Thursday, August 25, 2016

Resilient jazz singer Anna Danes finds her wings

It was against all odds that Anna Danes found herself standing in Capitol Records Studio A, in front of the same microphone used by her role models, Frank Sinatra and Nat King Cole, recording an a cappella song that she wrote for her sophomore album. In the dimly lit studio in the heart of Hollywood, the woman who escaped communist Poland as a child and overcame the pain and loneliness of a loveless marriage by discovering her voice just three years ago poured her broken heart into the intimate album closer, “I Love You,” as producer Dave Darling sat spellbound at the recording console. In the famed studio during sessions financed by selling a car, Danes shared her deeply personal tales of love and loss through the six acoustic jazz songs that she wrote for “Find Your Wings,” the DLG Records disc scheduled for release on October 14 that is completed by five standards and a stunning interpretation of blues singer Janiva Magness’ “When You Were My King.” 

Late last month, as Danes plotted with her marketing and promotions team to gear up for the upcoming album release, she was diagnosed with breast cancer. True to the theme of “Find Your Wings,” the positive-minded vocalist faced her worst fears, saw the silver lining and penned a motivational blog, “Cancer Part 1: Vanity Saved My Life,” to help educate and encourage others facing their own health and personal challenges (http://www.annadanes.com/2016/07/31/cancer-part-1-vanity-saved-life/). 

When Danes began the recording project that is slated to street during National Breast Cancer Awareness Month, she had the desire to emulate the sound of a pair of jazz vocal albums from the esteemed duo of Tony Bennett and Bill Evans. Darling kept Danes’ captivating and expressive voice front and center in the mix using only sparse accompaniment from pianist Rich Ruttenberg, drummer John Ferraro and bassist Trey Henry. Blessed with a classic voice possessing charm, warmth, elegance and grace, Danes’ patient delivery and vocal phrasing uncoils with poise and complete control despite the vulnerability and intensity of her emotion-charged subject matter. Love is her ever-present muse on “Find Your Wings.” On originals, she sings a haunting melody on “The Voice,” pines hopefully on “See You In L.A.” and longs to see forever in the eyes of her lover on “Long Distance.” Among those she interprets from the Great American Songbook are Michel Legrand’s “I Will Wait For You,” Sammy Cahn’s “It’s Crazy” and Johnny Mercer’s “I Want To Be Around” while on the romantic duet “That’s All,” she takes enduring vows with Richard Shelton’s debonair tenor.    

“I’m a very late bloomer in life. For the majority of my life, I’ve either had little confidence or have drafted off other people’s confidence and floated under their wings,” said Danes, who wrote the title track with Cindy Alexander. “Cindy asked me what I wanted to write about. I told her about my story post-separation and how I found my voice and confidence through music. Bam! That’s all that was needed to start the creative process. What was supposed to be a song about finding hope, turned into an anthem about finding yourself, your true purpose, your voice, your identity and so much more.” 

Finding her voice has been life transforming for the former lawyer and stay-at-home mom who has called San Diego home for the past 16 years. Danes hopes to empower people to pursue their passions and dreams with the songs on “Find Your Wings,” which will also be the subject of her first book, personal growth products and motivational speeches on the corporate circuit. Via music, writing and speaking, Danes’ encouraging message is that by facing your fears - in health and any personal challenge – you can break out of your cage, find your wings and transform your life. 

Although she sang as a child in church after arriving in Sweden and settling in Canada after escaping Poland with her parents in 1979, Danes didn’t sing again until 2013 when her young daughter cried boredom and refused to participate at a vocal lesson. Since the lesson was already paid for, Danes stepped in. She released her debut album that same year, “Longing,” which was an extravagantly produced and elaborately-orchestrated collection of standards and modern pop tunes. Her love of jazz spawned the mission to bring more live jazz to the San Diego area through her own event production and promotion company, which produces the Jazz on Cedros series. For more information, please visit www.AnnaDanes.com.        

 “Find Your Wings” contains the following songs:
 “When You Were My King”
 "I Will Wait For You”
 “It’s Crazy”
 “I Want To Be Around”/”Cry Me A River”
 “Find Your Wings”
 “That’s All”
 “Long Distance”
 “In The Wee Small Hours”
 “See You In L.A.”
 “Mr. OMG”
 “The Voice”
 “I Love You”


  

CHICK COREA, LEGENDARY JAZZ MASTER, CELEBRATES 75TH BIRTHDAY WITH GLOBE-SPANNING TOUR

Music legend Chick Corea is spending his 75th birthday at home: on the road.

Corea has spent 50 years on the world's most venerated stages, playing with a pantheon of fellow-traveling musical compatriots, and now he's packing it all into one year.

For 2016, he's lined up an Iron-Man marathon of tour dates, literally circling the globe: Phoenix to Minneapolis to Naples to Stuttgart to Tokyo to Beijing to Honolulu and back to LA.

This activity will lead up to the greatest jazz birthday party ever: an unprecedented two-month residency at New York's Blue Note Jazz Club this fall, where Chick has assembled an unprecedented lineup of giants to do what they do best: create music magic, two shows a night, for eight straight weeks.

But it all started in April, which opened with Chick at the star-studded International Jazz Day concert, broadcast nationwide from The White House lawn. An East Coast duet tour with Béla Fleck preceded a solid month of shows in Japan with fellow pianist Makoto Ozone-including two nights with the NHK Orchestra in Tokyo playing Mozart's "Concerto for Two Pianos and Orchestra." July brought European concerts with the all-star "Homage to Heroes" quintet, featuring Wallace Roney, Kenny Garrett, Christian McBride and Marcus Gilmore.

The past week at Catalina Jazz Club in Hollywood - ask any Chick fan - has been a long time coming: the Chick Corea Elektric Band returned, (Aug. 17-24) for a celebratory 7 nights and 14 sold-out shows at the iconic Hollywood club, which has hosted many legendary Corea performances. The classic lineup is in force: Corea, Dave Weckl (drums), John Patitucci (bass), Eric Marienthal (sax), Frank Gambale (guitar). The Elektric Band will also do a handful of U.S. theater dates in October, and kickoff Chick's landmark residency at the Blue Note New York.

An Italian excursion in September finds Chick renewing his legendary lifelong duo conversation with vibraphonist Gary Burton, including headlining La Villette Jazz Festival in Paris.

In the run-up to the Blue Note Celebration, Chick has managed to fit in three different configurations of his Trilogy trio: Following US performances in June and July with the GRAMMY®-winning band with Christian McBride (bass) and Brian Blade (drums), including performances at the Newport Jazz Festival where Chick was named Artist of the Year, younger firebrands Avishai Cohen (bass) and Marcus Gilmore (drums) join Chick for appearances in September in Israel, Kiev, and more throughout Europe and Asia. The trio will headline the grand opening of the Blue Note Beijing on Sept. 13. The legendary Eddie Gomez (bass) falls in with Corea and Blade for a residency at the Blue Note Hawaii (Sep. 21-24) and the San Francisco Jazz Festival (Sep. 29 - Oct. 2), plus West Coast concerts in September and October.

