Friday, September 20, 2013

NEW RELEASES - 9 MILE ROAD, THE LIBERATORS, FAREED HAQUE

9 MILE ROAD (VARIOUS ARTISTS)

9 Mile Road is a great compilation album which features an array of successful singles from current Woodward Avenue Records recording artists as well as our new recording artists on the label. This album is truly a multi-genre treat that reflects the way most people like to listen to music. Different artists and different sounds, but all great music. Artists featured on the album are Paul Brown, Jonathan Fritzen, Andre Delano, Joey Navarro, Tierra, Grace Kelly, Nate Najar, Michael J. Thomas, Melba Moore, Orrick Ewing, Sara Wasserman and "313 The D." ~ amazon.com


THE LIBERATORS - POWER STRUGGLE

Produced by Nate Goldentone aka Nathan Aust (Dojo Cuts, The Liberators) Australian premier afrofunkjazz combo The Liberators are back with the brand new album "Power struggle". Born in an unused factory space in urban Sydney, The Liberators - a compelling 10-piece Afrofunkjazz steamroller - have relentlessly pushed their sound to become leaders in the Australian Afrobeat resurgence. With their second album "Power Struggle", The Liberators have gone deeper and darker into the polyrhythmic, horn-driven realms of Afrobeat, producing eight weighty songs worthy of fueling any revolution. With a maturing mix of jazz, latin, soul and funk, it's obvious the sounds of fracturing world events echo throughout the album. The Liberators produced Power Struggle in Sydney, recording straight to tape in a no-nonsense, no-overdub fashion, capturing the phenomenal vibe of their live shows. Some of these shows include a roof destroying performance alongside Mulatu Astake and Craig Charles at Russ Dewbury's legendary "A Night at Jazz Room". Power Struggle will leave you nodding your head, fist in the air, ready to join the uprising. The Liberators are back, harder and stronger than ever. ~ amazon.com

FAREED HAQUE - TRANCE HYPOTHESIS

A powerful blend of groove jazz, world music, electronica and Punjabi folk, Trance Hypothesis is Fareed Haque's debut as a leader for Delmark. Driven by Haque's incisive and funky bebop guitar playing the album also features a diverse cast of world musicians including Essam Rafea, oud; Indrajit Banerjee, sitar; Matthew Tembo, kalimba; young tabla virtuoso Shiva Ghoshal and jazz musicians Tony Monaco, Hammond B3 organ and Willerm Delisfort, piano. Haque originals include Hymn of The Ancient One, Poonjob in The Punjab, Chitlins & Chutney and more. Also available: Ethnic Heritage Ensemble - Hot 'N' Heavy (DMK 574, DVD DMK 1574) with Fareed Haque, and Edward Petersen, Upward Spiral (DMK 445) with Fareed Haque. ~ amazon.com


NEW RELEASES - DR. JOHN / DONALD HARRISON, CRAIG YAREMKO ORGAN TRIO, JOHN STOWELL / DAVE LIEBMAN

DR. JOHN / DONALD HARRISON - DR. JOHN MEETS DONALD HARRISON: NEW ORLEANS GUMBO

Dr. John brings his own very personal style of New Orleans R&B to meet the raucous rattle of the Mardi Gras Indians and Donald Harrison in this contemporary slice of New Orleans musical history. Both men are in their way ''the living embodiment of New Orleans culture'' - Dr. John has brought his ''Night Tripper Gris Gris'' to augment the Guardians of the Flame chants and tambourines with the Mardi Gras Indians inspired jazz saxophone of Donald Harrison, one of New Orleans' favorite sons. New Orleans unique milieu and underlying principles drive this session - ''Coming from New Orleans it's just about having a good time with the music'' says Donald, and Dr. John agrees ''Accidental stuff happens and it's better than anything you could plan.'' ~ amazon.com

CRAIG YAREMKO ORGAN TIO - CYO3

The New York-based saxophonist, along with organist Matt King, drummer Jonathon Peretz, and special guest guitarist Vic Juris, push the limits of the tradition while displaying a powerful group chemistry. The band swings hard on originals by both Yaremko and King, as well as putting fresh spins on jazz classics by Monk, Strayhorn, Hubbard and Waller. CYO3 is Yaremko's debut on OA2 Records and his fourth as a leader following his recording Sync, which was a Top Ten pick from New York's Hot House Magazine for Release Of The Year in 2007. ~ amazon.com


JOHN STOWELL / DAVE LIEBMAN - BLUE ROSE

The singular guitarist John Stowell and saxophone legend Dave Liebman have been friends and colleagues for decades and occasionally find time to perform or record together, such as on Stowell's 2002 release, 'The Banff Sessions' (Origin). For 'Blue Rose,' Stowell and Liebman gathered at a studio in the heart of the Pocono Mountains for an intimate set of duets, performing standards such as Cole Porter's 'Everything I Love,' along with compositions from modern jazz composers, including Wayne Shorter's 'Black Eyes' and Kenny Wheeler's 'Everybody's Song But My Own.' ~ amazon.com



NEW RELEASES - ANNE BISSON, BRIAN GEPHART, GEORGE COLLIGAN / LARRY GRENADIER / JACK DEJOHNETTE

ANNE BISSON - BLUE MIND

Anne Bisson delivers a masterpiece of exceptional music that is sure to take your breath away! This fantastic audiophile recording features a rich and warm midrange, with sultry tones that envelop and embrace. The first time you hear Bisson's crystal clear voice, you'll likely get shivers, while subsequent listens will reveal a depth and emotional core that resonate long after the final chord has sounded. Melodies soar with a delicate confidence through changes that are a unique blend of jazz and vocal pop. Blue Mind was recorded live July 21-22, 2008, at Reference Studio in St-Calixte, Quebec. It was mastered by Marc-Olivier Bouchard, assisted by Rene Laflamme, at Pure Mastering in St-Calixte. There are no overdubs on any song except Dragonfly. With the exception of Hoping Love Will Last (Steve Hackett), all songs were written by Anne Bisson. Deluxe edition now in jewel case with brand new artwork & full-color 12-page booklet with complete lyrics! ~ amazon.com

