Few artists convey emotional truth as effortlessly as Lindsey Webster. With a voice that is at once grounded, luminous, and unmistakably her own, the Woodstock-raised vocalist continues to carve out a singular lane in contemporary jazz and R&B. Critics have long taken note—PopMatters has praised her consistency and sophistication, while All About Jazz has recognized her ability to honor tradition while pushing it forward. Yet beyond the accolades lies an artist whose greatest strength may be her self-awareness.
“I feel more at ease with myself than ever before,” Webster shares. That confidence permeates both her life and her playlists. Her most-streamed artist is Bob Marley, and her listening habits span an eclectic mix that includes Yo-Yo Ma, Mos Def, Olivia Dean, Aaliyah, Mariah Carey, and Jeff Buckley. That wide-ranging inspiration mirrors her own genre-blending approach—soulful yet refined, intimate yet expansive.
Webster’s calm presence and expressive range have helped her cultivate a loyal global audience. SoulTracks once famously remarked that if Carole King and Sade shared a musical lineage, Webster would be the heir apparent. Notably, she stands as the only vocalist since Sade to reach No. 1 on Billboard’s Contemporary Jazz chart, a milestone achieved with her breakout hit “Fool Me Once.” That accomplishment solidified her status as a defining voice in modern jazz.
Her seventh studio album, Music In Me, arriving February 27, 2026, signals both artistic growth and personal renewal. The project reunites her with longtime collaborator and pianist Keith Slattery and features an impressive roster of guest artists. Among them are Grammy-winning R&B powerhouse Stokley and soul icon Anthony Hamilton. Stokley not only joins Webster for a duet but also contributes drums and percussion across the record. The album also welcomes trumpeter Keyon Harrold, guitarist Isaiah Sharkey, and rapper-composer Kev Choice, creating a textured and dynamic sonic landscape.
For the first time in her career, Webster embraces vocal duets—something she had envisioned for years. She describes collaborating with Hamilton and Stokley as both surreal and deeply meaningful, especially given the personal challenges she has navigated in recent years. The album, crafted over a three-year period, reflects patience, intention, and emotional resilience.
Across its 13 tracks, Webster explores themes of love, longing, healing, and hope. The title song sets the tone as a heartfelt tribute to the transformative power of music itself. For Webster, music is more than a profession—it is sanctuary. She speaks openly about how song has been her refuge and steady companion through every chapter of life, shaping her emotional landscape and offering renewal when it was needed most.
Her vocal performances continue to evolve, revealing new layers of nuance and control. While listeners may hear echoes of great stylists such as Mariah Carey, Anita Baker, or Roberta Flack, Webster’s phrasing and tone remain distinctly hers—warm, centered, and emotionally transparent. The album stands as her most introspective body of work yet, balancing technical finesse with heartfelt storytelling.
Before music claimed her full attention, Webster once considered a path in medicine. Choosing instead to pursue her artistic calling, she built a career defined by steady growth and chart success, including acclaimed projects like Back To Your Heart and Reasons. With Music In Me, she enters a new era—one rooted in gratitude, clarity, and creative freedom.
At its heart, Webster’s mission is connection. She believes music has a quiet but profound ability to bring people together, even when unity is not the explicit goal. In a world often divided by differences, she champions curiosity, empathy, and shared joy. It is that spirit—along with her unmistakable voice—that makes Music In Me more than just an album. It is an invitation.
When the music begins, the message is simple: pause, listen deeply, and hold close the blessings that surround you.
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