Grzybnia by Bloto is a boundary-pushing album that offers a beautifully creative blend of post-jazz experimentation, Polish avant-garde artistry, and modern soundscapes. Released in 2024 under the Astigmatic label, this album marks a significant evolution in Bloto’s already distinctive musical voice. With a unique mix of acoustic and electronic textures, Grzybnia is an electrifying journey through jazz's outer reaches—a place where improvisation and innovation thrive.
Bloto’s Evolution: From Roots to Revolution
Bloto, a Polish musical collective that first gained attention for their genre-blending approach, have been gaining critical acclaim for their fearless exploration of new sonic territories. Drawing comparisons to some of the more revolutionary work coming from the London jazz scene in recent years, Bloto have cultivated a style that mixes free jazz, experimental sounds, and post-jazz approaches into a highly personal and dynamic musical identity.
While their earlier works were already marked by their innovative use of space and sound, Grzybnia represents the band’s most cohesive, poetic, and dynamically complex offering to date. The group’s ability to merge the poetic with the dramatic is showcased throughout the album, creating a series of atmospheric compositions that capture both the intellectual and emotional depths of modern jazz.
The Sounds of Grzybnia: A Sonic Adventure
At the heart of Grzybnia is Bloto's distinct sound palette, which blends acoustic instruments with various electronic textures. A key feature of the album is the extensive use of synthesizers, which includes the Moog Little Phatty, Roland Aira, Moog Minimoog Voyager, Nord Stage 3, and the Junost 21. These keyboards, combined with a rich mix of electric and acoustic percussion, form a deep and immersive sound that evolves throughout the album.
The saxophone, both tenor and soprano, plays a prominent role in the album’s soundscape, but it’s the way it interacts with these other instruments that really elevates the compositions. The saxes soar, glide, and intertwine with the synthesizers, creating a sense of both chaos and harmony. The dynamic interplay between the organic and the electronic, the tactile and the synthetic, is one of the defining features of Grzybnia.
Bloto’s attention to detail in arranging these instruments is impressive. The shifting use of synths—at times soaring, at times minimalistic—creates waves of atmosphere that complement the saxophones' rich tones. The rhythms, too, are a unique blend, offering a balance of acoustic percussion and electronic beats that often pulse with a hypnotic, almost trance-like quality.
Track Highlights
Grzybnia is a journey through varied landscapes, and each track stands out as a unique piece of musical storytelling. Here are some highlights:
"Shiitake"
The opening track sets the tone for the album with its rich blend of rhythmic percussion and delicate keyboard work. The saxophone here is unhurried but assertive, like an unfolding narrative, while the synths create a strange, organic atmosphere reminiscent of mushrooms growing in a dark forest—an apt metaphor for the album's title, "Grzybnia," meaning "mushroom grove" in Polish.
"Kozak"
"Kozak" introduces a more percussive, almost ritualistic sound, with driving rhythms and heavy basslines. The track has a certain drama to it, as the saxophone slices through the layers of electronic textures. It’s a bold statement of intent, marking Bloto’s desire to push boundaries.
"Muchomor"
The third track, named after the poisonous mushroom Amanita muscaria, combines dreamy and unsettling elements. It starts with gentle, swirling synths before the saxophone enters with a plaintive, yearning tone. The tension between these two elements—soft and harsh, light and dark—creates an eerie atmosphere that sets Muchomor apart.
"Szatan"
With a title that translates to "Satan," this track is filled with intensity and a sense of foreboding. The rhythms are fast, jagged, and erratic, with dissonant keyboard work adding to the sense of chaos. The saxophone becomes increasingly agitated, reflecting the turmoil and madness suggested by the title.
"Zaslonak"
A more introspective piece, "Zaslonak" is slow-moving, contemplative, and mysterious. The saxophone provides the emotional core of the track, while the electronic textures provide an ever-shifting backdrop. The song feels like it’s on the edge of something profound, and yet it never fully reveals itself, maintaining an aura of mystery throughout.
"Boczniak"
Featuring a more experimental and textural approach, "Boczniak" incorporates various unorthodox sounds, blurring the line between traditional jazz and avant-garde experimentation. The track feels abstract at times, with the percussion and synths creating a sonic maze for the listener to navigate.
"Lysiczka"
The final track on the album, "Lysiczka" (translated as “Fairy,” referring to a type of mushroom), brings the album to a contemplative close. Its soothing, ethereal quality contrasts with the more aggressive energy of the preceding tracks. The mood is dreamlike, and the gentle interplay of saxophone and synths creates a reflective, almost meditative atmosphere.
Bloto’s Unique Vibe: The Polish Avant-Garde Jazz Scene
Bloto’s ability to craft intricate, poetic works within the realm of post-jazz sets them apart in a crowded genre. While their sound shares common threads with some of the more revolutionary British jazz acts of recent years, the Polish quartet has managed to develop a voice that feels uniquely their own. Drawing from a broad array of influences, including free jazz, electronic music, and Eastern European folk traditions, they have created a musical language that feels rooted in both history and the present moment.
Their music explores the beauty of contrast—between the organic and the electronic, the classical and the contemporary, the subtle and the dramatic. Bloto’s works don’t offer immediate answers; they invite the listener into a world of discovery. Grzybnia, with its ever-shifting textures and layers, is a prime example of this exploratory approach.
The Astigmatic Label: A Platform for Innovation
Released by the Astigmatic label, Grzybnia continues the label’s tradition of championing forward-thinking and experimental jazz music. Astigmatic has been a key player in the Polish jazz scene, known for its commitment to promoting artists who push boundaries and redefine the genre. The label's association with Bloto reinforces their shared vision of jazz as an ever-evolving art form—one that is constantly being redefined by innovative voices like Bloto's.
Conclusion: A Dynamic Work of Art
Grzybnia is a stunning album that showcases the full range of Bloto’s musical imagination. It is an album that rewards deep listening, offering new discoveries with each play. With its inventive use of both acoustic and electronic elements, its balance of subtlety and drama, and its relentless commitment to creative exploration, Grzybnia is a worthy addition to the canon of modern jazz.
Bloto’s evolution as an ensemble is evident in this release, and Grzybnia signals the arrival of a band that is truly at the top of their game. For fans of post-jazz, experimental music, and those who appreciate genre-defying artistry, this album is an essential listen. Whether you’re new to Bloto or a longtime follower, Grzybnia is an album that will expand your horizons and deepen your appreciation for the ever-expanding world of jazz.
This is a must-have for any serious listener of contemporary jazz, avant-garde music, or fans of innovative soundscapes.
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