Back in his musical home, New York City, the Blue Note residency (Oct. 19 - Dec. 11) is the kind of honor and celebration befitting a career like Corea's: 22 GRAMMY® wins. NEA Jazz Master. Downbeat Magazine Hall-of-Famer. An artistic voice that has influenced and been inspired by countless musical traditions: modern jazz to traditional flamenco, western classical to electric jazz-fusion, acclaimed solo performances to many high-profile collaborations.

All the facets of his restless creativity will be on display at the Blue Note, in 80 shows with 60 iconic musicians playing in 15 bands (see bluenotejazz.com for a detailed listing).

These include a tribute to his mentor Miles Davis with other Davis alumnae; a week with longtime partner-in-crime and drum legend Steve Gadd; two nights of experimental electronica with drummer Marcus Gilmore and guests; and the return the Flamenco Heart. The Harlem String Quartet will join the simpatico duo partnership with Gary Burton. Perennial fan-favorite projects with Origin and the 15-piece Trodheim Jazz Orchestra will also occupy the Blue Note stage, plus a three-night series of duets with pianists yet to be announced.

The final two weeks of the run will feature the music of Return to Forever and more in two different contexts: the acoustic lineup (Nov. 30 - Dec. 4) includes Ravi Coltrane (sax), Hubert Laws (flute), Avishai Cohen (bass) and RTF drummer Lenny White; an electric band (Dec. 8-11) dubbed Return to Forever Meets Mahavishnu, featuring fellow legend John McLaughlin on guitar, bassist Victor Wooten and drummer White, will also delve into some classic Mahavishnu Orchestra material.

Corea's 2016 tour schedule is a shorthand sketch of his entire musical life: a virtuosic summary of 50 years of creativity, and a confident step toward exciting new possibilities for the future.
  
UPCOMING TOUR DATES:

Chick Corea & Gary Burton Duet
September 1 - 2, Blue Note Milano, Milano, Italy (2 shows per night)
September 4, Jazz a La Villette, Paris, France

Chick Corea Elektric Band
October 12, Capitol Theatre, Clearwater, FL
October 14, Schermerhorn Symphony Center, Nashville, TN
October 15, The Carolina Theatre, Durham, NC
October 16, Wilbur Theatre, Boston, MA
October 17, The Birchmere, Alexandria, VA

Chick Corea Trilogy (Corea / Gomez / Blade)
September 21 - 24, Blue Note Hawaii, Honolulu, HI (2 Shows Per Night)
September 25, Maui Arts & Cultural Center, Castle Theatre, Maui, HI
September 28, Kuumbwa Jazz Center, Santa Cruz, CA (2 Shows)
September 29, San Francisco Jazz Festival, San Francisco, CA
October 4 - 5, Jazz Alley, Seattle, WA (2 Shows Per Night)
October 7, Detroit Symphony Orchestra Hall, Detroit, MI
October 8, Xavier University Jazz Series at Gallagher Theater, Cincinnati, OH
 
Chick Corea Trilogy (Corea / Cohen / Gilmore)
August 30, Red Sea Jazz Festival, Eilat, Israel
September 5, Jazz a La Villette, Paris, France
September 7, Openluchttheater Rivierenhof, Antwerp, Belgium
September 10, Equi Jazz Festival -Equides Club, Kyiv, Ukraine
September 13 - 17, Blue Note Beijing, Beijing, China (2 shows per night)
September 18, Shimbun Akabane Hall, Hokkoho, Japan

Blue Note New York Residency
October 19 - 23, The Chick Corea Elektric Band (10 shows)
October 26 - 30, For Miles (10 shows)
November 2 - 3, Three Quartets Band (4 shows)
November 4 - 6, The Leprechaun Band (6 shows)
November 9 - 10, Experiments in Electronica (4 shows)
November 11 - 13, Chick's Flamenco Heart (6 shows)
November 16 - 17, Chick Corea & the Trondheim Jazz Orchestra (4 shows)
November 18 - 20, The Piano Duets (2 shows each with three pianists TBA)
November 22 - 23, Chick Corea & Gary Burton feat. The Harlem String Quartet (4 shows)
November 25 - 27, Origin II (6 shows)
November 30 - December 4, The Music of Return to Forever (Acoustic) (10 shows)
December 7, TBA (2 shows)
December 8 - 11, Return to Forever Meets Mahavishnu (8 shows)





Keely Smith: The Intimate Keely Smith (Expanded Edition)

You can’t get any more popular in American entertainment than Keely Smith was in the early ‘60s. Having blown the doors out in Las Vegas, winning a Grammy, having hit after hit and lighting up television screens playing straight “man” to husband Louis Prima, she’d navigated the tricky waters of a professional and personal divorce, striking out on her own and starting her own record label, Keely Records, in partnership with close friend and mentor Frank Sinatra, under the auspices of his Reprise label. A groundbreaking businesswoman, as well as recording artist, Keely recorded 5 classic albums for Reprise. Because she’d seen enough show business shenanigans to last a lifetime, a generation before it became standard practice to do so, she retained the rights to her masters. 

Those albums have NEVER come out legitimately on CD anywhere in the world. Now, Real Gone Music, in concert with Keely & her family, is very proud to announce that the label is going to answer the pleas of pop fans worldwide and release ALL of Keely’s Reprise albums on CD for the first time in deluxe packages featuring bonus tracks, rare photos, and new liner notes by Steve Hoffman. Produced by Keely’s husband-to-be & Reprise hitmaker Jimmy Bowen, 1964’s The Intimate Keely Smith is, as the steamy cover and saucy title suggest, a sexy, swinging affair and the quintessential Keely Smith recording from her Reprise period. A concept album, the project was the long form representation of her legendary “mood spot” concert segment, a staple of Keely’s live shows. Key album tracks include a rendition of Sinatra’s “Time After Time” and a version of Billie Holiday’s “God Bless the Child”…this album presents Keely really taking wing as an artist. And the bonus tracks? 

Well, Keely’s strong rapport and long history with Frank Sinatra are well known. As one of the foundational artists at Reprise, which was at full creative flower, Keely was part of some really great projects outside of her own releases. With the blessing of Frank Sinatra Enterprises, we’ve included her duet with Frank, “Twin Soliloquies,” from the The Reprise Musical Repertory Theatre Presents South Pacific album, plus rare the non-LP single of the King-Goffin-Spector track “No One Ever Tells You,” arranged by Jack Nitszche and also produced by Bowen.

