MARIO BIONDI - SUN

After two years of work in Milan, Los Angeles, New York and London, Mario Biondi’s new album, Sun, was released to stores on January 29. The album has an international flavor, being produced by Biondi and Jean Paul Maunick (aka Bluey), leader of Incognito. the historic British jazz band. Sun is an album characterized by important collaborations, like the one with the great American artist Chaka Khan, who, with Biondi and Incognito, interprets in a unique manner the song "Lowdown" by Boz Scaggs. Sun also features songs such as the first single from the album "Shine On", written by Mario Biondi, Massimo Greco and Jan Kincaid, drummer and keyboardist for the London-based group Brand New Heavies. The gripping arrangements are assigned to one of the most famous musicians and composers today, Simon Hale, also collaborator of Jamiroquai. ~9colonne.it

Mario Biondi is a singer and composer, born in Catania, Italy on January 28,1971. His father Stefano Biondi was also a singer. Mario's passion for music began at the early age of twelve when he sang in his church choir . His many musical experiences over time in Italy saw him develop more and more into an artist whose scope was destined to be of an international level. For a while he worked as a session singer - then in 1988 he had an important opportunity as support act to Ray Chales' Italian dates. His love for soul music helped shape his particular vocal styling that takes its cue from great vocalists like Lou Rawls, Al Jarreau and Isacc Hayes. His first big break came in 2004 with the release of the single "This Is What You Are". Originally planned for release only in Japan, the cool and irresistible song gets noticed by European radio. A well-known DJ, Norman Jay begins to feature the song on his BBC1 show playlist and Mario's incredible voice crosses the European continent ahead of the artist himself. The British Consulate honors him with an award during the ceremony for Best Artist representing the Uk-Italy Business Association.

In 2006 Mario released his debut album Handful Of Soul, recorded with the High Five Quintet. In less than three months it goes platinum. That same year Mario records "L'Amore Ha Sempre Fame" for the tribute cd, Alex, Tributo ad Alex Baroni dedicated to the memory of singer, Alex Baroni. In 2007, at the San Remo festival Mario guests on a duet with Amalia Grè to sing "Amami Per Sempre", a song written by Grè in collaboration with Michele Ranauro and Paola Palma. 2007 also sees the release of the single "No Matter" teamed-up with famed Italian DJ Mario Fargetta. During this time, Mario also records some inspired covers like Billy Joel's "Just The Way You Are". In November 2007 Mario released a double album with the Duke Orchestra, called I Love You More recorded entirely live at the Smeraldo Theatre in Milano.

In 2009 Mario is once again on the San Remo Festival stage duetting with Karima Ammar in the song "Come In Ogni Ora". The song's producer and co-writer, none other than Burt Bacharach was also on stage conducting the orchestra and playing piano. Mario went on to yet another magical duet performance with premier Italian artist Renato Zero on "Non Smettere Più" included in Renato's album Presente. In November 2009 Mario Biondi released "If" and the first single "Be Lonely" on the Tattica label. The album shot up the charts and went triple platinum. With a voice that references greats like Barry White, Issac Hayes and Lou Rawls while at the same time giving his own spin to the soul and jazz genres, Mario makes music passionately while at the same time, lighthearted and ironic. ~ fanclub.mariobiondi.com

NEW RELEASES - LEON THOMAS, HUBERT LAWS, FRESH STEPS

LEON THOMAS - THE CREATOR 1969-1973: THE BEST OF THE FLYING DUTCHMAN MASTERS

Leon Thomas became a star on the back of his original cut of 'The Creator Had A Master Plan' recorded with Pharaoh Sanders. This success was consolidated with four studio albums and several live sessions recorded for Flying Dutchman. A year as a member of Santana brought him to the attention of an even wider audience. His yodelling style allied with deep blues roots has influenced several generations of jazz singers, most recently the Grammy Award-winning jazz star of 2012, Gregory Porter. ~ CD Universe

HUBERT LAWS - LAND OF PASSION

When Columbia released Land of Passion in 1979, the album received scathing reviews from jazz critics. They knew Hubert Laws for his work as a jazz instrumentalist, and for the most part, Land of Passion isn't instrumental jazz -- it isn't hard bop, post-bop, or even fusion. The main focus of this LP is mellow, mildly jazzy R&B/pop (with the occasional instrumental). So serious jazz standards shouldn't be applied. Unfortunately, the critics who trashed Land of Passion did apply serious jazz standards, which is sort of like a food critic lambasting an Italian restaurant because it doesn't provide Vietnamese or Cambodian cuisine. Land of Passion needs to be judged by R&B/pop and quiet storm standards, and when those standards are applied, one has to say that this record is likable but not mind-blowing. Laws was obviously going after the quiet storm crowd when he recorded gentle tunes like "Music Forever" and "We're in Ecstasy." Arguably, quiet storm music falls into two main categories: R&B/pop vocals (Luther Vandross, Phyllis Hyman, Anita Baker) and R&B-minded crossover jazz (Grover Washington, Jr., David Sanborn, Lonnie Liston Smith). For the most part, this LP (which had yet to be reissued on CD when the 21st century arrived) falls into the former category, although it does contain two gently funky instrumentals: "We Will Be" and "Heartbeats." Neither are masterpieces, but they have a lot more substance and integrity than the sort of elevator Muzak that Kenny G and Richard Elliot were known for in the 1980s and 1990s. Not one of Laws' essential releases, Land of Passion must be taken for what it is: a pleasant but unremarkable collection of mood music. ~ Alex Henderson

FRESH STEPS - THE SOUND OF URBAN SOUL-JAZZ

Fresh Steps are a collective of musicians/writers and producers from the south coast based in and around Brighton,Eastbourne and Hastings. The collective includes the production team Blackfly, singer Laura Holding and Jazz musician Oli Briant and a number of others. Fresh Steps have cut their teeth in various bands, playing at and running some of the coolest clubnights on the south coast As the Fresh Steps collective, The Sound of Urban Soul/Jazz Vol. 1 is their first official project together and takes contemporary tracks from the likes of Rihanna, Jessie J, Lady Antebellum, Pink, Alisha Keys, Lady Gaga and tears up the rule book, delivering a number of excellent soul-jazz renditions. ~ CD Universe

NEW RELEASES - ERIC GALE, MARION MEADOWS, AMANDA BRECKER

ERIC GALE - GINSENG WOMAN / MULTIPLICATION

When it comes to smothering a recording with over-production or being much too slick for his own good, keyboardist Bob James is an expert. In the 1970s, James lent his "expertise" to Eric Gale's albums Ginseng Woman and Multiplication (which were united on a single CD in 1991). To be sure, James' arranging is excessive. But the damage isn't as severe as one might imagine, and the ubiquitous jazz/R&B/pop guitarist actually has enough room to stretch out at times -- as does Grover Washington, Jr. (tenor sax). Far from exceptional but generally decent and enjoyable, these albums make it clear that Gale could be a very appealing and tasteful soloist when given room to breathe. ~ Alex Henderson

MARION MEADOWS - WHISPER

Soprano saxophonist Marion Meadows plays what has to be called smooth jazz, but he stretches the template a bit by incorporating subtly nuanced Latin, Eastern, and African touches into his style. Whisper is Meadows' first new studio album since 2009's Secrets, and in many ways it works as a sort of follow-up bookend to that earlier project, and while it doesn't really ruffle any feathers, or even try to, it does generate a nice little smooth and rhythmic breeze. ~ CD Universe / /  This album will be released on February 26, 2013.

 

AMANDA BRECKER - BLOSSOM

The daughter of the Brazilian pianist/singer Eliane Elias and trumpeter Randy Brecker, singer/songwriter Amanda Brecker had already released two noteworthy albums in Japan in 2008 and 2009. 2012's Blossom is her first album released in the U.S. on the Emarcy label. Brecker reinterprets 11 classic songs that were written mainly by singer/songwriter Carole King. King's soft rock and soul classics are a perfect vehicle for the singer's crossover jazz arrangements, especially on "You Make Me Feel Like a Natural Woman," "You've Got a Friend," "So Far Away," "Will You Love me Tomorrow," and "It's Too Late." Grammy-winning songwriter Jesse Harris produced the session and, in keeping with the album's theme, employed drummer Russ Kunkel and bassist Lee Sklar, who played on the original Tapestry recording sessions. The release of Blossom also coincides with the 40th anniversary of Tapestry's release. ~ Al Campbell

BLACK MOTOR FEATURING VERNERI POHJOLA - RUBIDIUM

Rubidium is the new release of acclaimed Finnish trumpeter Veneri Pohjola along with Finland's leading trio of improvisers - Black Motor.  Together they deliver an album that is bold, innovative and expressive.

