Wednesday, July 27, 2016

NEW RELEASES: BILLY STRAYHORN – LIVE!!!; STEVE FIDYK – ALLIED FORCES; FLORIAN WEBER / DONNY MCCASLIN / DAN WEISS – CRISS CROSS: EXPLORING THE MUSIC OF MONK & BILL EVANS

BILLY STRAYHORN – LIVE!!!

An overlooked gem from the Duke Ellington catalog – an unusual live session led by his longtime arranger Billy Strayhorn – with a vibe that's right up there with all the hippest of Duke's own albums from the time! The set's presented in true Roulette Records fashion – without much in the way of notes, or listings of the players – although from the sound of the set, we're guessing that bill had most of Duke's sidemen on hand, as he did on his album for Verve with Johnny Hodges from the same time – and as on that set, there's plenty of room for solo passages here, especially on some of the more extended tracks. The recording quality is great – maybe a bit more of an edge than some of Ellington's Columbia dates – and titles include "All Of Me", "Mr Gentle & Mr Cool", "Jeep's Blues", "Sophisticated Lady", and "Passion Flower". (SHM-CD pressing!) ~ Dusty Groove

STEVE FIDYK – ALLIED FORCES

Drummer Steve Fidyk's the leader here, and his talents really give the album a sharp sort of crackle – but we especially love the record's interplay between the mighty Hammond talents of Brian Charette, the tenor of Doug Webb, and alto of Joseph Henson! The trio come together without any bassist at the bottom – just Charette's work on the organ to groove things up – but they also get some great help from guitarist Shawn Purcell, who laces things together nicely over Fidyk's crackling drums – leaving the two horns and keys to create these magical criss-crossing lines of sound! Titles include the Fidyk originals "Gaffe", "Good Turns", "Food Court Drifter", "Portrait Of Tamela", "High Five", and "One For TJ" – plus a sweet take on the Beach Boys' "In My Room". ~ Dusty Groove

FLORIAN WEBER / DONNY MCCASLIN / DAN WEISS – CRISS CROSS: EXPLORING THE MUSIC OF MONK & BILL EVANS

A record that's way more than you'd guess from the Thelonious Monk and Bill Evans references in the title – as pianist Florian Weber plays both acoustic piano and Fender Rhodes, often overdubbed at the same time for a really wonderful sound! Some of the music is maybe a bit like some of Evans' most creative electric piano work of the early 70s – but there's also a very personal, unique vibe to the whole set – partly due to Weber's handling of the keys, and the tremendous tenor work of Donny McCaslin, who really gets to step out in the trio setting – driven onward by the drums of Dan Weiss! At times, the match of piano and tenor has the angular qualities of Monk with Charlie Rouse – but to say that would also really under-describe the special energy going on between Florian and Donny here. Titles include "Judas", "Ruby My Dear", "TTTT", "Since We Met", "Spring Is Here", "Evidence", and "Four In One". ~ Dusty Groove

 

NEW RELEASES: HERB GELLER – STAX OF SAX; TRIO ELF – MUSIC BOX MUSIC; ORGAN EXPLOSION – LEVEL 2

HERB GELLER – STAX OF SAX

An incredible album from saxophonist Herb Geller – one that's quite different than his better-known sides for Mercury, and which features Geller blowing in an amazingly evocative tone! The first three tracks on the album are haunting originals by Herb – tunes that have a more open style than some of his more tightly arranged work, and which show the kind of fascination with sound structures that would show up much more heavily in later years. The group features Victor Feldman on vibes, Walter Norris on piano, Leroy Vinnegar on bass, and Anthony Vazley on drums – and the mix of vibes with Geller's horn is an especially nice element, one that adds to the haunting feel of the whole set. Titles include "Nightmare Alley", "A Cool Day", "The Princess", "Change Partners", and "It Might As Well Be Spring". (SHM-CD pressing!) ~ Dusty Groove

TRIO ELF – MUSIC BOX MUSIC

Bold sounds and bright moments too – a very unique groove from Trio Elf, who manage to take the familiar combination of piano, bass, and drums into great territory of their own! Part of the group's strength is the drum work of Gerwin Eisenhauer – who's tight, and mighty quick, but never overwhelming – just able to create this fast snap that really inflects the tunes with a very contemporary energy – almost a jazz take on broken beat, which is followed by the bass work of Peter Cudek – then topped by these glowing piano notes from Walter Lang! The combination is instantly infectious, but never in a gimmicky way – and titles include "Krumm", "Emptiness", "Suq", "Stadium", "Lullaby For A Weakling Child", and "Usain". ~ Dusty Groove

ORGAN EXPLOSION – LEVEL 2

The organ exploding here isn't just the familiar Hammond B-3 you'll hear on other records – and instead is a range of variations on the instrument – as the keyboards run from many different variations from Hammond, Wurlitzer, Korg, Roland, Hohner, and even Fender Rhodes – driven on by electric bass and a bit of drums – in a flurry of sounds that are definitely explosive throughout! There's a slight 80s vibe to the music – echoed by the image on the front – even though these guys are a trio, working with an approach that's more in the organ combos of the 60s – although few 80s groups were ever using a setting that's this lean. Maybe think of the record as a 80s keyboard take on older organ modes, and you'll get part of the picture – on titles that include "Benz", "Fuzz Free", "Lugg Song", "Jump N Run", "Italian Mafia", and "Positive Vibrations". ~ Dusty Groove




