, which is magical throughout. Titles include "Invitation To A Dream", "The Eyes Of Memory", "Rise & Rise", "Every Season Has Its Reason", and "I Am Because You Are". ~ Dusty Groove

Dopolarians - Garden Party

A beautiful meeting of generations – from a group that features William Parker on bass, Alvin Fiedler on percussion, and Kidd Jordan on tenor – alongside Chris Parker on piano, Chad Fowler on alto and saxello, and Kelly Hurt on a bit of occasional voice! At times, the style is very much in a mode that you might expect from the three older legends – almost an update of an older loft jazz approach at times – but there are warmer currents at other moments, particularly when Parker's piano dominates a bit more – really providing a great setting for all involved, as things more from freer passages to moments of bolder composition with more of an angular swing. Titles include "Garden Party", "Impromptu", "C Melody", "Dopolaria", and "Father Dies Son Dies". ~ Dusty Groove

Mareike Wiening - Metropolis Paradise

Maybe the first album we've ever seen to feature drummer Marieke Wiening as a leader – but a set that fits in very nicely with the overall aesthetic of the Greenleaf label – in the way that the label's releases are always trying to push the further boundaries of jazz expression, but all without ever sounding too avant or outside! In this case, Wiening is wonderfully restrained – and lets a lot of the initial energy of the tunes come from the guitar of Alex Goodman and the piano of Dan Tepfer – both artists who work in bright chromes, which are then augmented with work from Rick Perry on tenor and Johannes Felscher on bass – as Marieke comes in with rhythms that are complicated, yet never too overbearing – gently shaping the colors that come from the other players. Titles include "For A Good Day", "Misconception", "Free Time", "Relations", "Free At Last", and "Viewpoints". ~ Dusty Groove

Urban-jazz pianist Kayla Waters tops the Billboard singles chart for the third time with “Full Bloom”

Urban-Jazz pianist Kayla Waters is blooming into a consistent hitmaker. The Washington, DC-based musician-songwriter-producer-arranger went No. 1 on the Billboard national airplay chart dated December 14 with “Full Bloom,” which became the third chart-topping single of the emerging artist’s budding recording career.  

“Full Bloom” appears on Waters’ sophomore album, “Coevolve,” issued last year by Trippin ‘N’ Rhythm Records. The album is a conceptual collection of songs loosely mirroring Waters’ own growth and development – musically, personally and spiritually. On “Full Bloom,” she uses the metaphor of a plant to tell the story of its evolution from seedling to flourishing flora. Writing with Michael Broening, who crafted the rhythm track, Waters’ lush piano melodies are permeated with fervent joy and exuberance just like the artist herself. Midtrack, guitarist and labelmate Nick Colionne adds an electric guitar solo like a nourishing ray of sunshine.     

“Full Bloom’s” chart coronation concludes another year of significant growth for Waters, a classically trained pianist and a Howard University music school graduate. She spent half her weekends in 2019 on the road performing at marquee music festivals, theaters and clubs. Highlights include her debuts at Boscov’s Berks Jazz Festival, Seabreeze Jazz Festival, Newport Beach Jazz Festival, Rehoboth Beach Jazz Festival and the Algarve Jazz Festival, the last of which marked her European premiere. Waters’ 2020 concert calendar is already booking up with dates into September. Next month, she hits the high seas for the first time to perform aboard the Capital Jazz SuperCruise and in June, she will make her first appearance at the Napa Valley Jazz Getaway.

  

Waters introduced herself with self-confidence in 2017 with “I Am,” the first single from her debut album, “Apogee.” The single became her first Billboard No. 1 hit. The imaginative set earned her the Rising Star in Jazz award from the Black Women in Jazz and the Arts and Best Jazz Artist honors at DC’s Wammies. A year later, Waters scored her second consecutive No. 1 single with “Zephyr” from “Coevolve.”   

  

Still in her 20s, Waters’ artistic vision, creativity, old-soul depth and sophisticated sonic palette that incorporates improvisational jazz, R&B grooves and inspired gospel tones have made her a welcome addition to the contemporary jazz scene. Add to it Waters’ ambition, attention to detail, alluring beauty, charismatic charm, devotional nature and fashion-model style, she represents a brand with the true potential to transcend far beyond music. Her plans for 2020 include releasing her third album in the fall and opening her PuriKey Productions to writing and producing music for other recording artists.

http://www.iamkaylawaters.com

New Music Releases: Art Blakely & The Jazz Messengers, Ellery Eskelin / Christian Weber / Michael Grenier, Herlin Riley

Art Blakey & The Jazz Messengers - Buhaina's Delight

A landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet, and Wayne Shorter on tenor, who had returned to the group after a short departure. The band was augmented by the wonderfully lyrical and soulful piano of a young Cedar Walton – who brought a strong degree of sophistication, and who was a perfect interpreter of Shorter's rich writing talents. The whole group performs together perfectly on this wonderful (and oft-overlooked) session – especially on the tracks "Shaky Jake", "Backstage Sally", and "Bu's Delight". ~ Dusty Groove

Ellery Eskelin / Christian Weber / Michael Grenier - Pearls

Tenorist Ellery Eskelin really sounds great here – carving out these soulful, angular lines in the kind of format that seems to make him shine the most – a trio, with Christian Weber on bass and Michael Grenier on drums! Some of the tunes are of older origin, which brings out some roots in the players we might not expect – while others are originals composed by the three, and presented in a style that mixes the modern and traditional in a very captivating way. Titles include "Magnetic Rag", "ABC", "Black Drop", "Jive At Five", "The Pearls", "La Fee Verte", "Ru Jardiniere", and "Il Gatto". ~ Dusty Groove