Trumpeter Verneri Pohjola has risen to the elite of Finnish jazz in the last few years. He first became known particularly through the Ilmiliekki Quartet and its well-received albums - March of the Alpha Males and Take It With Me as well as Vi sålde våra hemman together with vocalist Emma Salokoski), but has also performed with many other groups, including his ever-changing Aurora ensemble (Aurora), Michelin Star together with Joonas Riippa (Michelin Star) and the Verneri Pohjola Quartet (Ancient History). Pohjola has also been featured as a soloist with the UMO Jazz Orchestra (Agatha) and Orkestrova and performed with the Meta4 string quartet.

Black Motor is an improvisational trio from Tampere in Central Finland that has been performing for almost eight years and has already released seven albums of its own. The group  consists of Sami Sippola on tenor and soprano saxophones; Ville Rauhala on double bass; and Simo Laihonen on drums and together they play uncompromising free jazz in the spirit of their early idols, Albert Ayler, Peter Brötzmann and Rashied Ali, combined with more traditional forms of jazz expression. The trio has also been influenced by other forms of rhythm music from just about the entirety of the music´s hundred-year history. Cooperation with various special guests has been an essential part of Black Motor's operation, including not only musicians but also poets, dancers and performance and circus artists.

Both Verneri Pohjola and Black Motor are known for being adept in melodically rich and expressive improvised music. The group has labored itself into a veritable jazz phenomenon simply by playing their own vigorous and inspirational music and by largely creating their own performance opportunities, for example, by organizing club nights in Tampere's Telakka Restaurant together with special guests like saxophonist Juhani Aaltonen, guitarist Raoul Bjorkenheim, guitarist Jukka Orma, hip-hop artists Hannibal - and Verneri Pohjola. The work is actually bearing fruit as the trio recently performed again at the Tampere Jazz Happening - now with saxophonist Mikko Innanen - also playing at the London Jazz Festival. Rubidium is the first joint project that Black Motor has recorded.

One of the most innovative tracks on the album has to be the title first song 'Waltz Unknown" in which both Verneri Pohjola (trumpet) and Sami Sippola (saxophone) interplay their horns to create a collective texture of beautiful harmonies. Rubidium also includes "Song of India," "Old Papa's Blues," "Sax-O-Phun," and the title track "Rubidium."

NEW RELEASES - HERB ALPERT, THOMAS CHAPIN, KAREN SOUZA

HERB ALPERT - FANDANGO

Digitally remastered edition of this 1982 album from the Jazz/Pop icon. After a meteoric rise to fame as the leader of the Tijuana Brass, one of the most successful groups of the '60s, Herb Alpert focused on running A&M Records, the indie powerhouse he had founded with partner Jerry Moss. His second artistic journey began with the release of Rise, which climbed to #1 on the Billboard chart. His acclaimed album, Fandango, found Alpert returning to Mexican and Latin American sounds and rhythms, but with a modern sound. The result was one of the most acclaimed albums of his career, remaining on the Billboard Top Albums chart for half a year, and featuring the Top 40 hit 'Route 101.' ~ Amazon.com

THOMAS CHAPIN - NEVER LET ME GO

Never Let Me Go: Quartets '95 & '96 is a new three-disc set featuring two late-career performances by saxophonist/composer Thomas Chapin, including his final New York concert before succumbing to leukemia in 1998 at age 40. Discs one and two capture Chapin's working quartet of the time, with pianist Peter Madsen, bassist Kiyoto Fujiwara and drummer Reggie Nicholson, performing at Flushing Town Hall in Queens on November 10th, 1995. The group played two selections from You Don't Know Me (Arabesque Records), as well as a wide variety of other material, including Artie Shaw's Moonray, Thelonious Monk's Ugly Beauty, Charlie Parker's Red Cross and Jimmy Webb's Wichita Lineman. In contrast, the third disc captures the first and only concert ever played by a later quartet featuring Madsen, bassist Scott Colley and drummer Matt Wilson at The Knitting Factory on December 19th, 1996. For what turned out to be his final performance in New York, this ensemble presented extended readings of three new pieces written specifically for its all-star lineup, as well as a version of his well-known composition Sky Piece and an arrangement of Roland Kirk's Lovellevellilloqui. ~ Amazon.com

KAREN SOUZA - HOTEL SOUZA

There is no doubt that Karen Souza is poised to become recognized as one of the great new voices of jazz today. After the success of her remarkable debut album, Essentials, Karen decided to embark on a songwriting journey that took almost two years and led her far from her home in Buenos Aires to Los Angeles, where she joined with U.S. producer Joel McNeely. Famous for his work with immortal artists such as Tony Bennett, Peggy Lee, Al Green and Jaco Pastorius, McNeely has provided the arrangements with a sound that is both classic and modern a combination that is highly valued in this day and age. Karen´s voice, intimate and sensuous as always, floats between clouds of strings and winds and creates an atmosphere that can only be described as vintage. One of the few versions found on this artist album is a very special rendition of "I Heard It Through The Grapevine" where Karen had the great fortune of performing with several musicians from Marvin's original band. Recorded at The Factory and on in the Century 21 studios in LA, this is an album that showcases Karen as an multifaceted artist about to embark on an exciting career. Hotel Souza is one of the most anticipated albums of the season. ~ Amazon.com

NEW RELEASES - BEGINNER'S GUIDE TO LATIN JAZZ, THE DAP-KINGS FEATURING RICKY CALLOWAY, JEREMY PELT

BEGINNER'S GUIDE TO LATIN JAZZ (VARIOUS ARTISTS)

Not so much an introduction to Latin jazz, as it a wonderful collection of Latin-tinged tunes from the mighty catalog of Blue Note Records – and not just New York and Cuban Latin grooves, but also a fair bit of bossa nova and Brazilian sounds too! The 3CD package is overflowing with goodness – and titles include a range of killer Blue Note gems from the 60s – plus related cuts from labels like Capitol, Liberty, and World Pacific. The groove changes nicely throughout the set, and the instrumentation is superb – as you'll hear on cuts that include "Sandalia Dela" by Duke Pearson, "Chitlins Con Carne" by Kenny Burrell, "Loie" by Ike Quebec, "Samba De Orfeu" by Charlie Rouse, "Bossa For Baby" by Hank Mobley, "South Of The Border" by Lou Donaldson, "Rhapsodia Del Maravilloso" by Sabu Martinez, "Minors Holiday" by Kenny Dorham, "Congalere" by Horace Parlan, "Ghana" by Donald Byrd, "Latin Fever" by Jack Costanzo, "No Problem" by Jerome Richardson, "Girl From Ipanema" by Lou Rawls, "Rojo" by Bobby Hutcherson, and "Thousand Finger Man" by Candido. 38 tracks in all! ~ Dusty Groove.