Tracklisting:
1. Somebody Loves Me
2. As Long As He Needs Me
3. Blame It on My Youth
4. He Needs Me
5. Sinner or Saint
6. It Had to Be You
7. Time After Time
8. Nancy/You Are My Sunshine (medley)
9. God Bless the Child
10. You'll Never Know
11. The Whippoorwill
12. No One Ever Tells You
13. Twin Soliloquies



Monday, August 22, 2016

Saxophonist Tim Armacost & Pianist David Berkman of The New York Standards Quartet Pay Tribute to Don Friedman @ The Kitano - August 27

Saxophonist and composer Tim Armacost and pianist and composer David Berkman of The New York Standards Quartet will pay tribute to the late Don Friedman with a performance at The Kitano on August 27.  Armacost and Berkman will be joined by an A-list rhythm section featuring Ed Howard on bass and Victor Lewis on drums.

David Berkman
Tim Armacost
The late pianist/composer Don Friedman was a dear friend and inspiration to Armacost.  "Don was a great inspiration for me not just as a musician, but as an example of how to live life.  He was passionate about the music he played, he enjoyed time with Marylin, his wife of 26 years, he was active as an educator for more than 40, and he was an accomplished and competitive athlete, literally until a few months before he passed away.  He continued to compose, and stayed creative to the end of his life.  When he got sick, I never heard him complain - he only expressed frustration about not having the strength to practice the piano for longer than a short while," said Armacost.

Armacost and Berkman are founding members of the New York Standards Quartet (along with bassist Ugonna Okegwo and drummer Gene Jackson), whose mission has always been to interpret standards and traditional jazz tunes in a way that would allow audiences to connect and be engaged, while at the same time, playing in the contemporary jazz style the members have developed through their many decades on the New York jazz scene. Their new album Power of 10 celebrates the 10th anniversary of the band, and shines a spotlight on the group's incredible ability to explore music, together. Tim Armacost explains further, "David was explaining what being a band for 10 years means: that the result of staying together is that we've become totally familiar with each other's playing. When one of us is going for something new, reaching for a different take on a tune, or just pushing the moment forward, everyone hears it immediately. You can feel what the other players are thinking. So when one of us gets inspired and starts a search, or finds a new angle on a tune, everyone jumps in to see where the music will go, or moves over and makes a space for something different to happen. Participating in those moments of discovery is intensely exciting, and that spark is what gives the music its life."


Trumpeter, composer, musical visionary Wadada Leo Smith receives Hammer Museum’s 2016 Mohn Career Achievement Award

Trumpeter, composer and musical visionary Wadada Leo Smith has received the Hammer Museum 2016 Mohn Award for Career Achievement “honoring brilliance and resilience.”  The $25,000 Award was announced August 16 by the museum and presented in conjunction with the exhibition Made in L.A. 2016: a, the, through, only, organized by Hammer curator Adam Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society.   Dancer and choreographer Adam Linder also received a Mohn Award for artistic excellence and Kenzi Shiokava received the Public Recognition Award.

“The jury wants to acknowledge Wadada Leo Smith’s outstanding achievements as a musician, his influential work as a teacher and a mentor for younger artists in Los Angeles, and the decades-long expansion of an inventive, completx and layered system of notation simultaneously interrogating the picotral and the performative,” stated Juse Luis Blondet, curator, Special Initiatives, Los Angeles County Museum of Art.

“I’m so honored to have won this award,” said Smith.  “I’m so happy that my scores are being viewed as works of art.  That means the world to me.” 

Smith, who turns 75 in December 2016, recently received a 2016 Doris Duke Artist Award and received an honorary doctorate from CalArts, where he was honored as Faculty Emeritus. He maintains an active touring and recording schedule. His latest epic recording America’s National Parks will be released October 14, 2016 on Cuneiform Records.  A six-movement suite inspired by the scenic splendor, historic legacy, and political controversies of the country’s public landscapes the recording features Smith with pianist Anthony Davis, bassist John Lindberg, drummer Pheeroan akLaff and cellist Ashley Walters.  Later this year TUM Records will release Wadada Leo Smith: Nagwa featuring Smith with guitarists Michael Gregory Jackson, Henry Kaiser, Brandon Ross and Lamar Smith, plus Bill Laswell on electric bass, Pheeroan akLaff on drums and Adam Rudolph on percussion. Coming on TUM in early 2017 will be Alone: Reflections and Meditations on Monk, a solo recording.

Smith’s 2016 schedule includes performances at the Montreal International Jazz Festival, Berlin Jazz Festival, Molde Jazz Festival, Pittsburgh International LiveJazz Festival, Jazz at Lincoln Center, Vision Festival, Festival Suoni Per il Pipolo, Summer Stage, NYC and the premiere of his opera /cantata Rosa Parks at the FONT Festival, among others (see full schedule at end of this release.)

Totaling $150,000, the Mohn Awards are among the largest art prizes dedicated to recognizing the work of emerging and under-recognized artists from the greater Los Angeles region. A jury of professional curators selected the Mohn Award and the Career Achievement Award while the Public Recognition Award was determined by on-site voting from June 11 through August 14, 2016. The jury included Ingrid Schaffner, curator, 57th Carnegie International, 2018, Carnegie Museum of Art, Pittsburgh, Mika Yoshitake, associate curator, Hirshhorn Museum and Sculpture Garden, and Jose Luis Blondet, curator, Special Initiatives, Los Angeles County Museum of Art. All three awards were once again funded through the generosity of Los Angeles philanthropists and art collectors Jarl and Pamela Mohn and the Mohn Family Foundation as part of Made in L.A., the Hammer's biennial exhibition series highlighting emerging and under-recognized artists from the Los Angeles region.

“Curators Aram Moshayedi and Hamza Walker selected a tight group of artists and offered them room to stretch. This exhibition is stunning in terms of the range of practices and performers, the depth of exploration, and the array of programs it presents. It's as it if everyone won and gave a prize through their participation in Made in L.A. 2016: a, the, though, only,” said Ingrid Schaffner.

Wadada Leo Smith, whose roots are in the Delta blues, is one of the most boldly original figures in American jazz and creative contemporary music and one of the great trumpet players of our time.  As a composer, improviser, performer, music theorist/writer and educator, Smith has devoted a lifetime to navigating the emotional heart, spiritual soul, social significance and physical structure of jazz to create new music of infinite possibility and nuance.

A 2016 Doris Duke Artist and 2013 Pulitzer finalist, Smith was DownBeat Magazine’s 2013 “Composer of the Year” and the Jazz Journalist Association’s 2013 Musician of the Year and Trumpeter of the Year. In 2014 DownBeat magazine named him “One of the 80 Coolest Things in Jazz Today,” citing his “magisterial instrumental voice, his inspirational leadership, and his command of classical, jazz and blues forms to remind us of what’s gone down and what’s still happening.” The Jazz Journalists Association named Smith Composer of the Year in 2015. Early in his career, Smith developed Ankhrasmation, a radically original musical language that uses visual directions and remains the philosophical foundation of his oeuvre. In October 2015, The Renaissance Society at the University of Chicago presented the first comprehensive exhibition of his Ankhrasmation scores.