BRIAN GEPHART-  STANDING ON TWO FEET

For his debut Origin release, veteran Chicago saxophonist Brian Gephart assembled a group of some of the Midwest's finest jazz musicians to interpret this set of nine heavily-swinging original compositions. To his regular working quartet of guitarist Neal Alger, bassist Kelly Sill, and drummer Eric Montzka, Gephart adds the dynamic pianist Karl Montzka and trombonist Tom Garling for this recording. Release is scheduled for November 19, 2013.




GEORGE COLLIGAN / LARRY GRENADIER / JACK DEJOHNETTE - THE ENDLESS MYSTERIES

As a member of Jack DeJohnette's touring band for the last several years, pianist George Colligan has developed a striking and powerful musical rapport with the legendary drummer that serves this, his 24th album as a leader, extremely well. With DeJohnette and virtuoso bassist Larry Grenadier, Colligan's ten original compositions positively soar from the deep and masterful interpretations of this incredible trio. The Endless Mysteries displays three peerless improvisors at the top of their game and marks a significant moment in time for the classic piano trio.~ amazon.com



NEW RELEASES - YUSEF LATEEF / ROSCOE MITCHELL / ADAM RUDOLPH / DOUGLAS R. EWART, ROBERTO SANTAMARIA, THE SWINGLE SINGERS

YUSEF LATEEF / ROSCOE MITCHELL / ADAM RUDOLPH / DOUGLAS R. EWART - VOICE PRINTS

From around America they came, from Massachusetts (Lateef), northern California (Mitchell), southern California (Rudolph), from Minnesota (Ewart), they gathered in Minneapolis to play together for the first time, in this concert. Are you surprised to discover ex-Detroiter Lateef improvising along with three leading ex-Chicago free spirits? ''He has such a wide musical spectrum and a musical vision,'' says Ewart. ''His vision is inclusive, not exclusive - he welcomes younger musicians and other visions,'' and Rudolph emphasizes Lateef's ''deep feeling and spiritual awareness.'' Of course, these Chicagoans are musical globetrotters themselves. Like Lateef, all three have worked with African musicians, plus Jamaica-born Ewart has also studied flutes in Japan and Australia and Adam Rudolph has lived in West Africa and studied North Indian percussion. All four have so much to share, to inspire each other - there are no barriers. ~ amazon.com

ROBERTO SANTAMARIA & HIS LATIN JAZZ STARS - FIESTA AL JAZZ

Elegance, virtuosity, and Caribbean feeling: the triad of virtues that characterizes their concerts. ""The people ... enjoy the unusual, upbeat combination of Cuban cha-cha-chá with elements of funk, soul and, of course, jazz. And they are fascinated by their explosive yet intricate playing style ..."" wrote Lorenz Erl in the Donaukurier about the band's concert in the Audi-Forum in Ingolstadt in April 2012. It was the band's first public appearance. A gig in the BIX jazz club in Stuttgart followed in November, a live recording of which is included as a promo CD. The seven musicians really get off on their groove, sending out sparks that immediately ignite the audience--which is why they decided to record a studio CD in 2013 and are planning many more concerts. ""Latin is out,"" claims the market. But this band proves that the condemned always live longer than expected. Every one of the band's concerts resuscitates this brand of jazz, which filled stadiums and conquered hit parades in the 60s and 70s. ""Beauty never dies"" says its leader, Roberto Santamaría, with conviction. The Cuban, a nephew of ""Conga King"" Mongo Santamaría, has lived in Germany since 2011. There he has assembled a seven-member international ensemble that thrills both jazz lovers and Latin fans. ~ amazon.com

THE SWINGLE SINGERS - WEATHER TO FLY

Weather To Fly is the Swingle Singers' first full-length album since 2009 and the first of two discs to be released in the group's fiftieth anniversary year. A punchy, electrifying set that holds all the excitement of a live show, Weather To Fly celebrates the best of the group's current a cappella repertoire. All-vocal arrangements of songs from Turkey, Spain, Italy and Argentina sit alongside re-imagined British pop from Elbow, Florence and the Machine and The Beatles. ''This is, quite simply, the album our audiences have asked for after every performance,'' says bass singer Edward Randell. For half a century, The Swingle Singers have pushed the boundaries of what the human voice can achieve. Their vocal agility and blend, combined with captivating showmanship, have thrilled audiences across the globe. Celebrating their 50th anniversary in the 2013-14 season, today's young and gifted Swingle Singers represent the group's evolution from baroque jazz pioneers to contemporary a cappella phenomenon. ~ amazon.com


Thursday, September 19, 2013

EARTH, WIND & FIRE'S NOW, THEN & FOREVER TOPS THE BILLBOARD 200 AND R&B CHARTS

Now, Then & Forever, the first new studio album in eight years from international superstars Earth, Wind & Fire, has entered the Billboard 200 at #11 and #5 on the top R&B album charts marking the group's highest-charting album, since Raise! hit #5 on the Billboard 200 in 1981. It’s the first Earth, Wind & Fire album of new studio material since 2005, Now, Then & Forever  is also the group's first full-on new studio album for Legacy Recordings. "This album is really about the legacy of Earth, Wind & Fire. The spirit of the band has always been about uplifting the consciousness of humanity.  There's a hope that this Earth, Wind & Fire music will go on forever," said co-founder Philip Bailey before the album's release on September 10.