NEW RELEASES: MARTY PAICH BIG BAND – I GET A BOOT OUT OF YOU; JAZZTRONICK – ALOHA EXOTICA; MATO – HOLLYWOOD DUB

MARTY PAICH BIG BAND – I GET A BOOT OUT OF YOU

Sparkling work from arranger Marty Paich – one of our favorite large group talents of the 50s! The album definitely gets a boot out of us – not just for its sexy, shower-situated cover on the front – but also for its great approach to the music, penned here by Paich in ways that really let some of the key players step out and do their thing! The group is large, but always swinging – and players include Art Pepper and Bill Perkins on saxes, Conte Candoli and Jack Sheldon on trumpets, Bob Enevoldsen on trombone, and Victor Feldman on vibes – and tracks include "No More", "Moanin", "Warm Valley", "What Am I Here For", "Violets For Your Furs", and "It Don't Mean A Thing". (SHM-CD pressing!) ~ Dusty Groove

JAZZTRONICK – ALOHA EXOTICA

Jazztronik step out here in a whole new direction – offering up their version of the classic exotica sound of the late 50s – along with help from a few of their contemporaries too! Some of the songs are numbers you'll recognize from the postwar years, and the versions here are nicely extrapolated with a contemporary spirit – a bit like the way that Jazztronik can do with older jazz and Brazilian modes, and push them into a 21st Century setting. The approach is less slavishly retro than on other projects of this sort – which makes the whole thing come across very nicely – and titles include "Adventures In Paradise", "Akaka Falls", and "Sway It Hula Girl" by Jazztronik; "Jungle Flower", "I'll Remember You", and "Poinciana" by Gene Tamura; and "Quiet Village", "Beyond The Reef", and "Blue Hawaii" by Toshiyuki Yasuda. ~ Dusty Groove
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MATO – HOLLYWOOD DUB

Maybe the coolest record we've ever heard from Mato – one that really moves past some of the dubby hip hop styles of his previous albums, by taking on a whole host of classic film scores from the 70s! The music builds beautifully from songs you'd know from action films, blacksploitation thrillers, and westerns – music originally penned by folks like Lalo Schifrin, Nino Rota, Roy Ayers, Marvin Gaye, Dave Grusin, and others – reworked as instrumentals with a Jamaican dub vibe, but a crisp contemporary twist overall! Titles include "Shaft Dub", "Coffy Is The Color Dub", "T Stands For Trouble Dub", "Enter The Dragon Dub", "Imperial March Dub", "Close Encounters Of The Third Kind Dub", "Psycho Dub", and "Condor Dub". ~ Dusty Groove


BROOKLYN JAZZ UNDERGROUND Presents The 10th Annual Brooklyn Jazz Underground Festival @ Smalls & Shapeshifter - August 17 & 18








The Brooklyn Jazz Underground is an association of independent artists with a shared commitment to creativity and community. Through cooperative efforts, the BJU aims to build a greater awareness of original music emerging from Brooklyn, NY. www.brooklynjazz.org 

January, 2007 saw the birth of The Brooklyn Jazz Underground, a collective conceived in the spirit of an entrepreneurial, do-it-yourself movement in the current music industry, and the emergence of myriad independent artists and record labels, spawning a creative boom which counts Brooklyn as one of its bastions of innovation and artistry. 

The Brooklyn Jazz Underground, Tammy Scheffer (voice), Adam Kolker (saxophone, woodwinds), Dave Smith (trumpet), Anne Mette Iversen (bass), Rob Garcia, Owen Howard (drums) & Dave Cook (piano), an uber-creative group contributing mightily to the vibrancy of the jazz and improvised music scene in Brooklyn and beyond, proudly announces The 10th Annual Brooklyn Jazz Underground Festival, to take place at Smalls in Greenwich Village on August 17, and Shapeshifter Lab in the Gowanus section of Brooklyn on August 18.  The Festival will feature BJU members leading their ensembles in performances of original music, much of it comprised of new works.  

The 10th Annual Brooklyn Jazz Underground Festival
Schedule of Events:

Smalls - August 17:
$20 for the entire evening. Smalls is located at 183 W. 10th Street, NYC
www.smallslive.com

Owen Howard
7:30 PM 
Owen Howard Trio
Owen Howard-drums, Jason Rigby-saxophone, Matt Clohesy-bass

 
8:45 PM 
Kolker/Cardenas/Mintz + Woodwind Trio
Adam Kolker-saxophone, woodwinds, Steve Cardenas-guitar, Billy Mintz-drums, Lawrence Feldman-flute, David Gould-clarinet, Jackie Henderson-bassoon 

David Smith
10:00 PM
David Smith Quartet
David Smith-trumpet, David Cook-piano, Gary Wang-bass, Anthony Pinciotti-drums 

11:15 PM 
The Brooklyn Jazz Underground
Performing music from their album "A Portrait Of Brooklyn, and more

Tammy Scheffer-voice, David Smith-trumpet, Adam Kolker-saxophone, David Cook-piano, Carlo De Rosa-bass, Owen Howard-drums, Rob Garcia-drums

Shapeshifter Lab - August 18:
$15 for the entire evening. Shapeshifter Lab is located at 18 Whitwell Place, Brooklyn, NY, www.shapeshifterlab.com 
 
7:00 PM
David Cook Quintet
David Cook-piano, John Ellis-saxophone, David Smith-trumpet, Matt Clohesy-bass, Mark Ferber-drums
  
Rob Garcia
8:15 PM
Rob Garcia Trio
Rob Garcia-drums, Steve Cardenas-guitar, Matt Pavolka-bass
  
9:30 PM
Tammy Scheffer Sextet + Voices
Tammy Scheffer-voice, Uri Gurvich-alto saxophone, Dan Pratt-tenor & soprano, Billy Test-piano, Daniel Foose-bass, Jared Schonig-drums, Aubrey Johnson, Katie Seiler, Tomas Cruz-voice


Featured On The Jazz Network Worldwide: Spoken Word/Jazz Ensemble COPUS Blends Jazz and Classical Music with Spoken Word on Their Latest CD Release “Aspects”

Royal and I formed COPUS years ago with the idea of bridges - between words & music, between the university & the street, between ages & races, between classical & jazz. The word COPUS is an acronym for Creation Of Peace Under Stars ~ Wendy Loomis

COPUS is a spoken word/jazz ensemble that presents conscious lyrics intertwined with beautiful melodies for the sophisticated listener. “Aspects” is an extension of the continued effort of renowned poet Royal Kent and ASCAP award-winning composer Wendy Loomis. The track “Haves & Have Nots” was nominated for best jazz song by the Hollywood Music and Media Awards. In addition, COPUS collaborated with Steadfaster Media to produce a music video of track “COPUS to the World” which was viewed over 1,200 times in the first day of release.