Smith has released more than 50 albums as a leader. His landmark 2012 civil rights opus Ten Freedom Summers was called “A staggering achievement… It merits comparison to Coltrane’s A Love Supreme in sobriety and reach,” (Francis Davis, Rhapsody Jazz Critics Poll). Recent recordings include The Great Lakes Suites, which earned second place in NPR Music’s 2014 Jazz Critics Poll and Celestial Weather, which garnered extensive praise as “a perfectly suited twosome…4.5 stars” (DownBeat).  In March 2016 ECM released a cosmic rhythm with each stroke featuring pianist Vijay Iyer and Smith, whom Iyer calls his “hero, friend and mentor.” The recording has earned wide critical acclaim and the duo is touring internationally in 2016 and 2017.

Born December 18, 1941 in Leland, Mississippi, Smith began performing at age thirteen with his stepfather, bluesman Alex Wallace and went on to play in his high school bands. He received his formal musical education from the U.S. Military band program (1963), the Sherwood School of Music (1967-69), and Wesleyan University (1975-76). Part of the first generation of musicians to come out of Chicago’s AACM (Association for the Advancement of Creative Music), Smith collaborated with a dazzling cast of fellow visionaries. He has received commissions to write music for numerous groups including the Wroclaw Philharmonic Orchestra, and was invited to perform and speak on human rights at the Onassis Cultural Centre in Athens.

Smith has been awarded grants and fellowships from the John Simon Guggenheim Memorial Foundation, the Fromm Music Foundation at Harvard University, Chamber Music America with support from the Doris Duke Charitable Foundation, Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program, the MAP Fund and the National Endowment for the Arts, among many others.

Wadada Leo Smith Upcoming Events
• Saturday, Sept. 24 – Premiere of Smith’s opera /cantata Rosa Parks – FONT Festival, NYC

• Tuesday, Sept. 27 – Smith and Iyer – Amherst, MA

• Friday, Oct. 14 – AACM concert featuring Wadada Leo Smith with Bobby Naughton and Dwight Andrews – The Community Church of New York, NYC

• Sunday, Oct. 23 – Smith & John Lindberg duo Celestial Weather – LaFontsie Galleries, Grand Rapids, MI

• Wednesday, Oct. 26 – Smith & John Lindberg duo Celestial Weather – Edgefest (20th Anniv. Edition), Ann Arbor, MI

• October 28 & 29 – Smith & John Lindberg duo Celestial Weather w. drummer Mike Reed – Constellation, Chicago, IL

• Sunday, Oct. 30 – Smith & John Lindberg duo Celestial Weather – Woodland Pattern, Milwaukee, WI

• Thursday, Nov. 3 – Smith’s Great Lakes Quartet performing The Great Lakes Suites – Berlin Jazz Festival

• Sunday, Nov. 6 – Wadada duet with pianist Alexander Hawkins – Berlin Jazz Festival

• Wednesday, Nov. 9 – Wadada Leo Smith & Vijay Iyer duo – Benaroya Hall’s Nordstrom Recital Hall – Earshot Jazz Festival

• Saturday, Nov. 19 – Wadada & Iyer – Bielsko-Biala – Poland

• December 14-17 – Wadada Leo Smith’s Four Symphonies – Kadist, Wattis, & The Lab – San Francisco, CA

• Friday, Jan. 6 – Wadada-Vijay duo – Wigmore Hall, London, England

• Saturday, Jan. 7 – Wadada-Vijay duo – Klub Zak, Gdansk, Poland

• Sunday, Jan. 8 – Wadada-Vijay duo – Lantaren Venster, Rotterdam, Netherlands

•  Monday, Jan. 9 – Wadada-Vijay duo – Harpa, Reykjavik

• Wednesday, Jan. 11 – Wadada-Vijay duo – Philharmonie Chamber Hall, Luxembourg

• Thursday, Jan. 12 – Wadada-Vijay duo – Kölner Philharmonie, Köln, Germany
   
• Friday, Jan. 13 – Wadada-Vijay duo – Brussels Jazz Festival – Flagey, Brussels, Belgium

• Sunday, Jan. 15 – Wadada-Vijay duo – Teatro Manzoni , Milan, Italy

• Tuesday, Jan. 17 – Wadada-Vijay duo – Sons D'Hiver Festival – Espace Jean Vilar, Arcueil, France


Bossacucanova's New Best of Collection features two new dance floor-ready tracks

You can never tell what will happen when friends get together. The trio of Marcio Menescal, DJ Marcelinho DaLua, and Alex Moreira originally started remixing classic bossa nova tracks for fun. Eighteen years and five albums later, Bossacucanova has honored and helped evolve its native Brazilian soundtrack.

The Best of Bossacucanova (Six Degrees Records) assembles songs the band members feel are the most representative of their diverse and progressive catalog, including two brand new songs. As Menescal, son of legendary bossa nova pioneer Roberto, says, “We decided to choose songs featuring our best arrangements, most original beats, and top performances.” The album is set to be release on August 12.

As the trio initially had no ambitions of becoming a band, Menescal says that offered a kind of freedom when they worked on their debut album, Revisited Classics. In hindsight this collection offers a reflective gaze at what they’ve accomplished. Still, Menescal waxes poetic over the early days: “We like the beginning when we had no experience; that allowed us to be bolder.”

This is why the collection opens with a global lounge classic, ‘Berimbau,’ titled (and featuring) one of Brazil’s most famous contributions—the berimbau is the single-stringed percussive instrument rooted with a gourd, mostly known for its role in the martial art form, capoeira. Bossacucanova’s tribute features a meandering beat with a chant-style chorus that is a trademark of the nation's folk music. It features the voices of Os Cariocas, a group initially founded in 1942.

For this song and ‘Meditacão,’ which features vocalist and guitarist Wanda Sa (who cut her teeth performing with Sérgio Mendes’s Brazil ’65), Menescal borrowed original tracks from his father’s label and remixed them with “distorted guitars, flutes, amplifiers, and guitar pedals.” The samples were lifted straight from vinyl with a microphone placed near the monitor—a harbinger of today’s digital drag-and-drop techniques.

Bossacucanova has made its career by blending such Brazilian anthems, working with a pantheon of musical gods and goddesses while keeping tabs on emerging technologies. Never have distortion, DJ scratches, or electronic beats distracted from the melodic core that comprises the nation’s soul. This is nowhere more evident than in the upbeat hit, ‘Essa Moça tá Diferente,’ featuring a sample of Chico Buarque along with swing vocals by Wilson Simoninha and saxophone contribution by Leo Gandelman.

“Our great references are still the music and culture of the sixties through eighties,” says Menescal. “Brazilian music is very rich—it has several rhythmic styles, an abundance of harmonies, and extraordinary musicians. But we will always feel like we need to improve and refresh what has come before. And we have many projects with this in mind coming soon.”