Herlin Riley - Perpetual Optimism

Great work from Herlin Riley – a drummer with plenty of New Orleans in his roots, but also a jazzman who never tries to hit you over the head with that legacy either! There's definitely a complexity in the rhythms that reflects Herlin's background – but the modes of expression are more contemporary, and more universal – as the songs feature some great criss-crossing between the trumpet of Bruce Harris and alto of Godwin Louis – the latter of whom might well be reason enough to check out the album! The horn lines are bold and soulful – and Riley gets great support from pianist Emmet Cohen and bassist Russell Hall – on titles that include "Perpetual Optimism", "Rush Hour", "Be There When I Get There", "Twelve's It", "Wings & Roots", and "Borders Without Lines". ~ Dusty Groove

Carnaval de Bahidorá Announces First Wave of Artists: MASTERS AT WORK, SISTER NANCY, DENGUE DENGUE DENGUE!, GOLDLINK, DAVID AUGUST PRESENTS the LIFE OF MERiSi, PANTHA DU PRINCE presents CONFERENCE OF TREES And More

Deep in the nature preserve of Las Estacas located in the heart of Morales, Mexico a unity of creativity, sustainability, expression and civic responsibility takes place at Carnaval de Bahidorá.  More than a music festival, Carnaval de Bahidorá (a.k.a Bahidorá) is an internal state of lucidity and consciousness. It is a place where festival goers connect with themselves, each other and the surroundings. It is the place from which creativity burgeon. This year, Carnaval de Bahidorá will take place on February 14 -16, 2020.

Carnaval de Bahidorá 2020 announces the first wave of artists for its eighth edition of the festival. This year’s line-up includes a sound constellation abundant in diversity and curated to fill festival goers with three days of new experiences. A kaleidoscope of exciting musical and visual experiences, capable of shaking mind, body and soul, without labels and with authenticity as the only flag.

Carnaval de Bahidorá 2020 will showcase legends, including the long-awaited return of Masters At Work, a duo that has kept the essence of Latin house for almost three decades, and Sister Nancy, pioneer MC and queen of the Jamaican sound system since 1976.

A flow of rhythms inspired by afrobeat from a futuristic perspective will also take the stages, first with Dengue Dengue Dengue!, a duo who’s new album ‘Zénit & Nadir’ dives deep into their Afro-Peruvian lineage. The new music will be presented as a electronic set along with a 4 Piece percussion band that includes cajón and quijada. The African groove will continue with Goldlink, hot off his tour with Tyler the Creator, will be performing new songs from his album ‘Diaspora’, a unique blend of rap, reggae, afrobeat, dancehall and moombahton.

The English collective Ibibio Sound Machine will invoke the hottest afrobeat and polyrhythms through funk and disco textures. Meanwhile, Sinkane and his band return to Mexico with ‘Dépaysé’, a call that seeks to connect and exalt the African diaspora beyond the borders, and influenced from the legacy of music icons such as Hendrix and Motown.

From the outskirts of Mexico City, Son Rompe Pera will sure to bring their energetic mix of punk attitude and instrumental virtuosity with their garage/punk take on traditional folk marimba music.

Special performances from German electronic music icons David August and Pantha Du Prince will take festival goers into the groove both sonically and visually. The ‘Life Of Merisi’ is the album that has led the multi-instrumentalist and Producer David August from the festival scene to theaters and auditoriums across Europe. The new album was made in collaboration with the visual artist Francisco Bosoletti, who visually translates the deep techno textures felt within the new album.

‘Conference of Trees’, a profound acoustic and performance experience arising from the great imagination of Pantha Du Prince, will be a mixture of acoustic delicacy, visual innovation and rave spirit that feels like an #EnBahidorá conceived experience.

Bahidorá has brought together artists and musicians that inject new verve into the rich sound legacy of Latin America. Expressing its roots through the creativity of a new generation of artists and musicians, the Latinx identity runs free throughout the world and goes beyond geographical limitations and political divisions. Performances from Teto Preto, Combo Chimbita, Buscabulla, Sotomayor, Novalima, Barrio Lindo, Branko, and Baiuca will attest to the unstoppable advance that the latinx movement is conquering spaces globally.

#EnBahidorá encompasses the energy of the festival -- pulsations in tune with the jungle that induce dance while seducing our imagination. Festival goers will feel the heat of the jungle with #EnBahidorá acts like Bbymutha, her hip-hop is as freaky as it is innovative, the cool-electro vibes of Channel Tres, the two of the most restless minds of contemporary dance, Avalon Emerson and Jasss, and the jazzy techno producers from New Zeland Chaos in the CBD. Additional acts include, a pillar of New York’s house scene producer, promoter and DJ Joe Claussell, and half of  Deep Space Network, Move D, the alias of the German producer David Moufang, who since the nineties has kept a spatial, groovy and strongly charged ambient sound evolving.

