JAHCOUSTIX - FREQUENCY

The album is a tribute to traditional Jamaican music from the early days: modern produced, heavyweight roots-reggae meets Jahcoustix’ signature vocals. “Frequency” is an authentic record including enriching features, that will be released in celebration of Jahcoustix’ 10th anniversary. A truly heartical matter. The sixth album for German reggae star comes as CD with 16-page booklet and printed lyrics to sing along – the fan base beside Germany, Austria, Switzerland is also in France, Spain, Portugal and Italy.

Jahcoustix’s youth was a nomad’s life, spending years in Mexico, Liberia, New York, Kenya and Egypt. He discovered music in Kenya where he began writing his first songs. After returning to Germany at the age of 20, Jahcoustix fully dedicated his life to music and has ever since departed on a journey that has taken him and his songs half way around the world.

Jahcoustix has released five studio albums and played 1,000 live concerts over the last decade. His musical diversity, the steady development as well as the recognition he receives for his work are all signs of moving towards a bright future.

On his upcoming album “Frequency” Jahcoustix provides his fans with uncompromising roots reggae. The idea and approach to this album is different to all the previous records. Instead of recording the album with his band, Jahcoustix teamed up with Irievibrations Records and also worked with some other producers to get a more diversified sound. In his 10th anniversary year, Jahcoustix will be out there to reach out to the world with his new songs and a strong lyrical message.

Referring to the question about the featuring track with Apple Gabriel, former singer of the legendary reggae band Israel Vibration, Jahcoustix answered: “I wanted to make a pure roots reggae record with a focus on collaborations with some of my favourite singers of the past 30 years of reggae music. Making this album was my dream and a truly heartical matter.”

www.jahcoustix.de

Tracklisting: 01. Frequency / 02. Calling For Rights / 03. Soul Collide / 04. Love Save I / 05. Controller feat. Apple Gabriel / 06. Rocks / 07. Screw Is Loose / 08. Strong Man feat. Horace Andy / 09. Blaze Is Out / 10. Don’t Shoot feat. Kabaka Pyramid & Raphael / 11. Better Days feat. Dub Inc. / 12. Fail Hard / 13. Kings Of Democracy / 14. Echo

~ grooveattack.com

NEW RELEASES - NAT KING COLE & QUINCY JONES AND HIS BIG BAND, AHMED ABDUL-MALIK / RAY NANCE / SELDON POWELL, SAHIB SHIHAB / ART FARMER / CLIFFORD JORDAN

NAT KING COLE & QUINCY JONES AND HIS BIG BAND  - SWISS RADIO DAYS JAZZ SERIES VOLUME 33

A beautiful set by Nat King Cole joined by conductor/bandleader Quincy Jones and his Big Band – performing live in Zurich on May 1, 1960 – and what an impeccable performance it is! Quincy was touring with a pretty amazing line-up in his Big Band at this point – with Benny Bailey, Jimmy Cleveland, Melba Liston, Phil Woods, Sahib Shihab, Joe Harris and more – and they kick off the set with a couple gentler numbers before swinging more heavily on a couple, then introduce Nat – who's voice is in perfect form here. He sings his hits with the big band, some additional strings and a pared down trio format for a few – so we really get a broad representation of what these consummate performers can do in a number of settings, all in one concert, to boot. Wonderful stuff – released for the first time ever! Titles include "Moanin'", The Midnight Sun Will Never Set", "Airmail Special", "Unforgettable", "Sweet Lorraine", "Tea For Two", "Madrid", "The Phantom Blues", "Route 66", "Joe Turner's Blues", "The Midnight Sun Will Never Set" and more. Also includes a 5 minute interview with Nat. ~ Dusty Groove

AHMED ABDUL-MALIK / RAY NANCE / SELDON POWELL - SPELLBOUND

Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his strongest – a set that moves past some of the more gimmicky use of exotic instrumentation on other albums, and focuses on a jazzy core that really shines strongly on the album's long tracks! There's still a nice sense of the East on the record – thanks to Hamza Aldeen's oud – but the set also features great jazz solos from Seldon Powell on flute and tenor, and the great Ray Nance on both cornet and violin. Drummer Walter Perkins plays with a fluid style that's perfect for the date – and pianist Paul Neves has a lyrical approach to piano that works wonders for the groove. Titles include "Spellbound", "Never On Sunday", "Body & Soul", "Song Of Delilah", and "Cinema Blues". (On the Dusty Groove label.) ~ Dusty Groove

SAHIB SHIHAB / ART FARMER / CLIFFORD JORDAN - SWISS RADIO DAYS JAZZ LIVE THE CONCERT SERIES VOLUME 32

Vintage 70s Swiss radio recordings by American jazz legends Sahib Shihab, Art Farmer and Clifford Jordan – each performing a couple numbers with the excellent, ever-adaptable Jazz Live Trio! It kicks off with a 1970 set featuring Sahib Shihab out front. First is a laidback, moody take on "You're Mine You", which is a really nice showcase for Sahib's baritone sax in a lighter mood. Next up, though is a playful, loose and energetic take on Monk's "Well You Needn't" – and the trio shines pretty brightly on this one – with a lot of heat coming from Klaus Koenig's piano, Peter Frei's bass and Alex Bally's drums. Next is a pair of pieces with Art Farmer in 1977 – Farmer's flugelhorn perfectly leading Duke Ellington's "In A Sentimental Mood" and speeding things up nicely with Sonny Rollins's "Oleo". The CD closes with a trio of numbers featuring tenor great Clifford Jordan in 1970: "Japanese Dreams", "Inward Fire" and a brilliant reading of "Bags' Groove" to close – with some of the best soloing on the entire set. A real gem in the Swiss Radio Days Jazz Live Concert Series – among the very best of them, actually! ~ Dusty Groove

2013 PLAYBOY JAZZ FESTIVAL WITH GEORGE DUKE, JEFFREY OSBORNE, SHEILA E, HERBIE HANCOCK, BOB JAMES, DAVID SANBORN, ANGELIQUE KIDJO & MORE....

Celebrating its 35th Anniversary, the Playboy Jazz Festival has become an internationally acclaimed event, featuring a veritable who’s who of the jazz world. Considered one of the premier jazz festivals on the West Coast, virtually every jazz icon has performed at the Festival from legendary giants like Miles Davis, Dizzy Gillespie and Count Basie to today’s hottest stars and contemporary artists such as Herbie Hancock, Wynton Marsalis, Esperanza Spalding, Jamie Cullum, Trombone Shorty and countless others.

Now commemorating 35 years of extraordinary performances, captivating music and magical moments, Playboy will again present a stellar lineup of talent for the 35th Anniversary Jazz Festival, Saturday and Sunday, June 15th and 16th, at the renowned Hollywood Bowl.

Featuring a diverse mix of illustrious jazz greats, next generation leaders and Festival favorites, the two-day concert will spotlight the entire genre of jazz with an assortment of world premieres, rare collaborations and highly anticipated artist debuts. Headliners include George Duke with special guest Jeffrey Osborne, Naturally 7 with special guest Herbie Hancock, Sheila E. and Bob James/David Sanborn featuring Steve Gadd and James Genus.

New to this year’s Festival is the multi-talented entertainer George Lopez, who will make his own debut as the new master of ceremonies, taking over for this year from the legendary Bill Cosby, who relinquished the role last summer after more than 30 years. A Grammy-nominated comedian, Lopez is best known to audiences as the star of TV’s groundbreaking hit sitcom, George Lopez, which ran for six seasons on ABC. Lopez also hosted his own late-night talk show, Lopez Tonight, on TBS for two seasons and was named one of the Top 10 Favorite Television Personalities by the noted Harris Poll. He has made more than 200 TV, comedy, talk show and hosting appearances, including co-hosting the Emmy’s and twice hosting the Latin Grammy Awards, making him a natural choice for the role of Festival host.

Returning to the Playboy stage, two-time Grammy-winning pianist and keyboardist George Duke will appear as a special guest with renowned R&B/pop singer Jeffrey Osborne, who is making his Festival debut. The pair reunited on Osborne’s latest release, A Time for Love, a collection of songs expressing Osborne’s longtime appreciation for jazz standards. The illustrious Duke (who has served as musical director and producer for numerous prominent artists including Dianne Reeves, Anita Baker, Gladys Knight and more) also produced Osborne’s breakthrough solo album Stay With Me Tonight and his hit singles “We’re Going All the Way” and “You Should Be Mine” among others.