THE DAP-KINGS FEATURING RICKY CALLOWAT - STAY IN THE GROOVE (PARTS 1&2) / / I'M IN LOVE (PARTS 3&4) (2x7 SINGLES)

An amazing pairing of talents! Funk vocal giant Ricky Calloway works here with backing from The Dap Kings – recording in the Daptone studios, with production from Kenny Dope! All the cooks on board definitely don't spoil the broth – and instead, the cut may well be the sort of number we've been waiting to hear for years from Ricky! "I'm In Love" is presented here with parts 3 and 4 – which we don't think were on any previous singles – and is a stone monster too! ~ Dusty Groove

     

JEREMY PELT - WATER AND EARTH

A gem of a record from trumpeter Jeremy Pelt – and like some of his other brilliant albums, a set that really has him sparkling alongside some sweet Fender Rhodes! Pelt's trumpet has always been great – but here, in the company of keyboardist David Bryant, it really seems to find some rich new colors – almost as if the keys open up a layer of Pelt that's been hiding for years – set free to really soar and flow here. Bryant also plays some Hammond and clavinet as well, and other Fender Rhodes and keyboard work is by Frank LoCrasto – and the group also features Roxy Cross on soprano and tenor, Burniss Earl Travis on bass, Dana Hawkins on drums, and Jeffrey Haynes on percussion. Both Ra Re Valverde and Angela Roberts each sing on a track – and titles include "Reimagine The World", "Boom Bishop", "Butterfly Dreams", "Pieces Of A Dream", "Meditations On A Conversation We Had", and "Mystique". ~ Dusty Groove

BRAD GOODE - CHICAGO RED

For innovative trumpeter Brad Goode, jazz has been a means for him to develop and express his own improvisational voice, without limiting himself to a single sound or style. On his new album, Chicago Red, Goode and a like-minded group of adventurous world-class musicians stretch out on eight Goode compositions -- as well as "St. Louis Blues" and "Vesta La Giubba" from I Pagliacci -- with strikingly original results. The CD, his second for Origin and 13th as a leader, will be released February 19.

Goode has been working on what he calls his Polytonal System of Harmony, which involves improvising over streams of simultaneous chord sequences, for the last 20 years.The music thrives on the pleasing dissonance created by, say, the guitarist playing chords at odds with the chords being played by the bassist. "It's almost like two songs operating simultaneously," says Goode. "The lower chords provide the basic progression, but there is also a logic in the way the upper structure chords relate and resolve to each other."

Or, in the case of Goode's coolly seductive use of polychords on W.C. Handy's "St. Louis Blues," create their own sonic mood. "These chords aren't what we've come to expect in jazz," he says, "but after listening a while, the music makes sense, if the right people are playing it."

The "right people" is how Goode would describe his ethnically diverse band on Chicago Red: Guitarist Bill Kopper and keyboardist Jeff Jenkins are back from Polytonal Dance Party, the 2008 Origin album on which Goode formally introduced the Polytonal System, to take their first-rate contributions a step further. They are joined by Brazilian bassist Bijoux Barbosa, whose mastery of Latin, jazz, and classical forms is right at home in this music; the remarkable Ghanaian drummer Paa Kow, who Goode says "plays the perfect groove"; and hand drummer Rony Barrak, from Beirut, Lebanon, who has revolutionized the tabla-like Darbouka, introducing the Arabic drum to Latin music as well as jazz, pop, and western classical.

"I was never thinking in terms of world music when I put the band together," said the trumpeter. "I was drawn to each of these players because of their phenomenal talent. They nailed each song in one take."

In his booklet notes, Goode discusses the "collaborative nature of the improvising" as something that differentiates jazz from most other art forms. "A musician may spend a great deal of time in preparation for the group experience," he writes, " . . . but this work can't anticipate the surprise of the sound and feeling that will happen when a group is assembled. . . . My goal is to approach each performance without an agenda, reacting to the sound and ideas of the band, hoping that my own training will have prepared me to express something that is meaningful and musical within that specific moment." The band on Chicago Red met those challenges -- and then some.

Born and raised in Chicago, Brad Goode studied trumpet at the University of Kentucky, returning to Chicago to get his master's degree in string bass from DePaul University and quickly becoming a regular on the club scene. From 1986 to 1997 he led his own group in Chicago, its members including saxophonists Lin Halliday and Ron Blake, pianists Jodie Christian and Ron Perrillo, guitarist Fareed Haque, trombonist Paul McKee, and drummer Dana Hall. The group often was augmented by Von Freeman and Ira Sullivan, and for 11 years appeared weekly at the Green Mill. Goode also toured with the bands of Jack DeJohnette, Curtis Fuller, Eddie Harris, and Ira Sullivan and with the Woody Herman Orchestra.

The trumpeter accepted a professorship at the University of Cincinnati in 1997 and moved to Boulder in 2004 to teach at the University of Colorado. In the tradition of his mentor Von Freeman, Goode leads weekly jam sessions for young musicians looking to learn their craft. Denver/Boulder has provided new musical directions and opportunities, from highlife to salsa, contemporary classical to jam bands. His reputation as a virtuoso trumpeter and as an educator keeps him quite active. Today, he is most often heard as a first trumpeter in big bands and symphony orchestras, and small group jazz appearances are rare. He is planning a series of dates in support of Chicago Red, including a CD release show at Dazzle, Denver, 3/22. Goode will also appear with his Quartet at the Green Mill in Chicago, 3/8-9.

NICOLE HENRY - SO GOOD, SO RIGHT: NICOLE HENRY LIVE

Since her debut in 2004, Nicole Henry has captivated audiences while establishing herself as one of the jazz world's most acclaimed vocalists. Her expressive, soulful voice and uplifting energy has earned her three top 10 albums along with international accolades from Moscow to Madrid. Adding to her vocal talents, Nicole’s beauty and on-stage rapport, combining confidence, sincerity and a touch of sass, have beguiled fans in over 15 countries.
On her sixth album So Good, So Right: Nicole Henry Live, Henry demonstrates her gift for sublime interpretation as well as her love for the emotionally tinged soul, pop and rock songs that were staples of the 1970’s. The 13-track live album, which was recorded at Henry’s sold-out performances at Feinstein’s in NYC in May 2012, showcases her soulful, inspired interpretations of some of her favorite classic hits of the decade from iconic artists including Bill Withers, Aretha Franklin, Joni Mitchell, James Taylor, The Commodores and Gladys Knight.

“I really connected with the music of the 70’s-all those incredible grooves and great lyrics that conveyed hope and love and being free,” comments Henry. “Growing up I can remember my parents listening to lots of soul and pop music, and so many of those songs just gave me a great feeling of happiness. The artists of that time were true craftsmen and their music had such a broad sound, accessible by people of all races- that’s the kind of music I loved-no definitions! I wanted to revisit that time and those emotions and share them with my fans.”

Featured tracks on the album include the title track, Brenda Russell’s ‘So Good, So Right,’ which Henry loves for the “simplicity of the adjectives Good and Right and how, in this song, "SO" completely explains that feeling of inexplicable perfection of that moment. It just IS.” Henry grew up on Aretha Franklin’s music so when album producer Matt Pierson recommended to her the song ‘Spirit in the Dark,’ from Franklin’s 1970 album, she knew she had to cover it. “I grew up listening to Aretha's 1972 live gospel album Amazing Grace- as far as I'm concerned, everything Aretha sings is gospel,” says Henry. “This song reminds people to be free, look within themselves, and lose control when you need to – a revival of spirit.” Other tracks include the great Bill Withers 1972 classic ‘Use Me,’ which Henry says “shows just how funky he was, and the lyrics show how direct his writing could be. The song’s meaning is obvious…GOOD LOVING goes a long way!”

Henry also shines on tracks such as Joni Mitchell’s ‘Big Yellow Taxi,’ where, as Henry explains, “Joni Mitchell's whimsical melody, combined with her sad lyrics, always throws me for a curve on the last verse,” and Stealers Wheel’s raucous ‘Stuck in the Middle,’ where Henry showcases her signature attitude. So Good, So Right: Nicole Henry Live closes with Fleetwood Mac’s iconic ‘Landslide,’ a beautiful song Henry interprets to be about “learning to love, growing up, accepting one's past sacrifices, and making decisions about where you’re going.”

Growing up in a musical family in Bucks County, PA, Henry immersed herself in the arts early on, singing in school and churh, and studying cello and ballet. After graduating from the University of Miami with a degree in Communications and Theatre, Henry launched a successful acting career, appearing in commercial roles as well as a series of voiceover assignments. But she directed her strongest passion toward the development of her full-time singing career which was quickly rewarded in her present hometown, when the Miami New Times named Henry “Best Solo Musician 2002.”