Festival Line-Up

AVALON EMERSON · BAIUCA · BBYMUTHA · BRANKO · BUSCABULLA · CHANNEL TRES ·CHAOS IN THE CBD · COMBO CHIMBITA · DAVID AUGUST PRESENTS the LIFE OF MERiSi DENGUE DENGUE DENGUE (4 PIECE LIVE) · GOLDLINK · IBIBIO  SOUND MACHINE · JASSS ·JOE  CLAUSSELL  · MASTERS AT WORK  · MOVE D · NOVALIMA ·

PANTHA DU PRINCE presents CONFERENCE OF TREES ·  SINKANE · SISTER NANCY · SOTOMAYOR SON ROMPE PERA · TETO PRETO ***And More To come***

New Music Releases: JBs, Greg Foat, Eric Alexander

JBs - More Mess On My Thing (2019 Black Friday Release)

A fantastic slice of lost work from the legendary JBs – including the track that first got Bootsy Collins and company the job as James Brown's backing band! The set leads off with that gem of a groove – the fast funky "More Mess On My Thing" – a tune that's got the sort of impeccable sharpness the JBs would bring to the James Brown universe in the early 70s – complete with tight drums, effortless basslines, and horn lines so tight they could cut glass! "The Wedge" follows – a sweet organ-driven instrumental with a vibe that's a lot like "Brother Rapp" – but stretched out as a long instrumental jam! And that approach really takes off on the super-long "When You Can Feel It Grunt (If You Can)" – a tune that begins with the band doing their own version of "Let The Music Take Your Mind", before going off into all the these other directions on the first-ever issue of the complete take of the tune! ~ Dusty Groove

Greg Foat - Dreaming Jewels

The funkiest record in years from the great Greg Foat – a set that moves away from some of the more open, meditative sounds of other recent albums – and has Greg returning to the kind of grooves that first made us fall in love with his music! Foat plays Fender Rhodes throughout – and the album's got lots of great rhythms from the drums of Malcolm Catto and Clark Tracey, and the added percussion of Eric Young – whose congas kick things up fantastically next to the heavy bass of Phillip Achille. There's also some strong horn work throughout too – tenor from Binker Golding, trumpet from Trevor Walker, and both soprano and tenor from Rob Mach – players who are used in individual, spacious ways – and not as the more familiar horn section approach to funk – which skews the whole album much more strongly in a jazz-based direction. Titles include "Eric's Breakdown", "The Door Into Summer", "Kushiro River", "Sapphire Dreams", "Lake Kussharo", and "Not That It Makes Any Difference". ~ Dusty Groove

Eric Alexander - Eric Alexander With Strings

A really fantastic album from tenorist Eric Alexander – a player we've always loved, but who really seems to be opening up some new sides in his music in the past few years! As you'd guess from the title, the album's in a classic "with strings" mode – Eric's tenor out front soloing, with support from a familiar core trio that includes David Hazeltine on piano, John Webber on bass, and Joe Farnsworth on drums – all augmented by these really beautiful string passages from Dave Rivello – an arranger we're not sure we've heard before, but who does a tremendous job here – couching the strong tenor lines with a sensitivity that reminds of of classic 60s charts from Torrie Zito. There's a mature, open quality to the whole thing that's really wonderful – a new sophisticated side of Alexander's music, and one that we love from the very first note. Titles include "Dreamsville", "Gently", "Lonely Woman", "Some Other Time", "Slow Hot Wind", and "The Thrill Is Gone".  ~ Dusty Groove

Brooklyn based baritone saxophonist Jonah Parzen-Johnson presents his new work ‘Imagine Giving Up’

'Stand Still' is the first single taken from the LP, to be released on 7 February 2020 and sees Parzen-Johnson move into new domains of sound as he uncovers newfound energy and pulse in his music.
In addition to the sonically rich analog synth elements that accompany his earlier solo saxophone work, Jonah has layered heavily sound designed samples of his own saxophone to create truly one of a kind percussive snaps, reverberant basses, and warbling leads. At its core, the music remains deeply devoted to almost vocal sounding melodic lines and patiently developed compositional ideas

A compact set of 6 originals, “Imagine Giving Up” is Jonah Parzen-Johnson’s most ambitious album yet. While taking a step away from the previous world of “ambient jazz”, his new music stems from the use of drone-like sounds for baritone saxophone, a style which is uniquely his own. Electronics are blended in for good measure, creating a coherent vision of abstract jazz with depth.


As with all of Parzen-Johnson’s releases, the music comes with a deeper narrative which he will continually explore in live performance. ‘Imagine Giving Up’ is a deep reflection on life choices, risk, privilege and empathy.

In his own words: “Only a few people can really start over. Everyone else is left to struggle down the path they were assigned. The option to give up, to choose your own path, is power, and, hopefully, a call to action: take a risk to help someone.”

“When it comes to solving the deep systematic problems our civilization is facing, everyone has their own role to play. Something suited to their circumstances, and their strengths. I believe my greatest strength is the power that comes from my stability, and every day I try to ask myself how I could be using that strength to help someone else. ‘Imagine Giving Up’ is about documenting my emotional reactions to that practice. Some days I feel defensive, some grateful, others a little over-confident in my beliefs. In the end it's about staying dedicated to the question: If I can imagine giving up, how am I using that power to help someone else?"

On Alone, Artyom Manukyan takes his place as one of the most inventive cellists on the music scene today

The cello is an extremely flexible instrument. It can be bowed like a low-register violin or plucked like a string bass, and can sound quite natural in both very traditional and avant-garde settings. Despite that, it took some time for it to be adopted as a solo instrument in jazz, starting with Harry Babasin and Oscar Pettiford in the 1950s and evolving to the present time.