Back by popular demand, Naturally 7, who made their triumphant Festival debut in 2010, is returning to the show for a world premiere performance with the iconic Herbie Hancock as a special guest. One of the most distinctively unique groups in music today, Naturally 7 has pioneered a dynamic a cappella style they call “vocal play,” where each member of the group uses only their voice to recreate awe-inspiring sounds of different musical instruments. The group’s now famous Paris subway performance of “Feel It (In The Air Tonight)” has garnered over five million hits on YouTube. Hancock, known for transcending the limitations and genres of music, will complement the group’s inventive style with his own modern compositions that have earned him one Oscar and 14 Grammy Awards. Hancock has been an integral part of every jazz movement since the 1960’s. As a member of the Miles Davis Quintet, he was one of the pioneers of the avant garde sound. His innovative recordings during the 70’s, combining electric jazz with funk rock sounds, continue to influence today’s music.

Turning up the heat, the Emmy and Grammy-nominated singer/percussionist Sheila E. is returning for the second time as the leader of her own group in a rare back-to-back appearance. Her electrifying performance last year rocked the house, winning her a standing ovation that stopped the show. Sheila has previously performed at the Festival with her legendary father, percussionist Pete Escovedo and their renowned family band, with whom she still tours. A star in her own right, she has served as the musical director for such superstars as Jennifer Lopez, Beyonce and Prince. Known for her mega-hit “The Glamorous Life,” she performed with Prince on Purple Rain and also toured with Ringo Starr and his All-Star band among many others. Last year, she performed at the Oscars alongside Pharrell Williams and Hans Zimmer.

Reuniting since their Grammy Award-winning dual recording Double Vision in the mid-80’s, keyboardist Bob James and saxophonist David Sanborn will share the Playboy stage together for the first time as part of their summer tour. The pair will be joined by legendary drummer Steve Gadd and acclaimed bassist James Genus. Renowned beyond the jazz world, the Grammy-winning James is known for both his distinguished solo career and as a founding member of the popular contemporary jazz supergroup FourPlay. A six-time Grammy winner, Sanborn has released 24 albums and toured with everyone from Stevie Wonder, Eric Clapton and Al Jarreau, to Elton John, The Rolling Stones and a host of others. One of the most sought-after session and touring musicians in the world, Gadd has played with such top artists as Paul Simon, Aretha Franklin and Chick Corea just to name a few. Currently a member of television’s popular Saturday Night Live band, James Genus is considered one of the most versatile, in-demand bassists on the scene today. Well-known for his talents on both acoustic and electric bass, Genus has played with such noted artists as Chick Corea, Michael Brecker, Branford Marsalis and others.

Described as “The undisputed Queen of African music” by the London Daily Telegraph, Grammy-winning vocalist Angelique Kidjo is returning to the Festival with special guest renowned world music artist and trumpeter, Hugh Masekela. Known for her dynamic, uplifting music, Kidjo’s appeal cuts across genres as well as generations. Her breathtaking voice and exuberant spirit can be heard on her latest release, Spirit Rising (her first live album), which features special guests Josh Groban, Dianne Reeves and Branford Marsalis among others. Kidjo has also collaborated with such other renowned artists as Carlos Santana, Alicia Keys and more. Masekela is best known for his Grammy-nominated hit “Grazing in the Grass,” which sold over four million copies and made him an international star. An innovator in the world music and jazz scene, he played an integral role in Paul Simon’s classic album Graceland, one of the first pop records to introduce African music to the broader public. He now continues to tour internationally as a performer, composer, producer and activist. Over four decades since his first Grammy nod, Masekela was nominated again this year for his release Jabulani.

A Festival favorite who never fails to ignite the crowd, conguero Poncho Sanchez and his Latin Jazz Band are returning with special guest James Carter for a heated performance of Olé Coltrane, a Latin interpretation of the music of the legendary John Coltrane. The Grammy-winning Sanchez, known for his incendiary style and mastery of Afro-Cuban rhythms, and multi-instrumentalist Carter, whose influences include everything from funk and fusion to rock and acoustic jazz, are the perfect pair to express the spiritual passion and earthy sensuality found in Coltrane’s Spanish-influenced Olé sessions. The result is a kaleidoscopic swirl of music that illuminates Coltrane’s work in a whole new light.

Joining Gordon Goodwin’s Big Phat Band for their return to the Playboy stage, is legendary guitarist Lee Ritenour, who also produced the ensemble’s popular album, Act Your Age, featuring Patti Austin, Chick Corea and Dave Grusin. A three-time Emmy Award-winner also nominated for 11 Grammy’s, Goodwin and his 18 piece group have taken the big-band tradition into the new millennium with an original, contemporary sound featuring Goodwin’s witty, intricate, hard-swinging compositions. The Grammy-winning Ritenour has recorded over 40 albums, and charted over 30 hits during the course of his 50 year career. A pioneer in the contemporary jazz and funk genres, he has graced the albums of such diverse artists as Pink Floyd, Simon & Garfunkel, Dizzy Gillespie, Sonny Rollins, B.B. King, George Benson and many others.

Making his highly-anticipated Festival debut, multi-talented vocalist and songwriter Gregory Porter continues to rack up a steady stream of accolades and awards since exploding onto the international music scene with his acclaimed 2010 debut, Water. Declared “the brilliant new voice of jazz” by The Huffington Post, his recent Grammy-nominated 2012 follow-up, Be Good, features a groove-driven collection of everything from quiet ballads to up-tempo burners. With a voice that can caress or comfort, and a powerhouse band, “Gregory Porter has most of what you want in a male jazz singer, and maybe a thing or two you didn’t know you wanted,” says The New York Times. His fans agree.

Returning for a second time is The Robert Glasper Experiment. A versatile keyboardist, Glasper has long kept one foot planted firmly in jazz and the other in hip hop and R&B. He has worked extensively with rapper Q-Tip, served as the music director for Yasiin Bey (formerly known as Mos Def) and toured with multi-platinum R&B singer Maxwell. His most recent CD, Black Radio, won the 2013 Grammy for Best R&B album. The CD stakes out new territory transcending any notion of genre, drawing from jazz, hip-hop, R&B and rock, while his two previous CD’s for Blue Note won acclaim in the jazz world. His new Experiment band is plugged in and eclectic, distilling countless influences from multiple musical worlds into a singular voice.

The youngest musician ever to be voted onto the DownBeat critics’ poll, 21-year-old Grace Kelly will make her Festival debut with her mentor, Phil Woods, who will also appear with her as a special guest. One of the youngest artists to ever play the Festival, the Asian-American saxophonist, vocalist, songwriter and bandleader is clearly poised to become one of the next generation’s jazz leaders. Already, she has performed over 500 concerts throughout the world and released eight full-length albums, one a year since she was 12 years old. In addition to Woods, she has worked with such renowned artists as Dave Brubeck, Jamie Cullum, Esperanza Spalding, Dianne Reeves, Toots Thielemans and numerous others. An NEA Jazzmaster, the list of musicians saxophone player Phil Woods has performed with reads like a Who’s Who of jazz: Benny Goodman, Clark Terry, Michel Legrand, Thelonious Monk, Dizzy Gillespie and Charlie Barnet just to name a few. Revered for his body of work, Woods was inducted into the American Jazz Hall of Fame in 1994.

Igniting audiences wherever they play, The Pedrito Martinez Group featuring Ariacne Trujillo is also making their Festival debut. Indeed, the future is on fire for the Cuban-born Martinez, whose roots are firmly planted in the Afro-Cuban Rumba tradition and the bata rhythms and vocal chants of the music of Yoruba and Santeria. A founding member of the noted Afro-Cuban Band Yerba Buena, Martinez has been featured on over 100 albums and has toured and played with such renowned artists as Sting, Paul Simon, Cassandra Wilson, Joe Lovano and more.