Keeping the collection fresh, a dubby, percussive remix of ‘Waldomiro Pena’ by British Afro-Brazilian group Da Lata breathes new life into this Bossacucanova staple, which was originally recorded by Jorge Ben for the popular television show, Plantao de Policia. Another new tune, written for Carnaval, ‘Indio Quer Apito,’ updates a carioca song from the sixties, with Pedro Luis contributing vocals and Orquestra Criola, led by Humberto Araújo, spicing up the dance floor track.

It’s impossible to separate Brazilian culture from its political climate. The Tropicália movement of the early seventies addressed important social issues; the music, then and now, has long been a response to what’s going on around the country, a mirror for its people to meditate on and, ideally, uplift. Bossacucanova is in this latter camp, using music as a tool for unifying a people that is currently in the midst of a severe economic downturn.

“When the country faces times of crises, the culture reacts immediately,” says Menescal. “In difficult times, people renew themselves. We find intelligent, creative solutions. While all of this is happening, it is our role to have a positive influence on the people and in Brazilian music.”

This self-appointed ambassadorial position is certainly appreciated. The band’s next tour will be a survey of its nearly two decades making incredible music, progressively walking through its rich history. Members will blend the worlds they know so well: the expansive technological domain of previously unimagined soundscapes combined with the integrity and joy of live performance, the foundation of Brazil’s music since the beginning.

“Our band is a family,” Menescal concludes. “We’ve built this friendship over years of touring, living through a range of emotions: good times, fights, music and love. We hope there still will be lots of surprises left!”

Tracklist
1.  Berimbau (feat. Os Cariocas)   
2.  Consolação (feat. Silvio César)   
3.  Meditação (feat. Wanda Sá)   
4.  Bye Bye Brasil (with Roberto Menescal)   
5.  Água De Beber    (with Roberto Menescal)   
6.  Brasilidade (with Roberto Menescal)   
7.  Essa Moça Tá Diferente (feat. Wilson Simoninha)
8.  Previsão (feat. Adriana Calcanhotto)   
9.  Águas De Março (feat. Cris Delanno)   
10. Adeus América (feat. Os Cariocas, Oscar Castro Neves and Wilson Simoninha)
11. É Preciso Perdoar (feat. Emilio Santiago)   
12. Balança (Nao Pode Parar!) (feat. Cris Delanno)
13. Índio Quer Apito (feat. Orquestra Criôla and Pedro Luis)   
14. Waldomiro Pena (Dalata Remix)

 

Matt Slocum Presents Trio Pacific, Vol.1 Featuring Dayna Stephens (saxophones), Steve Cardenas (guitar), Matt Slocum (drums, compositions)

Trio Pacific, Vol. 1, drummer/composer Matt Slocum's fourth recording as a leader, moves away from his core piano trio for the first time to a new configuration featuring longtime creative associate Dayna Stephens and inventive guitarist Steve Cardenas. While Slocum's acclaimed 2014 recording Black Elk's Dream focused heavily on his extended compositional work, Trio Pacific, Vol. 1 paints the most revealing portrait to date of his distinctive musical personality on the drums.

Slocum, who penned six of the eight compositions on the date, writes, "For these sessions I was interested in working with more open compositional frameworks designed with the trio's aesthetic approach in mind. This group seems to be geared more towards collective interaction rather than extended individual solo statements. It's still a relatively new format as we have been playing together as a trio for only a year or so, but the initial musical connection is the strongest that I've experienced."

He also notes that, "The title of the recording isn't meant to imply a deep underlying meaning or anything. It just seemed appropriate as the first gigs that I played with Dayna and Steve were on the West Coast, and we all lived in California for different periods of time. There's also a certain warmth in their playing, both sonically and in terms of content, that for whatever reason makes me think of the Pacific. But it's totally subjective. And by 'warmth' I don't mean brightness."

More about the music on Trio Pacific, Vol. 1: Passaic is a Native American word that means "valley" or "water flowing through a valley". The composition alludes to the sinuous path of the Passaic River and what Slocum describes as, "a type of dark beauty," in the Great Falls of the Passaic, the second largest waterfall in the Eastern US.  The relatively obscure standard, I Can't Believe That You're in Love with Me, features joyful, swinging playing from the trio and borderline telepathic interaction. Yerazel is an Armenian word that means "to dream." Relaxin' at Camarillo is played at a brisk tempo and features Stephens on the alto saxophone. Slocum notes that, "I've always loved how Tommy Flanagan played this tune." Stephens and Cardenas solo beautifully together before handing it off to Slocum for a thematic solo statement built around the tune's melodic and rhythmic motifs.

Afterglow, Descent and Atlantic are three new works that Slocum composed for the sessions. Afterglow incorporates a haunting melody in the lower register of the tenor saxophone over lush, non-conventional harmonic structures. The magical duo interplay between guitar and drums on Descent is a highlight of the recording. It is interesting to hear how Cardenas, a veteran of ensembles led by Paul Motian and Joey Baron, plays differently in a duo with Slocum. Slocum too has found his own voice in this setting, a creative approach to the instrument which differs significantly from those of Motian, Baron and others. Atlantic features Stephens on the soprano saxophone supported by Slocum's textural shading on brushes, mallets and later sticks. 

For Alin was composed for Slocum's wife and originally appears on his debut recording Portraits. For this session the trio approaches the piece as a collective dialogue which culminates in a single statement of the lyrical rubato melody.

More about Matt Slocum:  Hailed as "one of his generation's most highly regarded drummers" (Jazz Police), Matt Slocum has also earned a reputation as a distinctive, inventive and lyrical composer. He is the recipient of composition grants and commissions from the Mid-Atlantic Arts Foundation, the American Music Center, New Music USA, the New Jersey State Council on the Arts, the Puffin Foundation and Meet the Composer. Slocum's ensembles have been featured throughout North America and Europe at venues such as Jazz at Lincoln Center, Yoshi's, the Blue Note, Earshot Jazz Festival, Saratoga Jazz Festival, Twin Cities Jazz Festival and the Soka International Jazz Festival among others. Frequently referred to as a "musical" drummer, Slocum possesses a uniquely personal voice on the instrument and is a propulsive, melodic and dynamic accompanist and soloist. He has performed and/or recorded with artists such as Seamus Blake, Alan Broadbent, Steve Cardenas, Gerald Clayton, Taylor Eigsti, Aaron Goldberg, Jon Irabagon, Larry Koonse, Wynton Marsalis, Lage Lund, Linda Oh, Alan Pasqua, Jerome Sabbagh, Jaleel Shaw, Walter Smith III, Anthony Wilson, Sam Yahel and the Dallas Symphony Orchestra.