In his career thus far, Artyom Manukyan has shown that the cello can be played not only in classical music and rock settings but as the lead instrument in jazz. His virtuosity is equaled by his creativity and willingness to stretch himself while creating new music with a strong emphasis on his themes and adventurous improvisations.

Alone, his second release for Ghost Note (following Citizen), features Manukyan as both a one-man orchestra on his cellos and in close interaction with five notable guests. His ten originals cover a variety of moods while often being atmospheric, wistful, and rhythmically infectious.

The opening ''Intro'' has a brief poem by Narek Hovsepyan that is accompanied by Manukyan. ''The Form'' features the cellist playing catchy rhythmic patterns while soloing on top. After the brief ''Outro'' (which has one of two appearances by bassist Tim Lefebvre), Manukyan duets with pianist Vardan Ovsepian who improvises quite freely on ''Last Chance To…'' ''Duet #2'' has the up-and-coming singer Michael Mayo blending in perfectly with the cellist while ''#Celloart'' gets a bit funky.

''Alone'' introduces a particularly haunting melody along with a catchy rhythm. On ''Next Step,'' Manukyan expands the sound of his cello, alternating virtuosic passages with droning notes that hint at a sitar. ''Every Time She Goes'' features some wordless vocalizing by Gretchen Parlato before ''Not Alone'' closes the colorful set as it began, with some poetry from Narek Hovsepyan.

Artyom Manukyan first gained attention for his playing in his native Armenia. He traveled the world as the youngest member of the Armenia Navy Band before settling in Los Angeles. His career since then has found him playing cello in a wide variety of settings including classical, rock and jazz, sounding comfortable no matter what the genre. He has also written film and television scores, toured with Kamasi Washington, Melody Gardot, Peter Erskine and Tigran Hamasyan among others, and leads his electro-jazz quartet Artyom.

On Alone, Artyom Manukyan plays with consistent brilliance and is consistently unpredictable. Alone is an early milestone during what will certainly be a very significant career.

Cool and super hip jazz musician Tony Adamo releases a brand new single titled “Did Mark Murphy Believe in UFOs"

Cool and super hip jazz musician Tony Adamo has release a brand new single titled “Did Mark Murphy Believe in UFOs."  The song is a mix of jazz rhythm, funk and rap.

Born in San Francisco, California, Tony Adamo has strong ties to his Italian American family in the Bronx and Brooklyn.  After his stint in the Navy, he attended the Actor’s Studio and discovered a whole new world referred to as “method acting.”  He discovered that he was terrible at remembering lines, and soon headed back to music as his true calling, with a very improvisational intent.

After some time on the radio and some gigging with rock bands (as a drummer) Tony moved to Los Angeles for several years. By day, he went to work putting up billboards; to workin’ on the rehab of the famous Hollywood sign; to joining the Studio Utilities Union where I worked in the background on TV shows. That gig led him to a job as a Hollywood agent at the Beverly Hecht Agency, where he booked TV commercials and models for print ads. But by night, Tony was out was performing with local bands.

Heading back to San Francisco, Tony landed a studio gig and was introduced to Tower of Power original members Mic Gillette and Skip Mesquite, who agreed to record with him. Mic and Tony became fast friends, and Mic  later introduced him to Stephen “Doc” Kupka, co-founder of Tower of Power and owner of Strokeland Records.  Over the next few years “Doc,” Mic, Skip and Tom Politzer recorded on Tony's early recordings with Mic writing all the horn arrangements.

Somewhere in this mix of experiences Tony found a new groove - spoken word delivered with a full band. He had worked with drummer Mike Clark, and was very hip to the fact Mike could bring out the groove needed for his lyrics. Mike laid down some screamin’ drum tracks, and Tony improvised the rest. While he does write out what he intends to record, Tony's actual recordings have all the words in different places as the improvisation and the beat take over.

Adamo has written and recorded songs about some of the greats of jazz, including Mark Murphy, Joe Henderson, Eddie Gale, Sun Ra, Eddie Harris, Mike Clark, Art Blakey,  B.B. King and James Brown.

Vocalist & Harp Ukulelist Gracie Terzian Releases Christmas EP "Bells & White Branches"

New York singer-songwriter and harp ukulelist, Gracie Terzian, announces the release of her Christmas EP Bells & White Branches via Aima Records. Consisting of six tracks, Bells & White Branches showcases classic songs with refreshingly beautiful and innovative arrangements, which keep the harp ukulele front and center. The soft, haunting sounds of Terzian’s voice, combined with her harp ukulele, provide a rich new interpretation of the well-loved songs with both jazz and folk influences.

Steeped in the language of jazz, Terzian wanted to try her hand at an album of her favorite Christmas songs, but with a folk-jazz fusion that employs the unique tonal vocabulary of her harp ukulele. “I’ve loved these tunes since I was a child,” says Terzian, “and I approached them lovingly, but from a very different place.” The album was recorded in Brooklyn at both Soda Aroma Studio and Big Orange Sheep Studio.