Henry’s 2004 debut CD release, The Nearness of You, won considerable attention from audiences and critics in the U.S. and in Japan, where they named Henry Best New Jazz Artist of 2004. The following year, Henry’s Teach Me Tonight reached #1 in Japan and was named HMV Japan's Best Vocal Jazz Album of 2005. 2008's The Very Thought of You substantially expanded her American audience, reaching #7 on Billboard's jazz chart. 2011’s Embraceable, a slight departure from her prior recording, reached the top 20 on jazz and smooth jazz radio charts and was a creative triumph for Henry, increasing her repertoire of originals, and further established her as a peerless interpreter of jazz, and pop standards, transcending genre boundaries.

www.nicolehenry.com

BARBRA STREISAND - CLASSICAL BARBRA; NEWLY REMASTERED EDITION WITH UNRELEASED BONUS TRACKS DUE FEB. 5

Though best known as one of the preeminent pop singers of our time, Barbra Streisand made a powerful statement in the classical music realm when she recorded Classical Barbra in 1973. Originally released in 1976, the album gained Streisand a raft of admirers in the classical music world. Glenn Gould called her voice "one of the natural wonders of the age, an instrument of infinite diversity and timbral resource." Classical Barbra was one of the first and is still one of the greatest records in the category we know today as "classical crossover" and is available February 5th, 2013 from Sony Masterworks.

Of the reissue, Ms. Streisand says, "I have always had a special affection for Classical Barbra. I loved the process of developing and making the recording, and I was gratified by the success it had when it was originally released and, what a thrill it was to receive a Grammy nomination in the Classical division...Now it is back in a new expanded edition, beautifully remastered and sounding better than it has since the LP release. I'm also pleased that we could include two bonus tracks that have never before been available. They remind me again how rewarding this whole project was."

Fifteen-time Grammy-winning producer Steven Epstein has remastered the original recording for this new release, the first reissue of the now-classic album since it became available on CD a quarter of a century ago. In addition to the original 10 songs, it now includes two previously unreleased bonus tracks recorded during the original sessions. Both new tracks are two songs composed by Franz Schubert – "An Sylvia" and "Auf dem wasser zu singen" – which offer the unique opportunity to hear Streisand's amazing voice with a piano as its only accompaniment.

Comprised of art songs and arias by a range of European composers, from George Frideric Handel and Robert Schumann to Claude Debussy and Gabriel Faure , Classical Barbra rose to No. 46 on the Billboard Top 200 chart in 1976 and is certified gold in the U.S. Accompanied by the Columbia Symphony Orchestra conducted by Claus Ogerman, Streisand sings in English, French, German, Italian, Latin, and (in Joseph Canteloube's "Brezairola") in a European provincial dialect called Occitan. Other gems include Faure's Pavane, songs that include Debussy's " Beau Soir " and Robert Schumann 's "Mondnacht," as well as the arias "Lascia ch'io pianga" from Handel's opera Rinaldo, and "In Trutina" from Carl Orff 's Carmina Burana .

In the original liner notes Leonard Bernstein wrote, "Barbra Streisand's natural ability to make music takes her over to the classical field with extraordinary ease. It's clear that she loves these songs. In her sensitive, straightforward and enormously appealing performance, she has given us a very special musical experience."

More recently, New York Times classical music critic Anthony Tommasini said of Streisand that "her ability to shape a phrase with velvety legato and find the right expressive coloring for each note and each word is the epitome of cultured vocalism."

SKYDOG: THE DUANE ALLMAN RETROSPECTIVE CHRONICLES GROUNDBREAKING GUITARIST’S CAREER, FROM GARAGE BANDS AND R&B SESSION WORK TO THE ALLMAN BROTHERS

Seven CD set, due out March 5 on Rounder Records, includes rare recordings by Allman’s early bands: the Escorts, Allman Joys, the 31st of February, and the Bleus. Extensive liner notes are accompanied by a tribute from Allman’s daughter.

Even if he’d never formed the Allman Brothers Band, Duane Allman would be a major figure in American popular music. Long before his name became known to mainstream audiences, he had already established his credentials as a once-in-a-lifetime guitar visionary, leaving his unmistakable stamp on a broad array of recordings. On March 5, 2013, Rounder Records, a division of Concord Music Group, will release the most ambitious retrospective of Allman’s short but influential career titled Skydog: The Duane Allman Retrospective.

The deluxe seven-disc collection, carrying a list price of $139.98, contains the guitarist’s best-known and most commercially successful recordings with the Allman Brothers Band and Derek & the Dominos, as well as session work with Aretha Franklin, Wilson Pickett, Boz Scaggs, Clarence Carter, King Curtis, Delaney & Bonnie & Friends, Ronnie Hawkins, Otis Rush, Laura Nyro, Lulu, the Sweet Inspirations, Laura Lee, Spencer Wiggins, Arthur Conley, Willie Walker, the Lovelles, the Soul Survivors, Johnny Jenkins, John Hammond, Doris Duke, Eric Quincy Tate, Herbie Mann and more.

The set was produced by Galadrielle Allman (Duane’s daughter) and two-time Grammy® winning producer Bill Levenson. Rounder Records’ Scott Billington served as executive producer. Scott Schinder contributed comprehensive historical liner notes, complemented by additional notes by Galadrielle Allman.

In her recollection of her father, who died when she was a young child, Galadrielle writes, “I am very lucky that my father is Duane Allman, an artist who left behind a wealth of incredible music . . . Working on this retrospective, I have gotten closer than I ever have been to understanding my father’s development as a musician and a man.”

Duane Allman, known to his bandmates as Skydog, was born in Nashville in 1946. With Gregg, his only sibling, Duane had his first moment of musical revelation upon witnessing a late ’50s R&B bill that featured B.B. King and Jackie Wilson. By 1960, both Duane and Gregg owned guitars and played in a series of neighborhood garage bands in Tennessee and Florida. Continuing their interest in blues and R&B in the shadow of blues radio station WLAC-AM’s continent-spanning signal, as well as absorbing the influence of the British Invasion, the brothers launched the Escorts in 1965 and the Allman Joys, who recorded a handful of sides in Bradley’s Barn in Nashville in 1966. By 1967, Duane and Gregg signed to Liberty as the Hour Glass and recorded two albums in Nashville and Los Angeles. When the band sought to defy the label and spread its musical wings, they were dropped. The brothers returned to Florida, hooked up with drummer Butch Trucks, and recorded two sides as the 31st of February, and later at Ardent Studio in Memphis as the Bleus.

By this time Duane had developed a reputation as a leading session guitarist. He was on Fame Studio’s A list, his guitar licks coloring hits by Wilson Pickett. Atlantic Records producer and executive Jerry Wexler took note and hired him to perform on Atlantic sessions by King Curtis, Otis Rush, Arthur Conley, the Soul Survivors and Sweet Inspirations. Wexler signed him to a solo Atlantic deal, resulting in a session that contained the raucous original “Happily Married Man” and more. The session, contained on the Skydog set, was abandoned mid-stream. But by then Capricorn Records’ Phil Walden had noticed the rumblings from Muscle Shoals. Duane gathered up brother Gregg, Dickey Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson and others and the Allman Brothers Band was born.

According to reissue annotator Schinder, “The [Allman Brothers Band’s] music was complex and adventurous, yet unfailingly accessible. The subtle and harmonic interplay between Duane and Dickey’s dual lead guitars was matched by the three-man rhythm section’s surging, swinging cross-rhythms, with Gregg’s massively expressive singing and organ playing keeping the music firmly grounded in human emotion.” The band’s profile grew with each release — the self-titled debut, Idlewild South and eventually the band’s breakthrough, At Fillmore East.

Testament to his energy and ambition, Duane still found time for side projects. When bandmates would hole up at home after tours, Duane joined fellow world-class guitarist Eric Clapton on Derek & the Dominos’ Layla and Other Assorted Love Songs. While not an official member, he quickly emerged as a major contributor to the classic album, his twin guitar interplay with Clapton shaping the hits “Layla” and “Why Does Love Got To Be So Sad.” He also worked with Delaney & Bonnie & Friends and Laura Nyro between Allman Brothers Band projects.

By then acknowledged as one of rock’s premier guitarists, Duane and the Allman Brothers Band began recording their follow-up to At Fillmore East — Eat a Peach. Tom Dowd, another legendary Atlantic house producer, oversaw sessions at Criteria Studios. Then on October 29, 1971, four days after Fillmore had been certified gold, Duane was riding his motorcycle and swerved to avoid hitting a truck. He crashed and died of internal injuries. He was 24 years old.