Born in St. Paul, Minnesota and raised in western Wisconsin, Slocum began musical studies on piano before switching to percussion at age 11. While in high school he was introduced to jazz through recordings featuring Max Roach and Philly Joe Jones. He received a full scholarship to attend the University of Southern California where he studied with Peter Erskine. After graduating in 2004, Slocum spent three years in California before making the move to New York in fall 2007. His debut recording Portraits was released in January 2010. The New York City Jazz Record raved, "With this excellent premiere, Slocum steps out of the box as the full package," while All Music Guide wrote, "This auspicious debut should put Matt Slocum's name firmly on the jazz map." After the Storm, a more introspective trio recording, was released in October 2011 and was one of 15 recordings by American composers to receive a New Music USA recording grant in 2011. Slocum's third recording, Black Elk's Dream (2014), is primarily a quartet session that the Minneapolis City Pages describes as, "A sublime interpretation of the visionary Oglala Lakota leader's philosophy, life and times, the melodic sophistication of Slocum's compositions wonderfully realized by his lithe, restless percussion."
 
Trio Pacific, Vol. 1 - Tour dates:
October 18 - The Cornelia Street Cafe, NYC
October 21 & 22 - Studio Z, St. Paul, MN
November 4 - Dizzy's, San Diego, CA
November 5 - San Luis Obispo Jazz Society, CA
November 6 - California Jazz Conservatory, Berkeley, CA
November 8 - Saddleback College, Mission Viejo, CA
November 9 - Blue Whale, Los Angeles, CA


Friday, August 19, 2016

City Parks Foundation’s 2016 Charlie Parker Jazz Festival Presented by Capital One Bank Runs August 24 – August 28

New York, NY– City Parks Foundation is proud to announce the 2016 Charlie Parker Jazz Festival. The festival is New York City's annual salute to the legendary saxophonist, featuring contemporaries of Charlie Parker as well as young jazz musicians that continue to shape and drive the art form.

In a world of modern music - not just jazz - few figures loom as large or cast as long a shadow as saxophonist Charlie Parker, best known as "Bird" (short for "Yardbird") to generations of musicians. He was born in 1920 and almost sixty years since his death in 1955, he is universally celebrated for single-handedly inventing bebop and bringing jazz into the modern era.

The festival is particularly significant this year given the upcoming centennial of the musical dawning of the term “jazz,” as well as what would have been the 100th birthdays of late jazz greats including Dizzy Gillespie, Thelonious Monk, and Ella Fitzgerald. This year’s festival will feature performances on August 26 and 27 in Marcus Garvey Park, Harlem and August 28 in Tompkins Square Park in the East Village.

On the 26th, audiences can enjoy performances from Jason Lindner: Breeding Ground, the electrifying 11-piece band led by keyboardist Jason Lindner and jazz vocalist Antoinette Montague, accompanied by Jazzmobile friends.

Randy Weston African Rhythms Sextet will play jazz infused with influences of African culture, while jazz pianist and gospel musician Cory Henry will wow audiences with his full band sound on the 27th.

August 28th, audiences will be introduced to DeJohnette - Moran - Holland, the first-time collaboration of influential jazz drummer Jack DeJohnette, innovative pianist Jason Moran, and prolific double bassist Dave Holland. Listeners will be delighted by performances from award winning jazz vocalist, guitarist, and songwriter Allan Harris and acclaimed saxophonist Donny McCaslin, who will perform his newest album accompanied by his group.

New this year, the Charlie Parker Jazz Festival will feature film screenings at The New School for Jazz and Contemporary Music’s Jazz Performance Space. “The Sound of Redemption: The Frank Morgan Story,” will show on August 24th and feature a post-film discussion with alto sax star and Frank’s protege Grace Kelly, and Frank’s manager Reggie Marshall. “Bill Evans: Time Remembered” will be screened on the 25th,featuring a post-film discussion with the producer Bruce Spiegel.

The complete Charlie Parker Jazz Festival schedule follows or can be found on the City Parks Foundation website here: Charlie Parker Jazz Festival

Artist Information
Wednesday, August 24
Screening: The Sound of Redemption: The Frank Morgan Story
The New School for Jazz and Contemporary Music’s Jazz Performance Space, MN
7:30 PM – 9:30 PM
Post-film discussion alto sax star and Frank’s protege Grace Kelly, and Frank’s manager Reggie Marshall.
In the new documentary, SOUND OF REDEMPTION: THE FRANK MORGAN STORY, director NC Heikin recreates the life of Frank Morgan in concert form, tracing his progress from teenage musical prodigy to hardcore junkie and, finally, to one of the music world’s most remarkable comeback stories. A one-night-only, all-star musical tribute filmed live at San Quentin forms the backbone of a film that brings together the past, present and future of Morgan’s musical legacy. Moving seamlessly between the thrilling live performance and the riveting true story of a musician whose talent first destroyed and then redeemed him, the award-winning filmmaker paints a searingly honest portrait of a prodigiously gifted, tragically flawed musical genius. RSVP Required, CharlieParker@CityParksFoundation.org.

Thursday, August 25
Screening: Bill Evans: Time Remembered
The New School for Jazz and Contemporary Music’s Jazz Performance Space, MN
7:30 PM – 9:30 PM
Post-film discussion with the producer Bruce Spiegel.
Bruce Spiegel has produced a complete documentary giving you insights into Bill Evans; not just the musician, but also the person. The film moves chronologically starting with Bill’s childhood in New Jersey and culminating with details about his death. “The film Bill Evans, Time Remembered took me 8 years to make. Eight years of tracking down anybody who knew Bill and who played with him, to try and find out as much as I could about the illusive and not easy to understand Bill Evans. I feel very honored to have had the chance to interview and get to know good guys that spent a lot of time with Bill: Billy Taylor, Gene Lees, Tony Bennett, Jack DeJohnette, Jon Hendricks, Jim Hall, Bobby Brookmeyer, Chuck Israels, Paul Motian, Gary Peacock, Joe LaBarbera. It was a once in a life time experience talking to these gifted talented guys about their time in jazz music, about their “Time Remembered“ with Bill Evans. – Bruce Spiegel” RSVP Required, CharlieParker@CityParksFoundation.org.

Friday, August 26
Jason Lindner: Breeding Ground / Antoinette Montague and Jazzmobile Friends / DJ Greg Caz
Marcus Garvey Park, MN
6:30 PM – 9:00 PM
Breeding Ground combines the two most successful projects of New York-bred pianist Jason Lindner: Now Vs. Now, his propulsive groove trio with bassist Panagiotis Andreou and drummer Mark Guiliana; and his big band, which started at the Greenwich Village basement club Smalls twenty years ago. Created in 2009 by a commission from the Jazz Gallery and the Jerome Foundation, the 11-piece Breeding Ground ensemble finds Andreou and Guiliana in the engine room, with Lindner on more piano than synths, leaving room for a string section, a horn section, and singer-songwriter Jeff Taylor as the featured vocalist. Electro-acoustic, poly-rhythmic, cross-pollinated, dirty and mixed up, improvised and composed, multi-formatted and ever shifting, Breeding Ground is the epitome of liquid modernity. Their debut full-length album will be released in 2016.