Track List:

1. "I'll Be Home For Christmas"

2. "God Rest Ye Merry Gentlemen"

3. The Christmas Song

4. "Silent Night"

5. "Coventry Carol"

6. "Have Yourself a Merry Little Christmas"

Originally from Virginia, Gracie Terzian, with her distinctively nostalgic vocals and unusual musical instrument, has gathered a following through live performances at many clubs, venues and festivals in the U.S. and abroad, including Antone’s, Rough Trade NYC, Blue Note NYC, Birdland, Smalls Jazz Club, EXIT/IN, El Sotono - AmonSolar, Utopia Music Festival, Ukulele Festival of Scotland, Gaithersburg Ukulele Festival, NJ Ukulele Festival, Albuquerque Ukulele Festival, and many others. She released her debut EP of original music Saints and Poets in 2015 to critical acclaim, debuting at #23 on Billboard’s Jazz charts and as the #3 Jazz Album on iTunes.

Aaron Stroessner Quartet | "Haymarket Station"

The Aaron Stroessner Quartet debut Haymarket Station resonates with memorable themes set in creative explorations of mood and style. Inspirations are cryptically referenced in the titles; while “Amtrak,” “Kief,” “There and Back” and “Django Unchained” pay homage to John Coltrane, Keith Jarrett, Jeff Beck, and the MJQ, other titles directly reference style, as in “Ocho Rios” and “Blue Shoe Samba.” Each inspiration begins as a seductive starting point for Stroessner’s simple yet resilient narratives, which are guided as much by intuition as tradition. Haymarket Station is undoubtedly a jazz recording, with extensive improvisations throughout; its ten songs were all recorded in a single day by GRAMMY® Award-nominated producer Tom Ware.

Stroessner’s guitar playing is a lot like his songwriting, with a developed melodic sense that can be both simple and sophisticated. The same could be said of Hammond B3 player Kevin Lloyd, who generates tremendous emotional peaks and valleys on Haymarket Station. Lloyd also comes from a varied background, playing jazz, blues, and funk gigs by night and gospel by day at the New Beginning Community Baptist Church in Omaha, NE. At age 13, Lloyd started a decade-long engagement at Lee’s Chicken Restaurant in Lincoln and joined Chicago bluesman Magic Slim’s band just a few years later. The variety of tones evoked by Lloyd’s B3 and Stroessner’s telecaster complement the songs on Haymarket Station, at times suggesting an otherworldly landscape.

Besides playing in the Aaron Stroessner Quartet, bassist Mitchell Benson also writes, sings, and performs in several different bands. With that mindset, Benson developed his contribution to Haymarket Station organically, discerning each song’s identity on a case-by-case basis. Drummer Andrew Wray, on the other hand, seems to experiment on every take, fearless on his instrument. The youngest of the group, Wray arrived in Lincoln playing beyond his years, having grown-up studying with noted Kansas City drummer Brandon Graves. The future looks bright for Wray, recently performing with the likes of Donny McCaslin, Victor Lewis, and Shodekeh. A composer in his own right, Wray always keeps an eye on the big picture.

The audience for Haymarket Station is wide and far reaching; perhaps the Aaron Stroessner Quartet is destined to keep playing jazz in blues bars, or maybe they'll cross over to some jam band scene. Whatever the audience, Stroessner’s discerning, memorable songs are perfect for the challenge, providing listeners with easy access to exotic places.

"LOVE IS LOVE" FROM LET THE RHYTHM LEAD: HAITI SONG SUMMIT VOL. 1

FEATURING PAUL BEAUBRUN, JACKSON BROWNE, HABIB KOITÉ, JENNY LEWIS, RAÚL RODRÍGUEZ, JONATHAN RUSSELL AND JONATHAN WILSON, WITH MEMBERS OF THE HAITIAN ROOTS BAND LAKOU MIZIK

Arts Music released the track "Love is Love" from the upcoming benefit album Let the Rhythm Lead: Haiti Song Summit Vol. 1, a collaborative project of songwriters Paul Beaubrun, Jackson Browne, Habib Koité, Jenny Lewis, Raúl Rodríguez, Jonathan Russell and Jonathan Wilson, with members of the Haitian roots band Lakou Mizik.

"Love is Love" is featured on the collection Let The Rhythm Lead:  Haiti Song Summit Vol. 1, out January 31, 2020.

Hailing from four different countries, interweaving North American Indie Rock with beats and percussion from Haitian Vodou, Spanish and Malian guitar, Flamenco Tres, with songs in English, Creole, Khassonke, Manding and Spanish, Let The Rhythm Lead celebrates the greater mission of the non-profit organization Artists for Peace and Justice in Haiti, and was recorded at their Artists Institute on the island's southern coast, in the town of Jacmel.

“We wrote ‘Love Is Love’ in Haiti over three years ago - in November of 2016 - inspired by the beauty and resilience of the Haitian people, and the farsighted and soulful work of Artists for Peace and Justice in Haiti since the 2010 earthquake,” says Jackson Browne.

“I wrote it with David Belle, whose deep understanding of the people and the culture informed our group's experience there.  'Love Is Love' contains some of my immediate impressions of Haiti, but especially the spirit I saw there in the faces of families, children, and lovers, as they take on the challenges of rebuilding their country in the face of multiple disasters.

From the day we recorded 'Love Is Love' in the Artist Institute Studio, I would see and hear students singing the refrain as they walked the halls to classes, both in English - Love Is Love, and in Creole - Lanmou se Lanmou. This is one of the best feelings you can get making music - to see people take your song into their lives. That this could happen there in Haiti is a source of great joy for me.

Our Haiti Song Summit project, Let The Rhythm Lead, carries the imprint of our indelible experience in Haiti as friends, and as musical voyagers.”