 The band forged ahead as a quintet on Eat a Peach, which became one of their best selling albums. The Allman Brothers, led by Gregg Allman and Butch Trucks, continue to perform to this day.

Schinder notes, “More than four decades after his death, Duane Allman remains a towering figure whose stature has only increased in his absence. His influence lives on, not only in the multiple generations of guitarists who have been motivated by his input, but also in the legions of listeners who have continued to find inspiration in his vibrant vision of American music, which remains as fresh and truthful today as when it was created.”

“When a musician of my father’s caliber dies, every note he ever recorded becomes even more precious,” writes Galadrielle. “Each song is pressed into the service of telling his story. The longer Duane is gone, the clearer it becomes that there will never be another like him.”

Over seven discs, Skydog tells the Duane Allman story with rare and never-before-heard gems alongside smash hits.

“I hope the celebration of Duane’s life inspires you to live fearlessly and enjoy life,” Galadrielle concludes. “I know that would have made him proud.”

Disc One
1 THE ESCORTS Turn On Your Love Light 2:33
2 THE ESCORTS No Name Instrumental 3:13
3 THE ESCORTS What’d I Say 4:04
4 THE ALLMAN JOYS Spoonful 2:27
5 THE ALLMAN JOYS Gotta Get Away 2:38
6 THE ALLMAN JOYS Shapes Of Things 2:47
7 THE ALLMAN JOYS Crossroads 3:32
8 THE ALLMAN JOYS Mister, You’re A Better Man Than I 4:45
9 THE ALLMAN JOYS Lost Woman 5:23
10 HOUR GLASS Cast Off All My Fears 3:31
11 HOUR GLASS I’ve Been Trying 2:39
12 HOUR GLASS Nothing But Tears 2:29
13 HOUR GLASS Power Of Love 2:51
14 HOUR GLASS Down In Texas 3:08
15 HOUR GLASS Norwegian Wood (This Bird Has Flown) 3:01
16 HOUR GLASS B.B. King Medley 7:07
17 HOUR GLASS Been Gone Too Long 3:03
18 HOUR GLASS Ain’t No Good To Cry 3:08
19 31ST OF FEBRUARY Morning Dew 3:46
20 31ST OF FEBRUARY Melissa 3:12
21 THE BLEUS Milk And Honey 2:34
22 THE BLEUS Leavin’ Lisa 2:43
23 THE BLEUS Julianna’s Gone 2:59

Disc Two
1 CLARENCE CARTER The Road Of Love 2:54
2 CLARENCE CARTER Light My Fire 2:49
3 WILSON PICKETT Hey Jude 4:06
4 WILSON PICKETT Toe Hold 2:49
5 WILSON PICKETT My Own Style Of Loving 2:41
6 WILSON PICKETT Born to Be Wild 2:45
7 LAURA LEE It’s How You Make It Good 2:32
8 LAURA LEE It Ain’t What You Do (But How You Do It) 2:05
9 SPENCER WIGGINS I Never Loved A Woman (The Way I Love You) 3:01
10 ARTHUR CONLEY Ob-La-Di, Ob-La-Da 3:00
11 ARTHUR CONLEY Stuff You Gotta Watch 2:15
12 ARTHUR CONLEY Speak Her Name 2:39
13 ARTHUR CONLEY That Can't Be My Baby 2:22
14 WILLIE WALKER A Lucky Loser 2:20
15 THE LOVELLES I'm Coming Today 2:59
16 THE LOVELLES Pretending Dear 2:38
17 ARETHA FRANKLIN The Weight 2:53
18 ARETHA FRANKLIN It Ain't Fair 3:22
19 SOUL SURVIVORS Darkness 2:56
20 SOUL SURVIVORS Tell Daddy 2:30
21 SOUL SURVIVORS Got Down On Saturday 3:10
22 KING CURTIS Hey Joe 2:56
23 KING CURTIS Foot Pattin' 4:49
24 KING CURTIS Games People Play 2:46
25 KING CURTIS The Weight 2:47
26 THE SWEET INSPIRATIONS Get A Little Order 2:06

Disc Three
1 THE BARRY GOLDBERG BLUES BAND Twice A Man 4:26
2 DUANE ALLMAN Goin' Down Slow 8:44
3 DUANE ALLMAN No Money Down 3:25
4 DUANE ALLMAN Happily Married Man 2:40
5 OTIS RUSH Me 2:55
6 OTIS RUSH Reap What You Sow 4:53
7 OTIS RUSH It Takes Time 3:25
8 THE DUCK & THE BEAR Going Up The Country 2:34
9 THE DUCK & THE BEAR Hand Jive 2:41
10 BOZ SCAGGS Finding Her 4:10
11 BOZ SCAGGS Look What I Got 4:13
12 BOZ SCAGGS Waiting For A Train 2:41
13 BOZ SCAGGS Loan Me A Dime 13:01
14 THE ALLMAN BROTHERS BAND Don't Want You No More 2:26
15 THE ALLMAN BROTHERS BAND It's Not My Cross To Bear 5:01
16 THE ALLMAN BROTHERS BAND Black Hearted Woman 5:07
17 THE ALLMAN BROTHERS BAND Trouble No More 3:45

Disc Four
1 THE ALLMAN BROTHERS BAND Every Hungry Woman 4:13
2 THE ALLMAN BROTHERS BAND Dreams 7:16
3 THE ALLMAN BROTHERS BAND Whipping Post 5:16
4 RONNIE HAWKINS One More Night 2:22
5 RONNIE HAWKINS Will The Circle Be Unbroken 2:50
6 RONNIE HAWKINS Matchbox 3:05
7 RONNIE HAWKINS Down In The Alley 5:08
8 RONNIE HAWKINS Who Do You Love 2:13
9 LULU Marley Purt Drive 3:21
10 LULU Dirty Old Man 2:20
11 LULU Mr. Bojangles 3:08
12 LULU Sweep Around Your Own Back Door 2:40
13 JOHNNY JENKINS I Walk On Gilded Splinters 5:16
14 JOHNNY JENKINS Rollin’ Stone 4:56
15 JOHNNY JENKINS Down Along The Cove 3:02
16 JOHNNY JENKINS Voodoo In You 4:50
17 JOHN HAMMOND Shake For Me 2:42
18 JOHN HAMMOND Cryin’ For My Baby 2:39
19 JOHN HAMMOND I’m Leavin’ You 3:20
20 JOHN HAMMOND You’ll Be Mine 2:42
21 DORIS DUKE Ghost Of Myself 3:06

Disc Five
1 ERIC QUINCY TATE Comin’ Down (demo version) 2:52
2 THE ALLMAN BROTHERS BAND Hoochie Coochie Man (live) 5:00
3 THE ALLMAN BROTHERS BAND Midnight Rider 2:58
4 THE ALLMAN BROTHERS BAND Dimples (live) 4:59
5 THE ALLMAN BROTHERS BAND I'm Gonna Move To The Outskirts Of Town (live) 9:21
6 DELANEY & BONNIE & FRIENDS Soul Shake 3:06
7 LAURA NYRO Beads Of Sweat 4:47
8 THE ALLMAN BROTHERS BAND Don’t Keep Me Wonderin’ 3:28
9 DELANEY & BONNIE & FRIENDS Living On The Open Road 3:03
10 ELLA BROWN A Woman Left Lonely 3:23
11 ELLA BROWN Touch Me 2:59
12 BOBBY LANCE More Than Enough Rain 5:51
13 DEREK & THE DOMINOS I Am Yours 3:34
14 DEREK & THE DOMINOS Why Does Love Got To Be So Sad? 4:41
15 DEREK & THE DOMINOS Have You Ever Loved A Woman 6:52
16 DEREK & THE DOMINOS Layla 7:03
17 ERIC CLAPTON & DUANE ALLMAN Mean Old World 3:48

