Art Blakey & The Jazz Messengers - Buhaina's Delight
A landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet, and Wayne Shorter on tenor, who had returned to the group after a short departure. The band was augmented by the wonderfully lyrical and soulful piano of a young Cedar Walton – who brought a strong degree of sophistication, and who was a perfect interpreter of Shorter's rich writing talents. The whole group performs together perfectly on this wonderful (and oft-overlooked) session – especially on the tracks "Shaky Jake", "Backstage Sally", and "Bu's Delight". ~ Dusty Groove
Ellery Eskelin / Christian Weber / Michael Grenier - Pearls
Tenorist Ellery Eskelin really sounds great here – carving
out these soulful, angular lines in the kind of format that seems to make him
shine the most – a trio, with Christian Weber on bass and Michael Grenier on
drums! Some of the tunes are of older origin, which brings out some roots in the
players we might not expect – while others are originals composed by the three,
and presented in a style that mixes the modern and traditional in a very
captivating way. Titles include "Magnetic Rag", "ABC",
"Black Drop", "Jive At Five", "The Pearls",
"La Fee Verte", "Ru Jardiniere", and "Il Gatto". ~
Dusty Groove
Herlin Riley - Perpetual Optimism
Great work from Herlin Riley – a drummer with plenty of New
Orleans in his roots, but also a jazzman who never tries to hit you over the
head with that legacy either! There's definitely a complexity in the rhythms
that reflects Herlin's background – but the modes of expression are more
contemporary, and more universal – as the songs feature some great
criss-crossing between the trumpet of Bruce Harris and alto of Godwin Louis –
the latter of whom might well be reason enough to check out the album! The horn
lines are bold and soulful – and Riley gets great support from pianist Emmet
Cohen and bassist Russell Hall – on titles that include "Perpetual
Optimism", "Rush Hour", "Be There When I Get There",
"Twelve's It", "Wings & Roots", and "Borders
Without Lines". ~ Dusty Groove
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