Let The Rhythm Lead:  Haiti Song Summit Vol. 1 Track listing:

1. Lapé, Lanmou (Peace and Love), written by Jonathan Wilson and Jenny Lewis

2. Love is Love, written by Jackson Browne and David Belle

3. Surrender, written by Paul Beaubrun and Jackson Browne

4. Under the Supermoon, written by Jenny Lewis

5. Let the Rhythm Lead, written by Raúl Rodríguez

6. Goddess at the Wheel, written by Jonathan Wilson

7. Koulandian, adapted by Habib Koité

8. Saving Grace, written by Jonathan Russell and Kathryn Everett

9. El Viajero, written by Raúl Rodríguez

10. Simbi Dlo, adapted by Paul Beaubrun

11. I Found Out, written by Jonathan Russell

ARTISTS FOR PEACE AND JUSTICE:

Artists for Peace and Justice (APJ) is a non-profit organization that encourages peace and social justice and addresses issues of poverty around the world. Our immediate goal is to serve the poorest communities in Haiti with programs in education, healthcare and dignity. We are committed to long-term, sustainable development in direct partnership with the Haitian people. Our model is simple: we believe in empowering local communities, fostering economic growth, and the power of education to change a nation.

JONTAVIOUS WILLIS EARNS GRAMMY NOMINATION FOR ‘BEST TRADITIONAL BLUES ALBUM’

Multi-instrumentalist and Blues tunesmith, Jontavious Willis, has received the GRAMMY Nomination for Best Traditional Blues Album for  his 10-track release, Spectacular Class, released April 5, 2019 via Kind of Blue Music. 2018 GRAMMY award-winning artists Taj Mahal and Keb’ Mo’ played an active role in producing Spectacular Class with Taj Mahal credited as Executive Producer and Keb' Mo' as the Producer.

Through original lyrics written by Willis himself, the gifted musician delivers a timeless album that features dynamic vocals and all types of blues: Delta, Piedmont, Texas, and Gospel. His stand-out fingerpicking, flat-picking, and slide prowess are also on display. Many fans of Willis regard him as an old soul. His style of playing the instruments and his voice touches the very roots of country blues. He brings back the real depth of the music.

A newspaper headline once called him a “70-year-old bluesman in a 20-year-old body.” Hailing from Greenville, Georgia, Willis grew up singing Gospel music at the Mount Pilgrim Baptist Church with his grandfather. From an early age, he had the talent and passion for music and the ability to sharpen his skills fast.  At the age of 14, he came across a YouTube video of Muddy Waters playing “Hoochie Coochie Man” and was instantly hooked on the blues. He got his much-needed break from the living legend Taj Mahal, who described him as the “Wonderboy” and “the Wunderkind.” In 2015, Mahal asked Willis to play on stage with him. That appearance resulted in a roaring response from the audience. It led Willis to bigger stages and broader opportunities, including an opening slot at select shows along the TajMo tour, featuring his musical mentors Taj Mahal and Keb’ Mo’. Willis currently appears as the opening act for Keb’ Mo’s 2019 solo tour.

New Music Releases: Brian Simpson / Steve Oliver, Joel Ross, Gruppo D'Improvvisazione Nuova Consonanza

Brian Simpson / Steve Oliver – Unified

The historic meeting of two Smooth jazz icons! Between them, Brian Simpson & Steve Oliver have scored more than 25 Top Ten Smooth Jazz radio hits, more than 15 Top Ten Billboard Contemporary Jazz albums, toured to packed houses worldwide and shared the stage with everyone from Larry Carlton and George Duke to The Neville Brothers! Brian and Steve are famous for their melodic richness, captivating grooves and delicate touch and Uni?ed is the perfect expression of those qualities. Highlights include the romantic, dreamy "Last Summer," the super-sophisticated "Café du Monde," the grooving title tune "Unifed" plus “The Road Never Ends,” “What The Wind Knows,” “Fired Up,” “Last Summer,” “Like No Other,” “The Way Home,” “Celestial Body,” “A Distant Love,” and “And Then You Loved Me.”

Joel Ross - King Maker

An incredible debut from vibist Joel Ross – an artist who's already given us great moments on records with Makaya McCraven, Marquis Hill, and others – but who's completely his own man here right from the start! Ross instantly emerges as a major creative force – leading the combo, composing the music, and co-producing the set – with a rich vision for the future of vibes in jazz, but one that also carries the depths of previous generations – especially in the way that Joel approaches a tune, with a subtle sense of gravity that makes each new selection a very powerful statement. The group features Immanuel Wilkins on alto, Jeremy Corren on piano, Benjamin Tiberio on bass, and Jeremy Dutton on drums – a tight quintet who work with a great sense of sympathy – and singer Gretchen Parlato also joins the group at one point. Titles include "Prince Lynn's Twin", "The Grand Struggle Against Fear", "Freda's Disposition", "Yana", "With Who Do You Learn Trust", and "Ill Relations". ~ Dusty Groove

Gruppo D'Improvvisazione Nuova Consonanza - Gruppo D'Improvvisazione Nuova Consonanza (1965)