"Royal and I formed COPUS years ago with the idea of bridges - between words & music, between the university & the street, between ages & races, between classical & jazz. The word COPUS is an acronym for Creation Of Peace Under Stars - even more appropriate today than when we conceived it." ~Wendy Loomis, composer/pianist/co-producer

COPUS includes flutist Monica Williams, bassist Patrick Mahon, drummer Greg McRay and an array of guest artists. The group has performed at clubs, theaters, festivals, and private events in the San Francisco Bay Area, Los Angeles, Nashville, Atlanta, Boston and Western Massachusetts. The band is looking to expand their horizons and is currently looking to garner exposure through worldwide jazz festival bookings.

“COPUS is a very innovative musical expression that is gaining a loyal fan base. In today’s musical landscape, integration of genres is a new way of cultivating a new audience in jazz” says Jaijai Jackson of The Jazz Network Worldwide.

"The jazz styles are very complex and the music that is created is absolutely masterful. These compositions are amazing with just the music, but then you get the added pleasure of the smooth spoken word vocal styles of Royal Kent. His poetic onslaught of powerful lyrics are mind boggling,to say the least. His silky smooth voice holds a tight grip on the listener's ear and keeps them in a state of mind numbing ecstasy... COPUS could become legendary if given the opportunity to thrive!" ~ Michael
Allison, MusicDish.com

COPUS created an ingenious presentation entitled “Poets & Composers Salon” which is a monthly house concert that presents the best indie talent of the Bay Area in an intimate, home setting. Each Salon features spoken word/jazz ensemble COPUS, ambient duo Phoenix Rising, and guest artists including storytellers, poets, singers, videographers, dancers, and instrumentalists. The intimate setting of a home provides the perfect backdrop for creativity, networking, stimulating conversation, and putting away the distractions of technology for a few hours.

Their upcoming show is on Saturday, July 30th, 2016 in San Francisco featuring COPUS along with ambient duo Phoenix Rising, and singer/songwriters Karen Soo Hoo and Nathan Love.

COPUS & fellow jazz artists event - Shelton Theater, SF - Sat., Aug. 13th, 2016.

Sat. Sept. 24th, 2016, featuring COPUS along with ambient duo Phoenix Rising, guitarist with laser show artist Mariah Larkin and rock guitarist Marcus Machado.

Wine Tasting - Sat., Oct. 29th, 2016, featuring COPUS, ambient duo Phoenix Rising, and wine tasting with nonprofit Wines for Humanity (portion of the proceeds goes to Hamilton Family Center, SF).

COPUS will perform a showcase for music industry business people at the Cutting Edge Conference & Festival - Aug. 25-28 in New Orleans, LA at the Intercontinental Hotel. (http://www.cuttingedgeNOLA.com) as well as performing sets at various French Quarter jazz clubs from among this list: House of Blues, Howlin' Wolf, Balcony Music Club, Checkpoint Charlie's, Bamboula's, Little Gem Saloon, Julius Kimbrough's Prime Example Jazz Club, and Louisiana Music Factory Records Store.

Broadening the extension of performance presentations COPUS leans toward benefit concerts for several nonprofits including COA (a microloan program for businesswomen in Africa) and Art Angels. COPUS is currently setting up a program with Wines for Humanity - a Chicago-based organization that puts on wine tastings where a portion of the proceeds goes to local groups fighting homelessness. (http://www.winesforhumanity.com)

Be sure to catch their feature on The Jazz Network Worldwide at http://www.thejazznetworkworldwide.com. For further information visit http://www.copusmusic.com to learn more and to purchase “Aspects” go to http://www.cdbaby.com/cd/copus23 


Tuesday, July 26, 2016

The Jazz Community Mourns the Loss of Reade Street Records Musician and BMI Jazz Pioneer: Tenor and Baritone Saxophonist Charles Davis

Legendary Jazz musician tenor and baritone saxophonist Charles Davis has died on July 15, 2016. He was 83. Davis was a jazz musician, composer, performer and educator.

Born in Goodman, Mississippi, Charles Davis was raised in Chicago and graduated from DuSable High School before studying at the Chicago School of Music. Davis also studied privately with John Hauser. He played with Billie Holiday, Ben Webster, Sun Ra, Lionel Hampton, Dinah Washington, Philly Joe Jones, Shirley Scott, Illinois Jacquet, Elvin Jones and Ahmad Jamal to name a few. He also performed and recorded with Kenny Dorham, with whom he associated musically for many years.

He recorded and toured the world accompanying the Clifford Jordan Big Band, Barry Harris Jazz Ensemble, Aaron Bell and the Duke Ellington Tribute Orchestra, Roni Ben-Hur and the El Mollenium Band, the Charles Davis All Stars, Apollo Hall of Fame Band and was the musical librarian for Spike Lee's Mo Better Blues. In 1964 he won Downbeat's International Jazz Critics Poll for the baritone saxophone and in 1984 he was named a BMI Jazz Pioneer.