Born and raised in Newark, New Jersey, Antoinette Montague grew up listening to Ella Fitzgerald and Sarah Vaughan. “I was singing and humming from an early age. It was how I created my own private, comforting world.” Early in her career she was mentored by vocalists Etta Jones and Carrie Smith, and you can often hear their influences when she takes to the bandstand. Montague has performed onstage with many top jazz and blues musicians including Red Holloway, Benny Powell, Earl May, Winard Harper, Wycliffe Gordon, Stan Hope, John di Martino, Bernard Purdy, Victor Jones, Tootsie Bean, Zeke Mullins, Paul Bollenback, Frank Wess, and others. Headlining her own gigs, Antoinette has performed on the Jazzmobile stage in Harlem, Birdland, Jazz at Lincoln Center’s Dizzy’s Club-Coca Cola, Kitano Jazz, the Blue Note, Jazz Standard clubs and concert halls in Russia and more. Antoinette’s album, Behind The Smile features a diverse repertoire of standards and originals including “What’s Going On,” “The Song Is You,” “Get Ready,” “Somewhere In The Night” as well the vocalist/composer’s original title song “Behind The Smile.” Her latest album is World Peace in the Key of Jazz!

DJ Greg Caz has been spinning around New York since the early 1990s. He made a name for himself during his long stint at Black Betty (R.I.P.) in Williamsburg, where he co-hosted Brazilian Beat Sundays – a raucous DJ night of 1970s Brazilian dance music that inspired two mix CDs, Baile Funk, Vols. 1 & 2. Caz caught the "sweet sickness” of record collecting at a young age and owns crates and crates of funk, soul, rare grooves, reggae, jazz, golden-era hip hop, Latin music, ’70s soft rock and African music. He has long been a resident DJ at Nublu in the East Village, and recently provided lyric translations for the reissue of four Marcos Valle albums on Light in the Attic records. He has appeared in London, Brazil, Germany, Austria, Scotland, Ireland, Los Angeles, San Francisco, Washington DC, Chicago, Montreal and elsewhere.

Saturday, August 27
Randy Weston African Rhythms Sextet / Cory Henry & The Funk Apostles / The Artistry of
Jazzmeia Horn / Charles Turner III / Master Class: Samuel Coleman
Marcus Garvey Park, MN
3:00 PM – 7:00 PM
2:00 PM - Master Class
Randy Weston received a 2011 Guggenheim Fellowship for Music Composition that enabled him to compose An African Nubian Suite, a major new work for jazz orchestra. The piece is based on his lifelong research on and interest in the culture, heritage and music of Africa. Weston notes: " An African Nubian Suite is a testament to the profound effect my African heritage has had on my life. I hope it will also be my message to others to help them know and feel proud of this heritage, that when I play the work, our common heritage will touch and inspire my audience. It is a labor of love to the culture, the people and the music that has so inspired and informed my life." In 2014, Randy Weston received a Doris Duke Artist Award. This will allow him to compose a new work, Seven African Queens, and travel to Morocco to document the traditional music of the Gnawa.

You might know Cory Henry as an in-demand, multi-instrumentalist and producer who’s worked with an array of musical legends across genres, including Yolanda Adams, Sara Bareilles, P. Diddy, Kirk Franklin, Kenny Garrett, Robert Glasper, Derrick Hodge, Shaun Kingston, Donald Lawrence, Michael McDonald, Boyz II Men, NAS, Bruce Springsteen, The Roots and as a member of the Grammy Award-winning collective Snarky Puppy. But, The Revival, (GroundUP Music/Universal Music Classics), Henry's latest release and touring project, is truly his story: a live album and DVD showcasing Henry’s deep musical roots, both in the church and outside of it. Filmed and recorded in Brooklyn at the Greater Temple of Praise, The Revival showcases Henry’s musical roots in gospel, jazz and soul. As the Kansas City Star writes, "His performances combine the celebratory aspects of neon-lit Saturday nights with reverent praise-filled Sunday mornings." Working off his instrument of choice — the Hammond B-3 organ — the musician is joined by drummer James Williams and his godfather, Bishop Jeffrey White, who delivers a stunning vocal take on “Old Rugged Cross.” Whereas The Revival is a tribute to his first love, the Hammond organ, and a showcase for his exceptional talents on the instrument, his upcoming album with The Funk Apostles will feature a full band sound – forged by nearly 100 shows over the last year. It is a synthesis of Henry’s many influences – Michael Jackson, Marvin Gaye, Prince, Herbie Hancock, Jimi Hendrix, Stevie Wonder, James Brown. Henry will be taking a classic sound into the here and now. As Henry says, “my way, my take.”

Winner of the 2015 Thelonious Monk International Vocal Jazz Competition and 2013 Sarah Vaughan International Jazz Vocal Competition, Jazzmeia Horn has a name that speaks for itself capturing her very essence. Hailing from the great Dallas, Texas Jazzmeia has already earned a reputation in New York as a “Rising Star.” With the ambition to pursue a solo career, Jazzmeia graced the New York scene in 2009 and earned her degree at The New School for Jazz and contemporary Music. It wasn’t much later when she began to perform as a sideman with musicians Winard Harper, Junior Mance, Billy Harper, Lincoln Center Alumni Vincent Gardner, Delfeayo Marsalis, Mike LeDonne, Peter Bernstein, Johnny O’Neal, Vincent Herring, Kirk Lightsey, Frank Wess, and Ellis Marsalis. Her accolades include Downbeat Student Music Award Recipient 2008, 2009, and Best Vocal Jazz Soloist Winner 2010, The 2013 Betty Carter Jazz Ahead Program at The Kennedy Center ­Washington D.C., The Rising Star Award for the 2012 Sarah Vaughan International Vocal Jazz Competition, Finalist for Mid-­Atlantic Jazz Vocal Competition 2014, and The 2015 ­16th Annual Central Brooklyn Jazz Consortium’s Young Lioness Award. Currently, Jazzmeia is a teaching artist in The NJPAC Wells Fargo ­Jazz for Teens Program and Jazz In The Schools Program in Newark, New Jersey. She appears in various clubs on the jazz scene nationally and internationally leading her dynamic group “The Artistry of Jazz Horn,” which includes­ pianist, bassist, drummer, saxophonist, poet, dancer and herself­ as vocalist.