One of the most obscure chapters in the career of Ennio Morricone – important avant garde work recorded in the mid 60s, just at a point when he was beginning to rise in soundtrack fame! The ensemble is a key Italian modernist group featuring Morricone, Giovanni Piazza, Mario Bertoncini, Egisto Macchi, Gualtiero Branch, Jesus Villa Rojo, and Francesco Evangelisti – mostly classically-trained musicians, but working here in a set of improvisations that are extremely spare, and which are very much at the lower end of the sound spectrum. Many of the sounds on the set are right at the frontiers of hearing – and others, while more present, disappear as quickly as they emerge – further enforcing the mystery and mood of the record. And while the overall style is quite different than Morricone's soundtrack work, the group was clearly a key testing ground for his ideas of sound and space that emerged later. Titles include "Soup", "Scratch", "Settimino", and "Eflot". ~ Dusty Groove

Jazz Legend Charlie Parker Honored With Global Bird 100 Centennial Celebration

The incomparable life and extraordinary, trailblazing career of jazz titan and influential composer Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920). Lovingly dubbed Bird 100 after the nickname of the preeminent alto saxophonist who was one of the fathers of bebop and progenitors of modern jazz, the centennial will include a host of major initiatives including exciting new music releases, a tribute tour, festivals and events, prestigious exhibitions, special partnerships, a unique graphic novel, exclusive collectible art, and myriad of independent appreciations and concerts. "The centennial of Charlie Parker is a once-in-a-lifetime opportunity to celebrate his life, legacy and art form with the world. We are thrilled to honor Bird's transformative musical impact on past, present and future generations," said the Estate of Charlie Parker. 

Parker's longtime label Verve Records, in conjunction with UMe, the global catalog company of Universal Music Group, will kick off the yearlong celebration this week with a limited edition vinyl pressing of the rare 12" LP, The Magnificent Charlie Parker, an exclusive release for Record Store Day's Black Friday, taking place Friday, November 29 at independent record stores around the country. The limited album, out of print on vinyl since its original 1955 release, is pressed on vibrant yellow vinyl and includes a quintessential David Stone Martin cover as well as painstakingly recreated art including Clef Records labels. The 11-song LP features Parker going toe-to-toe with frequent collaborators Charles Mingus, Miles Davis, Max Roach and John Lewis with arrangements by Gil Evans.

The artwork for The Magnificent Charlie Parker is also available for purchase, along with four additional classic album covers, including four by David Stone Martin, as archival quality, framed canvas prints exclusively via uDiscover. The high-end wall art is available in a variety of sizes and includes the albums: Big Band, Machito Jazz With Flip & Bird, The Magnificent Charlie Parker, Charlie Parker With Strings and Charlie Parker With Strings (Vol. 2). For more information and to order, visit uDiscover: https://shop.udiscovermusic.com/collections/charlie-parker

Verve/UMe plan to celebrate Parker with several releases throughout 2020 and are currently in the works on a vinyl boxed set of Parker's complete Clef 10" albums featuring David Stone Martin's iconic illustrated covers. Charlie Parker: The Clef 10" Albums Collection will arrive on August 28, 2020 timed with Parker's 100th birthday and include five extraordinary albums he recorded for Norman Granz's Clef Records: Bird and Diz, Charlie Parker, Charlie Parker Plays South Of The Border, Charlie Parker With Strings and Charlie Parker With Strings (Vol. 2). The LPs will feature newly remastered audio from the original analog tapes and will include faithful reproductions of the classic artwork and packaging. The albums will pressed on 180-gram black 10" vinyl and will be housed in an attractive slipcase. Representing Bird's fruitful late '40s to mid-50s Clef period, the albums have never been released together and all but Bird and Diz have been out of print on vinyl since their original releases. These albums are being presented in the form they were originally released in for the first time in more than six decades.

Craft Recordings will release The Savoy 10-inch Collection in February 2020. The deluxe boxed set features four 10" LPs cut from newly restored and remastered audio. The collection highlights Parker's pioneering bebop recordings for Savoy Records from 1944-1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.

Bird's incredible legacy and immortal music will soar throughout the year with a variety of festivals, concerts, events and an exciting tribute tour. Sanctioned by the Estate of Charlie Parker, "Fly Higher: Charlie Parker @ 100" features acclaimed co-musical directors Rudresh Mahanthappa (alto saxophone) and Terri Lyne Carrington (drums) as they celebrate the jazz master, one of the most innovative and influential artists in modern musical history and examine his impact in pop, hip-hop, rap, rock and jazz. Joined by a superb lineup including Charenée Wade (vocals), Adam O'Farrill (trumpet), Kris Davis (piano), Larry Grenadier (bass) and Kassa Overall (DJ), Mahanthappa and Carrington will honor Parker's centennial year by showcasing Parker's uncompromising musical joy, humor and beauty by mining his deep repertoire and showcasing new, modern compositions. The tour is produced by Danny Melnick for Absolutely Live Entertainment and represented for bookings by International Music Network. For more information, visit charliebirdparker.com/events/tour-events

Parker's hometown Kansas City, Kansas and his adopted hometown New York City will honor the legend with their annual festivals and both have big plans for his 100th birthday. On the last weekend of August 2020, the annual Charlie Parker Jazz Festival will kick off in New York City. For the past 28 years, the Charlie Parker Jazz Festival has presented some of the finest musicians in the world who reflect Charlie Parker's musical individuality and genius to promote appreciation for this highly influential and world-renowned artist. Produced by City Parks Foundation, the festival is a vibrant and free celebration of jazz that brings together storied, veteran players and the next generation of jazz artists. The festival is held over the course of three days in neighborhoods where Charlie Parker lived and worked, in Harlem's Marcus Garvey Park and the East Village's Tompkins Square Park. More information will be available here soon: cityparksfoundation.org/charlieparker