Davis was a saxophone instructor of private students from The New School; a teacher at the Lucy Moses School and for over 25 years was an instructor at Jazzmobile and also trained students internationally. He leaves behind his legacy in his recordings and his family: daughters Linda Harris and Talya Wilkinson, sons Louis Davis and Lewis Holmes, grandchildren Chantell Harris, Danielle Walker, Fyielle Howard, Rachelle Jennings and Shakeem Jennings, seven great-grandchildren, a host of relatives, friends, fellow musicians and students.

He has released multiple albums and is featured on over 100 recordings. Recent releases include "For the Love of Lori," a tribute to his late wife Lori Samet Davis with Steve Davis on trombone, Rick Germanson on piano, David Williams on bass, Joe Magnarelli on trumpet and Neil Smith on drums released in 2014 on Reade Street Records; “Blue Gardenia,” with Cedar Walton on piano, Peter Washington on bass and Joe Farnsworth on drums, released on Reade Street Records; “Land of Dreams,” with Tardo Hammer, Lee Hudson and Jimmy Wormworth, released in 2007 on Smalls Records; and “Our Man in Copenhagen,” released in October 2008, on Fresh Sound Records, with Sam Yahel, Ben Street and Kresten Osgood on which they play the music of Bent Jaedig.

A memorial will be held at Saint Peter’s Church in New York City on September 24, 2016. 

For further information on Charles Davis please visit 

For information on the memorial please contact Chantell Harris. In lieu of flowers, the family has requested donations be made to support the mission of Jazzmobile: to Present, Preserve, Promote and Propagate JAZZ. https://www.nycharities.org/give/donate.aspx?cc=2674

NEW RELEASES: NEIL LARSEN - JUNGLE FEVER: CLARA MORENO SAMBA ESQUEMA NOVO; ANTOINE FAFARD - SPHERE

NEIL LARSEN - JUNGLE FEVER

A standout set from keyboardist Neil Larsen – a record that crossed over big back in the 70s, and which still sounds pretty darn great in the 21st Century! Larsen's keys here are kind of a more mainstream take on territory Bob James was exploring a few years before – arguably hipper at this point that some of James' own recordings, and recorded in a relatively lean setting with guitar, bass, drums, and percussion – plus a bit of tenor or trumpet from time to time. The keyboards glide along gently on the spacey numbers, and get a bit more bite on some of the funkier ones – always with a good sense of space that means that Neil's never jamming too much, or getting in the way of his groove. Titles include the classic "Sudden Samba" – plus "Jungle Fever", "Red Desert", "Emerald City", "Last Tango In Paris", "Windsong", and "Promenade". (SHM-CD pressing!)  ~ Dusty Groove 


CLARA MORENO SAMBA ESQUEMA NOVO

Clara Moreno's jazzy samba soul take Jorge Ben's classic Samba Esquema Novo album – much more than a simple tribute record, though – it's some of her warmest grooves in years! The songs ever fresh, of course, but Clara is really doing something special here, adapting the material in a way that honors the soulful integrity Ben brought to the bossa sound in early 60s, but rather than simply covering his work with a feminine touch in a modern setting, she and arranger Paulo Malheiros take a lively (and often live sounding) jazzy approach, and it feels right at home there! There's a lot of piano in the mix,the rhythm section is solid for sure and Clara's beautiful voice is right out front. We especially love how warm and unfussy the vibe is, almost like a live session at times, and Clara could need sound any more at home with these songs. We knew we were in for something special with the unique take on "Mas Que Nada" that starts it off, and sure enough, it's as fresh and lively throughout – with "Tim Dom Dom", "Balanca Pema", "Chove Chuva", "E So Sambar", "Rosa, Menina Rosa", "Quero Esquecer Voce", "A Tamba", "Pr Causa De Voce, Menina" and more. ~ Dusty Groove

ANTOINE FAFARD - SPHERE

Canadian-born and UK-based Antoine has been releasing original instrumental music for more than 15 years. He actualizes his musical vision with harmonic and melodic elements that are mostly composed on the classical and electric guitar, while special attention is always given to the rhythm. Antoine’s first three albums feature world-class musicians including Vinnie Colaiuta, Jerry Goodman, Scott Henderson and Dave Weckl, who all bring their unique qualities to compositions aimed at audiences seeking instrumental music that emphasizes improvisation and innovation. Sphère is Antoine’s fourth album, featuring Gary Husband on drums, lead synth and piano, and Jerry De Villiers Jr on lead guitar. The album follows Ad Perpetuum, a collection that was well received by fans and critics on its release in 2014, described by DownBeat Magazine as “a powerful example of jazz-fusion at its hardest.” Sphère collects nine new original pieces featuring a blend of foot-tapping grooves, original chord progressions and creative soundscapes. The music offers plenty of space for De Villiers Jr to shine with his rich and warm guitar tone and highly melodic approach. The album also gives a platform for virtuoso multi-instrumentalist Husband to display his intensity and musicality in his highly creative approach to both drums and keyboards. Fafard gives his signature to all the music, with De Villiers Jr as co-composer on three tracks, and provides the bass frequencies and occasional solos on the electric bass. Sphere will be released in September 2016.


Adina E - the second album by Adina Even-Zohar, features originals plus 2 from Leonard Cohen

Adina E” - the second album by Adina Even-Zohar is her most personal undertaking to date highlighting 10 original songs with lyrics written by Adina E and touching renditions to 2 additional songs - including Leonard Cohen’s “That’s No Way to Say Goodbye”. In this album Adina E weaves a candid, poignant narrative about love found and love lost.

Israeli born Even-Zohar grew up in New York City. After completing her BA degree from a leading US university in 1977, she took a year break to live and work in Israel before going on to graduate studies in the USA. That one year hiatus has yet to end. Since then Adina has experienced several professions, notably social work, head hunting and philanthropy, and many twists and turns on her way to becoming a professional vocalist. All this has only added to the depth and passion she emits when performing.