Also making her long-awaited debut is India.Arie, known and cherished by fellow fans and musicians as a poet, songwriter, musician, singer, producer, advocate and friend. Since the release of her first album, Acoustic Soul, in 2001, she has won four Grammy Awards, received 21 Grammy nominations, four NAACP Image Awards, and received numerous awards and accolades from Vogue, Essence, Billboard, MTV, VH1, BET and more. Her last studio release, Testimony Vol. 2: Love and Politics, sold over eight million albums, hitting #1 on Billboard’s R&B chart, and #3 on the Billboard Top 200. Recently, she performed for President Obama at The Apollo Theatre and was praised by The New York Times as “one of the most determinedly virtuous songwriters in R&B or pop. India.Arie strives to make faith, goodness and positive thinking seductive.” She continues to seduce audiences everywhere with her music.

Still touring non-stop since their Grammy-nominated 2010 debut, Backatown, Trombone Shorty and Orleans Avenue are bringing the party back to the Playboy stage for their second appearance. Continuing to refine and expand the signature sound that Troy “Trombone Shorty” Andrews dubbed “Supafunkrock,” the group stirs together old-school jazz, funk and soul, laced with hard-rock powerchords and hip-hop beats, pushing the envelope further musically and creatively. Their latest album, For True, is evidence of the band’s explosive growth that continues to win raves from critics and fans alike. Hailed by many as New Orleans’ brightest new star, Trombone Shorty performed at the White House celebration of Black History Month, which aired on PBS in February 2012. Later that year, he also received the President’s medal from Tulane University in recognition of his community service.

Widely considered one of jazz’s great orchestras, the Clayton-Hamilton Jazz Orchestra is returning to the Festival for a world premiere performance celebrating Quincy Jones’ 80th birthday, featuring special guests Patti Austin and Hubert Laws. Unique from most jazz ensembles because its core consists of three bonafide leaders, the Clayton-Hamilton Jazz Orchestra has been an integral part of the jazz scene since 1986, when Grammy-nominated bassist John Clayton, saxophonist/flutist Jeff Clayton and drummer Jeff Hamilton began their big-band venture. The goddaughter of Quincy Jones, Grammy-winner Patti Austin is the ultimate jazz/R&B crossover artist. One of the world’s most popular and versatile vocalists, Austin has 19 solo albums to her credit and capped her star-studded career in 2008 with a Grammy for her critically-acclaimed Avant Gershwin album. Later this year, her new CD, The Excellence of Ellington, will be released as a vocal tribute to “The Duke.” Rounding out the celebration is internationally-renowned flutist Hubert Laws, known as one of the few classical artists who has mastered the genres of jazz, pop and rhythm-and-blues. Recognized as an NEA Jazzmaster, he has 26 solo recordings to his credit and was chosen the #1 flutist by the DownBeat readers poll ten years in a row.

One of the most prominent, influential figures in 20th century blues and roots music, vocalist and multi-instrumentalist Taj Mahal is making his Festival debut with his Real Thing Tuba Band. Though his career began more than four decades ago, he has broadened his scope over the years to include music representing every corner of the world. His most recent album, marking his 40th anniversary as a recording artist, Maestro, features performances by Ben Harper, Ziggy Marley, Angelique Kidjo and Los Lobos.

Bringing the intricate rhythms and harmonies of their native South Africa to the Festival stage for the first time, Ladysmith Black Mambazo continues to celebrate over half a century of joyous and uplifting music. Influenced by the sounds and sentiments of Christian gospel music, the group was founded in the early 1960’s by leader Joseph Shabalala. Renowned for their groundbreaking performance on Paul Simon’s now classic Graceland album, the famed a capella group has created a musical and spiritual alchemy that has touched a worldwide audience.

Honoring the late Dave Brubeck, The Brubeck Brothers Quartet—making their first appearance on the Festival stage—is a dynamic ensemble driven by the musical vision of the legendary piano great’s sons Daniel Brubeck (drums) and Chris Brubeck (bass and trombone), who are joined by guitarist Mike DeMicco and pianist Chuck Lamb. A Playboy Festival favorite, Dave Brubeck’s association with Playboy dates back to his performance at the very first Playboy Jazz Festival in Chicago in 1959. With Chris Brubeck’s compositions as a vehicle, the quartet (also known as BBQ) has played with many acclaimed chamber groups and musicians, including the St. Paul Chamber Orchestra, The Philadelphia Orchestra and the Russian National Symphony Orchestra. The esteemed quartet has performed at concert series, colleges, and jazz festivals across North America and Europe including the Newport, Detroit, Ravinia, Las Vegas, Sedona, Spokane & Monterey Jazz Festivals. Their appearance will make a fitting tribute to an artist who gave festivalgoers so many memorable moments.

Making his Festival debut, versatile and iconoclastic pianist Eric Lewis (ELEW) will present an innovative world premiere collaboration with the noted JazzAntiqua Dance Ensemble, Pat Taylor, Artistic Director. Considered a musical revolutionary, ELEW has made a substantial impression on the music world with his unique melding of ragtime rock and pop, that he calls Rockjazz. A Thelonious Monk International Piano Competition winner, he has performed with Wynton Marsalis and the Jazz at Lincoln Center Orchestra and toured with Josh Groban. The JazzAntiqua Dance Ensemble, founded by artistic director and choreographer Pat Taylor in 1993, celebrates the jazz tradition as a vital thread in African American heritage and a defining element of the American experience. The ensemble’s work pays homage to Duke Ellington, John Coltrane and Miles Davis and has appeared with such musicians and composers as Marcus Shelby, Dwight Trible and Munyungo Jackson.

NEW RELEASES - ED MOTTA, PACO DE LUCIA / RAMON DE ALGECIRAS, BALLROGG

ED MOTTA - AOR

Tremendous work from Ed Motta – a record that not only lives up to all the promise we've found in his music over the years – but which also goes way way beyond, and really knocks it out of the park! The title here is no lie, as Ed's a huge fan of AOR modes from the 70s – especially those magical sounds from the west coast that perfectly blended jazz, soul, and pop with sweet studio perfection – an approach he goes for wonderfully here, with results that are even better than we expected! Motta's always had soul music at his core, but has professed a strong love for Steely Dan over the years – and this set's a sublime balance of both modes – especially on this English version, where Ed's lyrics are able to reach American ears that have never been able to fully appreciate his genius. Everything about the album is totally right, and totally great – an instant classic set that should get Motta's music out to generations of fans for generations to come. The set features guest work from David T Walker and Bluey of Icognito – and titles include "Playthings Of Luv", "Simple Guy", "Lost In The Night", "Smile", "1978", "AOR", "Dried Flowers", and "Dondi". ~ Dusty Groove

PACO DE LUCIA / RAMON DE ALGECIRAS - DOS GUITARRAS FLAMENCAS EN AMERCA LATINA

A pair of Spanish guitars take on the sound of Latin America – as the great Paco De Lucia and partner Ramon De Algeciras run circles around a host of traditional and folklore tunes! The pair of guitars are very dynamic – and handle both complicated rhythm and melody throughout – with a dexterity that's not only amazing because of Paco's youthful powers on his instrument, but also because the pair of players can work together so seamlessly too! Titles include "El Jarabe Tapatio", "Manana De Carnaval", "Granada", "Malaguena Salerosa", "Tomo Y Obligo", and "Fina Estampa". ~ Dusty Groove

BALLROGG - CABIN MUSIC

The coolest album so far from this compelling Norwegian combo – a set that's got a much more hypnotic feel than any of their other records – spinning out in a weird way that's kind of a combination of ECM jazz and Terry Riley! The tunes all have this slow pulsing sort of quality – not really atmospheric, as there's more going on musically – but kind of elliptical as they move along – always retracing territory while moving forward – and offering up a stunning mix of sax, clarinet, and electronics from Klaus Ellerhausen – who also throws in some field recordings too – plus bass from Roger Arntzen, and a mix of pedal steel, acoustic guitar, and banjo from Ivar Grydeland. Titles include "Breakfast Music", "Sliding Doors", "Fireplace", and "Swedish Country". ~ Dusty Groove

JAZZ SAXOPHONIST HULON RELEASES NEW RADIO SINGLE "TWO IN THE MORNING"

Smooth jazz and R&B saxophonist Hulon has returned with his newest single, “Two in the Morning” from his latest album After Hours. The single is currently available on iTunes and will be going premiering at smooth jazz and urban contemporary radio stations beginning June 3rd with a music video to accompany that will be released later in June.