In response to their #11 debut Philip Bailey says, "I'm ecstatic! Onward and upward."  Longtime member and percussionist Ralph Johnson adds, "It is our best work in 20 years. Super proud of it."  EWF's co-founder Verdine White reflects, "Without the support of the fans around the world, the Earth, Wind & Fire journey would not have been possible.  We dedicate this album, Now, Then & Forever, to all the fans."

Now, Then & Forever - track listing :  Sign On / Love Is Law / My Promise / Guiding Lights / Got To Be Love / Belo Horizonte / Dance Floor / Splashes / Night Of My Life / The Rush

Earth, Wind & Fire, the groundbreaking funk-rock-soul-jazz ensemble who've been laying down their signature grooves for more than 40 years, are currently on the road, bringing the sounds of Now, Then & Forever to concert audiences across the country this fall. The brainchild of music legend Maurice White, Earth, Wind & Fire is to this day one of the top touring groups of all time with founding members Philip Bailey, Verdine White and Ralph Johnson performing to sold-out audiences around the world.

Earth, Wind & Fire US Tour dates:
September 20 / Chicago, IL / Chicago Theatre
September 21 / Chicago, IL / Chicago Theaatre  
September 22 / Cincinnati, OH / Horsehoe Cincinnati                       
September 24 / New York, NY / Beacon Theatre            
September 25 / New York, NY / Beacon Theatre            
September 27 / Atlantic City, NJ / Borgata Event Center         
September 28 / Atlantic City, NJ / Borgata Event Center                     
September 29 / Washington, DC / Warner Theatre            
October 1/ Fayetteville, NC / Cumberland Country Auditorium                                      
October 2 /Atlanta, GA / Fox Theatre                  
October 4 / Gretna, LA / Gretna Heritiage Festival                  
October 5 / Houston, TX / Bayou Music Center                  
October 6 / Dallas, TX / Verizon Wireless Theatre                  
November 1 / Knoxville, TN / Tennessee Theatre 

NEW RELEASES - KILL YOURSELF DANCING, TOMMASSO CAPPELLATO AND ASTRAL TRAVELER, JAZZ SOUNDTRACKS

KILL YOURSELF DANCINIG: THE STORY OF SUNSET RECORDS INC. - CHICAGO 1985-89 (VARIOUS ARTISTS)

A killer look at one of the most compelling labels on the Chicago house scene of the 80s – a tiny imprint, but one that cut some mighty important music – especially sounds that would have great resonance in the global acid explosion at the end of the decade! The work here has edges that are often a bit sharper than those of more familiar house at Trax Records – and a rhythmic intensity that's very focused, very stripped-down, and very much distilled to the core essence of Chicago house – that harder punch that's informed by a lot of European work at the start of the 80s, but turned towards the decimated disco scene in the US – to rise up a whole new generation with a great burst of energy! The package is maybe the best we've seen so far from Still Music – and features these very detailed notes that tell the fascinating story of the label's rise and short history – really getting at the midwestern melting pot that made house music so great. Titles include "Kill Yourself Dancing" by Razz, "Lover Man" by Ben Mays, "It Could Be Acid" by White Knight, "Face The Music (dub mix)" by Boom Boom & Master Plan, "Persia" by Modern Mechanical Music, "Electric Baile (commercial mix)" by Master Plan, "I Want You (transcontinental mix)" by Hex Complexx, and "Rock The Nation (Kenny Jason rmx)" by Matt Warren. 2CD set features a whopping 21 tracks in all!  ~Dusty Groove

TOMMASO CAPPELLATO AND ASTRAL TRAVELER - COSMETHIC

A totally sweet set from drummer Tommaso Cappellato – a player who was mentored by legendary spiritual jazz maestro Harry Whitaker, and who works here in a groove that really recalls Whitaker's best music of the 70s! The album features a small group that's heavy on Fender Rhodes and moog – keyboards that really stretch out beautifully, in ways that are filled with soul and spirit – soaring out into space over Cappellato's tight drums, and mixed with these flute lines and voice that really add a heavenly quality to the set! The whole thing rests perfectly in a space between Strata East and some of the best of the Japanese releases of the 70s – including Whitaker's landmark Black Renaissance album – and there's even a bit of Lonnie Liston Smith elements to the record as well. Wonderful stuff throughout – with titles that include "Awakenings", "Consciousness", "Entering The Dream", "My Body Needs To Breathe I Doesn't", "Music Power", and "Cosmethic". ~ Dusty Groove


JAZZ SOUNDTRACKS / ATTILA ZOLLER - ORIGINAL MUSIC FROM THE ARTHOUSE FILMS OF HANS JURGEN POHLAND 1962-67

One of the greatest German jazz guitarists – heard here in some of his grooviest work of the 60s – an amazing batch of material recorded for the art house films of director Hansjurgen Pohland! Zoller already had a modern tone by the time of these recordings – a sublime sound on the guitar that rivaled that of Billy Bauer with the Lee Konitz group of the 50s, but which was also freer, and open to rich new ideas too – especially from a rhythmic and tonal standpoint, which always keeps Zoller's work compelling! Attila's way more than just another jazzy player on the instrument – and film material like this really lets him stretch his imagination – and unlock a whole whose of tones and colors that are quite imagistic in nature. Most tracks are played by a small combo led by Zoller – often working in front of the screen as images passed by – scenes from films that include Katz Und Maus, Tamara, and The Bread Of Our Early Years. This set marks the first release of the material actually recorded for those films on record – and titles include "Family Bricks", "Pilenz", "Road Song", "Minesweeper", "Cold Fusion", "Adam's Apple", "Hedwig's Departure", "Mousetip Strut", and "Mahlke. ~ Dusty Groove