The First Winner of the Annual Duke Ellington Vocal Competition in New York City, hosted by Mercedes Ellington, 27 year old Charles Turner has taken the jazz scene by storm. Charles relocated to New York in 2011, and has performed in venues such as Smoke Jazz and Supper Club, Birdland, Ginny's Supper Club, Smalls, Minton's in Harlem, and Gin Fiz, where he performs every Thursday with Marc Cary and the Focus Trio. The Charles Turner Quartet has performed at Dizzy's Club Coca Cola at Jazz at Lincoln Center for the Generations in Jazz festival for 2 consecutive years. Charles released his debut album Dreamers, produced by Grammy Award-winning drummer Ulysses Owens at Jazz at Lincoln Center in March 2014. In 2013, Charles was invited to participate in the prestigious Betty Carter’s Jazz Ahead program, where he worked with Jason Moran, Craig Handy, Marc Cary, and performed at the Kennedy Center. He also won Best Jazz Vocalist awards at the Monterey Jazz Festival, and was a finalist at the esteemed Shure Montreux jazz festival Vocal Competition. Charles graduated from the prestigious Berklee College of Music in Boston, MA on a full scholarship. During his time there, he had the wonderful opportunity to study and perform with Grammy Award–winning drummer and educator Terri Lyne Carrington, Dave Samuels, Dee Dee Bridgewater, and Joanne Brackeen.

Samuel Coleman is an Alvin Ailey School trained dancer and teacher versed in Ballet, Modern, Jazz, African, Hip Hop and House techniques, with a special love for Lindy Hop. Coleman was the 1st Place Winner of the 2015 Midsummer Night Swing Lindy Hop Dance Contest at Lincoln Center and was a 2011 Frankie Manning Ambassador scholarship recipient. Coleman currently performs with the Big Apple Lindy Hoppers and the Rhythm Stompers, and teaches weekly classes in Harlem and at Swing 46 Jazz and Supper Club.
  
Sunday, August 28
DeJohnette - Holland - Moran / Allan Harris / Donny McCaslin Group / Grace Kelly
Tompkins Square Park, MN
3:00 PM – 7:00 PM
In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, NEA Jazz Master and Grammy Award winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre. The list of creative associations throughout his career is lengthy and diverse: John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddy Hubbard, Betty Carter and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century.

From his beginnings with Miles Davis to his celebrated ensembles of today, Grammy Award winning bassist Dave Holland has one of the most enduring legacies in jazz. The Boston Globe praises Holland as “a master bassist and bandleader, one of the most sophisticated composers and arrangers in the jazz world.” Holland’s astounding succession of innovative recordings have consistently garnered the highest acclaim over the years. Following recent tours with his own quintet, big band, and a duo with pianist Kenny Barron, Holland goes electric with his latest groundbreaking project: PRISM, featuring Kevin Eubanks, Craig Taborn, and Eric Harland. The group’s debut record, released on September 3, 2013, according to Jazzwise Magazine is Holland’s “…most visceral recording for many years, recalling the uncompromising onslaught of his work with Miles [Davis] in 1970, and his own Extensions band in the late 1980s.”

Pianist and composer Jason Moran has established himself as a risk-taker and innovator of new directions for jazz as a whole. For more than a decade, Moran and his trio The Bandwagon have dazzled audiences at elite venues worldwide, including the Village Vanguard in New York, the Newport Jazz Festival, and the North Sea Jazz Festival. A recipient of the prestigious MacArthur Fellowship and winner in DownBeat’s 2011 Critics Poll for Jazz Artist of the Year, Jazz Album of the Year, and winner in both 2011 and 2013 for Pianist of the Year, Moran is “a startlingly gifted pianist with a relentless thirst for experimentation” (The Los Angeles Times). In his recently conceived Fats Waller Dance Party, Moran presents a contemporary celebration of Waller, revisiting his legendary sound and deftly showing how Harlem stride piano resonates today. The rapturous performance played four consecutive sold-out nights at Harlem Stage for its 2011 world premiere. Jason released a recording of the music, All Rise: A Joyful Elegy for Fats Waller, on Blue Note on September 16, 2014.

Brooklyn-born, Harlem-based vocalist/guitarist/bandleader/composer Allan Harris has reigned supreme as one of the most accomplished and exceptional singers of his generation. The ample and aural evidence of Harris’ multifaceted talent can be heard on his ten recordings as a leader; his far-flung and critically-acclaimed concerts around the world, from Jazz at Lincoln Center in New York, and Washington DC’s Kennedy Center, to the 2012 London Olympics, and a number of prestigious bookings in Europe, The Middle East and Asia, and his numerous awards, which include the New York Nightlife Award for “Outstanding Jazz Vocalist” – which he won three times – the Backstage Bistro Award for “Ongoing Achievement in Jazz,” and the Harlem Speaks “Jazz Museum of Harlem Award.” Harris is a first call vocalist (especially back in Harlem), as evidenced by his potpourri of engagements, including an impressive run as a featured soloist and producer of Sotheby’s three-year jazz series. His commitment to education is as equally impressive as his recordings and engagements. A Gibson guitarist, Harris is a long-time supporter of the St. Mary’s Children’s Hospital, and donates a performance every year to Challenge Aspen/America, along with Vince Gill and Amy Grant. All of which brings us to Black Bar Jukebox: a diverse and dynamic disc that showcases Allan Harris at the zenith of his all-encompassing artistry. “I’m a storyteller through the genre of jazz,” concludes Harris.

Acclaimed saxophonist Donny McCaslin takes a bold leap forward with his tenth album as a leader, Casting for Gravity. McCaslin’s gargantuan tenor sound finds an ideal setting to rampage through in the ferocious grooves and electronic textures of keyboardist Jason Lindner, bassist Tim Lefebvre, and drummer Mark Guiliana. Couching his trademark gift for brawny melodies in lurching dub rhythms, swirling electronica-inspired atmospheres, and arena-rock power, McCaslin has crafted a game-changer of an album, fusing a wealth of forward-looking influences into one wholly new modern jazz sound. Casting for Gravity follows on the heels of 2011’s highly acclaimed Perpetual Motion, which found McCaslin experimenting for the first time with merging his hard-charging acoustic sound with more funk-inflected electrified elements. But where that album was a blistering electroacoustic hybrid, Casting for Gravity soars past fusion into alchemy, forging a visionary voice from eclectic influences. “I wanted to make a bigger record with more sonic layers,” McCaslin explains. “I wanted to go a lot deeper into the electronic realm and push myself harder.” The effort paid off, with an album that truly breaks new ground not just for McCaslin but for integrating modern musical genres seamlessly into envelope-pushing jazz. The saxophonist has long been one of the music’s most striking voices, leading to long-running collaborations with innovators like Dave Douglas and Maria Schneider. His own solo work has been marked by a restless exploration that is only accelerated with this latest release.

East Coast born and bred saxophonist, singer, and songwriter Grace Kelly recorded her first album at 12 years old. Grace, now 23, has been voted seven- times to the Downbeat Critics Poll, five-time winner of ASCAP Composers Award, and headlined more than 700 shows in over 30 countries. A regular performer with Jon Batiste’s Stay Human on The Late Show with Stephen Colbert and a go-to artist for jazz festivals across the globe, Kelly is featured in the newest season of the Emmy-nominated Amazon Prime series, Bosch. She has been featured in Vanity Fair, Glamour Magazine, Billboard, NPR and CNN among others.



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