After the success of his debut album, First Impressions, Hulon’s most recent album, After Hours, has combined passion and confidence creating Hulon’s best tracks to date. “Two in the Morning” is the third single off of After Hours featuring Howard Hewitt on vocals who is Grammy-award winner from Shalamar and Blood, Sweat & Tears. Also featured on “After Hours,” is 2012’s “The Voice” contestant and lyricist Geoff McBride on their rendition of the Heatwave classic, “Always And Forever.”   Believing that “versatility is survivability,” Hulon breaks the mold of the typical urban jazz musician by showcasing a variety of styles and blending his love for the emotional healing power of music and the physical healing that he does. From hip-hop and country to orchestral and classical music, he’s influenced by every genre that inspires his versatility. He says, “I want to be inspiring to children and a good role model to them the way I have strived to be with my own kids. I’m really enjoying this journey every step of the way. As with medicine, I get great personal joy and satisfaction having people appreciate what I do. My time in the office is devoted to physical healing. But when I’m recording or playing live onstage, that’s when the spiritual healing begins.”   http://soundcloud.com/hulon/two-in-the-morning

BRIAN ANDRES AND THE AFRO-CUBAN JAZZ CARTEL - SAN FRANCISCO

Drummer Brian Andres's new album with the Afro-Cuban Jazz Cartel, San Francisco, not only takes its title from the band's home base. The CD, to be released July 16 by the leader's Bacalao Records imprint, also makes a persuasive case for the assertion that San Francisco has its own distinctive Latin jazz sound (the classic "San Francisco Tiene Su Propio Son" is included on the disc).

"There's so much talent in the Bay Area, I wanted to represent the guys in town, their compositions and playing," says Andres, an Ohio native who relocated to the area in 1999. "It's a world-class city with world-class musicians, and I want to let people hear that."

After debuting on Andres's highly regarded 2007 CD Drummers Speak, the Afro-Cuban Jazz Cartel became a 9-piece working band whose members were expected to possess "a deep understanding of Caribbean rhythms and musical forms," Andres explains in his notes to San Francisco, as well as "the ability to create, improvise, and groove."

Cartel pianist Christian Tumalan contributes several outstanding arrangements on the new CD, including the lead track "Sand Castles," composed by the Bay Area jazz pianist Eric Muhler, and an Afro-Cuban reimagining of "Black Market," the Weather Report classic. And in-demand bassist Aaron Germain is particularly well represented with three tunes, among them "Higashi Nakano," a contemporary take on cha cha cha, and "Nothing But Trouble," a showcase for trumpeter Henry Hung (a key member of the Asian American Orchestra, another Bay Area institution).

In fact, the collaborative nature of the Bay Area scene is further exemplified by the contributions of trumpeter Steffen Kuehn, who with Tumalan co-leads the acclaimed Pacific Mambo Orchestra. Rather than exhibiting a sense of competition, they have "both been very helpful as musicians and friends and fellow bandleaders," says Andres.

"We've been fortunate enough to create something that guys really want to be involved in," he adds, "with challenging music that's a good space for them to showcase their art."

Born (in 1968) and raised in Cincinnati, Ohio, the son of professional musicians, Brian Andres started playing drums in the fourth grade. After high school, he took classes at the Cincinnati College-Conservatory of Music but abandoned formal studies once he landed a full-time gig with veteran bluesman Cincinnati Slim and the Headhunters.

Andres was in the midst of a thriving career playing rock, funk, R&B, and blues when he experienced his clave epiphany, courtesy of the Cleveland salsa band Impacto Nuevo. "It changed my trajectory of where I wanted to go," Andres recalls. "I've often likened it to the first time I kissed a girl. I just wanted to do it over and over again. The first time I heard it done well live, it had me."

He put together a Latin jazz band of his own, and started buying up whatever albums he could find, which introduced him to leading Bay Area artists such as John Santos's Machete Ensemble, Andy Narell, and Pete Escovedo. It was Bay Area Latin jazz stalwart, the late Dutch-born drummer Paul van Wageningen, who convinced him to make the move to San Francisco rather than New York or L.A. by offering real encouragement when Andres came through town on a visit.

"He was absolute class," Andres says. "We hung out and played, and he showed me some things. He said he'd recommend me for gigs, and he was as good as his word."

Landing in the Bay Area in early 1999 at the height of the high-tech boom, Andres quickly found work in an array of Latin settings, playing salsa, Latin funk, and Latin jazz. He undertook his first recording under his own name in 2007, motivated by his love of the multidimensional writing of Latin jazz pioneers Tito Puente and Eddie Palmieri. The result was Drummers Speak.

Andres has maintained ties with his home state and frequently returns there to work. Next month he'll perform as part of Cincinnati Slim & the Headhunters at the Dayton Blues Festival (7/21) and in Springboro OH (7/23), as well as with his own Latin Jazz Quintet at Washington Platform in Cincinnati 7/19. Come August, he'll play three hometown dates with the Afro-Cuban Jazz Cartel-Fountain Square 8/22 and the Blue Wisp 8/23-24.

"Regardless of our land of origin," Andres observes in his CD notes of the far-flung starting points of his band members, "all of us reside here [in the Bay Area] now, drawn to the rich heritage and continuing dynasty of Latin Jazz in San Francisco and feel the intense desire to contribute to it." Brian Andres, the Afro-Cuban Jazz Cartel, and San Francisco can each claim a spot in that deeply influential musical lineage.

www.brianandres.com

MERRY CLAYTON - THE BEST OF MERRY CLAYTON

The musical career of Merry Clayton , renowned backing singer turned solo headliner, is celebrated on The Best Of Merry Clayton, available everywhere June 25th through Ode Records/Legacy, a division of Sony Music Entertainment. The first compilation ever issued on the artist, the album's 17 tracks, which include every one of her five Billboard Hot 100 chart singles on Ode Records, serve as a reminder of the touchstones of her career. The range of artists with whom Clayton has sung includes everyone from Ray Charles and Elvis Presley to the Rolling Stones, from Billy Preston and Carole King to Joe Cocker and Leon Russell , from Lynyrd Skynyrd and Ringo Starr to Taj Mahal and Neil Young , and scores more.

The release of The Best Of Merry Clayton coincides with June theatrical openings of 20 Feet From Stardom in select cities. Award-winning director Morgan Neville's new film features Clayton, Darlene Love , and others, documenting the untold true story of the backup singers behind some of the greatest musical legends of the modern era. The soundtrack album to 20 Feet From Stardom, with classic rock and R&B tracks by (or featuring) Clayton, Love, Lisa Fischer , Tata Vega , Claudia Lennear , and others, will be available June 18th from Columbia Records.

Neville's 20 Feet From Stardom follows nearly 20 years of documentary filmmaking on subjects including Brian Wilson , Stax Records, Sun Records' Sam Phillips , Cowboy Jack Clement, Johnny Cash , Iggy and the Stooges, Ray Charles , Pearl Jam, and others. Neville has produced and directed multiple entries in A&E's Biography series (on Nat King Cole , Leiber & Stoller, Burt Bacharach, and others) and the PBS American Masters series (on Hank Williams , Muddy Waters, and Carole King / James Taylor ).

After nearly a decade behind the scenes, Merry Clayton became an "overnight" star in December 1969, when she was cast as Mick Jagger's vocal collaborator in "Gimme Shelter," the opening track of the Rolling Stones' album, Let It Bleed. The raging urgency of her vocal ("War, children, yeah, it's just a shot away/ It's just a shot away") capsulated the turmoil of the times. Clayton was signed by Rock And Roll Hall Of Fame producer Lou Adler to his Ode Records label, and her debut solo LP was issued the following year.

The album was titled Gimme Shelter and was the first of three soul-drenched LPs that Clayton recorded for Ode, all of them packed with covers of contemporary rock, pop, R&B, gospel, and more. Gimme Shelter was followed by the self-titled Merry Clayton (1971, produced by Adler), and Keep Your Eye On The Sparrow (1975, produced by Gene McDaniels ). Adler and Legacy reissue producer Rob Santos have sourced the majority of the 17 tracks on The Best Of Merry Clayton from her three Ode albums:

•Gimme Shelter, with the Stones' title tune, and her versions of the Doors' "Tell All The People," James Taylor's "Country Road," Simon & Garfunkel's "Bridge Over Troubled Water," and Spooky Tooth's "Forget It I Got It";

•Merry Clayton , with Neil Young's "Southern Man," Carole King's "After All This Time," and "Walk On In," Bill Withers' "Grandma's Hands," Billy Preston's "Sho'Nuff," Leon Russell's "A Song For You";

•Keep Your Eye On The Sparrow, with its title tune that was the theme song, originally sung by Sammy Davis Jr. , of the '70s police drama Baretta.