While singing and performing have always been her first love, it was not until her mid- 40's that Adina allowed herself to pursue it professionally. But once that decision was made by her, she threw herself into it body and soul. The process began with voice lessons, soon followed by work with pianist-composer Giora Linenberg, who is her musical director and accompanist (who also tours with and composes for French singer Lara Fabian) and with whom she has collaborated on original songs which have been published in France.

As a continuation of the creative process, Adina is currently collecting material for her next album. Once again with producer Luis Lahav at the helm, the next album will contain more original songs, highlighting Even-Zohar's own lyrics. Adina is always interested in new collaborations with musicians and songwriters as well as open to opportunities to perform in other areas such as musicals.


Adina has been performing successfully for several years at various venues with leading Israeli musicians including at leading jazz clubs, music festivals, and closed events. In May 2012 Even-Zohar performed at Jazz NL – Gateway to Global Jazz Conference and the Amersfoort Jazz Festival.


The Mark Dresser Seven Explores New Compositions on Sedimental You

Mark Dresser makes music in a vast variety of settings and contexts, but the dauntingly prolific bassist always seeks to create space for the unpredictable play between form and freedom. On his new album Sedimental You, slated for release in early November 2016, he's assembled an astonishingly creative cast that embraces the intuitive and emotionally charged nature of his improvisational imperative. Riveting, playful and often revelatory, his compositions emerge out of a shifting matrix of specific musical personalities and the often dismaying swirl of current events.

Working with a supremely gifted septet, Dresser brings together emerging talent and revered veterans from East and West Coast scenes. In many ways, Sedimental You builds directly on orchestrational concepts he's been exploring in smaller ensembles, and relationships he's honed via telematic connections (which enable musicians in different locations to perform live in real time via high speed/high bandwidth links.)

None of the music is programmatic, but the porous nature of the compositions means that the world's joys and woes seep in. Mocking denunciations and ache-filled reveries flow into open-hearted evocations of beloved colleagues, both departed and still very much with us. Dresser notes that he always writes with specific musicians in mind, "and I really had Marty's clarinet sound in my ear. I've had lots of groups with Michael Dessen, who's a virtuoso trombonist and an invaluable collaborator in my groups and telematic projects. And Jim Black is a force of nature, who I worked with most often in New York and on Japanese tours as the rhythm section for Satoko Fujii."

Dresser started working with Nicole Mitchell after she joined the faculty up the road at UC Irvine, a relationship expanded by collaboration via telematics. He's played several high profile concerts in her ensembles, and she's become an important part of his West Coast quintet. "She's a wonderfully open collaborator, a great soloist, with superb musicianship and a buoyant musical spirit." Dresser says.
San Diego pianist Joshua White is a rapidly rising star who's toured internationally with Rudresh Mahanthappa's Bird Calls project. With a potent array of influences at his fingertips, from gospel and spirituals to free improvisation, he quickly fell in with Dresser after the bassist moved to town and discovered "an amazing talent with incredible ears and intuition," Dresser says. "He's a fearless improviser whose musical instincts I completely trust."

The album's wild card is violinist David Morales Boroff, the youngest player on the project. In a serendipitous connection, he's the son of esteemed folk guitarist Phil Boroff, who happened to give Dresser's mother guitar lessons back in the 1970s. "David's got a freaky ear," Dresser says. "I'd give him one of my tunes and he'd be at the piano reharmonizing it. He has a beautiful violin sound and a soulful lyricism that belies his age "

The album opens with "Hobby Lobby Horse," a tricky tune built from bass line up with a derisive hitch in the groove. The title track slyly refers to the 1932 Tommy Dorsey hit "I'm Getting Sentimental Over You." Drawing on the cadences of the original, he recalibrated the harmony to evoke its sound and mood. The heart of the album is "Will Well (For Roswell Rudd)," a startlingly tender piece that Dresser conceived with the trombone legend (and frequent collaborator) in mind. He first played the tune in a trio with White and drummer Kjell Nordeson, but this extended version brings out everyone's sumptuous lyricism, particularly when Mitchell's throaty alto flute winds around Ehrlich's woody bass clarinet. "It's an incantation of sorts for Roswell," Dresser says.

Dresser's strikingly beautiful tribute "I Can Smell You Listening (for the late Alexandra Montano)" evokes the boundless spirit of the extraordinary mezzo-soprano who contributed memorably on the 2005 Dresser/Denman Maroney album Time Changes (Cryptogramophone). An extended melodic line that rises and falls, fades and reappears, the tune features some of Ehrlich's most ravishing clarinet work. He offers a different kind of lament with "Newtown Char," a piece he created in response to the unfathomable massacres in Connecticut and Charleston, SC. Structurally and emotionally, it's the album's centerpiece, a plaintive unfurling melody keyed to the thick, woody sound of Ehrlich's bass clarinet. The album closes with the brief, elegiac theme "Two Handfuls of Peace (for Daniel Jackson)," a celebration of the revered San Diego tenor saxophonist who died in 2014 at 77.

Amidst a steady flow of recent albums, Sedimental You stands out as Dresser's most ambitious work as a bandleader. April saw the release of The Moscow Improvisations by Jones Jones, a volatile collective trio with Russian percussionist Vladimir Tarasov and ROVA saxophonist Larry Ochs. And in March the talent laden SLM Ensemble released Source (Liminal Music), a large group project co-led and conducted by Sarah Weaver featuring masters such as vocalist Jen Shyu, flutist Robert Dick, percussionist Gerry Hemmingway, and saxophonists Jane Ira Bloom and Marty Ehrlich.