GRETCHEN PARLATO LIVE IN NYC

Since winning the 2004 Thelonious Monk Institute International Vocal Competition, Parlato has released three critically acclaimed albums. The successful self-produced 2005 debut, Gretchen Parlato, landed her on ObliqSound, which released In a Dream, and was named Billboard Magazine's "Most Alluring Jazz Vocal Album of 2009" and NPR's "The Year's Best New Jazz." Her latest, 2011's The Lost and Found, topped charts worldwide and was rated the #1 Vocal Album of the Year by iTunes Jazz, Radio TSF Jazz Paris, and London's The Guardian.

Parlato's new album and DVD set, Live in NYC, serves as both a gift of gratitude for those loyal fans and a window into her captivating concert performances. Style Weekly gives insight to her live performances, saying "in performance, jazz vocalist Gretchen Parlato is a revelation... her diaphanous voice expands into an instrument of impressive range, rhythmic sophistication and emotional power." The Jazz Breakfast even picks up on the differences between her records and live performance, commenting, "the New York-based Californian and her band are terrific on record, but in live performance they fill the music with even more energy, stretching it like some magic pliable plastic into new and exciting forms. The rhythmic and dynamic expertise of all four is extraordinary. They shift the accents around, they pause, and fall back in perfectly, they deepen the groove and then 'shallow' it gently again." This set truly exemplifies the evolution of these songs since their inception years ago.

For Parlato, the release of Live in NYC is an opportunity to take a pause and look back over what has been a remarkably active and creative decade, and also to pay tribute to the city that has made it possible. "This album represents the beloved live performances we've shared over many years of playing together all over the world," says Parlato. "Though, it's especially personal for me to have recorded in New York City, as 2013 marks 10 years of calling NYC my home after moving from Los Angeles."

While Parlato has performed on some of the world's most prestigious concert halls including Carnegie Hall, Hollywood Bowl, London Jazz Festival, North Sea & Montreal Jazz Festival, she chose the intimacy of Rockwood Music Hall for this special recording. Two different incarnations of Parlato's transfixing working bands came together for two nights in December 2012 to record Live in NYC. "Over these years of touring together, two specific bands have stood out to me: Taylor Eigsti, Alan Hampton, and Mark Guiliana, and Eigsti, Burniss Earl Travis II, and Kendrick Scott. Each band has their own unique dynamic and approach to the music. I knew I had to feature both. I've spent so many years touring with these wonderful musicians," she explains. "I've always wanted to capture and share the magical energy, connection, and interaction of a live performance. Singing with these musicians has uplifted and inspired me, each of them supporting and challenging me as a singer."

The album's nine live tracks (four of which appear on the accompanying DVD) are culled from Parlato's three albums but all of the material has been significantly transformed in the years since it was recorded. While her artistic growth has been evident on each successive album, it's particularly enlightening to have the opportunity to revisit this material and witness first-hand how it has changed over years of bandstand evolution. It also allows Parlato's dedicated fans to carry home the experience they've only been able to share in nightclubs or via festival stages.

"I thought of featuring the songs that been reworked into versions that are different from how we recorded them in the studio," reflects Parlato. "So much of what we do is about the interpretive and improvisatory element each time we approach the music. The live album is accompanied by a DVD, as I wanted to make sure there was a visual component to enhance the aural experience. I find it especially fascinating to watch performers live, and get a detailed look into how they approach and play their instruments, and the dynamic and often subtle interplay between musicians," says Parlato.

Herbie Hancock's "Butterfly," which opens the album, has changed from In a Dream's intimate trio performance with guitarist/vocalist Lionel Loueke and bassist Derrick Hodge, to a simmering, soulful full-band treatment here. "Alô Alô" from The Lost and Found, has intensified from its original multi-layered track of Parlato's voice and percussion, to a driving rhythmic showcase, each band member playing their instruments percussively. One of Parlato's most popular covers, a Robert Glasper re-arrangement of SWV's "Weak," played live moves with a spacious, shifting, and elusive groove that spotlights the band's elastic cohesion. Live in NYC closes with Parlato's original "Better Than," with the audience singing along, almost chanting together in this spellbinding arrangement.

Upcoming Gretchen Parlato Performances:
September 19 / Mississippi State University - Lyceum Series / Mississippi State, MS
September 21 / Jazz School / Berkeley, CA
September 22 / Jazz School (masterclass) / Berkeley, CA
September 24 / Beta Level (masterclass) / Los Angeles, CA
September 25 / Blue Whale / Los Angeles, CA
September 26 / The Outpost / Albuquerque, NM
September 28 / Tempe Center for the Arts / Tempe, AZ
October 5 / Folly Theater / Kansas City, MO
October 14 / Paperbox / Brooklyn, NY
October 23 / The Smith Center for the Performing Arts / Las Vegas, NV
October 25 / Buckley Recital Hall, Amherst College / Amherst, MA
November 16 / Rockwood Music Hall / New York, NY
Stay tuned for "Live in NYC" release show in NYC

Gretchen Parlato·  Live in NYC // ObliqSound ·  Release Date: October 8, 2013

Wednesday, September 18, 2013

RICARDO GRILLI - IF ON A WINTER'S NIGHT A TRAVELER

In the seven years since leaving his native São Paulo for Boston and then New York, guitarist Ricardo Grilli has found his voice as a distinctive jazz player and composer. His glowing debut album, If on a Winter's Night a Traveler, which his Dark House label will release on October 15, chronicles that journey in rich detail.