Disc Six
1 SAM SAMUDIO Me And Bobby McGee 3:31
2 SAM SAMUDIO Relativity 3:14
3 SAM SAMUDIO Goin' Upstairs 5:06
4 RONNIE HAWKINS Don't Tell Me Your Troubles 2:13
5 RONNIE HAWKINS Sick And Tired 2:45
6 RONNIE HAWKINS Odessa 3:19
7 DELANEY & BONNIE & FRIENDS Gift Of Love 2:09
8 DELANEY & BONNIE & FRIENDS Sing My Way Home 4:02
9 THE ALLMAN BROTHERS BAND Statesboro Blues (live) 4:17
10 THE ALLMAN BROTHERS BAND In Memory Of Elizabeth Reed (live) 13:04
11 GRATEFUL DEAD Sugar Magnolia (live) 7:20
12 THE ALLMAN BROTHERS BAND One Way Out (live) 4:57
13 HERBIE MANN Push Push 10:03
14 HERBIE MANN Spirit In The Dark 7:59
15 HERBIE MANN What’d I Say 4:57

Disc Seven
1 DELANEY & BONNIE & FRIENDS Come On In My Kitchen (live) 3:42
2 DELANEY & BONNIE & FRIENDS Going Down The Road Feeling Bad (live) 4:03
3 DELANEY & BONNIE & FRIENDS Poor Elijah / Tribute To Johnson (Medley) (live) 4:54
4 THE ALLMAN BROTHERS BAND You Don't Love Me / Soul Serenade (live) 19:25
5 COWBOY Please Be With Me 3:41
6 THE ALLMAN BROTHERS BAND Stand Back 3:24
7 THE ALLMAN BROTHERS BAND Blue Sky 5:09
8 THE ALLMAN BROTHERS BAND Blue Sky (live) 11:24
9 THE ALLMAN BROTHERS BAND Dreams (live) 17:56
10 THE ALLMAN BROTHERS BAND Little Martha 2:07

THE GRAHAM BOND ORGANIZATION - WADE IN THE WATER: CLASSICS, ORIGINS & ODDITIES (4-CD SET)

An amazing collection of work from the legendary Graham Bond – a 60s Hammond player who was incredibly important to the London scene during the best mod years of the decade! Bond was way more than just a jazz musician – and like George Fame, Zoot Money, and a few of his other contemporaries – he had a way of mixing together jazz and soul with a strong touch of blues – almost a new British version of soul jazz, similar to the way that some of the bigger English rock groups were drawing from American R&B! Graham sings on most tracks – with these raspy vocals that are incredibly charming, and downright soulful – and in addition to his own work on organ, instrumentation features lots of pre-Cream work from Ginger Baker on drums and Jack Bruce on bass – plus plenty of tenor from Dick Heckstall-Smith too. If you dig the mod work of Georgie Fame, you'll find plenty to love here too – but Bond also really helps point the way towards more progressive jazz-rock experiments of the future – although this set features mostly tracks from 1966 and before, without any of Graham's later trippier music. The 4CD package is the best collection we've ever seen of Bond's music from these years – and includes rare singles, unreleased cuts, and even some side projects with Ernest Ranglin and Duffy Power too. 98 tracks in all, with a great booklet as well – and titles that include "Cabbage Greens", "Harmonica", "Tammy", "Early In The Morning", "Honey Bee", "Long Tall Shorty", "Soul Tango", "Down In The Valley", "Waltz For A Pig", "Like A Baby", "Please Don't Say", "Walking In The Park", "Who's Afraid Of Virginia Woolf", "Dick's Instrumental", and lots lots more. ~ Dusty Groove

NEW RELEASES - CHARLIE WILSON, MARY WELLS, AL GREEN

CHARLIE WILSON - LOVE, CHARLIE

Charlie Wilson's fourth album in eight years -- his fourth consecutive release to feature his first name in the title -- is his most modest and low-key set. Some listeners might bemoan the increasingly reserved nature of Wilson's releases since the singer's unexpected 2000s resurgence, but the direction is natural. It would make little sense for him to continue teaming with songwriters and producers accustomed to working with pop-oriented R&B artists less than half his age. Besides, these love songs -- all of which were co-written beside wife Mahin Wilson and an assortment of others -- are not lacking in energy and spirit. For someone who has been through as much as Wilson, who beat prostate cancer, seemingly basic sentiments expressed in "If I Believe" and "I Still Have You" ring clearly and loudly with conviction and vigor. ... Full Description While it does not feature as many standouts as the three previous "Charlie" albums, Love, Charlie is another enjoyable and genuine addition to the catalog of a funk heavyweight. ~ Andy Kellman.

MARY WELLS - ONE WHO REALLY LOVES YOU

Mary Wells place as the First Lady of Motown was well and truly confirmed in 1962, thanks in large part to the runaway success of the singles The One Who Really Loves You and You Beat Me To The Punch, b oth of which hit the Top Ten of the pop chart. Both were written by Smokey Robinson, the second in conjunction with fellow Miracle Ronnie White, and feature The Love-Tones, a male group who briefly offered the same kind of vocal accompaniment that The Andantes would later provide. Although there is no producer credit on the resulting album, it has the stamp of Smokey running all the way through like a stick of rock. Together, Mary and Smokey were a winning combination, one which would reach its peak with My Guy, but much of this album is of the same kind of calibre. ~ CD Universe

AL GREEN - THE LOVE SONGS COLLECTION

Recorded between 1972 & 2002. Includes liner notes by Colin Escott. If there's ever been a soul singer who deserves to be called on to provide mood music for romantic interludes, it's Al Green. With his ringing falsetto, impassioned phrasing, and killer arrangements by famed Hi Records producer Willie Mitchell, Green's Love Songs Collection merits a special place on your shelf. All the great songs are here: the simmering "Call Me (Come Back Home)," cool and loose "Here I Am (Come and Take Me)," yearning "Let's Stay Together," and sassy "Love And Happiness." Although most of these songs were either written or co-written by Green, there's also a number of notable covers including a restrained interpretation of Kris Kristofferson's "For The Good Times" and a version of the Bee Gees' "How Can You Mend a Broken Heart" that aches with hurt. Personnel includes: Al Green, Ann Nesby (vocals). Compilation producers: Bryan Kelley, Shannon Ward. Rolling Stone (2/6/03, p.65) - 4 stars out of 5 - "...Green has plenty of greatest-hits collections, but this is as fine a place as any to start..."  ~ CD Universe

MILES DAVIS QUINTET - LIVE IN EUROPE 1969: THE BOOTLEG SERIES VOLUME 2

The perfect sequel to 2011's critical and commercial blockbuster, Live In Europe 1967: The Bootleg Series Volume 1, this second edition in the label's widely-heralded Miles Davis Bootleg Series moves ahead two years and presents the 'third great quintet,' a lineup of the world's most highly-regarded jazz musicians, then and now, in some of the only existing recordings of the group, and the first legitimately released recordings by this stellar lineup.

Deluxe 3-CD +DVD package presents previously only bootlegged 1969 live recordings from Antibes Jazz Festival (France) and Stockholm; plus rare color concert filmed in Berlin. Superior audio quality using masters sourced directly from the European broadcast outlets that originally recorded and aired this material.18 diffenrent songs spanning the widest range of selections Miles ever played, all in re-imagined new versions or first time professional recordings, including live versions of several songs previously heard only in their studio versions. Superbly shot, multi-camera color concder DVD of the band at its hottest in Berlin, November 1969.  