Born in Los Angeles, Dresser has been a creative force since he first started gaining attention in the early '70s with Stanley Crouch's Black Music Infinity, a free jazz ensemble that included Bobby Bradford, Arthur Blythe, James Newton, and David Murray. He earned a BA and MA from UC San Diego studying contrabass with Bertram Turetzky. While on a Fulbright in Italy studying with maestro Franco Petracchi, Dresser was recruited by Anthony Braxton for his celebrated quartet with Gerry Hemingway and pianist Marilyn Crispell. Dresser made the move to New York in 1986 and spent a decade touring and recording with the reed visionary. A ubiquitous force on the Downtown scene, he worked widely with masters such as Ray Anderson, Tim Berne, Anthony Davis, and John Zorn.

A prolific composer and recording artist, Dresser developed many pieces for the Arcado String Trio, and Tambastics, while receiving numerous commissions and recording his original scores for several classic silent films, including The Cabinet of Dr. Caligari. Since returning to Southern California in 2004 to join the UCSD music faculty he's maintained creative relationships with many of his New York associates, though the move west coincided with his renewed focus on solo bass performance and telematic research. Recommitted to working with larger groups, he's once again the catalyst for a roiling creative community, work that earned him a prestigious Doris Duke Impact Award in 2015. More than impactful, Sedimental You is music to recharge your ears, agitate your soul, and open your mind.

The new album features an all-star multi-generational cast with flutist Nicole Mitchell, clarinetist Marty Ehrlich, trombonist Michael Dessen, pianist Joshua White, drummer Jim Black, and newcomer David Morales Boroff on violin.

Available November 2016 on Clean Feed.


The Magic Of New York City Inspires Lang Lang On New Album New York Rhapsody, Featuring Special Guests Andra Day, Herbie Hancock, Jason Isbell, Jeffrey Wright, Kandace Springs, Lindsey Stirling, Lisa Fischer, Madeleine Peyroux and Sean Jones

 The ineffable magic of New York City fires the imagination of superstar pianist Lang Lang on his new albumNew York Rhapsody (Sony Classical) available September 16, 2016. He is joined by a wide array of special guests including Andra Day, Herbie Hancock, Jason Isbell, Jeffrey Wright, Kandace Springs, Lindsey Stirling, Lisa Fischer, Madeleine Peyroux and Sean Jones. From the haunting reveries of Gershwin and Copland to the in-the-moment intensity of songs made famous by Jay-Z and Alicia Keys, Lou Reed and Don Henley, New York Rhapsody rediscovers the dazzle and the soul of America's most symbolic city. Following the release of the album, a star-studded concert special Live From Lincoln Center will air on PBS on November 25, 2016 as part of the PBS Arts Fall Festival. 
"I made this album because I wanted to pay homage to the city that I love," says Lang Lang of New York Rhapsody. "This city has changed the course of music more than any other in the last hundred years. It has inspired and enriched me beyond words and has become my home away from home."

New York City feels similarly about Lang Lang. They just named Lang Lang the city's first ever NYC Cultural Tourism ambassador. This is in partnership with NYC and Company in celebration of this year's official "China-U.S. Tourism Year" as designated by Chinese President Xi Jinping and U.S. President Barack Obama.

For New York Rhapsody, Lang Lang joined forces with Grammy-winning producer Larry Klein to create an album that embraces the musical spirit of New York in ways both surprising and traditional. Inspired by E.B. White's celebrated essay "Here Is New York," Klein assembled musical ideas and energies that both reflect New York's past and evoke its dynamic present.

The centerpiece of the album is a performance of Gershwin's Rhapsody in Blue featuring Lang Lang and multiple Grammy-winning jazz legend, Herbie Hancock in a two-piano version conducted by John Axelrod with the London Symphony Orchestra.

Surrounding it on New York Rhapsody are creative collaborations that reimagine songs reflecting the varying moods and experiences New York offers.

Grammy-winning singer-songwriter, Jason Isbell gives a fresh edge to Elbow's evocative "New York Morning" and Grammy-nominated R&B singer Andra Day adds a new dimension to the Jay-Z and Alicia Keys' hit "Empire State of Mind." Kandace Springs gives a new treatment to Don Henley's moody "New York Minute." Singer Madeleine Peyroux recaptures the alone-in-the-city wistfulness of "Moon River," the Henry Mancini/Johnny Mercer classic from the essential New York movie Breakfast at Tiffany's.

In one of the album's boldest choices, co-arrangers Klein and Grammy-winner Billy Childs marry the Leonard Bernstein/Stephen Sondheim song "Somewhere" from West Side Story with Lou Reed's "Dirty Blvd" from his classic album New York. Lisa Fischer's vocal in the yearning "Somewhere" is a powerful contrast to actor Jeffrey Wright's interpretation of Lou Reed's indelible words in "Dirty Blvd."

Next, Lang Lang is joined by violinist Lindsey Stirling on a spinning version of Danny Elfman's theme for Spider-Man; and then by trumpeter Sean Jones on the West Side Story classic "Tonight" by Leonard Bernstein.

Bookending New York Rhapsody are perhaps surprising choices - quiet, contemplative pieces by New York's greatest musical poet, Aaron Copland. To open, Lang Lang and Klein chose "The Story of Our Town," from Copland's 1940 Our Town film score, to evoke the dozens of small "towns" within the big city. To close, one of Copland's last works, the rarely heard "In Evening Air," reminds us says Klein, "there are always pockets of peace and quiet beauty" in New York.