Grilli's restless creativity is manifested in his love of odd meters, offbeat structures, and themes that keep circling back on themselves like the narrative lines in the Italo Calvino novel from which Traveler takes its name. The guitarist, now 27, began writing songs out of necessity while studying at the Berklee College of Music in Boston. "I figured the best way to get people to play with me was to write interesting music they would want to play," he says. "And that worked."

Among the Berklee classmates with whom he forged an especially tight bond was the pianist Christian Li, who's featured on Traveler along with saxophonist Gustavo D'Amico, a friend of Grilli's from Brazil, and the bass-drum team of Jared Henderson and Lee Fish, whom Grilli met at a Boston club.

As a composer, Grilli uses a kind of free association method, starting out with a word or phrase and seeing where it will take him musically. The germ for the wistful "Revolver" was a magazine interview with R&B singer John Legend about his album, Evolver. That led Grilli to ruminate on the word "revolver" and the mechanism of "a thing that turns." In his song, he says, "I made the chords go round almost like Bill Evans did on 'Time Remembered.'" (Revolver also is the title of his favorite Beatles album.)

"Riga," a coolly propulsive tune featuring D'Amico on soprano saxophone, was named after the Baltic city, where Grilli once attended a conference as a student representative. "The Great Escape," boasting one of Grilli's most fluid, entrancing solos and sparkling electric piano by Li, is a nod to the Steve McQueen classic. The note-tripping, modal-style "Mark I" (a play on Mach 1) was written for tenor saxophonist Mark Turner, whose 2001 album, Dharma Days, is one of Grilli's all-time favorites. That album features Rosenwinkel, for whom Grilli wrote the alternately earthy and lighter-than-air "The Abstract." 

Grilli will be performing the music from his new CD at the following venues: 10/27 Rockwood Music Hall, NYC (with Gustavo D'Amico, reeds; Christian Li, piano; Edward Perez, bass; Lee Fish, drums); 12/10 The Rex, Toronto (with Kelly Jefferson, reeds; Chris Pruden, piano; Jon Maharaj, bass; Lorenzo Castelli, drums); and 2/4 Scullers, Boston (with Jason Palmer, trumpet; piano TBD; Edward Perez, bass; Lee Fish, drums).


NEW RELEASES - BOB JAMES, DUDUKA DA FONSECA TRIO , DANA

BOB JAMES - RHODES SCHOLAR: JAZZ-FUNK CLASSICS 1974-1982

Great work from a player who's maybe one of the best cats ever to handle a Fender Rhodes – and certainly one of the few who really helped push it strongly in jazz during the 70s! The package is a wonderful look at all that's great about Bob James – and brings together all the best tracks from James' years at CTI and Tappan Zee – including some of his most-sampled cuts, each of them a heavenly helping of Fender Rhodes! The set also features some great numbers from later albums that are less classic, but which still have these wonderful nuggets – and even a rare single from Italy too. Production is great, and notes are penned by Andrew Mason of Wax Poetics – who also helped produce the set too. 22 tracks in all – including "Valley Of The Shadows", "Nautilus", "Storm King", "Tappan Zee", "Heads", "Night Crawler", "You're As Right As Rain", "Take Me To The Mardi Gras", "Farandole", "Westchester Lady", "Look Alike", "The Steamin Feelin", "Angela (Taxi)", "I Wand To Thank You", "Caribbean Nights", and "Take Me To The Mardi Gras (7" edit)". ~ Dusty Groove

DUDUKA DA FONSECA TRIO - NEW SAMBA JAZZ DIRECTIONS

Drummer Duduka Da Fonseca is the leader here, but what impresses us most with the record is the album's great piano from David Feldman – a player with a fluid, soulful sound that really grabs us right away – a sense of scope and space that brings a subtle sort of majesty to the record, even if it's in different ways you might expect from the "samba jazz" title! Instead, Feldman holds sway on the keys with a commanding touch that's maybe post-McCoy Tyner, but which has some more intimate moments too – a quality that resonates wonderfully with the depth of Guti Wirtti's bass work – which is also quite a force in the record too. Duduka's drums round things out nicely, with a jagged feel that keeps the rhythms interesting – and titles include "Solito", "Zelao", "Isabella", "Alana", "Samblues", "Bad Relation", "Tete", and "Sonho De Maria". ~, Dusty Groove


DANA - LOVE, DANA

Jazz-Pop singer Dana has released her seven-track extended play record titled Love, Dana today. This sultry 50s-era throwback brings pieces of classic jazz and cinema to the forefront of the contemporary music scene. With a vibrato like Sarah Vaughan and chops reminiscent of legendary classics, Dana is introducing a new brand of soul back into the industry. Framed as a love letter, DANA sings about the ups and downs of her journey in romance. Drawing from inspirations like Edith Piaf, Frank Sinatra, and Jay-Z, Dana tells this story with the help of strong percussion, a delicate vibrato, and live horns. Drawing on this growing infatuation and true sense of belonging, Dana aims to revive that classic beauty through her music while also exercising her freedom as a woman of the millennium to be honest about heartache, pain, and loneliness in love.