Birdland, the NYC jazz club that adopted their ornithological name in 1949 to capitalize on the popularity of their regular headliner Charlie "Yardbird" Parker, will curate a month-long Charlie Parker Jazz festival at the famed venue in August 2020. Each week will feature a different headliner honoring Bird with the festivities launching with "Bird With Strings" in which renowned clarinetist Ken Peplowski will be the music director and he and a conductor friend will invite different soloists, on many different instruments, to play the arrangements with a chamber orchestra. This will be followed with Birdland's 10th annual "Bird-thday Celebration" featuring an all-star ensemble performing Parker's compositions. The month will culminate with celebrated saxophonist Joe Lovano and the Joe Lovano Us Five who will do a reprise of Bird Songs, their Bird-themed album released on Blue Note Records in 2011. For tickets and more info, visit Birdlandjazz.com.

Additionally in NYC, Jazz Congress will host a panel discussion about Parker titled "Bird and Beyond: Celebrating Charlie Parker at 100" at the conference taking place January 13-14th, 2020 at Jazz at Lincoln Center. Later in the year, the New York Public Library for Performing Arts at Lincoln Center will present a series of programs that will include conversations and screenings in the Library's Bruno Walter Auditorium, plus listening salons of rarely heard recordings in the Library cafe.

Celebrating its sixth year, the annual Charlie Parker Celebration in Kansas City, Kansas will celebrate Parker's centennial with Spotlight: Charlie Parker, a 10-day citywide celebration of his life and music on August 20-29, 2020. KC Jazz Alive, University of Missouri Kansas City, the American Jazz Museum, Nelson-Atkins Museum of Art, Mutual Musicians Foundation, Bruce Watkins Cultural Center and numerous other cultural and civic organizations will host jam sessions, tours, lectures, exhibits, panel discussions, poetry slams, workshops and concerts celebrating Charlie Parker—Kansas City's native son. More information available at Spotlightcharlieparker.org

Other collaborations and partnerships include an event at The GRAMMY Museum® in Los Angeles to be announced at a later date, an official custom Charlie Parker Legends Series alto saxophone mouthpiece with RS Berkeley, modeled after the original one Parker used, and a graphic novel that the Charlie Parker Estate is currently developing with the esteemed Z2 Comics. The boutique company which has pioneered the "graphic album" format will bring some of Charlie Parker's wild stories to vivid life through the marriage of comics and music.

Bird 100 will be an incredible opportunity to bring Charlie Parker's music to new audiences, expand awareness of his role in not only advancing jazz but helping to invent the artform known as bebop, celebrate his importance as an early "superstar soloist" of modern music and bring the extraordinary, inspirational and heartbreaking story of the man known as "Bird" to new platforms.

If jazz history can be divided into two epochs — danceable swing and improvisational bebop — then Charlie Parker is the fault line. During his brief but remarkable career, the alto saxophonist nicknamed "Bird" gave jazz lightning tempos, mind-bending chord substitutions, and previously unexplored harmonic depth, paving the way for hard bop, free jazz, fusion and everything after. Miles Davis summed up his accomplishments: "You can tell the history of jazz in four words. Louis Armstrong. Charlie Parker."

Parker was born in Kansas City, Kansas, in 1920, but "Bird" was arguably born during a jam session at the city's Reno Club in 1937. Invited to play with Count Basie's drummer Jo Jones, 16-year-old Parker began a promising solo over George Gershwin's "I Got Rhythm" — and bricked on the chord changes. Jones threw a cymbal that clashed at Parker's feet; the audience jeered. Instead of giving up the horn, he practiced harder than ever and moved to New York City in 1939 to prove his mettle.

One night that year, Parker woodshedded the Ray Noble song "Cherokee" with the guitarist William "Biddy" Fleet and had a eureka moment. "I'd been getting bored with the stereotyped changes that were being used all the time," he later told Down Beat. "By using the higher intervals of a chord as a melody line and backing them with appropriately related changes, I could play the thing I'd been hearing. I came alive." Armed with this new knowledge, Parker composed pieces that went on to be standards, like "Yardbird Suite," "Chasin' the Bird" and "Ornithology."

Parker, who died in 1955 at only 34, was a meteoric musician that burned bright and much too quick. But his legacy more than lives on; it's jazz scripture. Jack Kerouac called him "as important as Beethoven." Four of his recordings were inducted into the Grammy Hall of Fame including albums Charlie Parker With Strings and Jazz At Massey Hall and the songs "Ornithology" and "Billie's Bounce." In 1974, he was awarded a posthumous Grammy for Best Performance By A Soloist for "First Recordings." In 1988, the Clint Eastwood-directed biopic "Bird" brought his story to the silver screen. The U.S. Postal Service issued a commemorative stamp in his honor in 1995.

Although his life and career were short, the New Yorker has praised Parker as "one of the wonders of twentieth-century music" and the New York Times deemed him "matchless" and a "bebop exemplar." And Parker's popularity continues to grow. Today, one of his saxophones is on view at the Smithsonian's National Museum of African American History and culture in Washington, D.C. — an enduring reminder that America will always have a "Bird" in its hand.

www.charliebirdparker.com