Two of the tracks on The Best Of Merry Clayton are taken from a rare non-LP single issued between albums in 1972. The A-side was Goffin & King's "Oh No, Not My Baby," first introduced by Maxine Brown in 1964, and a pop staple ever since. Clayton's version earned her a Grammy Award® nomination for Best Female R&B Vocal in 1972. The B-side was Elvis Presley's "Suspicious Minds" (written by Mark James ), suggesting that Clayton may have been among the backing singers at Presley's American Studios sessions in Memphis of January-February 1969, when he first recorded the song.

Three of the tracks on The Best Of Merry Clayton are LP rarities that not only show off her versatility, but also indicate the wide-ranging, eclectic nature of Lou Adler's Ode Records label. Bob Dylan's "The Mighty Quinn" is from a 1969 album, Dylan's Gospel, in which ten of his folk and rock songs were given grand gospel treatments, as recorded by the Brothers and Sisters. This gathering of some two dozen voices not only included Clayton, but such female gospel and R&B luminaries as Patrice Holloway , Gloria Jones , Clydie King , Julia Tillman , Edna Wright , and others. The album was produced and directed by Lou Adler , and arranged and conducted by Gene Page .

The enigmatic movie soundtrack for MGM's Brewster McCloud (1970) featured one side of tracks mainly written and performed by John Phillips , fresh from the Mamas & the Papas. Three of these featured Clayton, but it is generally agreed that the version of "Lift Ev'ry Voice And Sing (Black National Hymn)" is one of the most stirring versions of that anthem ever recorded. Again, this track was produced by Lou Adler , and arranged by Gene Page .

The final track on The Best Of Merry Clayton is her climactic take as "The Acid Queen" from the Who's rock opera, Tommy. In this case, it was the all-star 1972 version that was recorded with the London Symphony Orchestra and London Chamber Choir conducted by David Measham , featuring singers Steve Winwood , Rod Stewart , Richie Havens , Ringo Starr , and others. For decades, pundits have debated Clayton's "Acid Queen" vis-a-vis Tina Turner's interpretation in the 1975 film version of Tommy.

Born in New Orleans on Christmas Day, 1948 (hence "Merry"), pop history notes that Clayton's first major session took place at age 13 in 1962. The occasion was a duet with Bobby Darin on "Who Can I Count On? (When I Can't Count On You)" from his album, You're The Reason I'm Living (released 1963). She was still a teenager when she started as one of Ray Charles' backing singers in the Raelettes in the 1960s. By the mid-'60s, Clayton had emerged as a first-call voice onstage and on hundreds of recordings that bore her name in the credits (and hundreds, perhaps thousands more that didn't credit her). Her presence on the Stones' "Gimme Shelter" propelled her to a new level of stardom, and she found a home with Ode Records and Lou Adler .

Liner notes for The Best Of Merry Clayton are written by former Del Fuegos member, and now college professor Dr. Warren Zanes , whose credits include notes on historic packages by George Harrison and Dusty Springfield . Discussing the world of backing singers, he writes, "They've been able to enter into the widest range of musical situations and do what's needed. Many backing singers adapt chameleon-like to the situation and never develop a distinctive 'character' voice. But there are certainly exceptions. And Merry Clayton is one of them. She is gifted with a voice that gives her a place in both worlds. Here is a singer who can do it all."

The Best Of Merry Clayton
Selections: 1. Southern Man (D) * 2. Tell All The People (C) * 3. Country Road (C, Hot 100 #103) * 4. After All This Time (D, Hot 100 #71) * 5. Gimme Shelter (C, (Hot 100 #73) * 6. Grandma's Hands (D) * 7. Oh No, Not My Baby (Ode single 66030, originally released 1972, Hot 100 #72) * 8. Walk On In (D) * 9. Bridge Over Troubled Water (C) * 10. The Mighty Quinn by the Brothers and Sisters (featuring Merry Clayton ) (A, Ode single ZS7-121, originally released 1969) * 11. Sho'Nuff (D) * 12. Forget It I Got It (C) * 13. Keep Your Eye On The Sparrow (F, Hot 100 #45, Ode single 66110, originally released 1975, from the Universal T.V. series Baretta) * 14. Suspicious Minds (Ode single 66030, originally released 1972, B-side of Oh No, Not My Baby) * 15. A Song For You (D) * 16. Lift Ev'ry Voice And Sing (Black National Hymn) (B, Ode single 66011) * 17. The Acid Queen – Merry Clayton with the London Symphony Orchestra and London Chamber Choir Conducted by David Measham (E).

Album index:
A – from Dylan's Gospel by the Brothers and Sisters (originally released 1969, as Ode 44018)
B – from Brewster McCloud original soundtrack (originally released 1970, as MGM 1SE-28ST)
C – from Gimme Shelter (originally released 1970, as Ode 77001)
D – from Merry Clayton (originally released 1971, as Ode 77012)
E – from Tommy (originally released 1972, as Ode 99001)
F – from Keep Your Eye On The Sparrow (originally released 1975, as Ode 77030)

Source: Legacy Recordings

STING ANNOUNCES NEW ALBUM - THE LAST SHIP

Cherrytree/Interscope/A&M Records has announced a new album of original material from Sting, entitled The Last Ship, scheduled for release on September 24, 2013 (internationally on September 23, 2013). The album is inspired by Sting’s forthcoming play of the same name and explores the central themes of homecoming and self-discovery, drawing upon his memories of growing up in the shadow of the Swan Hunters Shipyard in Wallsend. His personal reminiscences illuminate universal truths – the complexity of relationships, the passage of time and the importance of family and community – to form an affecting, complex parable for our modern times.

The play, in which Sting has been creatively immersed for nearly three years, debuts on Broadway in 2014 and is a collaboration with Tony Award winners Joe Mantello (director; Wicked, Other Desert Cities), John Logan (writer; Red, Skyfall)) and Brian Yorkey (writer; Next to Normal). The Last Ship tells the story of the demise of the shipbuilding industry in 1980s Newcastle which had, for so long, shaped and overshadowed the city, its development, and its community.

The Last Ship album is produced by Rob Mathes (Sting, Eric Clapton, Elton John, Lou Reed, Carly Simon) and engineered and mixed by Donal Hodgson. The Last Ship will be available as both a digital and physical release in two configurations - a 12-song version and a 2-disc deluxe version featuring 5 additional tracks. (The 12-song version will also be available on vinyl.) A super deluxe edition, containing 2-discs comprised
of 20 tracks within special packaging, will also be sold as a physical product exclusively at Amazon.com. AmazonMP3 will be the exclusive retailer for the 20-track, super deluxe digital edition.

www.sting.com
www.CherrytreeRecords.com

NEW RELEASES - VIEUX FARKA TOURE, PRIOT ENSEMBLE, MYELE MANZANAZ

VIEUX FARKA TOURE – MON PAYS

Mon Pays, the latest album from Vieux Farka Touré, transports listeners to the headlines of the richest days in Mali’s history. In the face of extremists out to obliterate all that is beautiful in the country, Mon Pays is a hopeful source of peaceful prospects. Opening track “Diack So” marks the beginning of a journey into a land of plenty. Tranquil yet weighty, every note on Mon Pays is delivered with the importance of a voice, guitar and music that could guide a silenced people. Okayafrica received inspiring answers from Vieux on the past and future of Malian pride. Mon Pays is available now via Six Degrees. ~ Six Degrees


PRIOT ENSEMBLE – PRESENT CONTINUOUS

"Present Continuous" - the first attempt to enforce diligently the strategy pursued by Priot Ensemble to rescue the jazz music from the complexity and secrecy by means of more emotional and melodic approach. All music is written by Natalia Blinova, as well as the vocals are performed by herself. This music is the best suited for the intended purpose. Having absorbed, not always consciously, the idea of minimalism, psychedelic rock, ambient music, improvised music, the concept of the album reveales all its polystylistic beauty not constrained to within a single selected style and its stamps. ~ FancyMusic