SALAAM REMI - ONE IN THE CHAMBER

The multi-leveled musical world of Grammy nominated producer Salaam Remi takes on new dimensions with the release of Salaam Remi: On In The Chamber, and its first single, the title track "One In The Chamber." Available digitally now and released through Remi's label imprint Flying Buddha, the track is a collaboration with another Grammy nominated artist, platinum-selling R&B singer-songwriter Akon.  The full album debuts digitally September 30, and features additional guest appearances by Ne-Yo, Corinne Bailey Rae, Stephen Marley and others in a fully orchestrated, richly imagined contemporary collection, encompassing a wide range of styles and musical forms.

"Loving music of all genres and collaborators who feel the same is the core of this Lp. I'm pleased to make this the first of many journeys thru the world of music. Please join me for the ride," says Salaam Remi, Head of Flying Buddha Records and the Executive Vice President of A&R/Production at Sony Music Entertainment.

As the Executive VP of A&R and Production at Sony Music, Remi works with the entire Sony Music family in addition to running his new imprint Louder Than Life, which includes the sub-imprints RemiFa and Flying Buddha. Grammy nominated for Producer of the Year, Non-Classical in 2013, Remi has worked with Amy Winehouse, Alicia Keys, Miguel, NaS, The Fugees, Jazmine Sullivan, Nelly Furtado, Cee-Lo Green and Usher, among others. He has also worked on a variety of film projects including Blood Diamond, Gnomeo and Juliet and Tower Heist to name a few. He scored the film Sparkle starring Whitney Houston and Jordin Sparks, the Mike Tyson documentary, TYSON, and he was Executive Music Producer on the films Sex and the City 1 and 2 and Rush Hour 3.

"Salaam Remi is a total music man – as a writer, arranger, producer and now as an artist. 'In The Chamber' is a complete beautiful trip," says Chuck Mitchell, Senior Vice President of Sony Masterworks.
Flying Buddha is an imprint of the Sony Masterworks label group. Tawk Tomahawk, by the critically acclaimed Australian future-soul band Hiatus Kaiyote, was the first release from Flying Buddha/Sony Masterworks.

"Salaam has the unique ability to pull together diverse artists in a cohesive and intricate way. The outcome is extremely creative and musical. We are thrilled to be working with him," says Bogdan Roscic,

 

Tuesday, September 17, 2013

NEW RELEASES - ELVIS COSTELLO AND THE ROOTS, SANDRA ST. VICTOR, ADAM LANE TRIO

ELVIS COSTELLO AND THE ROOTS - WISE UP GHOST AND OTHER SONGS 2013

Elvis Costello and The Roots' highly anticipated collaborative album entitled Wise Up Ghost is out now on Blue Note Records. Most of the sessions for the full-length took place in secret at Feliz Habitat Studios in the dead of night, while others were in plain sight at Costello's Hookery Crookery Studios. In addition to the Roots crew and friends, the record features a guest vocal appearance on "Cinco Minutos Con Vos" from La Marisoul, lead singer of the Los Angeles group, La Santa Cecilia. Wise Up Ghost was produced by longtime Roots associate, Steven Mandel, together with Elvis Costello, and Ahmir "?uestlove" Thompson. You can catch Elvis Costello and The Roots performing live on Late Night With Jimmy Fallon Tuesday, 9/17 and Thursday, 9/19 this week.

SANDRA ST. VICTOR - OYA'S DAUGHTER

Trained opera singer, Dallas born, Holland based singer/songwriter, Sandra St. Victor makes her Shanachie debut with Oya's Daughter, produced by Mark de Clive-Lowe and mixed by producer and mixologist Ty Macklin. The album further solidifies Sandra St. Victor as a one of the most unique, exhilarating and free-spirited musical forces of her generation. Oya's Daughter is musical proof. "I've always sang my life in my songs. These most recent years, in relative silence, I've raised two beautiful daughters. This time was for me more creative observation at life and my place in it as an artist," shares St. Victor. On Oya's Daughter, these new stories and songs reflect this new sight. The singer and songwriter confesses, "Lyrically, I'm more blunt and still positive. I'm less concerned with opinions, more protective of my own preferences and realities." "Why Oya?" explains St. Victor, "Oya is the Orisha of change, storms. She is the owner of the winds. Wind is symbolic of the power of thought. My daily movement asks Oya to lift the words of my songs into the breeze, on the air." ~ giantstep.net

ADAM LANE TRIO - ABSOLUTE HORIZON

Adam Lane's bass is superb here – really shaping the sound in a sublime way right from the start – brooding and bold up from the bottom – never too heavy-handed, but a force that directs the recording beautifully, and really gives shape to the alto of Darius Jones and drums of Vijay Anderson! The approach is quite different from the usual free trio date – as there's these subtle song structures on most tracks – sometimes more sonic than tune-based, but always full of feeling at a level that's extremely evocative, and which makes the album a superb achievement for all players involved. Titles include "Run To Infinity", "Bioluminescence", "Absolute Horizon", and "The Great Glass Elevator". ~ Dusty Groove




DJANGO VORIS - CONSTANTOPOLIS

Following his debut album and his notable collaborations with electronic improvisation group Fates, composer Django Voris releases this, his second full-length, Constantopolis, on 100m Records.

Born and raised in the deserts of Arizona, Voris found himself adept at learning new instruments from a young age. After acquiring skills in a handful of wind and brass (trumpet, trombone, flute, saxophone), and adding the guitar to his repertoire, he finally settled on piano as his instrument of choice. 
On his debut album, The Strange Particle, released in 2010, Voris combined his multi-instrumental abilities with a longtime passion for computing (he learned CBASIC as a child on his grandfather’s old portable Osborne 1). By utilizing samples and field recordings through his own computed processes he achieved a very modern multiple-format approach to music, where any sound source was an instrument. Ink 19 described it like this: "As I’m listening to this saucer full of electronic secrets, one thought sticks in my head: “This sounds like some sort of avant-garde soundtrack” ...odd noises and children’s toys take us on an amazing journey." The album gained Voris critical acclaim for his composition and recording methods, and won him erudite radio support in the US and the UK.