Extremely rare, mostly acoustic set from Stockholm, with a bonus track version of Chick Corea's "This" in its only professional recording by Miles. Expansive 3,000-word essay written by noted LA Times journalist Josef Woodard (winner, ASCAP Deems Taylor Award for jazz writing, 1998), featuring quotes from a 1989 Miles interview, and interviews with all of the surviving members of the band. Full discographical data, as well as rare or uncirculated photographs from these shows. Co-produced by Grammy-winning producers Richard Seidel and Michael Cuscuna. The perfect follow-up to Bootleg Volume 1 - this is the next chapter in the evolution of Miles' music! The second volume in Columbia/Legacy's Miles Davis Bootleg Series, this four-disc set (three CDs and a DVD) collects rare live performances by Miles Davis' so-called "third great quintet" (this 1969-1970 quintet, consisting of Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette, has also been dubbed "the Lost Band," since they never recorded in a studio together) at the Antibes Jazz Festival, and at stops in Stockholm and Berlin during a 1969 tour of Europe. Personnel: Miles Davis (trumpet); Wayne Shorter (saxophone); Chick Corea (keyboards); Jack DeJohnette (drums).  ~ CD Universe

ERIC BURDON - 'TIL YOUR RIVER RUNS DRY

Eric Burdon never stopped working but he did effectively disappear, falling away from the spotlight sometime before the Animals were inducted to the Rock & Roll Hall of Fame in 1994. He kept touring, kept recording, but was decidedly underneath the radar until Bruce Springsteen made him a centerpiece of his 2012 South by Southwest keynote address, inviting the veteran rocker to share the stage with him later that night. Suddenly, Burdon was pushed into the spotlight and he capitalized upon his raised profile, cutting a quick and dirty indie EP with Cincinnati rockers the Greenhornes and then re-upping with Abkco (home of the Animals catalog) for 2013's Til Your River Runs Dry, his first high-profile record in eons and his first album of largely original material since 2004.

At this late stage, Burdon isn't seeking reinvention -- he sticks to his basics, including two salutes to his hero Bo Diddley (one a cover; one a tribute) -- but he doesn't sound stale, either. He's engaging in the present by relying on his tradition, reviving the menacing minor-key rock of the Animals, touching upon a bit of War's multi-cultural funk, indulging his love of the blues, all while reflecting on mortality, waging a bit of social protest, recognizing that "Old Habits Die Hard," resisting the temptation to go gently into that good night. Burdon doesn't sound like a young man but he does sound invigorated, sometimes singing so passionately he teeters on the edge of self-parody, but that's the appeal of 'Til Your River Runs Dry: Burdon pours everything into this album, as if he realizes this is his last best shot to get the credit he's due. And, against all odds, he succeeds with this tough, flinty, proudly old-fashioned rock & roll album. ~ Stephen Thomas Erlewine

NEW RELEASES - ROBERT MAGRIS SPACE TREK, DOROTHY DORING / PHIL MATTSON, HARRY NILSSON

ROBERT MAGRIS SPACE TREK - ALIENS IN A BEBOP PLANET

Aliens In A Bebop Planet is a beautiful jazz portrait in which Roberto Magris plays a musical alien that has landed on a musical planet and excitedly stumbles across a past jazz era full of rich bebop classics. He meticulously gathers some of the best jazz compositions from this space trek and brings them home to investigate, study, then, uses them to become a better jazz musician. So, like an alien that has landed on a bebop planet, Roberto has since been studying in real earnest to recover lost musical treasures then extract the essence of a people and legends in an era gone by but not forgotten. That is not without making his musical contributions from this exciting space trek."The result is a jazz masterpiece!  ~ CD Universe

DOROTHY DORING / PHIL MATTSON - COMPOSITIONS

Vocalist Dorothy Doring and pianist and arranger Phil Mattson are seasoned performers and music educators who are always working and improving their craft while continuing to perform with great passion and technique. Their beautiful duo CD project gives tribute to the great Duke Ellington and Billy Strayhorn. Their arrangements and musical interpretations are creative, original and command attention for the serious listener of jazz and cabaret. Their artistic collaboration is one of respect and trust. Their joy for the art of performance is evident on all eleven tracks on this stunning recording. ~ CD Universe

HARRY NILSSON - PLAYLIST: THE VERY BEST OF HARRY NILSSON

2013's budget-line compilation Playlist isn't a bad sampler of Harry Nilsson's peak, as it's helped considerably by the inclusion of his '60s and '70s staples "One," "Everybody's Talkin'," "Me and My Arrow," "Without You," "Coconut," "Jump Into the Fire," and "You're Breakin' My Heart." Apart from these, the collection favors his softer material and crooned classics, which is good enough for a budget-line collection but can't quite be considered a definitive Nilsson retrospective. ~ Stephen Thomas Erlewine

JOHNNY WINTER AND - LIVE AT THE FILLMORE EAST 10/3/19

For decades now, we've thought of Live Johnny Winter And as the seminal live JW document from the early part of his career. That record, taken from performances at the Fillmore East and from a gig in Florida, was comprised mainly of rock & roll covers and a couple of originals. As a single LP it clocked in at just under 40 minutes. It smokes, but not as hard as this set, recorded a week or two before at the Fillmore East in 1970. Sony let Collectors' Choice take some prime stuff from the vaults for this one.

This is the Johnny Winter And group simply tearing it up on a selection of originals and covers. The sound quality is phenomenal and the energy on this gig not only rivals that of the previous record, it leaves it in the dust. For listeners who are casting a wary eye at this review, one need only compare the two versions of "Good Morning Little School Girl," which are only a second different in length.

That said, the symbiotic interplay between Winter and second lead guitarist Rick Derringer (who went by his real name of Zehringer then) on this version sounds like a switchblade duel. The other two cuts that are duplicated, "It's My Own Fault" and "Mean Town Blues," are both much longer on this gig. The former clocks in at 22 minutes and the latter at 18. The improvisation and guitar challenges are voluminous, wildly energetic, and creative. "Highway 61 Revisited" here contains the slide guitar workout from Winter we hoped for on the Second Winter album and never got. The furious abandon he plays with is unchallenged on any of his live records; it's Elmore James by way of Mike Bloomfield with Winter's gnarly single-string fills, full of distortion and barely controlled volume.

The version of "Mean Town Blues" on this set becomes the definitive one -- in large part because of Derringer's complementary counterpoint lead work -- as does "It's My Own Fault," which transcends its slow tempo and becomes something wholly other. The closing read of Muddy Waters' "Rollin' and Tumblin'" is only 4:33, but makes one wish it were three times that long. Its fiery, steel-melting intensity features some of the most vicious slide guitar on record to come out of the '70s. The only track that really doesn't impress here is "Rock and Roll Hoochie Koo," but not because its performance is substandard. It's simply that in comparison to all the brilliant spontaneity and furious energy on the rest of the set, it feels too controlled. But that's hardly a complaint. Even though Derringer wrote it, this one blows away the JWA studio version or Derringer's own hit single take. This set blows the stuff in Winter's own officially released bootleg series away, and becomes his definitive live recording, hands down. ~ Thom Jurek

NEW RELEASES - ETTA JAMES, RONNIE LAWS, LEE FIELDS

ETTA JAMES - ETTA IS BETTER THAN
EVVAH!

One of the few late Chess albums for Etta James – recorded during the period when the company was owned by the All Platinum family of labels in New Jersey – and it's a pretty funky one, with incredible vocals by Etta! Most of the record was cut in NJ, and features Etta's bluesy style meeting some nice funky arrangements by Mike Terry – plus a couple of tracks cut in Hollywood that fit right in stylistically. One of those is the strong opener "Woman (Shake Your Booty)" – with production credited to Etta – and other tracks include "Groove Me", "A Love Vibration","Only A Fool", "Jump Into Love", "Ain't No Pity In the Naked City", a great version of Randy Newman's "Leave Your Hat On". This first ever CD version from Kent UK has 10 bonus tracks – featuring even more overlooked Chess recordings from the early-to-mid 70s – including a cover of "You've Lost That Lovin' Feeling", "Down So Low", "Feeling Uneasy", Power Play", "Let's Burn Down The Cornfield", "Lovin' Arms" and more. ~ Dusty Groove

RONNIE LAWS - FRIEND AND STRANGERS

A stone classic from reedman Ronnie Laws - and an album that really helped set a whole new standard for funky fusion in the 70s! Laws works here with great Wayne Henderson production – which gives the album an even sharper sound than other Blue Note sets of this vintage – and that kind of tight blend of funk and jazz you'd find in the Crusaders, with a similar no-nonsense approach in the grooves! Henderson's got a great way of never being too smooth – and Laws responds with some wicked solos on tenor, soprano sax, and flute – soaring out over the course of the whole wonderful album. Titles include "Goodtime Ride", "Just Love", "Saturday Evening", "Friends & Strangers", "Nuthin Bout Nuthin", "New Day", and "Same Old Story". ~ Dusty Groove