MYELE MANZANA - ON THE MOVE

"On The Move" is the first single from Myele Manzanza's forthcoming album. The driving rhythmical talent behind Electric Wire Hustle steps out from behind the drum kit to release his first solo album ‘One’. At just 25 years old the musically prolific Myele Manzanza has not only held down the drums as part of New Zealand's Electric Wire Hustle for the past 5 years but has also drummed for many other NZ bands including Olmecha Supreme, Sheba Williams, The Recloose Live Band, The Jonathan Crayford Trio as well as for his father - Sam Manzanza’s Rhythm Africa Band & countless other musical projects. The last two years were spent living between Berlin & New York & touring with Electric Wire Hustle with laptop in hand. The fertile breeding ground of creativity of these cities provided the seeds of musical inspiration to put together Myele Manzanza's first album aptly titled ‘One’. Created primarily in Wellington, New York and Berlin in kitchens, bedrooms, hotel rooms, parks, balconies and backstage ‘One’ draws on many influences and experiences. Rooted in Myele’s musical “first language” of rhythm, the album also expresses his voice as a musician and producer outside of being a drummer which was a key motivation for Myele. "This album was a challenge to myself to broaden my own musical identity as a musician.” ~bbemusic

OMAR – THE MAN

"When I grow up, I wanna be like Omar" - Stevie Wonder

There are precious few, if any contemporary UK artists whose creative credentials and influence extend as far and so consistently wide as Freestyle Records' most recent signing Omar. Since first breaking through to worldwide renown all the way back in 1991 with his first releases on Gilles Peterson's seminal Talkin' Loud label, and since going on to work with all manner of musical legends including a certain Stevie Wonder, Erykah Badu, Angie Stone, Syreeta Wright, Common, and Carleen Anderson.

Omar returns with a brand new album that many say is without doubt the strongest of his entire career. The buzz generated by the single release of the album's title track, The Man, confirmed beyond doubt that Omar is very much at the top of his game, with everyone from BBC 6 Music's Gilles Peterson, BBC Radio 2's Trevor Nelson and Jamie Cullum giving both major support and high praise for the simply magnificent new high point for Omar's renowned ability to write devastatingly catchy melodies.

Across the rest of this new album, opener Simplify sets the template, with its luscious and majestic string backed introduction raising the curtain on this deep, hard grooving number. Omar also joins forces with Germany's Hidden Jazz Quartett on High Heels - growling organ spars with the tough, jagged drumbeat on this tough, funk driven collaboration. Elsewhere, latin textures and rhythms have always been part of Omar's far reaching musical vocabulary, and on Come On Speak To Me and Ordinary Day restless south American beats underpin the crisp and fresh melodies.

Soul II Soul's Caron Wheeler offers her distinctive voice on the duet Treat You, allowing these two legendary voices to unite beautifully. Completing the circle that began all the way back in the early 1990s, Omar has re-recorded his classic love song There's Nothing Like This, which this time features bass player to the Gods Pino Palladino. The touching sentiment remains undiminished, but the addition of soaring strings, soulful, jazzy horns, a vibrant live and acoustic feel, plus an extended and new arrangement.

This album will surely become known as the most eclectic, confident, mature and soulful album of his career. After all, Stevie Wonder knows, Erykah Badu knows...and now everyone knows, Omar is The Man.

THE IMPELLERS - THIS IS NOT A DRILL INTRUMENTALS & REMIXES

The Impellers are a 10 piece powerhouse, bringing pounding instrumental tracks, lyrically strong vocal tracks and, new for the 2nd album, a sweet, sweet ballad. The second album "This Is Not A Drill", released in early 2012 on the powerhouse labels that are Mocambo Records and Legere Recordings, brought together influences including soul, deep funk, latin and afrobeats, hip hop production, and included funk re-versions of instantly recognisable tracks by Kaiser Chiefs and The Ting Tings.

The Impellers first full album 'Robot Legs' was released on UK independent label Freestyle Records. Since its release in 2009, the band have been busy touring across the UK, Netherlands, Spain, France and elsewhere. They have shared stages with some of the finest funk, soul, hip-hop, jazz and scratch DJ talent from around the world. Their ever-expanding CV includes shows with Marva Whitney, Breakestra, James Taylor Quartet, The Bamboos, Lack of Afro, Kid Koala, Hexstatic, Mr Thing (The Scratch Perverts), DJ Bizznizz (UK DMC Championships winner), DJ Vadim, Speedometer, Polar Bear,

Part Time Heroes and The Nextmen. The band also played live sessions on the BBC in the UK and were recruited by renowned DJ and promoter Adrian Gibson to play a live mix of tracks from the seminal 'Ultimate Breaks & Beats' records - 55 classic breaks in a killer hour-and-a-half live set!! "This Is Not A Drill Instrumentals & Remixes"

Légère Recordings is proud to present “This Is Not A Drill Instrumentals & Remixes”, by The Impellers!

ROB MOSHER - POLEBRIDGE

The town of Polebridge, curiously like the piano itself, has a population of 88. Life hearkens back to the rough-hewn charm of pioneering days in the early 1900s. Locals live off the land, make their own culture and keep things simple. On a deeply quiet night in this frontier town, you just might find yourself hearing things; and if you happen to be gifted young composer Rob Mosher, that could sound like the music Schumann and Prokofiev might play were you to find them, drunk as can be, side-by-side on the bench of a saloon piano in the wild west.

Mosher was born in Greenwood, Nova Scotia, a small village on the east coast of Canada. "My earliest memories are of music," he recollects and his "parents both sang, though they never talked about music overtly." After years of piano lessons, he started adding woodwinds one-by-one, eventually playing oboe, English horn, clarinet and soprano saxophone. With his trickster spirit and adventurous sense of harmony, he gravitated towards the big city jazz and creative music scene in Toronto. While getting lettered at the University of Toronto, he made a life-changing discovery: his true calling was to compose music. Mosher's work inhabits the space between jazz and classical music with projects ranging from his 10-piece ensemble Storytime to Soprano/Soprano, a duet of saxophone and operatic voice. Jazz Review declared that "Mosher does for music what Renoir has done for art."

Enter Micah Killion, trumpeter, music educator and arts administrator living and working in New York City. Ever the versatile musician, he has performed with New Jersey Symphony, Charleston Symphony, Colorado Symphony, Princeton Symphony, Spoleto Festival Orchestra, the Juilliard Orchestra, Maria Schneider, John Medeski, Shakira and Diana Ross, to name a famous few. After the sudden passing of his mother in 2012, Killion felt moved to celebrate her life by commissioning his longtime friend and collaborator Mosher to compose a suite to record with a stellar set of like-minded musicians.

Stephanie Nilles, who Rolling Stone described as "Ella Fitzgerald beating the shit out of Regina Spektor" adds a wildcard quality to the ensemble playing piano, Hammond B3 and occasional ranting. John Marcus is no stranger to chamber music, playing violin with the Grammy-nominated Enso String Quartet. Andrew Small is a virtuosic young contrabassist who, while completing his master's degree in Classical Bass Performance at Yale University, managed to find time to travel around the country learning old-time fiddle and touring alongside Mosher with Juno-winning banjoist Jayme Stone's Room of Wonders. The ensemble is rounded out with guest appearances by Peter Lutek (bassoon, contra alto clarinet) and Petr Cancura (mandolin). All joined by Mosher on soprano saxophone, English horn and clarinet.

The album Polebridge, much like the town, is full of characters. There you'll meet "Cowboy Ben", a mild-mannered wrangler who plays the musical saw with a bow; a cowpuncher who Nilles describes as "not very manly" in her unexpected spoken word diatribe on the recording. Then there's "Rango's Tango", a piece that recounts the awkward attempts of an Argentinian man trying to court a young woman with his ridiculous dance moves. He fails. "Parade of Two" imagines an impromptu marching band jaunting across town. As Mosher notes, "it takes less a minute to tour downtown Polebridge." The natural beauty of Glacier National Park is captured in "North By Northwest", a tone poem inspired by the glory of the northern lights, a sight familiar to the Canadian-born composer who now makes his home in Brooklyn, New York.

The emotional peak of the album can be found in "Didn't Ask", which came to Mosher in a series of dreams he had in a remote cabin not far from Polebridge. The piece ends with a chorale that Mosher later recognized as Killion's mother's metaphoric ascension up to heaven. "The final trumpet call is like a modern day Amen," muses Mosher. The chorale form, a four-part hymnal perfected by J.S. Bach in the 18th century, has long inspired Mosher, who in 2011 brazenly challenged himself to write a chorale a day for a month; a project that was generously funded through Kickstarter and eventually made into an album simply titled, "31 Chorales".