On Constantopolis, Voris has changed tack, working almost exclusively with acoustic instruments and live arrangements. Pinned on the rhythm section of bassist Jason Connelly and drummer Kelly Burns (Band Of Susans), the songs bloomed into near orchestral arrangements in the vein of artists like Rufus Wainwright and Sebastian Tellier.

Voris takes credit for recruiting a line-up of exemplary collaborators. Foremost is Seth Garrison (The Fancy, Night Cadet) who contibuted his exquisite voice and synths to the project. Garrison assisted with arrangements and production duties along with Voris and 100m Records’ PJ Norman, who also added his distinctive lead guitar to the track ‘X’.

Strings were provided by composer Barret Anspach (viola) and violinist Erica Dicker (Till By Turning, I’m In You, Anthony Braxton Quartet). Brass was performed by trumpeter Veronica Gonzalez and trombonist Gordon Barlow, and the stunning bassoon parts were laid down by Katherine Young (The Fancy, Anthony Braxton Quartet).

Where the focus of The Strange Particle was more on experimental programming, the structured approach of his latest effort draws a greater attention to Voris’ considerable song-writing skils. The songs elaborate on the catchy, ironic humor only hinted at on his debut, and cement his position as an artist of note and a songwriter of significant depth.

Constantopolis was recorded by Don Piper at Between The Trains, mixed by PJ Norman at Saltmines, and mastered by Warren Russell-Smith at The Magic Shop.

Django Voris – Constantopolis
Tracklist:
1. Star Bird (3.47)
2. Crusade (2.57)
3. The Problem with Dead Bodies (3.42)
4. Wannabe (2.28)
5. Ghost Boat (3.54)
6. X (3.16)
7. Right at the Time (3.29)
8. The World of Tomorrow (3.42)


NEW RELEASES - FAR OUT JAZZ BOSSA & BLUES, JOSH LAWRENCE, JOHN TCHICAI / CECIL MCBEE / GARRISON FEWELL / CHARLIE K

FAR OUT JAZZ BOSSA BLUES (VARIOUS ARTISTS

Far Out Recordings has spent close to 20 years searching for the best Brazil has to offer from its rich musical history.  Now they have come up with an album of tracks comprised of our favourite Jazz, Bossa Nova & Blues selections, you know it’s going to be the cream of the crop.The album compiles some stunning original compositions by the likes of Joyce & Tutti Moreno, Azymuth and Leo Gandelman, sitting alongside some incredible re-workings of classic tracks by Barry Humphreys (Una Esta, by Alex Malheiros and Banda Utopia) and Carol King (It’s Too Late, performed by Sabrina Malheiros and orchestrated by Jose Roberto Bertrami). The Ipanemas are featured here from their recent undiscovered record with a jazz samba classic “A cara dele”. And as well as the finest Brazilian artists, the album also features tracks from the UK’s Sean Khan, Heidi Vogel, and J’s Bee from Japan. ~ Far Out 

JOSH LAWRENCE - ONE NIGHT IN ATLANTA

Josh Lawrence, a rising jazz trumpet star, composer, and performer who has recorded with the likes of Erykah Badu and Boyz II Men, is readying a new album, "One Night in Atlanta," for release Sept. 17, 2013.  The new album features the Philadelphia-based Lawrence in an unorthodox trumpet-bass-drums trio, where he is joined by bassist Chris Riggenbach and drummer Michael de Castro. Employing a warm, fat sound, Lawrence features the trumpet in a way rarely heard on jazz recordings. The result is seven lush, unhurried, and cool tracks, all of which are composed by Lawrence.“It’s a brave move to record a trio record with trumpet as the lead instrument and Josh Lawrence does it with confidence,” remarked noted jazz pianist Orrin Evans said. “Josh is truly a bright star on the new horizon.”

JOHN TCHICAI / CECIL MCBEE / GARRISON FEWELL / CHARLIE K – TRIBAL GHOST


The set's got a really beautiful sound – one that comes from the ringing guitar tones of Garrison Fewell, and the twin reeds of John Tchicai and Charlie Kohlhase – each of whom plays in a different channel of the recording! This approach gives the record a great sense of space from the start – as Tchicai plays tenor and bass clarinet, and Kohlhase plays alto, tenor, and baritone – with Fewell's guitar bridging the space and creating a resonance that really holds the whole thing together. And if that's not enough, the album's got some sublime bass work from Cecil McBee – often very subtle and soulful – plus just the right touch of drums from Billy Hart. The set's proof that they do still make 'em like they used to – at least in terms of spiritual avant sessions – and titles include "The Queen Of Ra", "Tribal Ghost", "Dark Matter", and "Llanto Del Indio". ~  Dusty Groove


DEANA MARTIN - DESTINATION MOON, INCLUDES DUET WITH DEAN MARTIN

Destination Moon is more than an album. It’s a musical rocket ride featuring 14 seminal performances by Deana Martin. On this, her fourth album, Deana has collected 10 classics and four new songs, each interpreted with her trademark elegance and charm.

Deana chose each of these songs for their personal meaning. As the daughter of entertainment legend Dean Martin, Deana enjoyed an unparalleled view of pop music’s landscape – experiences that shaped her skills as a performer. She learned from the best. Among them Frank Sinatra, Peggy Lee, Dinah Washington, Nat King Cole, Bobby Darin, and other legends.