LEE FIELDS - LET'S TALK IT OVER

Early early work from Lee Fields – a set originally issued at the end of the 70s, but with a raw funky power that's much more like music from a decade before! The set was a real anomaly at the time, and was passed over for years – but through the decades, it's earned Lee legendary status as one of the few cats who were keeping things hard and funky when the rest of the country was going disco – a reputation that's definitely held up strongly by the gritty tracks in the set! There's a strong echo of southern soul in the music – again the feel of something from years before – and the raw production only seems to make the whole thing sound even better – with an edge that's even different than Fields' better-known work of recent years. The album was done for the tiny Angle 3 label – a company so small that it opted for one of the "stock" images that was given the album by the pressing plant, which gave the album a very unspectacular cover – corrected on this deluxe reissue by the great cover image here. This reissue also features loads of bonus tracks too – other rare Lee Fields singles from over the years – making the package a true testament to his pre-revival genius! Album tracks include "Everybody Gonna Give Their Thing Away (parts 1 & 2)", "Flim Flam", "Wanna Dance", "She's A Lovemaker", "Mighty Mighty Love", and "Let's Talk It Over". Bonus tracks include "Fought For Survival", "Funky Screw", "The Bull Is Coming", "Take Me Back", "You Been Cutting Out On Me", and "Bewildered". (Includes download.). ~ Dusty Groove

NEW RELEASES - JAN GARBAREK / EGBERTO GISMONTI / CHARLIE HADEN, PATRICA KAAS, DEZRON DOUGLAS

JAN GARBAREK / EGBERTO GISMONTI / CHARLIE HADEN - MAGICO: CARTA DE AMOR

A fascinating set from three strong and contrasting musical personalities: Norwegian saxophonist, Brazilian guitarist-pianist, and US bassist making purposeful and creative music together on this previously unreleased live recording. Carta de Amor documents music captured at Munichs Amerika Haus in April, 1981. Two years on from the much-loved albums Magico and Folk Songs, the trios improvisational empathy and sensibilities were further honed by experiences as a touring group. Repertoire includes five pieces from Gismontis pen, with the title track heard in two variations, opening and closing this enthralling double album. Also heard here are Garbareks folk song arrangements and an extended, freewheeling version of his composition Spor. Charlie Haden brings in La Pasionaria, from the repertoire of the Liberation Music Orchestra and All That Is Beautiful, not previously documented on disc. Recorded by Manfred Eicher and Martin Wieland in 1981, mixed from original analog tapes by Eicher and Jan Erik Kongshaug in 24 bit/96 kHz in 2012. ~ amazon.com

PATRICIA KAAS - KAAS CHANTE PIAF

Revisiting the greatest hits of French chanteuse Edith Piaf, this album is central to Patricia Kaas tribute to the legendary singer! The sensual and smoky voice of Kaas is extraordinary here as Kaas is a absolutely fantastic in her interpretations of Piaf's songs. Commemorating the 50th anniversary of Edith Piaf s passing, this release features some of Piaf s most evocative titles, remixed by young French electronic artists under the direction of Fabrice Brovelli and Christophe Caurret, who produced Woodkid, The Shoes, and Yuksek. Tracks include Mon dieu, Padam, padam, Avec ce soleil, Milord, and The 9th Hour (Prélude).

DEZRON DOUGLAS - LIVE AT SMALLS

Bass prodigy Dezron Douglas hails from Hartford, Connecticut. A product of the Jackie McLean Institute, Douglas quickly established himself as a dominant voice on the jazz scene of New York City. He began to work with such giants as Louis Hayes, Pharaoh Sanders, Louis Nash, Kevin Mahagony and a slew of others. As a leader, Douglas is presented here with a band of his peers: the highly original Stacy Dillard, the fiery (and also McLean alum) Josh Evans, pianist David Bryant and the veteran drummer Willie Jones III. This memorable live date at the legendary Smalls Jazz Club is exciting, full of fire and drama and wonderful swinging moments. ~ amazon.com

PAT METHENY - THE ORCHESTRION PROJECT

In 2010, 19-time Grammy Award winner Pat Metheny took his musical exploration to a new territory with his Orchestrion, a computer controlled mini-orchestra capable of responding to his touch on guitar. After releasing the Orchestrion record, Metheny and his "band" hit the road, playing over 100 concerts around the world, culminating with the recording of The Orchestrion Project in Brooklyn, NY. This recording showcases the full evolution of the Orchestrion as documented at the tail end of a sprawling world tour. The double-disc set features all five sections of Orchestrion "a soaring five-movement suite featuring some of the most intricate music he's ever created" (Boston Globe) plus eight additional Metheny compositions reimagined with the Orchestrion.


The Orchestrion itself is an assemblage of computer-operated acoustic instruments, all controlled by Metheny's guitar. The full instrumental array includes several pianos, drum kits, marimbas, "guitar-bots, " dozens of percussion instruments and even cabinets of carefully tuned bottles. Through Metheny's guitar, the instruments are struck, plucked, and otherwise played via the technology of solenoid switches and pneumatics. Metheny worked for months with a brilliant team of scientists and engineers to develop and assemble the Orchestrion.

The Orchestrion album and tour received critical praise, with Jazz Times saying, "Mallets, bells, bottles, piano, cymbals and incidental percussion held forth in a spectacle of dissonance and extraordinary color, sounding like Metheny meets Boulez. " And NPR Music said, "No matter who or what he has on stage with him, Pat Metheny plays music as if at the end of the show he would be prevented from doing so for the rest of his life. He makes every note matter, and infuses each with so much emotion that it's very hard not to get swept up in the moment...he always looks like he's having as much fun playing as we are listening. His tour with the Orchestrion will likely be talked about for quite a while. "

Release: Feb., 13, 2013
~ amazon.com

NEW RELEASES - MARTHA WASH, HARRY CONNICK, JR., PETRA HADEN

MARTHA WASH - SOMETHING GOOD

Martha Wash is a 30-year veteran of the music industry, from her work with the late visionary Sylvester as one of the ‘Two Tons O’ Fun’ (then later dubbed ‘The Weather Girls’ with the release of “It’s Raining Men”) to her work with another late visionary, Luther Vandross, plus C&C Music Factory, Black Box, and many more. However, if your only experience with her energizing vocal power is with upbeat dance tracks, then prepare for an acoustic musical shift on this CD. Something Good is stretching out and serving mid-tempo and adult contemporary pop aimed at providing a shot of hope for the disconnected and jaded. While the entire disc is a very solid effort, standout tracks here are “It’s My Time” written by Swedish singer/songwriter, Helena Johansson, “Destiny”, co-written by Wash, and “I’ve Got You”, written by Rony Goffer and Zach Adam. She even takes on and ably handles the Aerosmith classic track, “Dream On”. This is music that should lift you up from any rut that you feel stuck in. Immerse yourself in Something Good. ~ marthawash.com

HARRY CONNICK, JR. - SMOKEY MARY

Out on February 5, 2013 is Harry Connick, Jr's.,  new album titled Smokey Mary. This limited release album is a celebration of the 20th Anniversary of the Krewe of Orpheus, the Mardi Gras parade that Harry co-founded in 1993. The album, which consists of nine brand new songs and two previously released tracks from Harry’s Star Turtle album, is a celebration of the city, people, and culture of New Orleans and specifically, the biggest and most eagerly anticipated parade in all of Mardi Gras, Orpheus. The parade will roll for the twentieth time on Monday, February 11 at 6 PM starting at Tchoupitoulas and Napolean and ending at the New Orleans Convention Center.

PETRA HADEN - PETRA GOES TO THE MOVIES   Petra Haden’s new album entitled Petra Goes To The Movies offers a one of a kind opportunity to experience some cinematic soundtracks in an extraordinary new way. Epic and evocative scores have been ingeniously recreated utilizing layers of remarkably inventive vocals. Far from a mere novelty, these interpretations retain every bit of emotional resonance and inspirational might as the originals. Out this January 22 via Anti-, the album features Petra Haden, a highly regarded session musician and former member of That Dog, delivering a cappella versions of songs from films such as Rebel Without A Cause, Taxi Driver, Superman and more.