Though Polebridge is clearly chamber music, there are occasional forays including an Appalachian-style fiddle tune, an otherworldly Klezmer number, a healthy dose of country swagger and plenty of improvisation throughout. Stellar musicianship and first-rate compositions make this charming release a surprising and satisfying listen. So come visit Polebridge; stay a while.

www.robmosher.com

DEE C’RELL - IMAGES

After the continuing success in 2013, Images is the latest release by Dee C’rell on Holm Records. All three compositions expertly combine alternative music making elements within jazz related practices, and are further examples why Dee C’rell is regarded now in such high esteem within contemporary-electronica, and jazz related music worldwide.

The first track is entitled Falling Backwards which comprises modern jazz music techniques and electronics. Creating sensitive use of rhythm through both the inner and outer structural characteristics of the piano only, and with the refined overlaying harmonic and melodic approach of both piano and electronic music making devices, Falling Backwards reflects the modern relationship personally for Dee C’rell within contemporary electro-acoustic jazz and song composition.

Tia (featuring Tia-Francesca, Helmut Neugebauer) is a delicate elaboration on a circular non-resolving theme. Playfully reshaping continuously the composition, Tia is a modern lounge-jazz composition, which includes Austrian jazz saxophonist, Helmut Neugebauer. Dee C’rell’s young eight year old daughter also appears for the second time since the composition Form 2 alongside her father, with her own unique choice of words that reflect an innocent childlike view of the world around us.

Looping at the Spree is taken from the Berlin recordings, Looping at the Spree captures the intensity of Dee C’rell on piano through live improvisation on piano and electronics. Expressing the value of art music in jazz improvisation, Looping at the Spree is one of the finest examples of why Dee Crell is regarded in such high esteem by many of his peers. Looping at the Spree takes the listener on an intricate journey within the piano.

Dee C’rell’s Images is scheduled release date 7th June 2013.
www.deecrell.com

BLACK COFFEE & JOAQUIN "JOE" CLAUSSELL – THE DJOON EXPERIENCE

Djoon is nestled in a vibrant ‘new’ district of eastern Paris and for near 10 years has played host to known and unknown local and international talents from the soulful New Yorker to the afro deep South African, from the pioneers of Chicago and Detroit to Berlin’s deep tech or eclectic London artists… Always seeking talent, of yesterday of today and of tomorrow, this temple of encounters between dancers and music lovers has seen its wooden dance floor trodden by clubbers from all over the world.

Any attempt ‘to bottle’ a night at such a special place is a fraught journey, one which we have taken and now as this musical church beckons its loyal flock to a very special evening of ‘worship’, we bring on one album, a night at the Djoon celebrating 10 years of dance floor joy, hosted by The legendary Joaquin Joe Claussell on a very rare mix CD outing – and South African superstar Black Coffee.

“People don’t come here to show off, they have a natural style and they wanna enjoy themselves” Djoon owner and DJ, Afshin Assadian and his artistic director Lionel Marciano tell us. Afshin’s apprenticeship was as a promoter and club manager and it wasn’t long before he realized that commercial pressure always prevailed over quality of music. Locating an empty space in a deserted district away from the main party places in Paris he developed an instant crush! Djoon was conceived.

Grown up and mature like the very best French wine…. music with soul is what you get there and what the album reflects. Joe’s mix was recorded in a hotel room in Tokyo, his hectic global schedule led him, on a Far Eastern stop over to put together a party in his room. Friends came and vibed with Joe as he worked the turntables, tape machines, … a mix “not about the perfect beat…. but The Soul and The Funk”. Even though “its all over the place” it has a natural musical flow and as he eloquently describes it “ is a collage of Joaquin Joe Claussell at that time.”

South Africans are the biggest consumers of house music in the world, and Johannesburg is the beating heart of their scene. If you’re looking for proof, there is no need to visit a nightclub. In turning on a television, listening to the radio or walking down the street, it’s clear that a 4/4 pulse is the metronome of everyday life. In this beautiful Southern Hemisphere oasis …fighting to shake its torrid Apartheid history House producers are bigger than The Madonnas and Coldplays so revered by music buyers north of the equator. Bring to the stage Black Coffee a household name and champion of Johannesburg’s preferred sound—vocal- led, percussive, melodic— a sound largely at odds with what’s popular in other international markets;

~ bbemusic

NEW RELEASES - MFSB, PEGGY LEE, MIKE PRIDE

MFSB- MFSB


A seminal album by this legendary Philly instrumental group – essentially the house band at Sigma Studios, and an incredible ensemble filled with top-shelf musicians! The sound here is virtually the blueprint for Philly soul of the 70s – a blend of wickedly tight rhythms and fuller orchestrations – served up in a way that's never sleepy, never overdone – and which has a careful balance that none of the group's imitators could match! Production is by the team of Gamble & Huff – already well-known associates of the group of musicians that includes Bobby Eli, Lenny Pakula, Leon Huff, Norman Harris, Vince Montana, and many more! Most of the titles here are instrumental remakes of familiar tunes – all given a Philly soul sound, and one heck of a groove! Titles include "Family Affair", "Freddie's Dead", "Back Stabbers", "Something For Nothing", and "Poinciana". CD also features a bonus track – "Family Affair (7" single version)". ~ Dusty Groove

PEGGY LEE – I LIKE MEN!

A pretty bold assertion from Peggy Lee on the title – but she backs it up nicely in this obscure album of "guy" songs from the end of the 50s! There's a playful feel to the music that fits Lee's vocals very well – as do the bouncy arrangements from Jack Marshall, who turns out to be one of the best musical partners that Peggy could ever hope for! The set's got that nice jazzy groove that really makes Lee's return to Capitol Records so great – and titles include "Good For Nothing Joe", "Charley My Boy", "Jim", "Bill", and "It's So Nice To Have A Man Around the House". ~ Dusty Groove

MIKE PRIDE – DRUMMER’S CORPSE

No drummer's corpse here – as, if anything, the sound of the album is more than enough to keep the drummer alive and well – thanks to work from percussionist Mike Pride, and an array of other guest players too! The title track takes up the whole first half of the album – and features Pride on drums, gongs, organ, and more – with help from an array of other percussionists who include Bobby Previte, Oran Canfield, Russell Greenberg, Tyshawn Sorey, Ches Smith, and John McLellan – all working in a very layered approach to sound that almost feels like a drum-based take on a Glen Branca score once it gets going. There's a bit of vocals layered somewhere in the mix – and on the second track, "Some Will Die Animals", the percussion is much more spare, just handled by Pride, with guitar from Chris Welcome, bass from Eivind Opsvik, and some added recitations too. ~ Dusty Groove

NEW RELEASES - GEORGIA ANNE MULDROW & DUDLY PERKINS, FAMILY ATLANTICA, SALLIE BLAIR

GEORGIA ANNE MULDROW & DUDLEY PERKINS - LIGHTHOUSE


A lighthouse of soul and spirit from the duo of Georgia Anne Muldrow and Dudley Perkins – coming together here in a mode that has both artists at the top of their game! The album's got a dense, layered feel that really lives up to the image on the cover – and definitely has the sort of political bent you'd expect from the pairing – served up over skittish cosmic beats and fuzzy freaky keyboards, with some distortion on the lyrics that really makes the whole thing crackle with energy right from the start! Titles include "Lighthouse", "Stand", "Power", "No More War", "Popstopper", "What", "Emo Funk", and "Muthadear". ~ Dusty Groove

FAMILY ATLANTICA – FAMILY ATLANTICA

A brilliant criss-crossing of group from this cool trans-global group – a set recorded in London, but with roots in Venezuela, LA, and Ghana – served up with a sound that's even greater than the sum of its parts! Malcolm Catto recorded the record – and really helps bring a funky energy to the record, by working alongside lead studio help from Jack Yglesias of The Heliocentrics – pushing here into a space that's even more offbeat than the grooves of that group! There's loads of rich acoustic instrumentation – especially percussion – and Mulatu joins the record at one spot, furthering the exotic appeal of the set. Some tracks have an almost ethnographic vibes, while others are a bit more contemporary – although the overall sound is more than worthy of placement on the Soundway label. Titles incude "Arena", "Cumbacutiri", "Fly Through The Lightning To Speak With The Sun", "El Negrero", "Escape To The Palenque", "Manicero", "La Familia", and "Speak To The Spirit Of The Sea". (Includes a bonus download of the album!) ~ Dusty Groove