Speaking of legends, Deana shares the spotlight with her father Dean Martin on Cole Porter’s "True Love." For Deana, recording "True Love" was both an emotionally charged and richly fulfilling experience. "When I was in the studio recording this beautiful duet, I had with me my dad’s original chart, hand-written by Nelson Riddle. When my dad’s voice came into my headphones, I could feel his presence in the studio. Words can not express what I felt.
Each track on Destination Moon is a glimpse into Deana Martin’s unique window to the Great American Songbook.

Deana’s 2006 debut CD release, Memories Are Made of This, stayed in the Top 10 for 40 consecutive weeks. In 2009, another hit CD, Volare, was released; it debuted on the Billboard charts at #7 and the Jazz chart at #22. White Christmas, released in 2011, was another chart buster. Destination Moon includes four new songs that were written for Deana: "Read Between The Lines," "Where Did You Learn To Love Like That," "Paradise" and "Stuck In A Dream With Me."

Tracks are as follows:
 1. I Love Being Here With You
2. Beyond the Sea
3. Gee Baby Ain’t I Good To You
4. Frim Fram Sauce
5. Break It To Me Gently
6. About A Quarter To Nine
7. Where Did You learn To Love Like That
8. Paradise
9. G.I. Jive
10. Stuck In A Dream With Me
11. Destination Moon
12. Read Between The Lines
13. Nothing But the Best
14. True Love (duet with Dean Martin)


WAYNE SHORTER RECEIVES LIFETIME ACHIEVEMENT AWARD ALONGSIDE SPECIAL TRIBUTE TO GEORGE DUKE AT 2013 THELONIOUS MONK INTERNATIONAL JAZZ COMPETITION

Wayne Shorter receives the Thelonious Monk Institute of Jazz Lifetime Achievement Award from Herbie Hancock surrounded by Wayne's band members Brian Blade, John Patitucci, Danilo Perez, trumpeter Roy Hargrove and members of the band Take 6. (PRNewsFoto/Thelonious Monk Institute of Jazz)


The 2013 Thelonious Monk International Jazz Saxophone Competition and All-Star Gala Concert came to a close with roaring applause as first place winner Melissa Aldana traded choruses with saxophone great Jimmy Heath and joined an all-star cast in a finale featuring Heath's classic composition "Gingerbread Boy."

Presented by the world-renowned Thelonious Monk Institute of Jazz in partnership with Cadillac, this year's Presenting Sponsor, the stellar event featured the finals of the Thelonious Monk International Jazz Saxophone Competition with performances by first place winner Melissa Aldana, 24 of Santiago, Chile; Tivon Pennicott, 27, of Marietta, Georgia; and Godwin Louis, 28, of Harlem, New York.  Tivon and Godwin were named second and third place winners, respectively. At stake was more than $100,000 in scholarships and prizes, including a $25,000 first place scholarship and guaranteed recording contract with Concord Music Group. This year's competition judges included a distinguished panel of saxophonists: Jane Ira Bloom, Jimmy Heath, Branford Marsalis, Wayne Shorter and Bobby Watson.

First place winner Melissa Aldana captured the audience's attention with her  performances of Jimmy Van Heusen's "I Thought About You" and her original composition "Free Fall." Tivon Pennicott performed Sonny Rollins' "Strode Rode" and Charlie Chaplin's "Smile" and Godwin Louis performed Hoagy Carmichael's "Skylark" along with his original composition, "Our Father" inspired by the Lord's Prayer.  Each finalist was accompanied by a dynamic band featuring pianist Reginald "Reggie" Thomas, bassist Rodney Whitaker and drummer Carl Allen.

The evening also featured a star-studded Gala Concert under the musical direction of John Beasley and with hosts Herbie Hancock, Thelonious Monk, Jr. and Billy Dee Williams. The Gala began with a rousing tribute to the blues featuring Charley Patton's "Saddle My Pony" and Elmore James' "Please Set a Date." The outstanding cast included Beasley with Vinnie Colaiuta, Robben Ford, James Genus, Marcus Miller and Cassandra Wilson.

The Institute presented the legendary Wayne Shorter with a Lifetime Achievement Award in recognition of his extraordinary, six-decade career as a saxophonist, educator and composer. In the Institute's nearly 30-year history, this is only the second time the award has been presented, the first being to Quincy Jones in 1996. Shorter was presented with the award following remarks by lifelong friend and musical compatriot Herbie Hancock. A musical tribute to Shorter included world-renowned artists Gerald Clayton, Kurt Elling, Herbie Hancock, Roy Hargrove, Jimmy Heath, Branford Marsalis, Marcus Miller and Take 6 performing some of Shorter's most beloved compositions, including "Black Nile" from his classic Blue Note solo recordings, "Fall" and "Footprints" from his time with the Miles Davis Quintet, and "Palladium" from Weather Report's best-selling Heavy Weather album. Shorter then took the stage with Brian Blade, John Patitucci and Danilo Perez – the extraordinary members of his current quartet – to perform his classic compositions "Over Shadow Hill Way" and "Joy Ryder." Also performing in the festivities were the Monk Institute's Jazz Performance Program College  Students along with the 2013 edition of the Thelonious Monk Institute National Performing Arts High School All-Star Jazz Sextet.

The evening concluded with a heartfelt tribute to the late George Duke, a longtime Institute collaborator who was to have served as the evening's Musical Director. Stunning vocalist Ledisi performed "You Never Know" from DreamWeaver, Duke's final album, released just two months ago. This was followed by the incomparable a cappella group Take 6 performing a shimmering rendition of Duke's "Fly Away."

SOURCE Thelonious Monk Institute of Jazz

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