Tracklisting
1. Story of Our Town
2. New York Morning - feat. Jason Isbell
3. Empire State Of Mind - feat. Andra Day
4. Rhapsody in Blue - feat. Herbie Hancock
5. New York Minute - feat. Kandace Springs
6. Somewhere (Dirty Blvd) - feat. Lisa Fischer / Jeffrey Wright
7. Spider-Man Theme - feat. Lindsey Stirling
8. Tonight - feat. Sean Jones
9. Moon River - feat. Madeleine Peyroux
10. In Evening Air



Friday, July 22, 2016

NEW RELEASES: ILLBILLY HiTEC - NO BORDERS; BLACK ART JAZZ COLLECTIVE – PRESENTED BY THE SIDE DOOR JAZZ CLUB; GWEN YVETTE - VICTORIOUS

ILLBILLY HiTEC - NO BORDERS

iLLBiLLY HiTEC is a Berlin based collective, that is out to put the rootsy vibe back into modern productions, blending influences of dub, cumbia, bass music, hiphop and jungle into a very own style of reggae. Live they team up with MCs and guest musicians, to fuse the raw energy of a traditional band performance, with the flow, excitement and hype of a DJ set. The "No Boarders" EP is iLLBiLLY HiTEC’s taster from their upcoming album to be released in October 2016. What ́s new about I.H.? First of all, the band has an expert alongside the mixing desk and on the production side. The well known and Juno Award winner Jesse “Dubmatix” King KING from Canada takes care on the production and looks after tweaking the knobs at the desk at the right time. On vocals we do have Kinetical, Promoe, Emwan, Horseman to celebrate a fusion of reggae with rap lyrics. They grab reggae by the root to conjure up a varied mix of digital reggae, hip hop and dub. As a bonus there are three remixes by Dubmatix, Max Powa and Fleck.

BLACK ART JAZZ COLLECTIVE – PRESENTED BY THE SIDE DOOR JAZZ CLUB

A totally great group – all hip leaders who've given us great records on their own in recent years, working together here as a combo with a really fresh sound of its own! The music draws on the strengths of the individual members, but also really pushes forward, too – as their unified voices create moments of pride and power that are maybe even brighter than recent records on own – a truly artful collective expression of the talents of Wayne Escoffery on tenor, Jeremy Pelt on trumpet, James Burton on trombone, Xavier Davis on piano, Vincente Archer on bass, and Johnathan Blake on drums. There's maybe more angular lines than we might have expected, but still a deep sense of warmth as well – on titles that include "Essence Of Beauty", "Double Consciousness", "Going Somewhere", "Salvador Da Bahia", "Devil Eyes", and "Awaiting Change. ~ Dusty Groove

GWEN YVETTE - VICTORIOUS

GwenYvette can be described in one word Soulful. Strong comparisons in voice and delivery are often made with R&B/Soul greats such as Aretha Franklin and Gladys Knight. GwenYvette was born in New York and raised on St. Helena Island, a small sea island on the coast of South Carolina. Her native soulful delivery and beautiful voice have inspired the Rebirth of Soul movement which recently has sparked the resurgence of classic R&B/Soul music. Despite the hardships that accompanied dealing with depression, failed relationships, and loss, GwenYvette has has emerged, and reignited her passion for singing. Bypassing big record labels standards, she has found her audience while pursuing her career with no restrictions. Currently working on her forthcoming album, entitled, "Dreams & Visions" her goal is to simply re-introduce soul music to an older audience while influencing and gaining a younger following. She currently can be seen performing at The Champagne Room, Island Grill, various clubs, weddings, community and private corporate events with her funk and soul band, T.C. Soul Playas.


Award-winning New Orleans jazz chanteuse Robin Barnes releases “Songbird Sessions”

Having conquered hearts locally and captured media acclaim as “The Songbird of New Orleans,” award-winning jazz singer Robin Barnes is preparing to spread her soulful song beyond The Big Easy. On August 26, the powerfully-voiced siren who was named the Favorite New Orleans Musician earlier this year by New Orleans Magazine will issue her second EP, “Songbird Sessions,” on the Rhythm Elevation Records label. Barnes and bassist Pat Casey produced the intimate five-song acoustic jazz date of standards and gems made famous by her seminal influences such as New Orleans icons Allen Toussaint and Irma Thomas. The first track being serviced to radio is Barnes’s smoldering and sultry rendition of Thomas’s “Ruler of My Heart.”          
 Backed by Casey, drummers and percussionists Herlin Riley and Shannon Powell, and guitarists Steve Masakowski and Danny Abel, Barnes soars mightily on “Songbird Sessions.” Confident and assured, the twenty-something chanteuse unveils unadulterated passion with poise and in complete command on the rousing spiritual “Great Day” and the gentle jazz lullaby “Little Jazz Bird.” Barnes’s arresting take of Van Morrison’s “The Way Young Lovers Do” haunts. On the classic “My Funny Valentine,” her aching, delicate croon depicts an intrepid artist confronting her fragility head on.   
 “’Songbird Sessions’ is about spreading my wings and singing with my soul. This little jazz bird is taking a leap and following a dream. The EP is made up of songs that I've been passionate about while growing up in New Orleans. This music helped me express my heart though song. I wanted to do something more intimate for this record with just vocals, bass, guitar and drums. Sometimes it was scary because it's just me and my vocals. There’s no big band or sounds to help cover my vulnerability or distract the listener. The tracks are open and powerful, but it's just me. As a young artist, I'm finding my voice and my self. Jazz has impact and power. I want to remind the world how amazing jazz music is,” said Barnes, who begins a six-week residency at the House of Blues in New Orleans on July 28 and will celebrate the EP at a hometown record release concert at Peaches Records on August 27.
 Barnes has come a long way since she started singing in church as a six-year-old and going on to performing in her family’s jazz band. Two years ago, she won Offbeat magazine’s Outstanding Millennial in Music Award. Her weekly gigs in New Orleans have not only endeared her to the city, but have brought national fanfare including a performance on “NCIS: New Orleans” as well as an abundance of press coverage in the pages of ESPN, Forbes, Ebony, Southern Living , Travel + Leisure and Southwest Magazine. Having become synonymous with the distinctive sounds of New Orleans by being featured in various media and marketing campaigns promoting the Crescent City, Barnes has adorned the cover of area newspapers and magazines and maintains a regular presence on local television. Her leadership role includes her running club, “Move Ya Brass,” which counts over 200 runners in the fitness program she created to help motivate her to get fit after recovering from a near fatal kidney ailment four years ago. Barnes’s first EP, “Me,” was a soul-pop effort released in 2013. 
www.RobinBarnesMusic.com.       
 “Songbird Sessions” contains the following songs:
“Great Day”
“Little Jazz Bird”
“My Funny Valentine”
“Ruler of My Heart”
“The Way Young Lovers Do”