SALLIE BLAIR – SQUEEZE ME

Sallie Blair never cut many records back in the day – but she's a hell of a great singer, and one with a really memorable approach! As you might guess from the image on the cover, Sallie's got a fair bit of personality – a way of putting over a tune that's really compelling, and a lot more charming than some of her more cool-voiced contemporaries – especially on the Bethlehem label. Her vocals are great, but her sense of individuality is even better – and there's a quality to the record that really makes it stand out from the pack. Richard Wess handles the arrangements – some with a small combo of Bethlehem players – Sal Salvador on guitar, Sanford Gold on piano, and Milt Hinton on bas – some with larger groups that expand the sound without losing the intimacy of the vocals. Titles include "Similau", "Better Luck Next Time", "Squeeze Me", "Come By Sunday", and "How Long Has This Been Going On". ~ Dusty Groove

NEW RELEASES - GEORGE BENSON, DECOY & JOY MCPHEE, JOAO GILBERTO REVISTED BY BRAZILIAN LOVE AFFAIR PROJECT

GEORGE BENSON – INSPIRATION: A TRIBUTE TO NAT KING COLE


A great old school session from George Benson – and maybe one of his best albums in years! The setting of the album is just what you'd expect from the title – a tribute to the late, great Nat King Cole – with vocals by George that have an uncanny way of matching Cole's phrasing, yet which also have that warm, raspy sound we love so much from Benson – and some of his excellent scat work too! Arrangements are by Randy Waldman and Nelson Riddle – and have this classic blend of strings and jazz that works perfectly for the set – and Benson gets help from guests who include Wynton Marsalis and Til Bronner on trumpets, plus Indina Menzel and Judith Hill too. Titles include "Route 66", "Nature Boy", "Ballerina", "Smile", "Walkin My Baby Back Home", "Unforgettable", "Too Young", and "Straighten Up & Fly Right". ~ Dusty Groove

DECOY & JOY MCPHEE – SPONTANEOUS COMBUSTION

Joe McPhee plays here with a Hammond organ trio – a setting that partially gets him back to the soulful sound of his roots, but which still keeps things in the freer mode of later years too! Joe starts out the performance with some wonderful solo work on pocket trumpet – played with these offbeat notes and inventive phrasing that might only be matched by Don Cherry's work on the instrument. The drums from Steve Noble come into the mix slowly, while the Hammond from Alexander Hawkins rolls in on these bold waves of sound – almost more forceful than any organ player of the headiest 70s years – spurred on by some rolling bass from John Edwards. Hammond dominates for the rest of side one – but then Joe switches to tenor, and gets some intimate, soulful space – before the organ comes rolling into the mix again! (Nice heavy sleeve and vinyl – and limited too!) ~ Dusty Groove

BRAZILIAN LOVE AFFAIR – VOCE E EU – JOAO GILBERTO REVISITED BY BRAZILIAN LOVE AFFAIR PROJECT

A sweet set of contemporary bossa gems – all older numbers made famous by Joao Gilberto in his early days – spun out with a very fresh finish here by the Brazilian Love Affair combo! The group work in a mostly live jazz mode, with just a bit of programming on the rhythms – and the album's especially heavy on Fender Rhodes, which updates an older bossa sound nicely – amidst older-styled instrumentation on acoustic guitar, Hammond, trombone, and flute. The vocals are great – with the same raspy charm of Joao's early recordings – that very human, very honest quality that made his singing so different from other vocalists of his generation – and titles include "Rosa Morena", "Desafinado", "Voce E Eu", "O Barquinho", "Saudade Fez Um Samba", "Ho Ba La La", and "Chega De Saudade". ~ Dusty Groove

NEW RELEASES - BEST OF BRUNSWICK: MELLOW & SOUL, ORQUESTA EL MACABEO, SAO PAULO UNDERGROUND

BEST OF BRUNSWICK: MELLOW & SOUL (VARIOUS ARTISTS)


The mellower side of Brunswick Records – that slow-stepping, mid-tempo mode that worked perfectly for the hipper side of Chicago soul at the end of the 60s! The tunes here aren't as laidback as soul ballads from other labels – as Brunswick always found a great way to give things a groove, even when moving slow – a quality that really put the label years ahead of other soul imprints, and which really helped focus that loping style of Chicago rhythm that really set the Windy City apart from Detroit, Philly, and other soul scenes. The package features some key illustrations of this mode – plus a few slightly more uptempo numbers, too – all wrapped up in one mighty nice collection! Titles include "Light My Fire" by Erma Franklin, "Seven Days Of Night" by Barbara Acklin, "Because Of You" by Jackie Wilson, "Hope We Have" by The Artistics, "This Is The Lost Generation" by Lost Generation, "From The Teacher To The Preacher" by Gene Chandler & Barbara Acklin, "I'm Gonna Get You" by Lavern Baker, "Stoned Out Of My Mind" by Maryanna Farra & Satin Soul, and "Honey Babe" by Ginji James. ~ Dusty Groove

ORQUESTA EL MACABEO - LLUVIA CON SOL

These guys just keep getting better and better – and this time around, they've got such a tight groove, it's hard not to compare the group with some of the best of the 70s salsa generation! Rhythms are right on the money, and the instrumentation is completely sublime – very jazzy, with lots of rich inflections – yet also able to hone to the groove at all the right moments, especially on the trombone and trumpet parts that give the record so much soul! Vocals are strong, too – and the use of tenor sax at just the right points almost acts like a second "voice" for the record – furthering the richness of the whole set. Titles include "Me Repito", "La Sensacion", "Boda", "No Te Debo Nada", "Macacoa", "Olvidame", and "Lluvia Con Sol". ~ Dusty Groove

SAO PAULO UNDERGROUND – BEIJA FLORS VELHO E SUJO

Bold grooves from Rob Mazurek – a man of two continents, with a range of talents that's deep enough to match! This set's by Rob's Sao Paulo Underground trio – a group who work here with heady styles that mix free jazz improvisation with electronics and even a bit of proggish jamming – all in this blend of electric and acoustic modes that's mighty nice! Rob's cornet soars out over a really hip brew that includes lots of keyboards, ring modulator, Evolver, harmonium, and other electronics – plus great acoustic elements on percussion and cavaquinho – used in a rich blend that makes for some of Mazurek's most complicated music to date – yet also some of his most powerful too. Tracks are short enough to avoid too much noodling – and although experimental, the set's also got a strong sense of focus, too – and always moves forward in a great way. Titles include "Basilio's Crazy Wedding Song", "Six Handed Casino", "Evetch", "The Love I Feel For You Is More Real Than Ever", "Over The Rainbow", "Into The Rising Sun", and "Taking Back The Sea Is No Easy Task". ~ Dusty Groove

ELVIS COSTELLO & THE ROOTS TO RELEASE "WISE UP GHOST" ON SEPT. 17

Elvis Costello and The Roots have announced today that a collaborative album entitled Wise Up Ghost will be exclusively released by Blue Note Records on Tuesday, September 17, 2013.

The existence of the record was first revealed by ?uestlove as an aside during an interview with Billboard in January. A small number of test pressings were distributed as white labels on Record Store Day on April 20 but the full release will follow later in the year.

Most of the sessions took place in secret at Feliz Habitat Studios in the dead of night, while others were in plain sight at Costello’s Hookery Crookery Studios. Elvis described the record as “the shortest distance between here and there” and containing “both rhythm and what is read”. Ahmir says, “It's a moody, brooding affair, cathartic rhythms and dissonant lullabies. I went stark and dark on the music, Elvis went HAM on some ole Ezra Pound shit.”

The solitary star announcing vacancy burnt out as we arrived

They'd throw us back across the border if they knew that we survived

It promises to be one of the most unexpected and surprising releases of 2013.

In addition to the fabulous Roots crew and friends, the record features a guest vocal appearance on “Cinco Minutos Con Vos” from La Marisoul, lead singer of the Los Angeles group, La Santa Cecilia.

The album was produced by longtime Roots associate, Steven Mandel together with Elvis Costello, and Ahmir “?uestlove” Thompson.

~ Blue Note Records