 



Bosccacucnova's New Best of Collection Set for Release August 12 on Six Degrees Records

You can never tell what will happen when friends get together. The trio of Marcio Menescal, DJ Marcelinho DaLua, and Alex Moreira originally started remixing classic bossa nova tracks for fun. Eighteen years and five albums later, Bossacucanova has honored and helped evolve its native Brazilian soundtrack.

The Best of Bossacucanova (Six Degrees Records) assembles songs the band members feel are the most representative of their diverse and progressive catalog, including two brand new songs. As Menescal, son of legendary bossa nova pioneer Roberto, says, “We decided to choose songs featuring our best arrangements, most original beats, and top performances.” The album is set to be release on August 12.

As the trio initially had no ambitions of becoming a band, Menescal says that offered a kind of freedom when they worked on their debut album, Revisited Classics. In hindsight this collection offers a reflective gaze at what they’ve accomplished. Still, Menescal waxes poetic over the early days: “We like the beginning when we had no experience; that allowed us to be bolder.”

This is why the collection opens with a global lounge classic, ‘Berimbau,’ titled (and featuring) one of Brazil’s most famous contributions—the berimbau is the single-stringed percussive instrument rooted with a gourd, mostly known for its role in the martial art form, capoeira. Bossacucanova’s tribute features a meandering beat with a chant-style chorus that is a trademark of the nation's folk music. It features the voices of Os Cariocas, a group initially founded in 1942.

For this song and ‘Meditacão,’ which features vocalist and guitarist Wanda Sa (who cut her teeth performing with Sérgio Mendes’s Brazil ’65), Menescal borrowed original tracks from his father’s label and remixed them with “distorted guitars, flutes, amplifiers, and guitar pedals.” The samples were lifted straight from vinyl with a microphone placed near the monitor—a harbinger of today’s digital drag-and-drop techniques.

Bossacucanova has made its career by blending such Brazilian anthems, working with a pantheon of musical gods and goddesses while keeping tabs on emerging technologies. Never have distortion, DJ scratches, or electronic beats distracted from the melodic core that comprises the nation’s soul. This is nowhere more evident than in the upbeat hit, ‘Essa Moça tá Diferente,’ featuring a sample of Chico Buarque along with swing vocals by Wilson Simoninha and saxophone contribution by Leo Gandelman.

“Our great references are still the music and culture of the sixties through eighties,” says Menescal. “Brazilian music is very rich—it has several rhythmic styles, an abundance of harmonies, and extraordinary musicians. But we will always feel like we need to improve and refresh what has come before. And we have many projects with this in mind coming soon.”

Keeping the collection fresh, a dubby, percussive remix of ‘Waldomiro Pena’ by British Afro-Brazilian group Da Lata breathes new life into this Bossacucanova staple, which was originally recorded by Jorge Ben for the popular television show, Plantao de Policia. Another new tune, written for Carnaval, ‘Indio Quer Apito,’ updates a carioca song from the sixties, with Pedro Luis contributing vocals and Orquestra Criola, led by Humberto Araújo, spicing up the dance floor track.

It’s impossible to separate Brazilian culture from its political climate. The Tropicália movement of the early seventies addressed important social issues; the music, then and now, has long been a response to what’s going on around the country, a mirror for its people to meditate on and, ideally, uplift. Bossacucanova is in this latter camp, using music as a tool for unifying a people that is currently in the midst of a severe economic downturn.

“When the country faces times of crises, the culture reacts immediately,” says Menescal. “In difficult times, people renew themselves. We find intelligent, creative solutions. While all of this is happening, it is our role to have a positive influence on the people and in Brazilian music.”

This self-appointed ambassadorial position is certainly appreciated. The band’s next tour will be a survey of its nearly two decades making incredible music, progressively walking through its rich history. Members will blend the worlds they know so well: the expansive technological domain of previously unimagined soundscapes combined with the integrity and joy of live performance, the foundation of Brazil’s music since the beginning.

“Our band is a family,” Menescal concludes. “We’ve built this friendship over years of touring, living through a range of emotions: good times, fights, music and love. We hope there still will be lots of surprises left!”

Tracklist

1.  Berimbau (feat. Os Cariocas)   
2.  Consolação (feat. Silvio César)   
3.  Meditação (feat. Wanda Sá)   
4.  Bye Bye Brasil (with Roberto Menescal)   
5.  Água De Beber    (with Roberto Menescal)   
6.  Brasilidade (with Roberto Menescal)   
7.  Essa Moça Tá Diferente (feat. Wilson Simoninha)
8.  Previsão (feat. Adriana Calcanhotto)   
9.  Águas De Março (feat. Cris Delanno)   
10. Adeus América (feat. Os Cariocas, Oscar Castro Neves and Wilson Simoninha)
11. É Preciso Perdoar (feat. Emilio Santiago)   
12. Balança (Nao Pode Parar!) (feat. Cris Delanno)
13. Índio Quer Apito (feat. Orquestra Criôla and Pedro Luis)   
14. Waldomiro Pena (Dalata Remix)


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